CHAPTER XV

Lord Okehampton, discussing the financier's fate in a _tête-à-tête_

dinner with his wife, was only one among a multitude who were thinking

of the Provana murder. There is nothing that English men and women

enjoy more than the crime which they call "a really good murder." They

will import sensation cases from America or the colonies, and will try

to feel as keenly interested in a murder in New York or Melbourne as in

a London tragedy. But the keen relish is lacking where the crime has

been done afar off. It is impossible to realise the scene in unfamiliar

surroundings. The sense of nearness, of the street or the countryside

we know, is a strong factor in the interest of the story. To the man

who knows his Paris thoroughly a Parisian crime may appeal; but to the

woman who buys frocks in the Rue de la Paix, and hats on the Boulevard

des Italiens, the most diabolical murder in the Marais, or on the

heights of Belleville, seems tame.

Thus the murder of a millionaire in the midst of the rich man's London

was a crime that set every sensation-seeker theorising and arguing.

Every man is at heart a Sherlock Holmes, while every woman thinks

herself a criminal investigator by instinct; and the theories worked

out and expounded over tea-tables, and maintained with a red-hot

intensity, were various and startling. The most sanguinary murder is

a poor thing if people know how and by whom it was done. Mystery is

essential in a crime that is to occupy the mind of the public. The

murder in the great house in Portland Place had all the elements of

enduring success--wealth, beauty, secrecy, and that Italian flavour

which offered poignant possibilities of jealousy or revenge, or perhaps

a life-long vendetta, as the motive of the crime.

The inquiry in the coroner's court dragged slowly towards an

indeterminate and unsatisfactory close, being adjourned at long

intervals to give the police time to make discoveries.

So far the police had made no discoveries, and the daily Press was

beginning to be angry with the Criminal Investigation Department; and

to make uncivil comparisons between the home article and the same thing

in France and Germany. In the meantime the newspapers found subject for

occasional paragraphs, though they had no new facts to communicate. So

long as the inquest went on, picturesque reporters found a spacious

field for their pen in the descriptions of witnesses and spectators

in the coroner's court; the spectators being mostly women of some

fashion, and more or less famous in the world of art and letters. The

stage, also, had been represented among that morbidly curious crowd;

popular actresses coming to study the appearance and demeanour of the

young widow, whose marble calm in the witness box had been written and

talked about. But in spite of searching and patient inquiry, the murder

in Portland Place remained an insoluble mystery, a standing reproach

against Scotland Yard.

While the man in the street and the daily papers he battens upon

were expatiating upon the supineness and incompetency of the

Criminal Investigation Department, the chief of that department was

not idle. Scotland Yard is not greatly in favour of the offering

of rewards for the apprehension of criminals. Scotland Yard has an

idea that such offers do more harm than good, and prefers to rely

upon the intelligence of its officials; and on that spontaneous and

disinterested help which is often afforded by outsiders.

But after the man in the street had expended much wonder and

indignation upon the fact that no reward had as yet been offered by the

murdered man's widow or family, the Disbrowes had taken upon themselves

to arouse Vera to a proper sense of her position and responsibilities.

Among Provana's friends and allies in the City--the great semi-oriental

banking house of Messrs. Zeba and Zalmunna, with whom he had been

closely associated, and other firms almost as distinguished--there was

also a feeling that strong measures were required, and some wonderment

that the widow had as yet done nothing.

Lady Okehampton, who had been in Portland Place nearly every

day--although not always allowed to see her niece--took the matter in

hand, as spokeswoman for the Disbrowes, and told Vera that she must

offer a reward for the apprehension of her husband's murderer.

"It ought to have been done before how," she said, "but you have been

so lost in grief, that I have been afraid to talk of poor Provana;

however, as time goes on people must think it extraordinary that you

can let things slide; especially after that splendid will which makes

you the richest woman in London."

The splendid will, executed in the first year of her marriage, left

Vera residuary legatee, after a long list of legacies, which although

generous, did not absorb more than a sixth of Mario Provana's estate.

If not actually the richest woman in London--a fact not easily to be

ascertained--Vera was at least rich enough to support that reputation.

She gave a little moan of anguish when her aunt spoke of the will,

and replied, with averted face, that her uncle was to do whatever he

thought right.

Before darkness came down the police stations of London exhibited

bills, offering a thousand pounds for information leading to the

discovery of the murderer, and the man in the street was a little

easier in his mind.

In the meantime Scotland Yard was pursuing its own course, and one

of the most experienced and intelligent members of the force had the

Provana affair in hand, and was actually established in Portland Place,

where he was explained to the household as a picture-restorer, who had

been engaged by Mr. Provana shortly before he left England, to examine

and restore certain pictures among those somewhat depressing examples

of the early Italian school which gave gloom to the too spacious

dining-room.

It might seem strange that work of this kind, ordered by the dead

man, should be carried out at such a time; but Mr. James Japp, of

the Criminal Investigation Department, had a power of impersonation

which rarely failed him in the most critical circumstances; and having

assumed the role of artistic man-of-all-work, he omitted no detail that

could impress and convince the house servants, among whom he hoped to

put his hand upon the murderer. Plausible, friendly, and altogether an

acquisition in that low-spirited household, Mr. Japp, alias Johnson,

was soon upon terms of cordial friendship with butler and housekeeper,

while he was genially patronising to the four stalwart footmen, and by

no means stand-offish to the coachman and his underlings, who sometimes

crept into the servants' hall in the gloaming to talk over the last

paragraph upon the mystery in Portland Place. For them the mystery was

meat and drink. They hung upon it with a morbid tenacity, never tired

of re-stating the same facts, and going over the same arguments, and

doing battle, each for his own solution of the ghastly problem. For

these Mr. Johnson, artist and picture-restorer, was a godsend.

The man was so delightfully innocent in the ways and workings of

criminals. He showed the simple faith of a child when listening with

avidity to Mr. Sedgewick's views, and allowed himself to be browbeaten

by the coachman. He would turn the drift of the talk aside at a most

interesting point to relate his early aspirations as a student, and

his dismal failure as an artist, and how he had been driven from the

painting of colossal historical pictures to the humbler art of the

varnisher and restorer, working for a daily wage. He would tell stories

of his early struggles that evolved laughter and good-natured scorn.

He had a room allotted to him for his work, one of those rooms opening

out of the long passage that led to Mr. Provana's private door, that

door by which he and his murderer must have entered the house on the

fatal night. Mr. Johnson had examined the door with studious attention,

confessing to a morbid interest in the details of crime, co-existent

with a curious ignorance of the law of the land. The nature and methods

of a coroner's court had to be explained to him, condescendingly, by

Mr. Sedgewick, when the Provana murder was under discussion.

He had his room for his artistic work, where he installed himself with

three of the largest pictures from the dining-room, his bottles of

oil and varnish, and his stock of brushes, and where he insisted upon

being undisturbed. He was of a nervous temperament, and could not bear

to have his work looked at. He talked of his progress from day to day,

expatiating upon the dangers of blue mould, the horrors of asphaltum

and other pernicious mediums, and the superiority of the old painters,

who ground their own colours; but no one, not even Mr. Sedgewick, was

allowed to see him at work.

He was altogether a superior person, yet it was something of a surprise

to the household that he should be admitted every evening to an

interview with Mrs. Provana, who received him in the great, lonely

drawing-room, where he remained with her for about a quarter of an

hour, giving an account of his day's work.

This privilege was explained by Mr. Johnson as a natural result of the

lady's interest in art, and the value she set upon pictures which it

appeared were especial favourites with her husband.

"At the rate he goes at it, I don't fancy he can have much progress to

report," remarked Mr. Sedgewick, "for I don't believe he works a solid

hour a day at those pictures. He takes things a bit too easily, to my

mind. He knows he's got a soft job, and he means to make it last as

long as the missus will let him. He's got his head pretty well screwed

on, has our friend Johnson; and he knows when he's in for a good thing.

And he's got a tongue that would talk over a special commissioner of

income tax; so no doubt he makes Mrs. Provana believe that he works

heavens hard at fetching up the colour in the Frau Angelicas."

"I shall think something of his work if he can do anything to brighten

up those Salvini Roses, which are about the dismallest pictures I

ever saw in a gentleman's dining-room," the housekeeper remarked with

conviction.

Mr. Johnson was a desultory worker. He told his friends in the

household that he worked like a tiger while he was at it, but your real

artist was ever fitful in his toil. It was in the artistic temperament

to be desultory. He would emerge from his den after an hour or so, in a

canvas apron so stained with oil, and so sticky with varnish, that none

could doubt his industry. He was eminently sociable. He couldn't get on

without company and conversation. The four young footmen afforded him

inexhaustible amusement.

"The oldest of 'em ain't over twenty-five," he said, "but every one of

'em is a character in his way. Now I love studying character. There's

no book, no, nor no illustrated magazine, you can give me that I enjoy

as I do human nature. Give me the human document, and leave your mouldy

old books for mouldy old scholars. Every one of those four lads is a

romance, if you know how to read him."

This taste, which Mr. Sedgewick and Mrs. Manby thought low, led Mr.

Johnson to consort in the friendliest way with the four youths in

question. He had not been in the house a fortnight before he knew

all about them; their sweethearts; their ambitions; their tastes for

pleasure, and their craving for gain. Even the odd man, a creature

whom the _élite_ of the household esteemed as hardly human--a savage

without a livery, by whom it was a hardship to be waited on at one's

meals--was not without interest for Johnson. While he delighted in Mr.

Sedgewick's company, and was proud to spend an evening with him at his

club, he shocked everybody by taking the old man to a music hall, and

giving him supper after the entertainment.

"I think you're all too hard upon Andrew," he said. "I find him

distinctly human."

With the ladies of the household he was at once friendly and gallant.

He aired his little stock of French with Ma'mselle, and took her for

evening walks in Regent's Park, which to dwellers north of Langham

Place is "the Park." He bought her little gifts, and took her to the

theatre. He played dummy whist with Mrs. Manby, who was sadly behind

the age, and could not abide bridge; and the result of all this

friendly intercourse, which had kept the establishment in good spirits

during a period of gloom, culminated one evening, when he told Mrs.

Provana that his residence under her roof had only a negative result,

and that he had exhausted all the means in his power without arriving

at any clue to the murderer of her husband.

"It has been a great disappointment to me, Madam," said Mr. Japp,

standing before Vera, with his hat in his hand, serious and subdued in

manner and bearing. The change from the sociable and trivial Johnson to

the business-like and thoughtful Japp showed a remarkable power in the

assumption of character.

"It has been the most disappointing case I have been engaged in for a

long time. I came into this house assured that I should put my hand

upon the guilty party under this roof. Every circumstance indicated

that the crime had been committed by someone inside the house. The

idea of an outsider seemed incredible. That a house with such a staff

of servants--with five men and an Irish terrier sleeping on the ground

floor--could have been entered by a burglar seemed out of the question.

Mr. Provana being known to keep large sums of money in one shape and

another in the safe in his private room, and no doubt being also known

to carry the keys of that safe upon his person, there was a sufficient

inducement for robbery; while it is our common experience that any

man bold enough to attempt robbery on a large scale is not the man

to shrink from murder, when his own skin is in danger. My theory was

that one of your men servants had been waiting for his opportunity

during Mr. Provana's absence in America; that he had provided himself

with implements for forcing the lock of the safe, perhaps with the

aid of an outside accomplice, and that, by a strange coincidence, he

had stumbled upon the night of his master's unexpected return, and

had been surprised at the beginning of his work. There are scratches

on the polished steel about the lock of the safe that might be made

by one of those graduated wedges which burglars use. I thought that,

being surprised by Mr. Provana's entrance, he snatched up one of the

pistols from the case on the table--which he might have examined

previously--and fired within narrow range, as Mr. Provana was about to

open the door of your room, without having seen him; that he took the

keys from Mr. Provana's pocket after he fell, unlocked the safe, and

abstracted the two parcels of bonds which are missing. The disordered

state of the safe, and the keys left in the lock, indicate that

everything was done in extreme haste. This was my theory before I came

into your house, Madam; but after nearly five weeks' careful study of

every individual under this roof, I have reluctantly arrived at the

conclusion that nobody in your household is in it, either as principal

or accomplice, before or after the fact. I think it is in an old play

that the remark has been made that 'Murder will out,' also that 'Blood

will have blood.' Both remarks are perfectly correct; but there is

another remark that might have been made with even greater truth, and

that is 'Money will out.' You can't hide money--at least the average

criminal can't. That's where he gives himself away. He can't keep

his plunder to himself--the money burns--it burns--he must spend it.

Some spend it on drink; some, begging your pardon, Madam--spend it on

ladies; some, the weakest of the lot, spend it on clothes and hansom

cabs; but spend they must. There's not one of those four young men

that could keep five or six thou' in his pocket and not give himself

away--somehow or somewhere. Nor yet Mr. Sedgewick, fine gentleman and

philosopher as he is--nor yet even the odd man. Being a poor creature,

he'd have melted those securities with the first low fence he could

hear of, and would have been on the drink night after night, till he

got the horrors and gave himself up to the police. I've been looking

for the money, Madam, and finding no trace of _that_, I know I've not

come within range of the party we want. We must look outside, Madam,

and we may have to look a long way off. If the possessor of those bonds

is an old hand, he is not likely to turn them into money anywhere in

this City; for though they are bonds to bearer, a transaction of that

kind must leave some trace. I feel the humiliation of my failure,

Madam, and I have no doubt you are disappointed."

Vera looked up at him with melancholy eyes, pale, hollow-cheeked, a

sombre figure in the severest mourning that the Maison de Deuil near

the Madeleine could supply, and French mourning knows no compromise.

"Disappointed," she repeated slowly in a low, tired voice, and then, to

Mr. Japp's surprise and almost horror, she said, "I don't think it much

matters whether the wretched creature who killed him is discovered or

not. It can make no difference to _him_ lying at rest, beyond all pain

and sorrow, that his murderer is hidden somewhere out of reach of the

law, and may escape the agony of a shameful death."

The horror in her widening eyes as she said these words showed that

her imagination could realise the horror of the scaffold. "However he

may escape human law," she went on, in the same slow, dull tones, "he

must carry his punishment with him to the grave. He can never know one

peaceful hour. He can never know the comfort of dreamless sleep. He

will be a haunted man."

"Excuse me for differing with you, Madam, but you don't know what stuff

the criminal classes are made of. _They_ don't mind. One more or less

sent to kingdom come don't prey upon _their_ nerves. Where are they

found, as a rule, when they do get nicked? Why at a theatre or in a

music-hall, or at the Derby--and generally in ladies' society. The

things you read of in novels, conscience, remorse, Banquo's ghost,

don't trouble _them_."

Mr. Japp apologised for having expressed himself so freely, and

stood for a few minutes fingering the brim of his hat, waiting for

Mrs. Provana to speak. Her speech just now had been a surprise to

him, for never had he met with so silent a lady. Night after night

she had listened hungrily to his statement of his day's progress,

his suspicions, his glimpses of light, now seeming full of promise,

and anon delusive. She had listened with keen attention; but she

had expressed no opinion, and had asked no questions. And now for

him--the accomplished Criminal Investigator, the man who had worked

at the science of detection as superior persons work at the higher

mathematics--to hear this lady say that the discovery of her husband's

murderer did not matter, that, for her part, he might go about the

world a free man, with nothing worse than a mind full of scorpions and

a sleepless bed, seemed too monstrous for comprehension. She, to whom

the murdered man had left millions, not to hunger for the ignominious

death of his murderer!

"It must be Christian Science," thought Mr. Japp, as he packed his

portmanteau. "Nothing less can account for it."

Beyond These Voices · 第 15 / 32 章