A HUFFING COURTIER

Is a cipher, that has no value himself but from the place he stands in.

All his happiness consists in the opinion he believes others have of it.

This is his faith, but as it is heretical and erroneous, though he

suffer much tribulation for it, he continues obstinate, and not to be

convinced. He flutters up and down like a butterfly in a garden, and

while he is pruning of his peruke takes occasion to contemplate his legs

and the symmetry of his breeches. He is part of the furniture of the

rooms, and serves for a walking picture, a moving piece of arras. His

business is only to be seen, and he performs it with admirable industry,

placing himself always in the best light, looking wonderfully politic,

and cautious whom he mixes withal. His occupation is to show his

clothes, and if they could but walk themselves they would save him the

labour and do his work as well as himself. His immunity from varlets is

his freehold, and he were a lost man without it. His clothes are but his

tailor's livery, which he gives him, for 'tis ten to one he never pays

for them. He is very careful to discover the lining of his coat, that

you may not suspect any want of integrity or flaw in him from the skin

outwards. His tailor is his creator, and makes him of nothing; and

though he lives by faith in him, he is perpetually committing iniquities

against him. His soul dwells in the outside of him, like that of a

hollow tree, and if you do but peel the bark off him he deceases

immediately. His carriage of himself is the wearing of his clothes, and,

like the cinnamon tree, his bark is better than his body. His looking

big is rather a tumour than greatness. He is an idol that has just so

much value as other men give him that believe in him, but none of his

own. He makes his ignorance pass for reserve, and, like a hunting-nag,

leaps over what he cannot get through. He has just so much of politics

as hostlers in the university have Latin. He is as humble as a Jesuit to

his superior, but repays himself again in insolence over those that are

below him, and with a generous scorn despises those that can neither do

him good nor hurt. He adores those that may do him good, though he knows

they never will, and despises those that would not hurt him if they

could. The court is his church, and he believes as that believes, and

cries up and down everything as he finds it pass there. It is a great

comfort to him to think that some who do not know him may perhaps take

him for a lord, and while that thought lasts he looks bigger than usual

and forgets his acquaintance, and that's the reason why he will

sometimes know you and sometimes not. Nothing but want of money or

credit puts him in mind that he is mortal, but then he trusts Providence

that somebody will trust him, and in expectation of that hopes for a

better life, and that his debts will never rise up in judgment against

him. To get in debt is to labour in his vocation, but to pay is to

forfeit his protection, for what's that worth to one that owes nothing?

His employment being only to wear his clothes, the whole account of his

life and actions is recorded in shopkeepers' books, that are his

faithful historiographers to their own posterity; and he believes he

loses so much reputation as he pays off his debts, and that no man wears

his clothes in fashion that pays for them, for nothing is further from

the mode. He believes that he that runs in debt is beforehand with those

that trust him, and only those that pay are behind. His brains are

turned giddy, like one that walks on the top of a house, and that's the

reason it is so troublesome to him to look downwards. He is a kind of

spectrum, and his clothes are the shape he takes to appear and walk in,

and when he puts them off he vanishes. He runs as busily out of one room

into another as a great practiser does in Westminster Hall from one

court to another. When he accosts a lady he puts both ends of his

microcosm in motion, by making legs at one end and combing his peruke at

the other. His garniture is the sauce to his clothes, and he walks in

his portcannons like one that stalks in long grass. Every motion of him

cries "Vanity of vanities, all is vanity, quoth the preacher." He rides

himself like a well-managed horse, reins in his neck, and walks

_terra-terra_. He carries his elbows backward, as if he were pinioned

like a trussed-up fowl, and moves as stiff as if he was upon the spit.

His legs are stuck in his great voluminous breeches like the whistles in

a bagpipe, those abundant breeches in which his nether parts are not

clothed but packed up. His hat has been long in a consumption of the

fashion, and is now almost worn to nothing; if it do not recover quickly

it will grow too little for a head of garlic. He wears garniture on the

toes of his shoes to justify his pretensions to the gout, or such other

malady that for the time being is most in fashion or request. When he

salutes a friend he pulls off his hat, as women do their vizard-masks.

His ribbons are of the true complexion of his mind, a kind of painted

cloud or gaudy rainbow, that has no colour of itself but what it borrows

from reflection. He is as tender of his clothes as a coward is of his

flesh, and as loth to have them disordered. His bravery is all his

happiness, and, like Atlas, he carries his heaven on his back. He is

like the golden fleece, a fine outside on a sheep's back. He is a

monster or an Indian creature, that is good for nothing in the world but

to be seen. He puts himself up into a sedan, like a fiddle in a case,

and is taken out again for the ladies to play upon, who, when they have

done with him, let down his treble-string till they are in the humour

again. His cook and _valet de chambre_ conspire to dress dinner and him

so punctually together that the one may not be ready before the other.

As peacocks and ostriches have the gaudiest and finest feathers, yet

cannot fly, so all his bravery is to flutter only. The beggars call him

"my lord," and he takes them at their words and pays them for it. If you

praise him, he is so true and faithful to the mode that he never fails

to make you a present of himself, and will not be refused, though you

know not what to do with him when you have him.

Character Writings of the Seventeenth Century · 第 341 / 429 题