A LIBELLER

Is a certain classic author that handles his subject-matter very

ruggedly, and endeavours with his own evil words to corrupt another

man's good manners. All his works treat but of two things, his own

malice and another man's faults, both which he describes in very proper

and pertinent language. He is not much concerned whether what he writes

be true or false; that's nothing to his purpose, which aims only at

filthy and bitter, and therefore his language is, like pictures of the

devil, the fouler the better. He robs a man of his good name, not for

any good it will do him (for he dares not own it), but merely, as a

jackdaw steals money, for his pleasure. His malice has the same success

with other men's charity, to be rewarded in private; for all he gets is

but his own private satisfaction and the testimony of an evil

conscience; for which, if it be discovered, he suffers the worst kind of

martyrdom and is paid with condign punishment, so that at the best he

has but his labour for his pains. He deals with a man as the Spanish

Inquisition does with heretics, clothes him in a coat painted with

hellish shapes of fiends, and so shows him to the rabble to render him

the more odious. He exposes his wit like a bastard, for the next comer

to take up and put out to nurse, which it seldom fails of, so ready is

every man to contribute to the infamy of another. He is like the devil,

that sows tares in the dark, and while a man sleeps plants weeds among

his corn. When he ventures to fall foul on the Government or any great

persons, if he has not a special care to keep himself, like a conjurer,

safe in his circle, he raises a spirit that falls foul on himself and

carries him to limbo, where his neck is clapped up in the hole, out of

which it is never released until he has paid his ears down on the nail

for fees. He is in a worse condition than a schoolboy, for when he is

discovered he is whipped for his exercise, whether it be well or ill

done; so that he takes a wrong course to show his wit, when his best way

to do so is to conceal it; otherwise he shows his folly instead of his

wit, and pays dear for the mistake.

Character Writings of the Seventeenth Century · 第 409 / 429 题