There was more wit in a curé of Basse Bretagne, who was the author

of his diocesan’s pastorals, and who happened to hold invitations

to dinners for the consecutive days of the week. He could not take

advantage of them and perform his duty too, but he hit on a method of

accomplishing his desire. He gave out at church, an intimation to this

effect:--“In order to avoid confusion, my brethren, I have to announce

that to-morrow, Monday, I will receive at confession, the liars only;

on Tuesday, the misers; on Wednesday, the slanderers; on Thursday,

the thieves; Friday, the libertines; and Saturday, the women of evil

life.” It need not be said that the priest was left during _that_ week

to enjoy himself without let or hindrance. And it was at such joyous

dinners as he was in the habit of attending that most of the sermons,

with startling passages in them, like those of Father André, were

devised. Thus, the Cordelier Maillard, the author of various pious

works, at a dinner of counsellors, announced his intention of preaching

against the counsellors’ ladies,--that is, against their wives, or

such of them that wore embroidery. And well he kept his word, as the

following choice flowers from the bouquet of his pulpit oratory will

show. “You say,” he exclaimed to the ladies in question, “that you are

clad according to your conditions; all the devils in hell fly away with

your conditions, and you too, my ladies! You will say to me, perhaps,

Our husbands do not give us this gorgeous apparel, we earn it by the

labours of our bodies. Thirty thousand devils fly away with the labours

of your bodies, and you too, my ladies!” And, after diatribes like

these against the ladies in question, the Cordelier would dine with

their lords, and dine sumptuously too. The dinners of the counsellors

of those days were not like the Spanish dinner to which an author

was invited, and which consisted of capon and wine, two excellent

ingredients, but unfortunately, as at the banquet celebrated by Swift,

where there was nothing warm but the ice, and nothing sweet but the

vinegar, so here the capon was cold and the wine was hot. Whereupon,

the literary guest dips the leg of the capon into the flask of wine,

and being asked by his host wherefore he did so, replied, “I am

warming the capon in the wine, and cooling the wine with the capon.”

The host was not such a judge of wine, apparently, as the archbishops

of Salzbourg, who used not indeed to write books, nor indeed read

them, but who used to entertain those who did, and then preach against

literary vanity from those double-balcony pulpits which some of my

readers may recollect in the cathedral of the town where Paracelsus was

wont to discourse like Solan, and to drink like Silenus; and before

whose tomb I have seen votaries, imploring his aid against maladies,

or thanking him for having averted them! It is said of one of these

prince primates that when, on the occasion of his death, the municipal

officers went to place the seals on his property, they found the

library sealed up exactly as it had been done many years before at the

time of the decease of his predecessor. Such, however, was not the case

with the wine-cellars. What the archiepiscopal wine is at Salzbourg, I

do not know, but if it be half as good as that drank by the monks of

Mölk, on the Danube, why the archbishops may stand excused. Besides,

they only drank it during their leisure hours,--of which, as Hayne

remarks, archbishops have generally four-and-twenty daily.

But to return nearer home, and to our own authors:--Dr. Arne may be

reckoned among these, and it is of him, I think, that a pleasant story

is told, showing how he wittily procured a dinner in an emergency,

which certainly did not promise to achieve such a consummation. The

doctor was with a party of composers and musicians in a provincial

town, where a musical festival was being celebrated, and at which they

were prominent performers. They proceeded to an inn to dine; they were

accommodated with a room, but were told that every eatable thing in

the house was already engaged. All despaired in their hunger, save

the “Mus. Doc.” who, cutting off two or three ends of catgut, went

out upon the stairs, and observing a waiter carrying a joint to a

company in an adjacent room, contrived to drop the bits of catgut on

the meat, while he addressed two or three questions to the waiter. He

then returned to his companions, to whom he intimated that dinner would

soon be ready. They smiled grimly at what they thought was a sorry

joke, and soon after, some confusion being heard in the room to which

the joint which he had ornamented had been conveyed, he reiterated the

assurance that dinner was coming, and thereupon he left the room. On

the stairs he encountered the waiter bearing away the joint, with a

look of disgust in his face. “Whither so fast, friend, with that haunch

of mutton?” was his query. “I am taking it back to the kitchen, Sir;

the gentlemen cannot touch it. Only look, Sir,” said William, with his

nose in the direction of the bits of catgut; “its enough to turn one’s

stomach!” “William,” said Arne gravely, “fiddlers have very strong

stomachs; bring the mutton to our room.” The thing was done, the haunch

was eaten, the hungry guests were delighted, but William had ever

afterwards a contempt for musical people; he classed them with those

barbarians whom he had heard the company speak of where he waited, who

not only ate grubs, but declared that they liked them.

Martial was often as hardly put to it to secure a dinner as any of the

authors I have hitherto named. He was fond of a _good_ dinner, _ut

solent poetæ_; and he knew nothing better than a hare, followed by a

dish of thrushes. The thrush appears to have been a favourite bird in

the estimation of the poets. The latter, may have loved to hear them

sing, but they loved them better in a pie. Homer wrote a poem on the

thrush; and Horace has said, in a line, as much in its favour as the

Chian could have said in his long and lost poem,--“nil melius turdo.”

Martial was, at all events, a better fed and better weighted man than

the poet Philetas of Cos, who was so thin that he walked abroad with

leaden balls to his feet, in order that he might not be carried away

by the wind. The poet Archestratus, when he was captured by the enemy,

was put in a pair of scales, and was found of the weight of an obolus.

Perhaps this was the value of his poetry! It was the value of nearly

all that was written by a gastronomic authoress in France; I allude

to Madame de Genlis, who boasts in her Memoirs, that having been

courteously received by a certain German, she returned the courtesy

by teaching him how to cook seven different dishes after the French

fashion.

The authors of France have exhibited much caprice in their gastronomic

practice; often professing in one direction, and acting in its

opposite. Thus Lamartine was a vegetarian until he entered his teens.

He remains so in opinion, but he does violence to his taste, and eats

good dinners for the sake of conforming to the rules of society! This

course in an author, who is for the moment rigidly Republican when all

the world around him is Monarchical, is singular enough. Lamartine’s

vegetarian taste was fostered by his mother, who took him when a

child to the shambles, and disgusted him with the sight of butchers

in activity on slaughtering days. He for a long time led about a pet

lamb by a ribbon, and went into strong fits at a hint from his mother’s

cook, that it was time to turn the said pet into useful purposes,

and make _tendrons d’agneau_ of him. Lamartine would no more have

thought of eating his lamb, than Emily Norton would have dreamed of

breakfasting on collops cut from her dear white doe of Rylston. The

poet still maintains, that it is cruel and sinful to kill one animal in

order that another may dine; but, with a sigh for the victim, he can

eat heartily of what is killed, and even put his fork into the breast

of lamb without compunction,--but all for conformity! He knows that if

he were to confine himself to turnips, he should enjoy better health

and have a longer tenure of life; but then he thinks of the usages of

society, sacrifices himself to custom, and gets an indigestion upon

truffled turkey.

Moore, in his early days in London, used to dine somewhere in

Marylebone with French refugee priests, for something less than a

shilling. Dr. Johnson dined still cheaper, at the “Pine Apple,” in

New-street, Covent Garden--namely, for eightpence. They who drank wine

paid fourpence more for the luxury, but the lexicographer seldom took

wine at his own expense; and sixpenny-worth of meat, one of bread, and

a penny for the waiter, sufficed to purchase viands and comfort for

the author of the “Vanity of Human Wishes.” Boyce the versifier was of

quite another kidney; when he lay in bed, not only starving, but stark

naked, a compassionate friend gave him half-a-guinea, which he spent

in truffles and mushrooms, eating the same in bed under the blankets.

There was something atrociously sublime about Boyce. Famine had pretty

well done for him, when some one sent him a slice of roast beef, but

Boyce refused to eat it, because there was no catchup to render it

palatable.

It must have been a sight of gastronomic pleasure to have seen Wilkes

and Johnson together over a fillet of veal, with abundance of butter,

gravy, stuffing, and a squeeze of lemon. The philosopher and the

patriot were then on a level with other hungry and appreciating men.

Shallow with his short-legged hen, and Sir Roger de Coverley over

hasty-pudding, are myths; not so Pope with stewed regicide lampreys,

Charles Lamb before roast pig, or Lord Eldon next to liver and bacon,

or Theodore Hook bending to vulgar pea-soup. These were rich realities,

and the principal performers in them had not the slightest idea of

affecting refinement upon such subjects. Goldsmith, when he could get

it, had a weakness for haunch of venison; and Dr. Young was so struck

with a broiled bladebone on which Pope regaled him, that he concluded

it was a foreign dish, and anxiously inquired how it was prepared.

Ben Jonson takes his place among the lovers of mutton, while Herrick

wandering dinnerless about Westminster, Nahum Tate enduring sanctuary

and starvation in the Mint, Savage wantonly incurring hunger, and Otway

strangled by it, introduce us to authors with whom “dining with Duke

Humphrey,” was so frequent a process, that each shadowy meal was but as

a station towards death.

When Goldsmith “tramped” it in Italy, his flute ceased to be his

bread-winner as it had been in France; the fellow-countrymen of

Palestrina were deaf to “Barbara Allen,” pierced from memory through

the vents of an Irish reed. Goldsmith, therefore, dropped his flute,

and took up philosophy; not as a dignity; he played it as he had done

his flute, for bread and a pillow. He knocked at the gate of a college

instead of at the door of a cottage, made his bow, gave out a thesis,

supported it in a Latin which must have set on edge the teeth of his

hearers, and, having carried his exhibition to a successful end, was

awarded the trifling and customary honorarium, with which he purchased

bread and strength for the morrow. No saint in the howling wilderness

lived a harder life than Goldsmith during his struggling years in

London; the table traits, even of his days of triumph, were sometimes

coloured unpleasingly. I am not sure if Goldsmith was present at the

supper at Sir Joshua’s, when Miss Reynolds, after the repast, was

called upon as usual to give a toast, and not readily remembering one,

was asked to give the ugliest man of her acquaintance, and thereon

she gave “Dr. Goldsmith;” the name was no sooner uttered than Mrs.

Cholmondeley rushed across the room, and shook hands with Reynolds’s

sister, by way of approval. What a sample of the manners of the day,

and how characteristic the remark of Johnson, who _was_ present, and

whose wit, at his friend’s expense, was rewarded by a roar, that

“thus the ancients, on the commencement of their friendships, used to

sacrifice a beast between them!” Cuzzoni, when found famishing, spent

the guinea given her in charity, in a bottle of tokay and a penny

roll. So Goldsmith, according to Mrs. Thrale, was “drinking himself

drunk with Madeira,” with the guinea sent to rescue him from hunger

by Johnson. But let us be just to poor Oliver. If he squandered the

eleemosynary guinea of a friend, he refused roast beef and daily pay,

offered him by Parson Scott, Lord Sandwich’s chaplain, if he would

write against his conscience, and in support of government; and he

could be generous in his turn to friends who needed the exercise of

generosity. When Goldsmith went into the suburban gardens of London

to enjoy his “shoemakers’ holiday,” he generally had Peter Barlow

with him. Now Peter’s utmost limit of profligacy was the sum of

fifteen-pence for his dinner; his share would sometimes amount to five

shillings, but Goldsmith always magnificently paid the difference.

Perhaps there are few of the sons of song who dined so beggarly,

and achieved such richness of fame, as Butler, Otway, Goldsmith,

Chatterton, and, in a less degree of reputation, but not of suffering,

poor Gerald Griffin, who wrestled with starvation till he began to

despair. Chatterton _did_ despair, as he sat without food, hope, and

humility; and we know what came of it. Butler, the sturdy son of a

Worcestershire farmer, after he had astonished his contemporaries by

his “Hudibras,” lived known but to a few, and upon the charity or

at the tables of _them_. But he did not, like the heartless though

sorely-tried Savage, slander the good-natured friends at whose tables

he drew the support of his life. As for Otway, whether he perished

of suffocation by the roll which he devoured too greedily after long

fasting, or whether he died of the cold draught of water, drank when

he was overheated, it is certain that he died in extreme penury at the

“Bull” on Tower Hill,--the coarse frequenters of the low public-house

were in noisy revelry round their tables, while the body of the dead

poet lay, awaiting the grave, in the room adjacent.

The table life of Peter Pindar was a far more joyous one than that of

much greater poets. At Truro he was noted for his frugal fare, and he

never departed from the observance of frugality of living throughout

his career. He would sometimes, we are told, when visiting country

patients, and when he happened to be detained, go into the kitchen and

cook his own beefsteak, in order to show a country cook how a steak

was done in London,--the only place, he said, where it was properly

cooked. He laughed at the faculty as he did at the king, and set

the whole profession mad by sanctioning the plentiful use of water,

declaring that physic was an uncertain thing, and maintaining that in

most cases all that was required on the doctor’s part was “to watch

nature, and when she was going right, to give her a shove behind.”

He was accustomed to analyse the drugs which he had prescribed for

his patients, before he would allow the latter to swallow them, and

he gave a decided county bias against pork by remarking of a certain

apothecary that he was too fond of bleeding the patients who resorted

to him, and too proud of his large breed of pigs. The inference was

certainly not in favour of pork. Peter’s practical jokes in connexion

with the table were no jokes to the chief object of them. Thus, when

a pompous Cornish member of parliament issued invitations for as

pompous a dinner to personages of corresponding pomposity, “Peter,”

recollecting that the senator had an aunt who was a laundress, sent her

an invitation in her nephew’s name, and the old lady, happy and proud,

excited universal surprise, and very particular horror in the bosom of

the parliament-man, by making her appearance in the august and hungry

assembly, who welcomed her about as warmly as if she had been a “boule

asphyxiatre” of the new French artillery practice.

It is going a long way back to ascend from “Pindar” to Tasso, but both

poets loved roasted chestnuts,--and _there_ is the affinity. Peter

never drank any thing but old rum; a wine glass, (never beyond a wine

glass and a half,) served him for a day, after a dinner of the plainest

kind. The doctor eschewed wine altogether, at least in his latter days,

as generating acidity. Tasso, however, unlike our satirical friend, was

a wine-bibber. During the imprisonment which had been the result of

his own arrogance, he wrote to the physician of the Duke of Ferrara,

complaining of intestinal pains, of sounds of bells in his ears, of

painful mental images and varying apparitions of inanimate things

appearing to him, and of his inability to study. The doctor advised him

to apply a cautery to his leg, abstain from wine, and confine himself

to a diet of broth and gruels. The poet defended the sacredness of his

appetite, and declined to abstain from generous wine; but he urged the

_medico_ to find a remedy for his ills, promising to recompense him

for his trouble, by making him immortal in song. At a later period of

his life, when he was the guest of his friend Manco, in his gloomy

castle of Bisaccio, the illustrious pair were seated together, after

dinner, over a dessert of Tasso’s favourite chestnuts and some generous

wine; and there he affrighted his friend by maintaining that he was

constantly attended by a guardian spirit, who was frequently conversing

with him, and in proof of the same, he invited Manco to listen to

their dialogue. The host replenished his glass and announced himself

ready. Tasso fell into a loud rhapsody of mingled folly and beauty,

occasionally pausing to give his spirit an opportunity of speaking;

but the remarks of this agathodæmon were inaudible to all but the ears

of the poet. The imaginary dialogue went on for an hour; and at the end

of it, when Tasso asked Manco what he thought of it, Manco, who was the

most matter-of-fact man that ever lived, replied that, for his part, he

thought Tasso had drunk too much wine and eaten too many chestnuts. And

truly I think so too.

The greatest of authors are given to the strangest of freaks. Thus

one of the most popular of the teachers of the people presided at a

gay tavern supper the night before the execution of the Mannings.

The feast concluded, the party (supplied with brandy and biscuits)

proceeded to the disgusting spectacle, where they occupied “reserved

seats;” and when all was done, the didactic leader of the revellers

and sight-seers, thought he compensated for his want of taste, by

pronouncing as “execrable” the taste of those who, like George

Selwyn, could find pleasure in an execution. But there are few men

so inconsistent as didactic authors. Pope taught, in poetry, the

excellence of moderation; but he writes to Congreve in 1715, that he

sits up till two o’clock over burgundy and champagne; and he adds, “I

am become so much of a rake that I shall be ashamed, in a short time,

to be thought to do any sort of business.” But Pope’s table practice,

like Swift’s, was not always of the same character. The dean, writing

to Pope, in the same year that the latter tells Congreve (a dissolute

man at table, by the way) of his sitting over burgundy and champagne

till two in the morning, speaks of quite another character of life:

“You are to understand that I live in the corner of a vast unfurnished

house. My family consists of a steward, a groom, a helper in my stable,

a footman, and an old maid, who are all at board wages; and when I

do not dine abroad, or make an entertainment,--which last is very

rare,--I eat a mutton pie, and drink half a pint of wine.” Pope’s habit

of sleeping after dinner did not incline him to obesity; and it was a

habit that the dean approved. Swift told Gay that his wine was bad,

and that the clergy did not often call at his house; an admission in

which Gay detected cause and effect. In the following year to that

last named, Swift wrote a letter to Pope, in which I find a paragraph

affording a table trait of some interest: “I remember,” he says, “when

it grieved your soul to see me pay a penny more than my club, at an

inn, when you had maintained me three months at bed and board; for

which, if I had dealt with you in the Smithfield way, it would have

cost me a hundred pounds, for I live worse here (Dublin) upon more.

Did you ever consider that I am, for life, almost twice as rich as

you, and pay no rent, and drink French wine twice as cheap as you do

port, and have neither coach, chair, nor mother?” Pope illustrates

Bolingbroke’s way of living as well as his own some years later. The

reveller till two in the morning, of the year 1715, is sobered down

to the most temperate of table men, in 1728. “My Lord Bolingbroke’s

great temperance and economy are so signal, that the first is fit for

my constitution, and the latter would enable you to lay up so much

money as to buy a bishopric in England. As to the return of his health

and vigour, were you here, you might inquire of his haymakers. But, as

to his temperance, I can answer that, for one whole day, we have had

nothing for dinner but mutton broth, beans and bacon, and a barn-door

fowl;” after all, no bad fare either, for peer or poet! Swift too, at

this period, boasts no longer of his “French wines.” His appetite is

affected by the appalling fact, that the national debt amounts to the

unheard-of sum of seven millions sterling! and thereupon he says: “I

dine alone on half a dish of meat, mix water with my wine, walk ten

miles a day, and read Baronius.”

Such was the table and daily life of an author who began to despair of

his country! In 1732, however, the dean was again full of hope,--we

see it in the condition of his wine matters: “My stint in company,” he

writes to Gay, “is a pint at noon, and half as much at night; but I

often dine at home, like a hermit, and then I drink little or none at

all.” Was it that he despaired again, when alone; or that he only drank

copiously at others’ cost? Of his own cellar arrangements, though, he

thus speaks: “My one hundred pounds will buy me six hogsheads of wine,

which will support me a year, _provisæ frugis in annum copia_. Horace

desired no more; for I will construe _frugis_ to be wine. How a man

who drank little or none at home, and seldom saw company to help him

to consume the remainder, could contrive to get through six hogsheads

in a year, is a problem that will be solved when the philosophers of

Laputa have settled _their_ theories.” Literature is a pleasant thing

when its professors have not to write in order to live. Such was the

case in the last century, with poor De Limiers, who was permitted to

write in periodicals, on the stipulation that he “never told anybody.”

It is said of him that he would have been an exceedingly clever person,

if he had not always been hungry, but that famine spoiled his powers.

This was the bookseller’s fault, not his. The same might nearly be said

of poor Gerald Griffin; but _he_ kept his ability warm even amid cold

hunger, and had the courage to write his noble tragedy “Gisippus” on

scraps of paper picked up by him in wretched coffee-shops, where he

used to take a late breakfast, and cajole himself into the idea that it

was dinner.

When Cervantes, with two friends, were travelling from Esquivias,

famous for its illustrious wines, towards Toledo, he was overtaken by

a “polite student,” who added himself and his mule to the company of

“the crippled sound one” and his friends, and who gave honest Miguel

much fair advice touching the malady which was then swiftly killing

him. “This malady is the dropsy,” said the student with the neck bands

that would _not_ keep in their place,--“the dropsy, which all the

water in the world would not cure, even if it were not salt; you must

drink by rule, sir, and eat more, and this will cure you better than

any medicine.” “Many have told me so,” was the reply of the immortal

Miguel, “but I should find it as impossible to leave off drinking, as

if I had been born for no other purpose. My life is well-nigh ended,

and by the beatings of my pulse, I think next Sunday, at latest, will

see the close of my career.” The great Spaniard was not very incorrect

in his prognostic. I introduce this illustrative incident for a double

reason; first, it is “germane to the matter” in hand, and secondly,

it reminds me of a fact with the notice of which I will conclude this

section of my imperfect narrative: I allude to

THE LIQUOR-LOVING LAUREATES.

It is incontrovertible that, with the exception of two or three,

all our laureates have loved a more pleasant distillation than that

from bay-leaves. In the early days, the “versificatores regis,”

were rewarded, as all the minstrels in Teutonic ballads are, with

a little money and a full bowl. The nightingales in kings’ cages

piped all the better for their cake being soaked in wine. From the

time of the first patented laureate, Ben Jonson, the rule has borne

much the same character, and permanent thirstiness seems generally

to have been seated under the laurel. Thus, Ben himself was given to

joviality, jolly company, deep drinking, and late hours. His affection

for a particular sort of wine acquired for him the nick-name of the

Canary-bird; and indeed succeeding laureates who, down to Pye, enjoyed

the tierce of Canary, partly owe it to Ben.

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