CHAPTER XVII.

Jansen had gone home as if in a dream; and even the wild demonstrations

of joy with which he was received by his child did not succeed in

driving away the stupor that hung over him. He did not ask either

Frances or her foster-mother what had happened in his absence, but

stared vacantly, sighed often, and returned confused answers. When he

had eaten something, and drunk some strong wine, he fell asleep while

sitting at table, with difficulty roused himself sufficiently to tumble

into bed, and had just sense enough left to impress upon the woman the

fact that he must be waked at six o'clock.

Then, when the evening came, little Frances only succeeded, after much

shouting and shaking, in dispelling his leaden sleep; from which,

however, the weary man awoke with joyous eyes. He lay for a while and

enjoyed the physical relief, the peace in his heart, which he had

missed so long. Every word his beloved had said to him that morning

came back to his mind again; he knew that with all her kind words she

could have meant but one thing; and yet he trembled at the thought that

it might all have been a delusion. But the certainty of happiness

invariably kept the upper hand.

When, at length, he arose, he felt as if he had recovered from an

illness--as if he were invigorated by fresh blood--and he marveled at

this transformation; for he remembered that on this very morning he

would have liked best to burrow his way into the earth and never see

the sun again. He kissed his little daughter again and again, pressed

the old woman's hand--the foster-mother was absent--and started off for

Julie's lodgings.

But, when he arrived at the house, he was surprised to see a bright

light streaming through the blinds of all five windows. He knew that

she was fond of having her room bright, but for all that it struck him

that all was not as usual. He asked the old servant, who helped him to

take off his overcoat in the hall, but received no definite answer;

and he was painfully surprised when he opened the door and saw the

brightly-lighted room full of people.

It is true, they were all familiar faces. Angelica sat on a sofa by the

side of old Schoepf, Rossel had established himself in the most

comfortable of the two armchairs, and Rosenbusch and Kohle appeared to

be absorbed in the contemplation of some engravings on the wall, while

Julie was conversing with Schnetz and Elfinger near the door. A covered

table, decorated with beautiful bouquets, stood along the wall on the

side where the windows were, and little Frances's foster-mother was

busy adding the last finishing touches to it. They were all in evening

dress, and even Rosenbusch had refrained from wearing his historical

velvet-jacket, which the summer had dealt with pretty severely, and

appeared in a magnificent dress-coat--the only trouble with which was

that it was rather too broad, inasmuch as it had been taken from

Rossel's wardrobe. But the most beautiful of all, in her simplicity,

appeared the mistress of these halls herself. She wore a white dress of

the finest woolen, which exposed but a little of her white shoulders

and her arms as far as the elbow. A plain gold chain, from which hung a

medallion containing a miniature of her mother, was wound several times

about her neck; her hair was brushed back smoothly, and intertwined

with a garland of myrtle; in her bosom was fastened a dark-red

pomegranate blossom.

In his first surprise Jansen started back from the threshold with a

look of bitter disappointment, which Julie alone understood. But,

before he had time to recover his presence of mind, he felt himself

seized by the gentlest hands, and disarmed by a single soft word

whispered in his ear.

"Here he comes at last," she said, leading the speechless man into the

centre of the room. "And first of all I must beg his pardon for not

having told him beforehand whom he would find here. For even though

they are only our best and dearest friends whom I have invited to our

farewell gathering--still, I know you would have preferred to see no

one this evening but myself. And yet, though I would gladly do anything

else for your sake--I could not do otherwise than what I have done on

this occasion. Our friends all know that I am determined to share my

life with you until death parts us. Do you not feel with me that it

would be contrary to my honor and my womanly pride, to pass

clandestinely into the new life that has been opened to us, as if we

had committed a sin, instead of entering upon it with open brow,

followed by the congratulations of our dearest friends, as other happy

bridal couples do?"

She stopped, for a moment, overcome by her emotion. But, as he made no

movement, except to raise to his lips the hand with which she held his,

she recovered her courage, and continued in a lower voice:

"Our roles are so singularly transposed. It is customary for the voice

of the bride to be heard only when she says 'yes' at the foot of the

altar. But here there is no altar, and the bride must pronounce the

wedding address herself. I confess that, since I plighted my heart and

my troth to my beloved friend, I have always cherished the hope that

things would turn out differently. I thought it would be so beautiful

to go up to the altar with him, as other brides do; and have our union

so sanctioned. But, since this could not be, what right have we to be

so cowardly and narrow-minded as to cling to a mere form when two human

lives are at stake? As soon as I saw that it was to decide the weal or

woe of his life and of his art, every scruple left me. We are neither

of us so young or so inexperienced as to be deceived about our hearts.

They are indissolubly bound together. And it is therefore no crime and

no presumption, but something that was as certainly decreed by Heaven

as was ever union between two human beings, for me to be from this day

forth the true wife of this man, and for him to be forever my beloved

husband."

She turned away for a moment; her voice failed her. A breathless

silence reigned. The gentlemen, with the exception of the bridegroom,

who gazed fixedly in his beloved's eyes, lowered their eyes and stood

solemn and still as if in a house of worship; the little foster-mother

held her handkerchief before her eyes, and the big tear-drops rolled

down Angelica's face, while she struggled to look at her friend as

cheerfully and encouragingly as possible. Now, when the latter turned

to her, she hastily took up a little silver dish she had held in

readiness and handed it to Julie, trying, as she did so, to give her

friend's hand a stolen pressure. Two little gold rings, looking rubbed

and thin, as if they had been worn a long time, lay in the plate.

"These are the wedding rings of my parents," said the bride. "For many

long years they served as the sign of a union that grew ever firmer in

good and in bad fortune. I think you will not oppose me, dearest, if I

use them to sanctify our marriage. I herewith give you this ring that

my father received from my mother, and swear to you, before these

friends of ours, to be a true wife to you and a good mother to your

child. And if you do not repent of having offered me your life--"

She could not finish. In a sudden overflow of feeling he seized the

other ring, thrust it at random on one of her fingers, and folded the

blushing girl in a passionate embrace. It seemed as if he would never

let her go again; his breast heaved with suppressed sobbing, he hid his

face upon her neck, and her soft locks dried the tears he was ashamed

to show.

In the mean while it appeared that none of the witnesses took the

slightest notice of this passionate outburst. Rossel seemed to be

earnestly studying the pattern of the carpet; old Schoepf took out his

handkerchief and polished his spectacles; Elfinger stood at the piano,

with his back toward the newly-married couple, and slowly turned over

the pages of a music-book. Angelica fell upon the foster-mother's neck,

while Kohle seized Rosenbusch's hand and shook it warmly.

At length when the bride had somewhat recovered her composure and had

gently released herself from her husband's arms, Schnetz, who up to

this time had been violently plucking at his imperial, advanced toward

the couple and stammered out a few words of cordial felicitation. This

gave the signal for a general crowding around, and the most joyful

handshaking and congratulation. All spoke at the same time, each held

the hand of the bride and bridegroom as tightly as if he hoped never to

have to release it again, and every one seemed to want to repudiate, as

something very superfluous and out of place, the emotion which had

moved all their hearts but a few minutes before. Angelica was the first

to restore quiet and order to this confusion, by rapping on a glass and

requesting the guests to come to supper. The bridal couple were to

start on their wedding journey in a few hours, and, as the bridegroom

had not even packed his trunk yet, it was doubly advisable for them not

to let the wedding feast grow cold.

So they took their places. Old Schoepf was given the seat of honor on

the other side of the bride, Rosenbusch captured a place next to

Angelica, and Rossel took charge of the foster-mother, although, as a

general thing, he studiously avoided having any women near him when at

table. Of the meal itself it will only be necessary to say that Edward

Rossel had placed his own cook at Angelica's disposal, and had sent his

servants along with her; the selection and the cooling of the wine had

also been his care, although, except himself, scarcely any one of the

guests took much notice of what they ate and drank. Those in particular

who sat opposite the bridal couple seemed to be so fascinated by the

sight of their happiness, by the beauty of Julie, and the dreamy look

of inspiration in Jansen's face, that they looked very little at their

plates. To this number belonged Angelica, whose hand wandered across

the table every now and then to meet that of her adored friend under

the shadow of the huge bouquet.

Julie's plan was to carry her husband off to Italy, there to look for

some spot on which to settle down and found their home. When they had

made up their minds whether Florence, or Rome, or Venice was to be

their resting-place, they were to return and get little Frances, who

would have been rather out of place in this wintry wedding-journey of

her parents.

Meanwhile Julie had taken advantage of a favorable opportunity to enter

into a low conversation with old Schoepf in regard to the future of his

grandchild. In spite of the power she exerted over all with whom she

came in contact, she did not find it easy to break down the old man's

obstinacy. Finding that all her assertions of how sincere the baron's

remorse was were of as little avail as her efforts to convince him of

the material benefit which the reconciliation would be to his

grandchild's future, she finally summoned cunning to her aid, and

represented that in granting this request he would be conferring a

personal favor upon her, a sort of wedding-present, which such an old

friend of her husband surely could not refuse her. The chivalrous old

man could resist no longer, and so, with a solemn shake of the hand,

Julie secured all that the baron could demand with any kind of justice,

although a complete reconciliation still seemed quite unattainable for

the present.

Jansen had been listening to this conversation, which had been carried

on in a low tone; and now he, in his turn, thanked the old man by a

pressure of the hand. All this time he had scarcely uttered a word. His

heart was full of a bliss too deep for words; the cheerful noise of the

good people about him sounded in his ears as if it came from a great

distance; his eyes rested on the flowers before his plate, and did not

even venture to gaze at the noble woman who was really his own at last;

and it was only with difficulty that he could force himself even to

smile when the others burst into roars of laughter over some joke of

the lieutenant's, or some enthusiastic expression of Angelica's.

As they sat thus, there suddenly burst forth from Julie's piano, at

which Elfinger was seated, the first bars of the wedding-march in the

"Midsummer Night's Dream." On the instant all voices were hushed, and

they stood listening to the fairy strains that made them forget, for

the moment, that the winter night with its thousand glittering stars

looked in upon them, and suffered no other elfin tricks than those

which possibly lurked concealed in the foam of the champagne glasses.

When it came to an end the silence still continued for a while. The

bride had disappeared with Angelica into the next room, and now

returned again in traveling-dress. Schnetz now called upon Rosenbusch

to let the departing couple take some of his verses with them as a

farewell blessing on their journey. But he, who was generally so

obliging, could not be induced to do this at any price. He would only

promise to forward them his bad rhymes in black and white, accompanied

with marginal illustrations.

"It is late," said Julie, "and we have still to take leave of our

child. We leave her in the best of care, and hope soon to see her

again. And now we must say good-by."

She first embraced the foster-mother and kissed her warmly. Then she

gave her hand and a kind word and look to each of the others in turn,

and hastened out of the room, no longer able to control her emotion.

Jansen, too, had parted from his friends with great feeling, entreating

them all not to follow him beyond the door. Angelica alone insisted

upon accompanying the couple as far as the carriage. The others stepped

to the window and watched them get in, together with old Erich, who was

to accompany them, while Angelica still stood on the carriage step

unable to tear herself from Julie's neck. When she at last stepped

down, and the door was slammed to, those in the house stepped to the

wide-opened window, with full glasses and burning lamps and candles,

and shouted a loud "good luck!" to the departing couple. The waving of

a handkerchief and of hands from the carriage doors answered them; and

the drosky rolled away.

_BOOK VII_.

CHAPTER I.

All of a sudden Paradise had become very desolate. In the rooms that

had once resounded with conversation and laughter until long after

midnight, there now assembled a mere handful of rather morose and

chilly comrades, who did not thaw out even over their wine. They sat

behind their glasses, silent and disconsolate, each one expecting of

the other that he would suddenly break out again in the old festal

mood. For, in spite of the great necessity for social intercourse that

is inherent in the German character, nothing is more remarkable than

the rarity of true social talent, and still more the lack of that

social sense of duty which urges the individual to do all in his power

to contribute to the general entertainment. Most Germans go into

society just as they go to the theatre, and believe they have done all

that duty requires of them when, from their seats, they have made

careful observations of the actors; and they think themselves justified

in complaining of being bored whenever the latter are in a bad mood for

acting. This unmistakable decline, which generally takes place in every

club soon after it has reached its highest prosperity, was still

further hastened, in the case of the Paradise society, by outward

circumstances. In Jansen's departure it had lost the one member whose

mere presence gave it its distinctive character. The very fact that he

had no desire to rule had led them to give him, without opposition,

that leadership for which he was qualified before all others by his

superiority, mature judgment, and simplicity of bearing. Still, there

were several among his friends who might have succeeded in upholding

the old traditions after his departure, had it not happened that the

very ones who were best fitted and most influential had themselves

personal reasons for withdrawing.

Since the recovery of his grandchild it was impossible to induce old

Schoepf to pass an evening away from home. He devoted himself entirely

to taming his little refractory savage--a task in which he was obliged

to work very carefully, for the strange creature still threatened to

run away if they tried to restrict her freedom in the slightest degree.

She would not submit for a moment to any regular course of instruction,

but thought she did quite enough if she took charge of household

matters, for which she showed great aptitude, and attended to her

toilet or took a walk with her grandfather in her spare hours. She

never asked after his friends, Jansen and Schnetz, not even after

Felix, who had disappeared so suddenly. Her face had grown rather

prettier from good living and comfortable surroundings, and her figure

fuller; and she could now gratify her taste for dress, for her

grandfather treated her like a pet doll. It was no wonder, therefore,

that Rossel only grew more confirmed in his passion, particularly as he

made it a rule to see her daily.

He came in the evening, generally bringing with him Kohle, who had been

the greatest sufferer by Jansen's departure. The two gradually became

so accustomed to the old man's parlor that they willingly gave up the

nights at the Paradise club for its sake. Usually, after they had

talked awhile, or had looked over some photographs or engravings,

Rossel drew a book from his pocket, either a volume of poems or

something else that was interesting at once to children and sages, and

began to read aloud; apparently without giving a thought to the girl,

who took pains to move about as much as possible, as if to show that

both he and his companion were utterly indifferent to her. Sometimes,

however, when he chanced to strike the right key, she would crouch down

on her little chair near the stove, and listen with open mouth and

wide-open eyes in which the light of intelligence was slowly beginning

to dawn. But she never allowed herself to be drawn into a conversation

about what had been read, and never varied in her manner toward her

admirer, so that he perceptibly grew thin with disappointment.

This same conduct, so singularly made up of frivolity and persistency,

she maintained toward her own father. After old Schoepf had consented

to allow the baron to exercise at least the outward rights of a father,

an interview had taken place between the two; and the sincere

melancholy of the baron, who was usually such a lighthearted cavalier,

had not failed to make an impression upon the grim old man. As the

latter felt that he could not acquit himself of all blame in the

affair, they had arrived at an understanding which, though not exactly

cordial, was nevertheless very different from the frosty relations that

had previously existed between them; and arrangements had been made for

the daughter's benefit in accordance with the baron's wishes. During

the half hour which she consented to give, at her grandfather's

request, to an interview between her and the author of her being, she

sat at her papa's side as cold and stiff as possible, and almost as if

she were giving an audience; while he exhausted his amiability in

attempts to touch her heart. She did not feel the slightest affection

for him, she declared over and over again. Before she saw him she hated

him; now she felt absolutely indifferent toward him, and she could not

understand how her dead mother could ever have loved him. He must not

flatter himself that she would ever feel differently. She had never

been able to bear faces like his; she was sorry, but it was always her

way to speak the truth, and because he had lied to her mother was no

reason why she should now lie to him. Let him keep his money. She had

no intention of marrying; and even if she had she would not accept a

man who took her merely because she had a rich father.

That the beautiful Fraeulein was her cousin did indeed seem strange to

her. At first she laughed at the idea, as if it were all a joke; then

she blushed crimson, no one knew why, stood up suddenly, made her

father a stiff courtesy, and hurried out of the room.

With a sigh the baron left the old man's lodgings, to go and give his

old companion-in-arms, Schnetz, an account of this unsuccessful attempt

at reconciliation.

Ever since the wedding evening the lieutenant, too, had felt himself in

a misanthropic and depressed state of mind, which kept him at home for

months and made him forget Paradise utterly; all the more readily

because it seemed to him that Jansen's presence there was necessary to

its very existence. His artistic talent was, after all, merely the

shadow cast by his character when it chanced to stand in a humorous

light. He had taken up with the artists because their society seemed to

him more tolerable than any other that came within the great dreariness

of his ordinary life, less because they created beautiful works than

because they were men who were capable of producing something that lay

beyond the pale of ordinary society, for which he had a profound

contempt. Even they did not escape his Thersites mood. But the fact

that he had discovered one among them at whom he found it absolutely

impossible to rail, and whom he had not the heart to ridicule even with

his black art, had inspired him with a strange feeling toward Jansen;

as though, if the whole decaying world should fall to pieces and leave

only this one man, nothing would really be lost, and the human race,

copied after this model, would be restored to a far higher grandeur. He

had really _loved_ this man, carefully as he tried to conceal such

"sentimentalities" from every one, especially from himself. And now he

sat alone again in his Timonian bitterness, cutting silhouettes in the

dark, and angry with all other men because all of them taken together

could not compensate him for the loss of this one.

He received the baron exceedingly badly, listened to his account of his

unloving child with a sardonic grin, and assured him that the only

consolation he found in this whole muddle of a world was that there

were still a few beings left, even of the female sex, who would not let

themselves be fooled by fine words, and who spoke out just what they

thought. He advised him to go to Africa and shoot a lioness, and adopt

her brood, whereupon he immediately began to cut out the baron in black

paper as the nurse of a wildcat, that he might give him a memento to

take with him on his journey.

For although Irene had not yet given him official permission, her uncle

had, nevertheless, determined to follow her. As matters now stood he no

longer dared to present himself even to the old countess, who, when he

called to deliver Irene's farewell, had preached him an edifying sermon

upon her incredible conduct, and had received his jesting answer with a

very bad grace. There was not the slightest prospect of hearing

anything further in regard to Felix here in the city. No one knew in

what direction the supposed duel had taken him. Thus the old habit of

being under his niece's thumb, and the uselessness and joylessness of

his further stay in Munich, drew the old baron toward the South; and

the harsh manner in which even Schnetz had suddenly turned upon him

made the parting very easy.

He put the silhouette in his letter-case without a smile, shook his old

friend by the hand, and left him, expressing the hope that they might

meet again under a warmer sun.

CHAPTER II.

Two other pillars of the Paradise Club had grown shaky, and were in no

condition to arrest its fall.

Rosenbusch and Elfinger had both appeared at the first meeting which

took place after the unfortunate masquerade, but in a conspicuously

depressed mood, and neither so witty nor so grateful for the wit of

others as was usually the case with them.

On the way home they confessed to one another that the thing had

outlived its day; even the wine to-night was much sourer than in the

good old times.

Now, the truth is, it was the very same wine, but its flavor could not

overcome the bitter taste on the tongue of the drinkers; and in each

this bitter taste arose from exactly opposite causes.

Elfinger's deep and unswerving fondness had really succeeded in

stealing away his little devotee's heart from her heavenly bridegroom.

At one of those afternoon services in the little church already

mentioned, she had with many tears allowed the confession to escape her

that his love was returned; adding, however, a saving clause, that once

more put all his hopes to naught, that she should not on this account

consider herself any the less bound by her former vow, particularly as

her father confessor had clearly proved to her that she would be

neither happy on earth nor blessed in heaven unless she renounced her

sinful love for a Lutheran, and especially for one who had once been an

actor.

To Elfinger's most eloquent attempts at dissuasion, the poor child had

only replied by tears and shakes of the head, and had answered the long

letters which her lover sent to her almost daily, by nicely-written

little notes, not altogether free from orthographical blunders, in

which she besought him in the most touching terms not to make her heart

still heavier, but rather to move to some other lodgings and never to

meet her again.

This correspondence had, of course, merely poured oil upon the fire, on

this as well as on the other side of the street. Nevertheless it really

did seem, after all, as though their love was not destined to overcome

the evil powers; and in his grief at this Elfinger began more and more

to lose his taste for the joys of Paradise, generally spending his

evenings at home, brooding over plans for the overthrow of the

priesthood--which resulted in his toiling through all the pamphlets

against the Vatican Council, and in his composing for some of the

smaller newspapers violent articles favoring the abolition of convents.

But, while his fate was trembling in the balance, his next-door

neighbor was still worse off; and, sad to relate, solely because of the

incredible worldly-mindedness of his sweetheart. Through his trusty

ally, the servant-girl, he learned that the only son of a rich brewer,

from one of the smaller cities of the region, was paying his attentions

to her; and the pretty little witch appeared to have refrained from

doing any of those things by which even the most obedient daughter may

show her aversion to a hated suitor. Rosenbusch, whose soul still clung

fondly to his romantic elopement project, refused, at first, to believe

in such villainous treachery. But when his letters remained unanswered,

the last one indeed being returned unopened by the post, he fell into a

terrible passion, spent whole nights in composing the most insulting

poems against brewers' sons and Philistines' daughters, and gave

himself up more and more to the most extravagant melancholy,

misanthropy, and dislike for work. He began to neglect his person too

in the most terrible way, wore, as his daily clothing, that ample

dress-coat of Edward Rossel's, which the latter had formally made over

to him after the wedding evening; and over this a coarse red-and-blue

plaid shawl, and a cap which he had cut out himself from his old slouch

hat, whose rim had been nibbled and considerably diminished by his

white mice, one night when he had left the door of the cage open.

It is true, he still went regularly to the studio and shut himself in

under the pretense of laboring at some great, mysterious work; yet he

never touched a brush all day long, but cowered over the stove, in

which he managed to keep up a wretched little fire made out of

fragments of old fences that he had picked up here and there. There he

sat wrapped in his shawl, an unlighted cigar in his mouth, spying

around among his antiquities, to see which piece he should next tear

from his soul and deliver to the shop-keepers.

For a very considerable payment that he had to make had exhausted his

last penny of ready money. In his emotion over the martyrdom of the

faithful dog, Rosenbusch had determined to give Jansen a pleasant

surprise by ordering a grave-stone for the little mound in the garden,

bearing the following profound inscription:

Hic jacet Homo,

_Nihil humani a se alienum putans_.

It was merely a plain block of granite ornamented by a dog's head

cut in profile, and the letters were not even gilded. Yet the

stone-cutter's bill proved to be twice as large as the first estimate

of the cost; so that he had been obliged to sell the sword and scabbard

of a Walloon cuirassier, a rusty snaffle-bit of the time of the Swedish

war, and his last halberds; and besides this, to paint an oil-portrait

of the stone-cutter's wife, in order to complete this act of respect

without incurring any debts.

He never said a word about his troubles to any of his friends, not even

to Elfinger, and at the dedication of the monument, over which he

presided, he conducted himself with so much ease and dignity that they

all thought he had really found some unknown patron who advanced him

money on his great new picture. The fact that he appeared in a

dress-coat, in spite of the bitter winter cold, was attributed to the

formality with which he insisted upon treating the whole affair.

He himself tried hard at first to keep up his spirits. He composed an

account of the ceremony in his most feeling verses, and accompanied

them with a sketch of the grave-stone and other illustrations relating

to the dedication, and sent the document to Florence, where Jansen and

Julie were then sojourning.

The postage for this parcel cost him his last kreutzer. That day it was

nine o'clock in the evening before he ate his dinner (on credit); and

even then he went to bed hungry.

But, though he deceived all others by the smiling mien with which he

wrapped himself in his shawl and his love-sickness, there were two eyes

near him that he could not blind in this way.

Those were the eyes of his neighbor Angelica, and they, too, no longer

saw the world in such a rosy light as that in which it had appeared at

Christmas.

The necessity that was inborn in her nature, to passionately worship

something or other, and to give vent to her adoration in extravagant

terms, no longer found anything to feed on since the departure of the

happy pair. Indeed, she would have had a very poor opinion of herself

if, after having found in Jansen the ideal of a true artist, and in

Julie the quintessence of beauty, she had now been contented to take up

with anything of a lower grade. At first she tried hard to grow

sentimental over little Frances, and to transfer to the child the

enthusiasm she felt for its parents. But as this was attended with some

difficulty because of their living so far apart, as well as on account

of a certain reserve peculiar to the little creature, she gradually

withdrew from this also, and contented herself with visiting the child

every Sunday and making enthusiastic speeches about its talents to its

foster-mother. The sensible little woman always received them rather

coolly, partly because she disliked everything like gushing

compliments, and partly because she felt hurt that her own children

were completely overlooked. For this reason, and for this reason only,

she was not sorry when, toward spring, a letter came from Julie with

the request to bring the child to its parents in Florence as soon as

the state of the weather would permit. Unfortunately, she could not

come for the child herself as she had hoped, her doctor having

forbidden her "for important reasons" to take the journey. Still, she

had too great a yearning to see Frances to be able to wait any longer,

and she entreated the faithful foster-mother to make still another

sacrifice for her sake, and to take advantage of the occasion to get a

peep at their Italian home.

Some fine presents were added for the other children and a letter for

Angelica, in which her friend heartily besought her to accompany the

child, and, if possible, to spend the whole summer with them. Jansen

seconded this invitation in a very kind postscript; and the money

enclosed for the traveling expenses was reckoned for three persons.

It is needless to describe the feelings of this good soul as she read

this letter, and saw the prospect opened to her of seeing again with

her own eyes, and clasping again in her arms, all that she loved and

admired. With beating heart and glowing cheeks she sat for a good hour

motionless before her easel, and had never in all her life felt so

happily unhappy or so torn by conflicting wishes. When at last she had

clearly made up her mind to decline the proffered happiness, she

appeared, in her own eyes, such a subject for commiseration,

notwithstanding all her consciousness of heroic virtue, that she began

to weep bitterly, and did not heed how her tears fell upon a wreath of

flowers in water color that she had just painted, moistening them with

an all too natural dew.

CHAPTER III.

In order to explain this, we must disclose a secret that our artist had

heretofore guarded carefully from every one--even from herself, as far

as such a thing was possible.

The fate of the one man with whom this peaceable soul always stood on a

war-footing, and who, as it seemed, possessed none of all the qualities

by which one could generally win her love and admiration, had become of

such importance to her in the course of time, that her own weal and

woe, and even such a happiness as had just been offered her, became but

a secondary matter when compared with it.

That violent hate can turn into burning love is a fact that is no

longer considered strange. But the transformation of a thoroughly

honest and obvious contempt into the exact opposite, without the object

of these conflicting feelings having changed especially himself, must

ever remain a difficult riddle to solve. This was especially the case

because this contempt for her neighbor was not directed against his

character as an artist and a man, of whose good qualities she might in

time have become more clearly convinced, but rested solely on the

contradiction in their characters, which appeared to her to have been

completely reversed in their cases from what Nature had intended.

Little of the Amazon as there was about her, she nevertheless felt

herself, as compared with Rosenbusch, the stronger, more resolute and

more manly of the two; and, since devotion to something higher and

stronger was a chief necessity of her nature, nothing would have struck

her as more absurd than that this flute-playing, verse-scribbling

art-colleague of hers, who decked himself out in silk and satin like a

bearded girl, could ever become dangerous to her peace of mind.

Consequently, when she found that ever since that stolen kiss on

Christmas night, innocent though it was, the picture of the robber rose

up before her oftener than before, each time causing a certain ashamed

surprise to creep over her virgin heart, she fought against this

weakness with all her power, and took pains to exaggerate, in her own

mind, the faults and absurdities of this gay deceiver. But, in doing

so, she was obliged to occupy her thoughts with him to an uncommon

extent, and she often caught herself studying his praiseworthy

qualities with far greater fondness than his laughable ones.

Unfortunately, she had plenty of spare time for these studies; for, as

Schnetz expressed it, she was enjoying a vacation from idolatry since

Jansen's and Julie's departure. And, finally, what contributed as much

as anything else to make her heart more tender, was the just fear that

things were going badly with her neighbor, and might end seriously for

him some fine day, unless some one came to his aid.

She positively breathed easier when she discovered that he was hungry

and cold, and began quite cheerfully to revolve in her mind how she

could best assist him.

She took good care to say nothing about it to his friends. To her alone

he should owe his rescue, and that without having the slightest

suspicion of it. She herself could hardly be said to be swimming in

luxury; that which she earned was just sufficient to carry her through

the world respectably; for she had the greatest horror of anything in

her art that had a taint of fraud about it, and was exceedingly

conscientious with regard to such matters. More than once she had taken

back a picture, with which the person who had ordered it expressed

himself as quite content, merely because it did not satisfy herself.

But the suspiciously jolly air with which Rosenbusch met her on the

stairs, the ominous stillness next door, where the stove no longer sang

its morning song, nor the flute summoned the mice to the dance, so cut

her to the heart, that she would not have hesitated even to have got

into debt, if by so doing she could have saved her friend from

bankruptcy.

It was a sunny morning in April; she had accompanied little Frances and

her foster-mother to the station, and had thus given up the last thing

she had to exercise her sentimental devotion upon; and now she walked

slowly to her studio, firmly determined to seek consolation in her art.

But on arriving up stairs, where a fresh canvas was already awaiting

her, she made a mistake in the door, and, instead of going into her own

workshop, knocked at the battle-painter's, of whom she had not caught a

glimpse for several days.

Rosenbusch knew her knock well. He always declared it was a pity she

did not play on the piano, she had such an excellent touch. However, he

did not seem inclined to let her in; at all events she had to knock

three times, and to call out that it was no use, he needn't pretend any

longer, she had seen him through the keyhole sitting there, and must

come in for ten minutes as she had an order for him; then, at last, he

slowly got up, crept to the door, sighing, and drew back the bolt.

As she entered she cast a stolen look at the bare walls of the room,

that was as damp and chilly as a cellar, and at its miserable occupant,

who had folded his shawl tight about his body just as a beetle does his

wings in a rainstorm, and, with his pinched, half-starved looking

little nose, was making a wretched attempt to look chipper and pleased.

"What are you making such an _ecce homo_ face for?" she said, in her

brusquest tone, which now stood her in good stead in concealing her

emotion. "You ought to be ashamed of yourself, Herr von Rosenbusch, to

sit here in a corner and mope, this heavenly weather. Besides, it's so

cold here that the oil would freeze on one's brush. But I forget, you

are not doing any painting now. You have another acute attack of your

chronic laziness--or are you sick?"

"You are mistaken, honored patroness," said Rosenbusch, in his silver

tenor, which now, however, sounded a little cracked. "I am quite well,

with the exception of a certain nervousness that is often to be found

among artists; atrophy of the _nervus rerum_, the men of science call

it. Besides, I am not sitting here so idle as you perhaps imagine; I am

working away at my great picture, having accustomed myself of late to

first complete the picture in my head, down to the last light effect on

the nostrils of a pack-horse. In this way you save an incredible deal

of color that you would otherwise have wasted in constant scratching

out. You ought to try it, Angelica."

"Thank you. Every one has his manner, and my ideas never come to me

until I see them first upon the canvas. But listen, Rosenbusch, does

this dry mental painting take up all your time? Couldn't you steal a

few hours in the day for outside work? A young officer's widow

has given me an order for a portrait of her husband, who fell at

Kissingen, to be inclosed in a wreath of laurels, cypresses, and

passion-flowers--between ourselves, a regular sampler idea. Only think

of it: the departed one on horseback, in the background the city; and

around it all a wreath, like onions about a dish of sauerkraut and

sausages. I let fall a few hints, as to whether it would not look

better, perhaps, if we should leave out the wreath, or at most paint in

the bust of the deceased? But no, it would not do to leave out the

horse, he might almost have been said to have been one of the family,

the widow declared--a beautiful bay stallion with a white star; and he

had also died in consequence of a wound. As the times are bad and the

lady did not find the price I asked any too high, I accepted the

commission. I immediately said to myself, it is nonsense; the horses

that you paint look a good deal like hippopotamuses, so you can't get

it done without Rosenbusch's help; and as he is now at work on his

great picture--but still, as you are only painting it in your head--"

She turned away, so that he should not see the sly look that flashed

over her round face. But, in his wretched state of body and mind, all

his sharpness had left him.

"You know, Angelica," said he, "that if I were painting the battles of

Alexander, I would always have time enough left for you. Besides, one

nag won't be anything of a job. I shall paint him with wide-spread

nostrils snuffing at the wreath, as though the laurels that beckoned to

his master had excited his own appetite. Symbolical allusions like that

can give an interesting air even to the most foolish picture."

"Will you have the goodness to dispense with all your jokes? The matter

is serious, the picture is to be placed on a sort of household altar in

the widow's sleeping-chamber, and a night-lamp is to be kept constantly

burning before it. So, if you will undertake to do the figures,

including, of course, the portrait of the officer--a photograph of the

horse is also to be sent to me to-day--I will paint a wreath around

them, and we will go shares in the fame and money."

She named twice the sum she had asked. For she was determined to let

him have the whole, which would be no inconsiderable sum for him in his

present state. But to her alarm he did not show the slightest joy at

this unhoped-for income.

"My dear friend," he said, "the two departed ones shall be painted, and

I promise you they shall bear as close a resemblance to a fallen hero

and a defunct war-horse as any sorrowing widow could possibly wish. I

will also, if you insist upon it, paint my monogram on the nag's

saddle-cloth, so that we may figure together in art-history, like

Rubens and Blumenbreughel. But you alone must have the money. I will

never consent to be paid in vile lucre for acts of friendship,

especially toward a lady, and above all toward an honored patroness and

neighbor. And, by the way, we can commence at once; I have come to a

halt in my composition--particularly as I have a cold in my head--and

as one finally gets quite confused merely from the number of good

thoughts that come to him--therefore, if you please--"

He approached with arm gracefully bent, in order to escort her over to

her studio.

Angelica knew him well enough to feel sure that nothing in the world

would shake him in the resolution he had taken; and, since everything

that was chivalrous in his character flattered her hidden liking, she

made no attempt to dissuade him. She would find some way of

recompensing him for his trouble without offending his sense of

courtesy, and a great deal had already been won in inducing him to go

to work again and to come into a heated room.

There, to be sure, he was obliged to take off his shawl and appear in

the unlucky dress-coat which, having been intended for Rossel's rounded

proportions, hung very loosely about his shrunken limbs. However, he

was not in the least embarrassed by this, but proceeded to explain to

his friend, with the greatest seriousness, the advantage of having

one's clothes too large. In the summer they were airy, for they caught

the wind; in the winter they retained a larger supply of warm air--a

movable wadding, as it were, between the body and the cloth--while they

were much warmer in an unheated room, especially when covered by a

shawl, on account of their having so much more material. He delivered

this lecture over a cup of tea which Angelica had prepared for him, and

which evidently restored to his inner man the warmth he had so long

been without. As he was never more active than when he was working for

others, the rough sketch of the equestrian portrait was completed in a

few hours, and so skillfully set in Angelica's border of flowers that,

as she expressed it, the whole picture looked "quite crazy enough," and

they were able to proceed at once to the shading.

Over this common labor, that afforded them both great pleasure and gave

occasion for innumerable jests, the forenoon had slipped away unheeded.

Angelica proposed to take her dinner in her studio to-day, against

which proposition Rosenbusch had nothing to object. She dispatched the

janitor with a few secret commissions, and in a short time had

improvised such an excellent meal that Rosenbusch burst out in great

enthusiasm.

CHAPTER IV.

This was the first day for many weeks on which he had felt warm, and as

if he had enough to eat. Consequently he only made a few weak protests

when Angelica insisted upon furnishing him his meals so long as their

common labor lasted, and even made as though he did not notice that she

acted like a very Penelope, and again and again put off the completion

of the work under one pretext or another. However, the picture was

finished at last, and Rosenbusch, who had in the mean while grown quite

plump, would have been obliged to fall back again on his fasting and

brooding, had not his friend taken care to provide for him without his

knowledge.

She succeeded in bringing it about that all the friends of the

inconsolable widow became possessed by a desire to have the effigy of

their dead or living husbands, done in the same way. Thus it happened

that our battle-painter was all at once completely overwhelmed with

orders for equestrian portraits, whereat he flew into a great passion,

for the modern uniforms were very much at variance with his Wouverman

tendencies. However, there were always the horses to fall back on, and

upon these he could labor with a good conscience, though he was always

complaining that the modern prejudices in regard to horse-breeding had

exterminated the majestic Flemish and Burgundian breeds. He painted

away at them with great zeal, "for his meals," as he expressed it, and

it was only when the approach of twilight forced him to leave off that

he allowed himself the pleasure of going round to his neighbors, and

inveighing against this servile labor to which his great work was being

sacrificed.

Angelica never replied to his complaints by a single word. She had said

once for all that she thought there was nothing unworthy in his

painting military portraits by the dozen, provided he could get,

respectable prices for them; and in support of this she referred him to

some famous examples. But, in order that she might get him to work

again upon some larger task, she persuaded the young widow to give him

an order for the bombardment of Kissingen, at which her husband had

fallen.

But in this case she had reckoned without her host. He absolutely

refused to paint so prosaic an affair as the bombardment of a modern

city, by modern troops who lay under cover and fired their cannon

unseen. Besides, he had not been present at the affair. Had he taken

part in person at the battle of Luetzen? asked Angelica, maliciously.

No; but that was not a parallel case at all. Everybody would like to

have been present at such a glorious hand-to-hand fight as that, and

would, therefore, feel grateful to the artist who did his best to fix

on canvas the rearing chargers, the trumpeters blowing their bugles,

and the foot soldiers charging and dealing blows to right and left with

all their might. Modern battles, on the other hand, showed to quite as

much advantage on the maps of the general staff, where one could follow

on the table the scientifically-planned moves and countermoves by

geometrical lines and different-colored little flags.

He could not be dissuaded from this, for on some subjects even

Angelica's influence over him had its limits. But the more she scolded

him for his obstinacy, and the more unsparing she was of her forcible

expressions, the better pleased she was at heart that he showed himself

so independent, so manly, and so unreasonable; and she often had hard

work to keep from falling out of her _role_ and throwing her arms

around his neck.

She was less satisfied with the persistency with which he clung to his

quiet melancholy, even after the beautiful weather had come, and there

was no longer any lack of money, and his loose dress-coat had long

since been exchanged for a natty summer jacket. She attributed this

dejection of one who was generally so light-hearted to his affair with

the beautiful Nanny, of which, contrary to his habit, he never spoke to

her, but which, as she knew, had not turned out very satisfactorily.

And so for many a day she sat dejectedly before her easel, listening to

catch the slightest sound from her friend's silent studio, where, even

now, the flute gave forth no music; while from the deserted rooms below

no sound of mallet and chisel nor any other sound of life reached her

ear.

In the mean while, as we have said, summer had come. Rossel had invited

old Schoepf and his granddaughter to his villa on the lake. But as the

old man did not think it would be just the thing for him to go and live

with the girl under a bachelor's roof, and as she herself would not

listen to the proposal for a moment, our "Fat Rossel" also remained in

town, an arrangement, by-the-way, that was far more agreeable to him.

Kohle alone took up his quarters with old Katie, in order to paint his

allegory of Venus on the wall. The foster-mother had returned from

Florence with a whole trunkful of articles of art and ornament for

Angelica, and a thousand greetings from the happy pair. She was never

tired of telling about the beautiful life the two were leading: how

Herr Jansen had begun some wonderful new works; how the Frenchmen and

Englishmen had gone wild over them; and how happy little Frances was

with her beautiful mamma. She had also seen the baron and Irene, but

nothing had as yet been heard of the young baron.

These accounts had greatly excited the good soul of our friend. Long

after the cheerful little woman had gone, Angelica sat at the table on

which she had spread out Julie's presents, the photographs taken from

the pictures of the Tribuna, the mosaic brooch and the beautiful silks,

and sadly reflected whether she would not have done better if she had

crossed the Alps when she was asked, instead of staying here at home

and torturing her soul with the pangs of a hopeless love.

Just then she heard Rosenbusch rush whistling upstairs with unusual

haste. Immediately after he entered her studio. His face had the same

thoughtless, dare-devil expression that it used to have in his most

flourishing days, when he still wore his violet-velvet coat.

"What news do you bring, Rosenbusch?" asked the painter, who was as

little pleased with his jollity as she had been before with his

dejection. "You look as if you had just made a great find, a genuine

Wouverman at some salt-dealer's, or the red cloth of which Countess

Terzky dreamed in Eger. Well?"

"My honored friend," he remonstrated, "you wrong me, as usual. What I

bring is not antiquities, but two very important items of news, a

serious and a comic one. Which do you wish to hear first?"

"First the serious one. You alarm me, Rosenbusch. Why, you really look

quite solemn."

"It is a devilish serious matter; there is war, real, genuine war,

though the whole thing sounds so absurd that, in spite of the

declaration by France that you can read in all the papers, one feels

almost tempted to bet that it is a newspaper hoax. What do you say now,

Angelica? Is that piece of news serious enough for you?"

"Gracious heavens!" cried Angelica, "what an absurdity!"

"That is a very wise remark of yours, my respected friend; but it can't

be helped; on account of just such absurdities the most sensible men

have lost their lives and whole nations their blood and treasure. To be

sure, there must be wars, else how would the battle-painters live?

However, you know my sentiments on that subject. Considering the

present system of artillery battles and rapid firing, you may be sure

it isn't for the sake of art that I am going."

"You going to the war? You don't know what you are talking about,

Rosenbusch! You a warrior and hero? That is undoubtedly your second

item of news, the comic one, I mean."

"You are again mistaken, and of course to my disadvantage, my dear

patroness. The second item has nothing whatever to do with the first;

on the contrary, if we must regard the first as a public calamity, we

can call the second a joyful private occurrence: Fraeulein Nanny and

Herr Franz Xavier Kiederhuber are announced as engaged; the wedding is

to take place in three weeks."

His face had not lost its indifferent expression while he spoke these

words, but yet there was something about his voice as if everything

were not yet quite right.

"My dear friend," she said, at last. "I have been so little _au

courant_ of your affairs of the heart for the last few months, that I

really do not know whether I ought to congratulate you or to assure you

of my silent sympathy, I must tell you frankly, though, that of all

your lovesick moods I never could understand this passion of yours for

that insignificant, coquettish, and not particularly attractive little

doll--" (Even now, when the faithless one had ceased to be dangerous,

Angelica's jealousy vented itself in this harsh criticism.) "And now

for your grief at having found out such a little hypocrite to drive you

into the jaws of a park of artillery, belching forth death and

destruction--"

"It isn't that at all," he interrupted, with a heavy sigh. "It isn't

any sardonic mood that makes me think this vengeance of fate absurd.

For all I care she may make her brewer's son happy, and prefer his beer

and brewery horses to my oil and chargers. That unfortunate love of

mine has long ceased to be anything but a spectre, a mere phantom, as

is shown most clearly by the verses I have composed about it. Elfinger

told me to my face long ago: 'You don't love her at all; the stronger

the love, the weaker the love poems, and yours are unusually good this

time!' Nevertheless, Angelica, you are not altogether wrong in

supposing that I am going off to the war on account of an unhappy

passion. It is the same hopeless affection that has robbed me of my

usual good spirits for some time past. But what's the odds? The powder

that is to remedy this folly has been invented at last!"

"_Another_ unhappy love affair? Oh, you wretch! I could almost take

sides with the beautiful Nanny; she must have found out what a

butterfly with blue-velvet wings was fluttering around her!"

"Well, whether what she did was right or wrong, she certainly conferred

a great favor upon us both by acting as she did. But, just because I

tried to retain my constancy as long as I possibly could, I grew

melancholy when I found how much difficulty I had in feeling the

slightest pain at the faithlessness of this young daughter of the

Philistines--of this Delilah for whom I once out off my beard and

flowing locks. And even though I have been perhaps unduly led, by my

sense of justice, to do homage to different styles of beauty at the

same time or in rapid succession--I am punished now more cruelly than I

have deserved. However, there is no help for it. It is to be hoped it

won't last long. It is true that as volunteer nurses, for as such we

are going to report ourselves (for Elfinger can't stand it any longer

either), we shan't at once get into the heaviest fire; and of course no

one can expect for a moment that we would enter as privates at this

late day, and go through a course of drill, and then follow after the

rest when the sport is all over. But during the battle, when all is

confusion, when human beings are bowled down like lead soldiers,

perhaps there will be a stray bullet for one of us--"

"Don't talk in that godless way, Rosenbusch! It is very noble and brave

of you to want to go with the rest; it certainly does you honor. But,

because it is such a holy cause, do leave your jests behind you; forget

'all lighter trifling, dalliance sweet,' and--and when you are in the

field--and really--"

She suddenly broke off. The thought that he was going to leave her,

that he would be surrounded by dangers and might stand in need of her

help, came over her with such force that she had all she could do to

restrain her tears.

He was gazing at the ground with a sad face, and had not noticed her

emotion.

"You are in one of your jesting moods again," he said, staring at a

large photograph of the Cellini "Perseus." "And I willingly give you

permission to ridicule all my former 'amours and courtesies,' and to

look upon them as Ariostian sports, springing from pure love of

adventure. But, you shall not lay hand on this, my last and lasting

passion. It is of a very different calibre; and, though I dare not

mention its name to you, I am sure you would yourself admit that this

flame has nothing in common with the Nannies, Annies, and Barbaras that

I once loved. But I won't be such a fool as to take you into my

confidence. Then, indeed, you would let out upon me the vials of your

raillery, and I am anxious that we should part good friends."

"You speak in riddles, Rosenbusch. If you really should lose your

reason in a sensible way--I mean over a subject that is worth the

trouble--why should I make fun of you?"

"Because--but no, it is useless to say any more about it. Do tell me,

for Heaven's sake! would you have believed this Monsieur Ollivier to

have been capable of such a vile performance, such a piece of silly

defiance--like a corps-student 'renowning it?' A man that only a little

while ago--"

"No dodging, Herr von Rosebud. You have told me too much for you to try

and put a seal on your lips now. As a woman, and as your true, sincere

friend, it is not only my right but my duty to be curious. Out with

it--who is this latest flame?--and if I can aid you by word or deed--"

Her voice grew unsteady again. She did not dare to look at him. He,

too, let his eyes wander around the studio in another direction.

"If you positively insist upon knowing," he stammered, at last--"and,

after all, there's nothing to be lost or gained by my telling you--the

person of whom I speak is the only female being to whose peace of mind

I can't imagine myself in any way dangerous--I couldn't imagine it even

in a dream. It is impossible for her to feel toward me either love or

hate. She has given me unmistakable proof of this--partly by constantly

scolding, railing, and mocking at me, partly by the kindest and most

brotherly friendship--such as one only shows to a person when one is

absolutely certain that one can never fall in love with him. I ought to

have been warned by this, and have taken better care of my heart. But,

just because such a relation was quite new to me, I fell into it

blindfold, and now I am plunged up to my ears in the most hopeless,

most undying, and most imprudent passion. There you have my confession.

I think you will dispense with my mentioning to you the name of the

person in question. But I won't detain you longer. I see you have your

palette ready to go to work. _Adieu!_"

He turned toward the door. But he had not crossed the threshold when

his name reached his ear--and his heart, too, because of the unusually

tender tone in which it was pronounced. He stood as if rooted to the

spot, and waited to hear what more the voice would say. But he had to

wait a good while, so he spent the intervening time in observing the

wall, which separated this room from his own, and which was large

enough to easily admit of a door being cut through.

"Dear Rosenbusch," the voice began again, at last, eyen a little more

tenderly than before. "What you have said is so new, so entirely

unexpected to me--and then, again, so confusing--come, let us talk

about it like a couple of sensible people and good comrades--"

He again made a movement as though he were going. The beginning did not

strike him as being particularly consoling. "Sensible discussion and

good-fellowship!"--if she had nothing better than that to offer him--

"No," she continued; "hear me out, first. You are always so hasty,

Rosenbusch! If you will only promise me not to be offended at anything

I say--for I would like to be perfectly frank. Will you promise me?"

He nodded rapidly three times in succession, and gave her an almost

timid look; and then hastily looked down again. In the midst of her own

confusion and embarrassment she could not help smiling at the shy,

penitent air of one who was usually such a self-confident lady-killer.

"I can't deny," she said, "that in the first part of our acquaintance

I really did not think much of you; you were--pardon me for saying

it--rather disagreeable than dangerous to me. The very name of

Rosenbusch sounds so perfumed and sentimental--"

"Well!" he ventured to interpose, "Minna Engelken is also a devilish

sweet name!"

"But, still, it doesn't sound so Jewish. I took you for a Jew in

disguise."

"We have been baptized these hundred years, and my grandmother came

from a Christian family, and was a Fraeulein Fliedermueller."

"Then, besides, I found you too--how shall I say?--too 'pretty' for a

man, and the others all said you were amiable. Pretty and amiable men

have always been intolerable to me. They are generally conscious of it,

and contemplate themselves in the glass at moments when they are not

watched, and comb their beard and even their eyebrows. And all the

while they care for no one but themselves; and, if they pretend to grow

sentimental over a woman, it is done in such a way that the unfortunate

person thus favored would rather receive a box on the ear than such

homage, if her heart is in the right place. Don't get angry,

Rosenbusch; it isn't your fault that you have such a pretty little nose

and are so amiable--for that you really are. But you will understand;

an old girl who is no longer pretty, and who never was considered

amiable--"

"Oh, Angelica!--"

"No, you mustn't interrupt me. It would be very stupid of me if I were

not wise enough to know how I look, and what impression I make upon

people after having had nearly thirty years in which to make my own

acquaintance. How old are you, Rosenbusch?"

"I shall be thirty-one on the fifth of August."

"Then there is scarcely thirteen months difference between us. Don't

you see, that in itself is an objection? But to proceed: your

flute-playing, your white mice, your many love-affairs; can you blame

me for looking upon you as a man who was not in the slightest degree

dangerous--to me, at least? I had formed a very different idea of the

man who was to win my heart, and, if I chanced to find such a one, I

knew at once that it would be an unfortunate affair if I regarded the

matter seriously. For such men want very different wives, and in that

they are quite right. So I intrenched my poor soul behind my sense of

humor, and, as you see, that was both a good and a bad thing to do;

good, because it has helped me over many a bitter hour; bad, because it

made me appear even less amiable than I really am at bottom. A woman

who has humor, who does not weigh each of her words--where are the men

who still believe that a good, womanly heart lies behind it all? The

conceited men, like yourself, for instance, are especially repelled by

such a one. Unless we cower in sweet bashfulness before your great

words and beards, we are not worthy to be loved by your great souls.

For that reason I was truly never more astonished by anything than by

what you have just said to me. It is true, that since--well, for some

time past I will say--I have gained a very different opinion of you; it

is my duty to confess this to you after having so candidly told you the

rest to your face. I have learned to esteem you highly, Rosenbusch;

I--I even believe I must make use of a stronger expression; I have

conceived a hearty love and affection for you--no, you mustn't

interrupt me by a single word, it must all come out first. Do you know,

on that night when you behaved so naughtily--you recollect it, don't

you?--you took a liberty which you regarded merely as the toll of

gallantry, but which a girl who has any respect for herself--though I

have no prudish notions about such things when people are really in

love with one another--and that was it that made me feel so badly,

because you took such a liberty without really loving me; and I believe

I didn't close an eye half that night, and that I shed many secret

tears, because--because, do what I would, I couldn't be angry with you

for it!"

"Angelica!" he cried, eagerly, approaching to seize her hand, which,

however, she instantly drew back. "Why do you speak this way, if you

will not make me happy--if you will not even let me kiss your hand? No,

I won't be kept from speaking any longer; for, no matter how much about

my bad qualities you may still have on your conscience, you can

no longer deny that you like me, that you think well of me; and

that is the main thing and a thousand times better than I ever dared

to hope. Dearest, best Angelica, only try and believe that even a

thirty-one-year-old battle-painter can improve. I will stop up my flute

with lead, I will give my mice strychnine in a piece of Swiss cheese,

and will wear a covering over my nose so that the children shall run

away at sight of me. And, finally, in regard to my love-affairs--do you

really believe I am so wanting in taste, to say nothing of all nobler

motives, as to have eyes for such every-day doll-faces, after having

found in your countenance the image of all love and goodness, of all

wisdom and grace?"

In the mean while he got possession of one of her hands and pressed

it so earnestly, at the same time gazing into her face with such

true-hearted, mischievous eyes, that she grew quite red and came very

near losing her firmness. However, she quickly recovered herself again

and said:

"You are a truly dangerous man, Rosenbusch. I begin to realize that now

from my own experience. If I did not call to my aid all the little

sense and self-consciousness I possess, we should now fall into one

another's arms, and ruin would take its course. One more name would

stand on your list; you would go to the war, and there, in the great

events that go to make up the history of the world, you would find the

very best excuse for letting this little affair of the heart drop

completely out of your memory. No, my friend, I think too much of

myself for that. I confidently believe that my respected person has

merely become of importance in your eyes, because I have heretofore

withstood your amiability in a perfectly incomprehensible way. As soon

as you should become convinced that I too am only a weak woman, I

should become a matter of great indifference to you. Now, it is true,

my stupid honesty has prevented me from concealing this from you; but I

don't regard myself as hopelessly lost even yet. Now, if you go to the

war, we shall both be equally well off. We shall both have ample time

and opportunity for forgetting one another. I, to be sure, here alone

in this deathly quiet house, where I hear nothing but the squeak of

your mice--I shall have somewhat the harder time. But perhaps some

other dangerous youth will move into your quarters--a dark-complexioned

Hungarian or Pole--I have always had a partiality for brunettes, and

for that reason alone it is a great mistake for me to love you with

your red beard."

She had to turn her head away, it was impossible for her to conceal her

emotion any longer by forced jests. She stealthily pressed her curls

against her overflowing eyes, but, nevertheless, she shook her head

when he put his arm around her and drew her to his breast.

"No, no!" she whispered; "I don't believe it even now. You shall see it

will turn out badly. It's so silly of my stupid tears to give the lie

to my wisest words; and then, too, my foolish heart, that ought to be

old enough not to let itself be deluded--"

* * * * *

On the evening of the same day Angelica wrote a long letter to Julie.

After she had relieved her heart of a thousand things that concerned

her friend alone, and had arrived at the end of the twelfth page, she

finally summoned up all her courage, took a fresh sheet, and wrote the

following postscript:

"To tell you the truth, I was going to be so cowardly and deceitful as

to send off this letter without telling you of the great event of this

day. I don't mean the declaration of war by France, which will be an

old story by the time this letter comes into your hands, but the

offensive and defensive alliance that I have to-day concluded. With

whom, I should very much prefer you should guess for yourself. But as

it will be too long for me to wait before I can learn whether you have

guessed rightly or not--and as one is said to lose in shrewdness what

one gains in happiness--I will state at once that the artful man

who has surprised my well-known firmness and prudence is no other

than--Rosenbusch. I hope you are not so far-sighted as to see that in

making this confession I blush to such an extent as to do all honor to

my future name--though my rosiness is of a somewhat faded sort. Oh,

dearest! what is our heart? It really seems as though that inexplicable

and irresponsible something within us that controls the blood in its

course and makes the hand cold or warm if we place it in that of

another, exists almost independently of all those other forces which

govern that little world we call the individual. How often have I made

this dear fellow-creature the butt of my merciless sallies! How often,

when alone with you, have I caricatured his weaknesses and human

frailties--to be sure he has changed very much since you last

saw him--and made merry over this rat-catcher with his flute and

blue-velvet coat! And all the while my heart sat in its cell as still

as a mouse and made no movement; nay, even my conscience did not rebel

at the godless way in which I denied that love we are commanded to feel

toward our fellow-creatures. And now all of a sudden--

'Frailty, thy name is woman!'

In Paradise: A Novel. Vol. II · 第 17 / 18 章