A ROMANCE-WRITER

Pulls down old histories to build them up finer again, after a new model

of his own designing. He takes away all the lights of truth in history

to make it the fitter tutoress of life; for Truth herself has little or

nothing to do in the affairs of the world, although all matters of the

greatest weight and moment are pretended and done in her name, like a

weak princess that has only the title, and falsehood all the power. He

observes one very fit decorum in dating his histories in the days of old

and putting all his own inventions upon ancient times; for when the

world was younger, it might perhaps love and fight, and do generous

things at the rate he describes them; but since it is grown old, all

these heroic feats are laid by and utterly given over, nor ever like to

come in fashion again; and therefore all his images of those virtues

signify no more than the statues upon dead men's tombs, that will never

make them live again. He is like one of Homer's gods, that sets men

together by the ears and fetches them off again how he pleases; brings

armies into the field like Janello's leaden soldiers; leads up both

sides himself, and gives the victory to which he pleases, according as

he finds it fit the design of his story; makes love and lovers too,

brings them acquainted, and appoints meetings when and where he pleases,

and at the same time betrays them in the height of all their felicity to

miserable captivity, or some other horrid calamity; for which he makes

them rail at the gods and curse their own innocent stars when he only

has done them all the injury; makes men villains, compels them to act

all barbarous inhumanities by his own directions, and after inflicts the

cruellest punishments upon them for it. He makes all his knights fight

in fortifications, and storm one another's armour before they can come

to encounter body for body, and always matches them so equally one with

another that it is a whole page before they can guess which is likely to

have the better; and he that has it is so mangled that it had been

better for them both to have parted fair at first; but when they

encounter with those that are no knights, though ever so well armed and

mounted, ten to one goes for nothing. As for the ladies, they are every

one the most beautiful in the whole world, and that's the reason why no

one of them, nor all together with all their charms, have power to tempt

away any knight from another. He differs from a just historian as a

joiner does from a carpenter; the one does things plainly and

substantially for use, and the other carves and polishes merely for show

and ornament.

Character Writings of the Seventeenth Century · 第 408 / 429 题