Oh, dearest! do promise me to forget all my malicious sayings just as

quickly as possible, and to believe that I had long been convinced of

the critical state of my heart, even before this bad man confessed his

feelings to me. I did not write you anything about it, because I

naturally regarded the matter as a wretched piece of stupidity on the

part of this above-mentioned heart, and even now I can't quite believe

in it. You know I never was very lucky in regard to real happiness. And

for that reason I haven't much faith even now; if it is true that he

loves me to distraction, as he declares he does, I feel convinced I

shan't get any enjoyment out of it, and he will be sure to get killed,

for he is going off to the war as a volunteer nurse. And yet I have not

tried to dissuade him from taking this manly step. You remember that my

chief objection to him was that he wasn't quite manly enough. And now,

after all, his love is to be put to the test of fire, and we shall see

whether he will bring it home uninjured from the smoke and horror of

battle! How shall I bear the separation! I shall paint a few poor

pictures and get a few gray hairs, and then when he comes back he will

realize clearly what a mistake he has made. But, as God wills! I'll

bear it quietly. The times are so great, who has the right to think of

his or her poor person? All is enthusiasm; Elfinger is going too (his

little nun seems to have driven him to desperation), and, what will

rejoice you, Schnetz has joined his old regiment again, and looks upon

life like a new man. It touched me to hear our good Kohle, who paid me

a visit this morning, curse his poor health, which shut him out from

all the hardships of war. He has designed a splendid tableau: Germania

on the summit of the Lurlei rock, from which she has cast down the

enchantress in order to excite all her sons to battle against the enemy

by her song of triumph. Rossel, who, of course, would be perfectly

useless away from his rocking-chair, has at least subscribed a thousand

gulden for the benefit of the wounded. Every one according to his

strength. I shall make lint of my paint rags, and sacrifice my heart's

blood for the cause in another way. Farewell! Rejoice in your

unclouded, paradisaical, peaceful life in the beautiful South; and

write to me soon, dearest, beautifullest, happiest, only sister mine!

Rosenbusch wishes to be remembered. A fortnight more--and then in this

whole house, where so many dear ones have lived and labored, there will

beat but one lonely heart--that of your Angelica."

CHAPTER V.

When that old earth-shaker Vesuvius grows tired of his peaceful

slumbers and, breaking out into sudden fury, lights up the night far

and wide with his flaming torch, till all around is bathed in purple--

"In Capri the Marina

And Naples Day and Mergellina,"

--not only is the hut of the poorest vintager reddened by the terrible

glow, but, in the yard behind, the water bubbles in the well, and a man

skilled in reading the signs can estimate the strength of the eruption

from the boiling and steaming of this narrow, walled-up fountain with

as much accuracy as from the surf of the open sea, that washes the foot

of the buried cities.

So, too, are the changes of that light, which streams from those

immortal deeds and sufferings that move the world, reflected in the

lives of humble mortals; and it would be no slight task to trace out

the signs of such a time not merely on the battle-field, but in the

homes and huts of those who were left behind.

A psychological study of war, such as we may expect from some one

better fitted for the task, will have to bring out this reverse side of

the medal sharply and clearly. But the novel steps back modestly when

its elder brother, the epic, in glittering armor and with clang of

arms, enters once more upon the world's arena. Where every individual

lot was so completely merged in the fate of the nation, we should give

the reader but a poor idea of our friends if we showed them as busy

with themselves, their personal aims, duties and interests. That each

of them had proved himself ready, according to his manner and ability,

Angelica's letter has already shown us. Therefore we are all the more

sorry that the excellent writer herself did not quite rise to the level

of the time.

It is true it never occurred to her to complain that the Eden-like

condition of a life devoted to art, and removed from all worldly

turmoil--where beauty is the highest aim of all striving, and that

alone has the right to existence which is perfect in itself--had

suddenly been destroyed, and had given place to a hard, merciless

reality. Upon the whole she had a warm appreciation of the magnitude of

the great historical issue at stake, and it filled her with joyful

enthusiasm to see how earnestly all who were connected with her, as

well as the whole people, felt the force of the old proverb that one

should make a virtue of necessity.

Yet in spite of all this her heart, usually so brave, was unable to

preserve this heroic spirit, that sustained many a weaker one, through

the long time of trial.

Even when taking leaving of Rosenbusch she had shown herself strong.

She felt it her duty not to make heavy her parting lover's heart, but

to give him, in her own person, an example of the way one should

sacrifice one's dearest wishes on the altar of the fatherland, with

smiling magnanimity. But this "_P[oe]te, non dolet_" revenged itself

upon her. Scarcely was she alone, when she reproached herself for

having pretended an unwomanly hardness and severity that was calculated

to frighten away her sensitive friend, rather than to bring him nearer

to her. She immediately wrote him a long letter, in which, for the

first time, she confessed her great love for him without reserve;

beseeching him in the most moving terms not to expose his life

recklessly, sending him all her prescriptions for rheumatism and chafed

feet, and entreating him to write to her at least once a week.

These weekly letters of his were now the only thing for which she

seemed to live, aside from the mere mechanical activity with which she

devoted herself to works of charity in the women's societies and on her

own account. She never appeared among her friends except on those

occasions when she had just received one of these letters from the

front, and then she came running to old Schoepf, her cheeks glowing

with joy, to tell him the latest news about Rosenbusch and Elfinger,

and to have pointed out to her, on the special map that Rossel had

given the old man, the exact spot where her lover must now be. But for

everything else she showed but slight interest, just as she seemed to

have completely lost her humor.

She was only amusing when she came to speak about the _francs tireurs_

and the treachery of the native inhabitants, by whom she was

perpetually imagining her lover attacked, plundered, maltreated, or

even killed, in spite of the red cross which she had made and sewed on

his coat-sleeve with her own hands. On these occasions she indulged

in such droll maledictions upon the Gallic national character,

and recounted such incredible instances of her own cowardice and

ghost-seeing, especially at night, that she finally had to join in with

the laughter of the others, going home again with her heart somewhat

lightened.

During all this war time she did not touch a brush. As nobody cared for

flower pictures, it was evidently a saving for her to cut up her canvas

and make use of it for sewing purposes, rather than to waste oil colors

on it.

She never allowed any of the camp letters that her tender-hearted lover

wrote her to be seen by any one else. They were love-letters, she said,

and not newspapers, and belonged to her alone. Once only did she

prevail upon her heart to part with one, in order to give her friend in

Florence a pleasant Christmas surprise, for Julie knew that she could

give away nothing in the world that was dearer to her than such a token

of life and love from the hand of her betrothed. She accounted to Julie

for the fact that this epistle, a comic rhymed affair in Rosenbusch's

old light-hearted manner, sounded less tender than the others, by

explaining that it was accompanied by an extra sheet in prose, which

dealt with the intimate affairs of the heart. True to the profound

saying of Elfinger--"The stronger the love, the weaker the verses"--our

lover had taken good care not to compose his actual love-letters in

rhyme, for which Angelica felt grateful to him in her soul.

CHAPTER VI.

The hard war winter was over; the spring had brought peace and the

birth of a new German Empire; and midsummer saw the victorious host

returning to its home.

It is just two years since that day when our story began. Once more it

is hot and still in the Theresienwiese, so still that a flute concerto

from the window of the studio building could be heard for a long

distance around. But the flute is silent. Moreover, although it is a

weekday, a Sunday calm hangs over the country round about. No roll of

carriages is heard, and no people are seen hurrying busily through the

streets of the suburb. Yet the great bronze maiden before the

Ruhmeshalle does not seem surprised at this loneliness and quiet. It is

true, without raising herself on tiptoe, she can look away over the

houses of the city, to the gate on which stands a smaller likeness of

herself in a chariot of victory, drawn by four stately lions with

majestic heads and manes. And so she knows the reason why everything in

her neighborhood appears as if it were dead. Just as the blood from the

whole body streams swiftly to the centre of life, when some sudden

stroke of fear or surprise reaches the heart, leaving the extremities

paralyzed and lifeless, so the whole population had collected around

that spot where their heart was to-day--the arch of triumph through

which the conquerors were to enter. The great bronze woman sees the

flash of arms and the waving of flags on the high-road before any one

else, and something like a smile flits across her tightly-shut lips.

Any one who had been watching her closely at this moment would have

seen that she raised her arm higher than usual, and slightly moved the

wreath in her hand, as if in token of greeting to the triumphal

procession. This occurred just as the bells rang out from all the

church towers in the city, and a shout of joy from a hundred thousand

throats announced the arrival of the advance guard.

Among the entering host are two faces well-known to us.

At the head of his regiment, which has left nearly half its number on

the cold ground at Bazeilles and Orleans, and for that reason has to

accept a double tribute of flowers from the windows on the right and

left, rides Captain von Schnetz, his lank figure seated bolt upright in

the saddle, his breast blazing with orders, and his whole person

covered from head to foot with the bouquets which, aimed at the rider,

have fallen off and been handed up to him by the boys that run along at

his side. He has decorated his sword with them, and his helmet, and his

pistols, and his horse's trappings, although usually he is no great

admirer of flowers. Nor does he do this now for his own glorification

or pleasure. But he knows that, at a window in the first story of that

stately house over yonder, there sits a woman, thin and prematurely

old, but whose cheeks, usually so pale, wear a joyous flush to-day, and

whose eyes, grown faded through long suffering, beam once more with

something of the brightness and hopefulness of youth. It is to this

woman that he wants to show himself in his covering of flowers.

Heretofore, she has worn a crown of thorns; now he wants to show her

the promising future he has won for himself and her. But she sees him

from a distance only. When the good, honesty yellow-leather-colored

face, with its black imperial, rides by, close to the house, her eyes

are so bedimmed by tears that she only sees, as if through a veil, how

he lowers his sword to her in salute, and bows slightly with his

garlanded helmet. The wreath which she has held ready for him falls

from her trembling hand over the railing upon the heads of the densely

packed crowd below. But they seem to know for whom it is intended. In a

second twenty hands have helped to pass it along to him, and now it is

handed up to the rider, who lets all the others slide off his sword so

that this one alone shall be wound about it.

Not far behind this brave soldier rides another, upon whom, likewise,

the eyes of the women and girls in the windows gaze with pleasure,

though he is a stranger to them all, and, for his part, very rarely

lets his dark eyes rest on any of these blooming faces. For who is

there here whom he cares to seek? And whose face would he be glad to

see unexpectedly? It was only with great reluctance and in order not to

offend Schnetz, who asked it of him as a particular proof of

friendship, that he finally consented to take part in the entrance of

the troops, and to visit once more the city which had so many bitter

associations for him. These last two years--what a different man they

had made of him! And yet--although he was firmly convinced that the

source of every joy was dried up in his innermost heart, and that

henceforth nothing was left to him but a barren satisfaction at duties

conscientiously fulfilled--even he could not altogether escape the

festal mood of this marvelous hour. His handsome face, made bolder and

keener by the hardships of war, lost the sad, hard expression which had

never been absent from it during the whole year; a bright

determination, a quiet earnestness, beamed from his eyes. As he rode

through the triumphal avenue strewn with flowers, amid the chime of

bells and the wildest shouts of joy, he lost the consciousness of his

own hopeless lot, and became merged, as it were, in the great,

pervading spirit of a unique and sublime festival, which would never

come again; and to take part in which, with the Iron Cross on his

breast, and honorable, scarcely healed wounds underneath, was a

privilege which might well be thought to compensate for all the lost

bliss of a young life.

After the entrance ceremonies were over, he wended his way toward the

garden on the Dultplatz, where he thought there would be the least

danger, to-day, of meeting any one of his acquaintances. Here,

surrounded on all sides by the country-folk who had streamed into the

city in great crowds, he sat in the shade of the ash-trees and, like a

dream, the events of the last two years passed in review before him;

from that first Sunday afternoon when he dined here with Jansen and his

new friends, down to the present moment, when he sat in the crowd

solitary and alone, sought by no friendly eye, and merely stared at as

one of that great host which had done honor to its fatherland.

The crowd in the garden had already begun to thin out a little when

Schnetz touched the dreamer on the shoulder. He did not speak a word

about the meeting he had just had with his wife; but such an unwonted

joyousness could be detected in his voice and bearing that for the

first time Felix began to feel a quiet envy of this happy man, who had

been expected and welcomed by some one whom he loved. He, for his part,

would have greatly preferred to leave the town again before night; for

after the first glow of enthusiasm was over, his spirits had once more

become so gloomy that he would have given a great deal to escape from

the festivities of the evening. But he had promised Schnetz a whole

day, and he had too often been under obligations to his friend, in the

hard days of trial that winter, not to grant him this small favor.

"Of course I will let you off from all ceremonial visits," said his

friend, as they left the garden arm-in-arm. "But we really must go and

pay our respects to the invalids, and afterward shake hands with Fat

Rossel. He would never forgive you if you didn't think it worth while

to congratulate him in his new state; and, besides, it is all up with

your _incognito_. At the window from which our friend Rossel viewed the

spectacle sat another individual, who once upon a time took a great

fancy to your worthy self, and who, notwithstanding the fact that her

grandpapa and husband stood behind her, gave vent to her patriotic

enthusiasm in the most unrestrained manner possible, throwing all the

flowers in her basket at you at one go. But, of course you, like Hans

the Dreamer, rode past your happiness all unconscious of it."

"What, Red Zenz? And she recognized me?"

"In spite of your uniform and short-cropped hair. But you must accustom

yourself to a more respectful way of speaking of her. One speaks now of

Frau Crescentia Rossel, _nee_ Schoepf. They wrote me about this affair

a good while ago; but as you refused, once for all, to listen to any

news about Munich matters, I kept this event from you also. It must

have come about curiously enough, and quite after the manner of the

creature as she was then--I mean, before she had been tamed by the yoke

of wedlock. You know--or don't you know yet?--that Rossel lost his

whole fortune some time ago. He had invested it with his brother, who

was at the head of a mercantile firm in the Palatinate, carrying on a

brisk trade with France. This brother became a bankrupt in consequence

of the war, and our Fat Rossel would have become a miserably poor devil

overnight if he had not owned the house in the city and the villa out

there on the lake. He immediately sold the house with all its

appurtenances, of course at a low enough figure, for no one had much

money to spare in war time. But for all that it was such a good round

sum, that the interest from it just succeeded in keeping his head above

water, though he could no longer live like a _grand seigneur_. A

purchaser might also have been found for the villa; but in order not to

disturb our good Kohle, who was in the very midst of his Venus

frescoes, he resisted the temptation, and--who would have thought

it?--aroused himself from his bear-skin to take up his brush again,

though, to be sure, with much grumbling and cursing. This act of

heroism seems to have melted, for the first time, the armor of ice in

which the heart of the little red coquette was encased; particularly as

he did not for a moment bemoan the loss of the property on his own

account, but only expressed the deepest sympathy for his brother.

To be brief, as he perceptibly pined away under all this, partly from

love-sickness, partly because he had been obliged to dispense with

the services of his all-too-sumptuous cook, this singular creature

was touched with pity for his troubles, appeared one day in the

scantily-furnished lodgings with which the former Sardanapalus was now

forced to content himself, and announced to him, without any further

ceremony, that she had been thinking the matter over, and was willing

to marry him. She felt, to be sure, not a spark of sentimental love for

him--such a love as that she had experienced but once in her life, and

then it had gone badly with her--but she no longer felt any aversion

toward him, and since he needed a wife who understood something about

housekeeping, he had better go and make inquiries whether there wasn't

another room and a kitchen to be had on the same floor, in which case

they could go on living there.

"And they say the arrangement has really worked very well so far. Of

course old Schoepf has gone to live with them; and Uncle Kohle, who, in

the mean while, has refused the hand of Aunt Babette, and has quietly

gone on painting his Venus allegories in spite of Sedan and Paris, also

sleeps and takes his meals there; and Rossel paints one glorious

picture after another, protesting all the while, they say, against this

useless expenditure of strength, and longing for the time when he can

finally settle down to rest. I have my private suspicions, however,

that, in spite of all this talk, he is more contented with his present

life, even leaving his marital joys out of the question, than with the

barren seeds of thought which he, lying idly on his back, once

scattered to all the winds of heaven."

CHAPTER VII.

In the mean while they had passed through the city, which was

richly decked out with flags, wreaths and mottoes, while crowds of

joyfully-excited people surged up and down the streets--and had arrived

at the English garden.

"Where are you taking me to?" asked Felix. "There is no hospital within

twenty miles of here, unless they have been turning the Chinese tower

into one."

"Come along," answered Schnetz. "You'll soon get things straight. The

queen-dowager selected the place herself, and no doubt many a poor

fellow will make true the saying: '_hodie eris mecum in Paradiso_.'"

"In the Paradise garden? _In our Paradise?_ The boldest imagination

among us all could never have dreamed of such a thing as our meeting

there again under such different circumstances."

"_Sic transit!_--And besides, our friends are, fortunately, much too

lively a pair of birds of paradise not to fly away again some fine

day."

When they reached the garden gate, they saw that all the benches under

the trees were empty, although in all the other beer-gardens they had

passed the people sat packed close together. An inscription indicated

the different use to which the house was now devoted, and the few

grave-looking people who met them--among the rest women with eyes red

from weeping, leading little children by the hand, and further back in

the garden the pale, tottering figures of convalescents--formed a sharp

contrast to the noisy, merry crowd that was generally to be found here

on holidays. The two friends walked thoughtfully round to the other

side of the house, and, being in uniform, had no difficulty in

obtaining admittance.

They had made the rounds of many a hospital-ward within the last year,

and had seen the after-effects of the war in much more horrible

pictures than any that clean, quiet rooms could offer them.

And yet now, when they beheld once more the halls which they had left

in the blaze of the carnival time, robbed of all their ornaments,

and the sisters of charity moving softly up and down the long row of

sick-beds, soothing a moan of pain here and mixing a cooling drink

there; and the grotesque frescoes on the bare walls no longer concealed

by tall plants; and outside the window the pure sunlight shimmering

through the green treetops, instead of the midnight stars looking in

upon a merry feast--such mingled feelings came over them that neither

could utter a word.

They started to look for their friends. But strange faces only looked

up at them from their beds of pain. Finally, a young doctor gave them

the desired information.

The halls down below here were already full when the two gentlemen had

been brought in. So they had willingly acceded to their request to have

a room to themselves, and had quartered them in the top story. He

offered to guide them up there himself; but this Schnetz gratefully

declined, not wishing to take him away from his patients.

So they mounted to the corridor of the top story, and at the very first

door which they came to they heard a voice from the room within that

caused them to start. It was a soft, girlish voice reading something

aloud--verses, as it seemed.

"It isn't likely they are in here," muttered Schnetz, "unless they have

been seized with a pious fit, and have consented to let a sister of

charity come in and edify them with her hymn-book. Well, there have

been instances.--But no, this hymn-book has never seen the inside of a

church, at all events."

They listened, and distinctly heard the lines.

"'Holy Maid of Orleans, pray for us!'" cried Schnetz. "I must be

greatly mistaken in my man, if Elfinger isn't found somewhere near when

Schiller is being spouted."

Without stopping to knock, he softly opened the door, and entered with

Felix.

It was a high but not a very large room, whose only window opened on

the rear of the garden. Only a single ray of the afternoon sunshine

streamed through the gray blind and fell upon one of the beds that

stood near the wall on the right; while the other cot, opposite it, was

surrounded by a high Spanish screen, and was pushed back so as to be

entirely in the shade.

On the bed to the right lay Rosenbusch, covered over with a thin

blanket, the upper part of his body propped up into a half-sitting

posture by pillows, holding a sketchbook on his knees and busily

engaged in drawing.

Except that his face was somewhat paler, he showed no traces of the

hardships he had suffered; but on the contrary, his bright eyes beamed

from under a red fez as merrily, and he looked as fresh as he lay there

in his loose jacket, with his carefully-tended beard, as though he had

made his toilet for the express purpose of receiving visits.

"I could have told you so!" he cried to his friends, as they entered

(the reader who sat behind the screen was silent in an instant)--"the

first visit of the saviours of the fatherland, on this day of triumph,

is to the invalid's paradise. God greet you, noble souls! You find us

here as well provided for as if we were in the lap of Abraham; art,

poetry, and love, make our life beautiful, and the fare is ample;

though, unfortunately, we are on invalids' diet. No, you mustn't look

at what I am scribbling. Or rather, for all I care, you may look at the

thing as much as you like. A Rosenbusch, _seconda maniera_, or _terza_

rather, if I count in my classical period, my parting of Hector and

Iphigenia _a la_ David. Now, as you see, we are splashing about in

realism of the most modern sort--Father Wouverman will turn in his

grave, but I can't help that. And, after all, this pack of Turcos and

Zouaves are by no means to be despised. Magnificent contrasts of

color, set off by the vineyard scenery, and our own blue devils over

there--like a thunder-cloud. By Jove! it won't look bad, will it? Do

you know what the secret of modern battle-painting is, the clew to the

riddle, to find which I had first to have a hole shot in my thigh? The

episode, my dear fellow, nothing but the episode. Grouping in masses,

tricks of tactics--nonsense, a map would do just as well for that

purpose. But to condense in an episode the prevailing character of a

whole battle--that is the point. Those old fellows had an easy time of

it, for in those days a great, murderous battle was nothing but a

handful of episodes. Well, every man must accommodate himself to the

length of his blanket."

"Tours is long enough to keep you warm, old comrade-in-arms," replied

Schnetz, examining the ingenious sketch with great pleasure. "But how

goes it with your bodily progress?"

"Thanks. Fairly. In six or eight weeks I hope to prove myself quite a

lively dancer at my own wedding. I only wish," he added, in a lower

voice, with a slight movement of the head toward the other bed--"that

our friend over opposite had such bright prospects--"

"Herr von Schnetz!" they now heard Elfinger's sonorous voice say from

behind the screen--"You seem to have completely forgotten that there

are other people living on the other side of the mountain. Whom have

you brought with you? To judge from the step it is our brave baron.

Won't the gentlemen be so kind as to do a poor blind man the honor? You

will find some one else here who will be very glad to welcome my old

friends again."

At the first sound of these cheerful words, which moved him painfully,

Schnetz had stepped behind the screen and seized the hands the sick man

gropingly held out to him. Felix, too, approached. Elfinger could not

raise his head from the pillow on account of the ice compress that was

laid across both eyes, but the pale, finely-formed face beneath it lit

up with such a joyful smile, that the two friends were so moved they

could hardly stammer out the necessary words of greeting.

A slim young figure had risen from the chair at the head of the bed to

make room for the gentlemen. She still held in her hand the book from

which she had been reading, and her delicate face blushed when Schnetz

turned and cordially pressed her hand.

"I need not introduce you to one another," said Elfinger. "Baron Felix,

too, will probably recollect my little Fanny, from having met her at

that memorable boating party. In those days we two were not so well

acquainted with one another as we are now, for, as you know, 'it must

be dark for Friedland's stars to shine.' I still had one eye too many.

It is only since I have been left quite in the darkness that she has

clearly seen that her heavenly bridegroom would not be angry with her

for being unfaithful to him in order to light a poor blind cripple

through life. Isn't it so, sweetheart?"

"Don't boast in such a godless way," they heard Rosenbusch call out,

"as if it were on your account, _pour tes beaux yeux_, as messieurs our

hereditary enemies say, that she became converted and joined our

society. Nonsense! Fraeulein Fanny, it is simply because you have to do

penance for your faithless sister, and redeem the honor of the Munich

women."

"Be quiet over there, most fickle of mortals," cried Elfinger; "or I'll

complain of you to Angelica. You must know they take turns in nursing

us, these two good angels; and although that frivolous man opposite

ought to thank God that such an excellent woman has finally received

him into grace, he is perpetually making love to my sweetheart over the

screen. Fortunately, I have, once and for all, said good-by to

jealousy, which would certainly be ridiculous enough in a blind man--"

"I hope you exaggerate, Elfinger," interrupted Felix; "when we took

leave of one another in Versailles the doctor gave us great reason to

hope--"

"The way was a trifle long, and the snow-storm that welcomed us home to

our fatherland--pshaw! If it is so, and I only have enough twilight

left for me to recognize the outlines of a certain face when it is

close to mine, I will be happy. But even if this is no longer possible,

ought I not to count my lot fortunate? 'I had it once--I tell you I can

recall all the faces I loved as distinctly as if I had a pair of

perfect eyes in my head--" he felt for the hand of the blushing girl

and pressed it to his lips. "And now," he said, "enough about my

respected self. Since we last saw one another the most wonderful events

have come to pass. The German empire and the German emperor! Good God,

we praise Thee! Do you know, since all this happened I have begun to

have some hope for the German stage again?"

"At all events, your colleagues have learned how to play the _role_ of

heroes respectably well, without opening their mouths wide, rolling

their eyes, and sawing the air with their arms and legs."

"No, but seriously, do you remember our first conversation on this

subject, my dear baron? Now just see whether I haven't cause for hope.

Our want of unity was chiefly to blame for the wretched state of our

stage. Imagine thirty-six court-theatres fighting with one another for

the few actors who really have talent. Now, my idea is that, when they

have become a little sick of military spectacles up there in the

imperial capital, they will arrive at the conclusion that a great

nation also needs a national theatre; not one in name, but one which

shall really unite all the best talents. A model manager, a model

repertoire, and model performances, not given oftener than, at the

most, two days running; and not with one eye on Melpomene and Thalia,

and the other on the cash-box, so that a miserable clap-trap piece will

be allowed to remain on the desecrated boards thirty consecutive

nights, merely because a few actresses change their dresses seven times

in the course of the performance. Only the very choicest pieces must be

selected, from the classical and modern stock, and the parts must be

filled only by the strongest actors. All real talent must be engaged at

any price, though there should be three Franz Moors and Ophelias

playing against one another at the same time; and the whole must be

emancipated from all court influence, and regarded as an imperial

affair under the charge of the Minister of Culture, who should be

responsible to the nation. What do you say to such a stage?"

"That it will continue to be too fine for this world for some time to

come," answered Schnetz. "But who knows? Even this world can improve;

we have seen how it has done in other fields. I only fear that, even

under the most favorable circumstances, the other Germans will

respectfully decline to give money, _in majorem imperii gloriam_, for a

theatre of which the Berliners alone will reap the benefit."

"Naturally," cried Elfinger, gesticulating excitedly; "and they would

have a perfect right to do so. For that very reason my plan is to make

this model stage accessible to all the empire. What else do we have

railroads for, and the gala-performances that have been attempted here

and there? All that is necessary is that it should be made a regular

institution. Six winter months in Berlin, a month's vacation, four

months' of triumphal progress of the imperial actors through all the

cities of Germany in which a worthy temple of the muses can be found,

then another month of rest, and so on with grace _in infinitum_. Don't

say a word against it! The thing has its difficulties, but, when we

shall have gotten our theatrical Bismarck, you will see how well it

will work, and then everybody will wonder why it was not thought of

long before. Isn't it natural that the talent for impersonation should

also grow richer among a people who have finally won self-respect, who

have learned how to walk, and to stand, and to talk as well as the rest

of the world? I--of course, I have retired from the scene. But,

nevertheless, I can work for it. I will give instruction in

declamation; I will open the minds of the young actors; I will show

them how to recite verses and bring style into their prose--you know

rhapsodists always have been blind from time immemorial--and with the

aid of my little wife here, and of my tremendous memory--"

At this moment the young doctor came in. He had heard Elfinger's

earnest speech outside in the corridor, and came to warn him not to

over-excite himself. His friends took leave at once.

"I hope you won't leave Munich without having seen Angelica again,"

said Rosenbusch. Felix, though he would greatly have preferred not to

look up any one else, had to promise that he would call on her. He did

not notice the peculiarly sly look which the painter bestowed upon

Schnetz. Still, although he believed he should not see these two good

friends again, he left them with a comforted feeling. He knew that

each, after his own fashion, had attained the goal of all his wishes.

CHAPTER VIII.

Outside, they were swallowed up again in the roaring and surging human

stream, and borne toward the city. The old countess drove past them in

a very elegant open carriage, her daughter by her side, and her son

and son-in-law on the back seat, both in uniform and decorated with

medals of honor. The happy old woman, who was taking the fresh glories

of her family out for a ride, and gazing around her with proud eyes,

recognized Schnetz immediately, and nodded to him with amiable

familiarity. She looked at his companion through her eye-glass, but did

not appear to know him.

"Brave youngsters," muttered Schnetz. "Whatever else you may say of

them, they certainly fought well. But now let's take a drosky. Of

course, our young husband lives outside there where the last houses

are."

As they drew up before Rossel's quarters--a plain little house in

the Schwanthalerstrasse--they caught sight of a woman's head at the

flower-framed window above; but it was instantly drawn in again.

"Madame is at home," said Schnetz, with a smile. "Of course, she has

been expecting your visit, and has probably arrayed herself in great

style. Hold on tight to your heart, _triumphator_!"

Upon arriving up-stairs, they were not received by the lady of the

house herself, as he had expected, but by a servant-girl, who conducted

them into the studio. In comparison with the luxuriously-furnished

room in which their friend used to recline on his picturesque

bear-skin in his own house, this one was very scantily decorated.

There were no costly Gobelin tapestries, beautiful bronze vases,

and brilliantly-polished pieces of furniture in the style of the

Renaissance. But on some of the easels stood pictures in various stages

of completion, and the artist himself advanced to meet them, in his

shirt-sleeves and with his palette on his arm.

"So here you are again!" he cried. "Now thanks be to all the gods that

you have come back with sound limbs and unscratched faces! You have a

fine piece of work behind you. Nor have we stay-at-homes been lazy in

the mean while; and though not fighting for emperor and empire, we can

at least say of ourselves that we have been working _pour le roi de

Prusse_. But it makes no odds, let us hope for better times; in the

mean while I am trying to drive away the blues with this daubing. For

Heaven's sake, don't look at the things; they are wretched efforts,

merely made in order to try my brush again. For that matter, you

mustn't look about you here at all--_quantum mutatus ab illo!_ Of all

my household goods, I have retained nothing but my Boecklin; a thing of

that sort is like a tuning-fork when one has lost the key-note. Neither

must you inspect me too closely. I am reduced, my dear fellows, very

much reduced. You see I have shrunken to unnatural proportions; what

has become of my rounded form? But, what could be expected when a man

gets to work by eight o'clock every day, and so violates his holiest

principles? But wait, I will go and call my wife. She is the thing best

worth seeing in the whole house."

He made his friends sit down on a small leather sofa that bore little

resemblance to the celebrated "West-easterly" divan of former days,

and ran out calling for his wife. In the mean while, they had time to

look around. So much that was excellent met their view on all the

canvases--such clearness, and simplicity in form and color--that they

were moved to sincere enthusiasm, and eagerly expressed their delight

to one another.

"You are too good," Rossel's voice rang out behind them. "It is

possibly true that, in the course of time, I have become a passably

good colorist. It isn't for nothing that a man refrains from his own

sins for ten years, and has no other thoughts than to get at the

secrets of the great. But so long as no one cares a rap about it, it

remains a barren, private delight, and finally withers like a plant in

a cellar. Who cares, nowadays, whether human flesh like this looks

fresh, or as if it had been tanned? The subject, the idea, and now, to

cap the climax, the patriotic sentiment--no offense, my heroes! Even in

that way we can drag ourselves out of the slough; of course, upon

condition that we give that nixie there a petticoat, and provide that

fisher-boy with a pair of swimming-trousers at the very least."

"Amid all these profound remarks we have wandered from the main point

again," said Schnetz. "Where is your wife?"

"She asks to be excused--says she is engaged--and won't show herself at

any price. I told her to her face it was only on account of the Herr

Baron. 'Of course,' she answered, 'I wouldn't mind the first-lieutenant

at all.' Oh, my dear friends, if I only were not so hen-pecked! But I

can assure you, much as I have always raved about women without brains,

I now see clearly that they are the very ones who know how to succeed

in having their own way. However, in the present case, it has turned

out to my advantage. For no matter how free from prejudices one may be,

he can't help making a wry face when he sees his wife blush slightly in

saying good-day to her first and only love. Won't you come and dine

with me to-morrow? Little, but cordially offered--_un piatto di

maccheroni, una brava bistecca, un fiasco di vino sincero_. I think the

lady of the house will make her appearance too--"

Felix excused himself by saying that he was to leave on the following

day. Old Schoepf now entered, looking a little more dried up than

of yore, and with his dark face almost completely covered by his

snow-white hair and beard. He was in the best of spirits, and inquired

eagerly about the campaign experiences of his friends. When the

conversation turned upon Kohle, the old man declared that they must

certainly go out and visit him at the villa, to see the frescoes he had

already finished. He had only allowed himself a half-holiday, and had

hurried back again as soon as the entrance of the troops was over, to

add the last touches to the paneling. When Felix had to decline this

invitation likewise, the old gentleman bestowed a look of questioning

surprise upon his grandson-in-law; but he refrained from pressing the

young man any further, who acted as though the ground of Munich burned

under his feet.

Felix was obliged to tell his friends about the position that awaited

him in Metz. On more than one occasion he had attracted attention at

headquarters, and his judgment and energy, the fact that he was

acquainted with the French language, and, perhaps, the wish to have

some one who was not a Prussian connected with the administration of

the conquered province, had united in causing him to be made aide to

the new governor of the frontier fortress. To carry out properly a task

which combined such difficult and untried elements, fresh minds were

required--such as had not merely acquired experience under existing

well-regulated forms of government, but such as had been schooled in

real life, and, fitted with the necessary mental quickness, were also

equipped for unforeseen contingencies.

The grave face of our young Baron lighted up a little as he spoke of

the life of activity before him. But an expression of settled

resignation could be detected in every word he spoke. The others,

however, apparently paid no attention to this; and, as he went

down-stairs, Rossel shouted "_Au revoir!_" after him, just as in the

old times when they were certain of meeting again within a few days.

As they stepped into the street, Felix heard his name called from one

of the windows above. He saw young Frau Rossel standing among the

evergreens, cheerfully nodding and waving her hand to him. Her delicate

coloring looked even brighter than in the old days; and a little

morning-cap, which she had coquettishly placed a little on one side on

her golden-red locks, gave her round face a most charming appearance of

housewifely dignity.

"You are not to suppose I don't care anything more about my old

friends!" she shouted down to them. "At the entrance of the troops I

threw a whole lot of flowers at you; and you, proud sir, didn't deign

to look up once. Well, this time, at all events, you have turned to

look at me. Your uniform doesn't become you half as well as citizen's

dress. You don't look so distinguished in it. As for me, I couldn't

think of letting you see me. But in six or eight weeks from now--you

must come to the christening--do you hear? My husband will write to you

about it. And, now, good-by, and good luck to you. I'm sure I wish it

you with all my heart. You have certainly worked hard enough to deserve

it."

With this the laughing face disappeared from the window, without

leaving the men time to say a word in reply.

CHAPTER IX.

"And now to Angelical," said Schnetz. "You haven't far to go, and she is

certain to be at home."

Felix stood still.

"Let me off from this visit," he said, his face suddenly darkening.

"Help me think of some excuse, so that I shan't offend the good girl.

You know how much I esteem her; but she is the only person who, I have

reason to believe, knows all. The others may have been satisfied with

that fiction about the duel; but she, Julie's best friend--"

"No matter what she knows or doesn't know--nonsense! You can be as

brief as you want. Come, give me your hand on it. Good! And there's her

house there. I will say adieu to you here; I have some business to

attend to; and I will call for you this evening at the hotel, and we'll

go and see the illumination together."

"They are all so kind!" cried Felix, when he was alone; "they all want

to help me to bear what is bitter and irremediable. But it is high time

for me to try a change of air. Here--where they are all going to lead

such happy and comfortable lives, and where every one breathes more

freely and more healthily now that the storm of war has swept away the

old mists and fogs--for me alone to go about with such a face among

these good, contented people--no! I must go away from here, and the

sooner the better. If I leave this evening, travel all night--to-morrow

I can be deep in my work. I will beg Angelica to excuse me to Schnetz.

She will be the first to understand that I am in no mood for

illuminations."

He had no sooner formed this resolution than he drew a long breath, and

hastened his steps toward the house which Schnetz had pointed out to

him. The gloaming had already come, and the first candles of the

illumination were glowing in a few of the windows; but those at

Angelica's house were dark. Up-stairs the door was opened for him by

the old landlady, of whom Angelica hired her lodgings. The Fraeulein was

at home, she said, pointing to the nearest door. He knocked with a

beating heart, of which he felt fairly ashamed. A woman's voice called

out "Come in." As he entered the dusky room, a slender figure rose from

the sofa, on which it had had been idly sitting as if waiting for him.

"Is it permitted me to come so late, my dear friend?" he said,

advancing hesitatingly. The figure tottered forward to meet him, and

now for the first time he recognized the features of the face--"Irene!

Good God!" he cried, and involuntarily stood still; but the next moment

he felt two arms encircling him, and burning lips pressed to his own,

stifling every word and plunging his senses into a whirl of delirious

joy. It was as if she wanted never to let him recover his speech again;

as if she feared he might vanish from her arms forever, the moment she

let him go. Even when she finally removed her lips from his and drew

him, bewildered and trembling, upon the sofa at her side, she went on

talking alone, as if any word that he might throw in would destroy the

spell that had at last led the loved one to her side again. He had

never seen her thus before; the last bar had fallen from her virgin

heart; and a yielding woman, laughing and weeping in the sweetness of

passion, lay upon his breast, with her arms around his neck.

Not a word was said about that which had kept him from her so long. It

was as if the war had called him from her side, and now at last he had

returned and all would be well again, and far more beautiful than it

could ever have been without his youthful heroism and his honorable

scars. He had to listen to many tender complaints and reproaches for

not having given her any news about himself in all this time. But the

moment he tried to say a word in his own defense, she closed his lips

with impassioned kisses.

"Be still!" she cried. "It is true you are a great sinner, my darling

hero, but I--what wouldn't I forgive you on this day, this glorious day

of festival and joy! And, you see, it did not help you any after all.

You imagined you were safe from me, and thought you could march in here

with the rest without any one's being the wiser, while I sat and sulked

in my old-maid's cell on the Lung' Arno. But this is the time of

miracles! I cast aside my pride of birth, and all the good training I

owe to myself, as if they had been old rags, and went to uncle and said

to him: 'If the mountain will not come to Mohammed, Mohammed must go to

the mountain. That wicked Felix would like to be rid of me; but it

takes two to do that. Come, uncle, let us go to Munich. I must see my

lover ride in through the gate of victory, Schnetz writes that he looks

nobly in his uniform, and I can't help it even if the old countess

doesn't think it proper for me to run after this faithless man. He ran

after me long enough, and we ought to exchange _roles_ for once.' And

so here I am, and have been sitting here on the very same spot for

three hours, waiting for a certain youthful hero, and scolding terribly

at Schnetz, who had promised me that he would entice him into this

love-trap just as soon as he possibly could. And now it has actually

sprung upon you, and you sha'n't be let out again as long as you live."

The lights in the streets outside had long been blazing in full

brilliancy, and under the windows a joyous crowd of happy people

streamed past toward the centre of the city, where the illumination was

said to be the finest. But the two happy lovers had forgotten all else

in the bliss, so long deferred, of gazing into one another's eyes and

seeing the flame of inextinguishable love and devotion glowing there.

She asked after the companions who had been with him through the war,

and he after the friends she had left behind in Florence. But neither

paid much attention to what the other answered; all they cared for was

to hear each other speak, and to assure themselves by the sound of

their voices that they were once more united.

An hour may have passed in this way, when some one knocked softly. The

knock was repeated three times before they heard it, and Irene ran to

open the door. Angelica came flying in, the two girls fell on one

another's necks, and good Angelica's voice was so stifled by suppressed

tears that it was a long time before she could speak.

"Of course I have come too soon," she said at last; "but when

wouldn't it have been too soon? A thousand congratulations, my dear

Felix--pardon me, the Herr Baron doesn't come glibly to me to-day--and

now, make haste, so as to see a little of the illumination--it is

magnificent--we have just come from it, and Irene certainly didn't

travel five hundred miles just to sit here in the dark while all Munich

swims in a sea of light. Besides, she saw very little of the review

this morning, for she only had eyes for a single defender of the

Fatherland. You will have seen all you want to in half an hour, and

then I invite the ladies and gentlemen to assemble once more under my

humble roof and partake of a modest cup of tea. Schnetz will also

appear, and your uncle, the baron, has solemnly pledged me his word not

to let himself be dragged into any champagne-supper to-day. It's a pity

Rosenbusch isn't well enough yet! The poor fellow has only a lame leg,

and an elderly girl as a wife, as a reward for all his bravery. But

don't you think he bears his lot with incredible fortitude?"

The lights of the festival had long been extinguished, and the last

joyous echo of this happy day had died out, when Felix entered the

little room, which was the only one still to be had in the whole great

hotel. Even now he could not think of such a thing as sleep. He sat

down on the bed and drew from his pocket a letter which Irene had given

him when he parted from her before her hotel, and gazed--with what

overmastering emotion!--upon the handwriting of the friend whom he had

believed to be lost to him forever, and whom this day restored to him

again, to add to all its other unexpected blessings. He read the

following lines:

"Let this letter bear you our congratulations, dear old friend. When it

comes into your hands the last shadow will have been lifted from your

life. You will hear enough about us from the lips of your beloved, to

satisfy you of our happiness. But, possibly, there may be one subject

concerning which she may feel a delicacy about speaking; our happiness

is now secure from all external interruption. A few weeks ago a legal

divorce was effected, and our union, which certainly stood in no need

of a certificate to cement it closer, has now, for the children's sake,

received the sanction of the law. The unhappy woman herself lent a hand

in bringing this about. She is in Athens, where a rich Englishman has

been paying his court to her. The last spark of ill-will toward her has

been extinguished in me. I can think of her as of one dead. May she

find peace in the sphere she has voluntarily chosen--as far as such a

being ever can find or bear peace.

"And now let us at least hear from you again, my dear old boy. All we

have heard about you has rejoiced our hearts. You are about to enter

upon a new phase of life, and to put in order that part of the world

which has been assigned to you. I wish you all success. After all, it

is your proper calling; and if the wise saying of our friend Rossel is

correct, that real happiness is merely that condition in which we are

most keenly conscious of our individuality, you certainly must be

esteemed happy, and will make happy the noble heart that has

surrendered to you. Dear old fellow, what a splendid prize each of us

has drawn! That we had to work hard to deserve it, is all the better.

All that is not deserved humiliates. And we still have an excess of

happiness given us by the gods, whom we ought not to be too proud to

thank.

"But here I am talking about our own fates, and passing by, without a

single word, the great and mighty event in the world's history which

has just been concluded. Though, to be sure, there are no words capable

of expressing its greatness and importance. In the consciousness of

this dumb amazement the feeling can scarcely be avoided that the Muses,

who are usually silent mid the clash of arms, will not recover their

voices very soon. You men of action have the lead for some time to

come; for the revolution that has taken place in the public mind, and

the movement which has extended to all conditions of life and of civil

society, is far more wonderful, far more pregnant with consequences

than you, who took an active part in it, can appreciate in the first

pause after your final blows. We who are lookers-on are in a position

to get a more comprehensive view, for we can also see how the recoil,

of whose force you can have no conception, acts upon our neighbors.

"The truth is, this is a period of reconstruction of all political and

social conditions; whatever is essential asserts itself, and whatever

is _real_ clamors everywhere for the place that belongs to it by

nature. Consequently, those who are called upon to rearrange our new

life have the first and last word; while those who, like us artists,

have to do with dreams, stand aloof and thank fortune if their names

are still mentioned now and then. You know that, with all due respect

for politics, I cannot regard them as belonging to the highest problems

of the human mind. The possible and the useful, the expedient and the

necessary are, and must ever be, relative aims; it should be the task

of the statesman to make himself less and less necessary, to educate

the public sense of justice so that the greatest possible number of

free individuals can live in harmony with one another; and each, alone

or in conjunction with some fellow-workman, can occupy himself with the

eternal problems. Shall we live to see the time when the arts which

have heretofore flourished like wild flowers upon ruins, shall adorn

the symmetrical, inhabited, and solid walls of the new structure of the

state with their foliage of undying green? Who can say? Mankind lives

quickly in these days. In the mean while let each one do his best.

"Farewell, and make up your mind to _live_, and to let your fellow-men

_know_ that you live. I wish you could all--dear, good, and faithful

friends--wrap yourselves in the mantle of Faust and be set down among

us at this very moment. I am writing this letter in a villa on the

slope of the splendid hill that bears upon its summit old Fiesole.

Julie is walking up and down the garden carrying our _Bimba_ in her

arms, while little Frances walks by her side, busily studying her

lesson. How beautiful the world is all around me! And with what still,

pure, silent joy do I think of you, dear friends! Come and give us a

sight of your happiness, and rejoice with us in ours!

"And then we will make the old 'Paradise' to live again under another

heaven and on a new soil."

THE END.

REMORSE.

From the French of TH. BENTZON.

(_Forming Number_ 13 _of the "Collection of Foreign Authors._")

16mo. Paper cover, 50 cents; cloth, 75 cents.

* * * * *

_From Lippincott's Magazine_.

"'Remorse,' which appeared recently in the _Revue des Deux Mondes_, is

a novel of great power. The author, who writes under the name of 'Th.

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_From the New York Sun_.

"The story entitled 'Remorse' attracted much attention from the grace

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of a tragical situation are evolved with much ingenuity out of this

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life."

_From the New York Graphic_.

"Told with such grace and delicacy as to render it intensely

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_From the New York Evening Post_.

"Th. Bentzon is a novelist of no mean gifts, even in the art of apt

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_From the Boston Courier_.

"'Remorse' is a book of positive grasp, and penetrates the senses with

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_From the Boston Gazette_.

"'Remorse' has strong dramatic power in its plot, which is treated in a

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_From the Utica Morning Observer_.

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_From the Washington National Republican_.

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* * * * *

_D. APPLETON & CO._, 549 & 551 _Broadway, New York_.

AMERICAN PAINTERS:

_Biographical Sketches of Fifty American Artists_.

WITH EIGHTY-THREE EXAMPLES OF THEIR WORKS,

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Quarto; cloth, extra gilt Price, $7.00: full morocco, $13.00.

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_The painters represented in this work are as follows_:

CHURCH, HUNT, J. H. BEARD,

INNES, WHITTREDGE, W. H. BEARD,

HUNTINGTON, W. HART, PORTER,

PAGE, J. M. HART, G. L. BROWN,

SANFORD GIFFORD, McENTEE, APPLETON BROWN,

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"Outside and inside it is a thing of beauty. The text is in large,

clear type, the paper is of the finest, the margins broad, and the

illustrations printed with artistic care. The volume contains brief

sketches of fifty prominent American artists, with examples from their

works. Some idea of the time and labor expended in bringing out the

work may be gathered from the fact that to bring it before the public

in its present form cost the publishers over $12,000."--_Boston Evening

Transcript_.

"This book is a notable one, and among the many fine art books it will

rank as one of the choicest, and one of the most elegant, considered as

an ornament or parlor decoration. The engravings are in the highest

style known to art. Mr. Sheldon has accompanied the illustrations with

a series of very entertaining biographical sketches. As far as

possible, he has made the artists their own interpreters, giving their

own commentaries upon art and upon their purposes in its practice

instead of his own."--_Boston Post_.

"'American Painters' consists of biographical sketches of fifty leading

American artists, with eighty-three examples of their works, engraved

on wood with consummate skill, delicacy of touch, and appreciation

of distinctive manner. It is a gallery of contemporary American

art."--_Philadelphia Press_.

"This work is one of surpassing interest, and of marvelous

typographical and illustrative beauty."--_Philadelphia Item_.

"The whole undertaking is a noble one, illustrative of the best period

of American art, and as such deserves the attention and support of the

public."--_Chicago Tribune_.

* * * * *

D. APPLETON & CO., Publishers, 549 & 551 Broadway, New York.

HEALTH PRIMERS.

EDITED BY

J. LANGDON DOWN, M. D., F. R. C. P.

HENRY POWER, M. B., F. R. C. S.

J. MORTIMER-GRANVILLE, M. D.

JOHN TWEEDY, F. R. C. S.

Though it is of the greatest importance that books upon health should

be in the highest degree trustworthy, it is notorious that most of the

cheap and popular kind are mere crude compilations of incompetent

persons, and are often misleading and injurious. Impressed by these

considerations, several eminent medical and scientific men of London

have combined to prepare a series of Health Primers of a character that

shall be entitled to the fullest confidence. They are to be brief,

simple, and elementary in statement, filled with substantial and useful

information suitable for the guidance of grown-up people. Each primer

will be written by a gentleman specially competent to treat his

subject, while the critical supervision of the books is in the hands of

a committee who will act as editors.

As these little books are produced by English authors, they are

naturally based very much upon English experience, but it matters

little whence illustrations upon such subjects are drawn, because the

essential conditions of avoiding disease and preserving health are to a

great degree everywhere the same.

VOLUMES OF THE SERIES.

Exercise and Training. | The Heart and its Functions.

(Illustrated.) | The Head.

Alcohol: Its Use and Abuse. | Clothing and Dress.

The House and its Surroundings. | Water.

Premature Death: Its Promotion | The Skin and its Troubles.

or Prevention. | Fatigue and Pain.

Personal Appearances in Health | The Ear and Hearing.

and Disease. (Illustrated.) | The Eye and Vision.

Baths and Bathing. | Temperature in Health and Disease.

In square 16mo volumes, cloth, price, 40 cents each.

* * * * *

_For sale by all booksellers. Any volume mailed, postpaid, to any

address in the United States, on receipt of price_.

D. APPLETON & CO., Publishers,

549 & 551 Broadway, New York.

In Paradise: A Novel. Vol. II · 第 18 / 18 章