A CURIOUS MAN

Values things not by their use or worth, but scarcity. He is very tender

and scrupulous of his humour, as fanatics are of their consciences, and

both for the most part in trifles. He cares not how unuseful anything

be, so it be but unuseful and rare. He collects all the curiosities he

can light upon in art or nature, not to inform his own judgment, but to

catch the admiration of others, which he believes he has a right to

because the rarities are his own. That which other men neglect he

believes they oversee, and stores up trifles as rare discoveries, at

least of his own wit and sagacity. He admires subtleties above all

things, because the more subtle they are the nearer they are to nothing,

and values no art but that which is spun so thin that it is of no use at

all. He had rather have an iron chain hung about the neck of a flea than

an alderman's of gold, and Homer's Iliads in a nutshell than Alexander's

cabinet. He had rather have the twelve apostles on a cherry-stone than

those on St. Peter's portico, and would willingly sell Christ again for

that numerical piece of coin that Judas took for Him. His perpetual

dotage upon curiosities at length renders him one of them, and he shows

himself as none of the meanest of his rarities. He so much affects

singularity that, rather than follow the fashion that is used by the

rest of the world, he will wear dissenting clothes with odd fantastic

devices to distinguish himself from others, like marks set upon cattle.

He cares not what pains he throws away upon the meanest trifle so it be

but strange, while some pity and others laugh at his ill-employed

industry. He is one of those that valued Epictetus's lamp above the

excellent book he wrote by it. If he be a book-man, he spends all his

time and study upon things that are never to be known. The philosopher's

stone and universal medicine cannot possibly miss him, though he is sure

to do them. He is wonderfully taken with abstruse knowledge, and had

rather handle truth with a pair of tongs wrapped up in mysteries and

hieroglyphics than touch it with his hands or see it plainly

demonstrated to his senses.

Character Writings of the Seventeenth Century · 第 350 / 429 题