But there are worse things than these which necessity can render

acceptable to the palate. In Australia especially does nature appear

to indulge in strange freaks. Many of our salt-water fish there live

in fresh-water rivers; and, indeed, more than one inland river is

brackish if not salt. Yet of salt itself the natives had never tasted,

until the arrival among them of Europeans; they do not take kindly

to the condiment even to this day. They prefer their own unadorned

cookery; and they would especially have admired the late Dr. Howard,

who published quarterly his denunciations against the use of salt. In

Australia, the pears are made of wood, and the stones of the cherries

grow on the outside, and not within. The aborigines are satisfied with

very unsavoury diet. They have one fashion, however, in common with the

self-appointed leaders of civilization, the French; they eat frogs. In

France it is the pastime of the _bourgeois_, on a summer evening, to

resort to some pool with a rod and line, and a piece of red rag or bit

of soap for bait, and there catch the little people who could not agree

about their king by the dozen. In Australia the native ladies, in their

usual scantiness of costume, proceed to the swamps; and there, plunging

their long arms up to the shoulders into the mud, they draw up the

astonished frogs by handfuls. When caught they are cooked over a slow

fire of wood-ashes; the hinder parts only are eaten, as in France; and

there are worse dishes than the _fricasée_ of the edible frog. Indeed,

if the Australians devoured nothing more objectionable, their system of

diet would almost defy reproof. But, alas! I find upon their bills of

fare--grubs, raw and roasted, snakes, lizards, rats, mice, and weazels.

The mussel is deeply declined by some of the tribes, in consequence

of an opinion prevailing that the fish in question is the especial

property of sorcerers, whose amiable propensity it is to destroy

mankind by means of mussels. If all the world held the same opinion, I

have no doubt of great profit therefrom resulting.

One of our earlier captains who visited Australia observing a native

devouring some indescribable sort of food, offered him, in exchange

for a portion of it, a sound sea-biscuit. The exchange was effected,

and then it became a point of courtesy and honour that each should eat

what he had acquired by the barter. The trial was a severe one for both

parties. The Englishman swallowed slowly, and with a sickening sense

of disgust that cannot be told, the odious food of the aboriginal;

while the native, nibbling at the biscuit, appeared to grow more

horror-stricken at each bit which he tried to swallow. The tears came

into his eyes, he grew sick, faint, enraged; and at length, dashing the

biscuit on the ground, he as violently seated himself upon it with a

bounce that ought to have driven it to the very centre of the earth.

The Englishman, in the meantime, had flung away the remnant of _his_

“_pièce de résistance_,” and they remained gazing at each other, with

the inward conviction that, as regarded food, each had tasted that day

that which deserved to be designated as surprisingly beastly.

Keating’s Indians are not the only men of North America who have a

delicate fancy for the dog: the Dacotas are also that way given. Their

celebrated “dog-dance” is indeed a festival but of rare occurrence,

but it is held to show that that highly respectable people would eat

the hearts of their enemies with as little reluctance as the heart

of a dog. And this is the manner of the feast of “braves;” they cook

the heart and liver of a dog, cool them in water, and then hang the

dainties on a high pole, around which they assemble as grave and

silent as quakers. The spirit is literally supposed to move them, and

when one is thus influenced, he begins to bark, and jumps towards the

pole. Another follows his example. The jumping backwards and forwards,

and the chorus of barking become gradually universal, and the solemn

concert is then at its height. Every one does his best, according as

nature has gifted him. The children snap like French poodles; the girls

yelp like pugs; some snarl, others growl; the women “give tongue” as

musically as the Bramham Park hounds; and the fathers of the tribe run

through a scale of sounds that would highly astonish Lablache.

And thus, in the midst of it all, one becomes bolder than the rest,

looks about him grinningly defiant, and making a run and a leap at the

canine dainties suspended from the pole, he generally touches ground

again with a piece thereof in his teeth! This good example is also

followed universally, until the tempting prize is all consumed, and

then there is “a general dance of characters,” and the drama is done.

The Dacotas have an esteem for diminutive dogs; and, lest my readers

should deem the tribe to be wholly unacquainted with civilization and

its secrets, I will just mention that these Indians not only drink

whisky with as much profusion as it is drunken in godly Glasgow, but

they occasionally administer a little of it to their dogs, in order to

stunt their growth. Such prayers too as they have, are also marked by a

modern and civilized character; for example, they say, “Great Spirit!

Father! help us to kill our enemies, and give us plenty of corn!” This

is the very spirit of much of the prayer put up by the dwellers in the

regions of enlightenment. And the spirit, with its proper motives, is

not one to be blamed. These barbarous Indians do not, at all events,

insult their Great Spirit, by asking him to give peace in their time,

_because_ none other fighteth for them but him. This would sound to

their ear as though they needed peace, for the reason that their

defence in war was not to be relied upon; and, if it had slipped into

their formulary, they would at least amend it without delay.

But this is getting critical, and so to become reminds us of authors.

Now to treat of _them_, in reference to the table, is generally

speaking to fall upon the discussion of their “calamities,” and the

Encyclopædia of famished writers would be a very heavy work indeed.

We have yet time, however, before the chapter of “Supper” opens, to

take a cursory glance at a few of the brotherhood of the brain and

quill. It can be but of a few, and of _that_ few but briefly. “_Tanto

meglio!_” says the reader, and I will not dispute the propriety of the

exclamation.

AUTHORS AND THEIR DIETETICS.

It is all very well for Mr. Leigh Hunt to write a poem on the “Feast

of the Poets,” and to show us how Apollo stood “pitching his darts,”

by way of invitation to the ethereal banquet. This is all very well in

graceful poetry, but the account is no more to be received, than the

new gospel according to _ditto_ is likely to be by the Lord Primate

and orthodox Christians. It is far more difficult to tell the matter

in plain prose; for, where there are few dinners, many authors cannot

well dine. It is easier to tell how they fasted than how they fed; how

they died, choked at last by the newly-baked roll that came too late to

be swallowed, than how they lived daily,--for the daily life of some

would be as impossible of discovery, as the door of the “Cathedral

of Immensities,” wherein Mr. Carlyle transacts worship. The soul of

the poet, says an Eastern proverb, passes into the grasshopper, which

sings till it dies of starvation. An apt illustration, but our English

grasshoppers must not be used for the illustrative purpose, seeing that

they are far too wise to do anything of the sort. A British grasshopper

no more sings till he dies, than a British swan dies singing: these

foolish habits are left to foreigners and poetry. Let us turn to the

more reliable register of our ever-juvenile friend, Mr. Sylvanus Urban.

More than a century ago, Mr. Urban, who is the only original “oldest

inhabitant,” gave a “Literary Bill of Mortality for 1752,” showing

the casualties among books as well as among authors. Touching the

respective fates of the former, we find the productions of the year

set down as, “Abortive, 7000; still-born, 3000; old age, 0.” Sudden

deaths fell upon 320. Three or four thousand perished by trunk-makers,

sky-rockets, pastrycooks, or worms; while more than half that number

were privily disposed of. If such were the fortunes of the works, how

desperate must have been the diet of the authors! So also was their

destiny. As a class, they are fixed, in round numbers, at 3000; and a

third of these are registered as dying of lunacy. Some 1200 are entered

as “starved.” Seventeen were disposed of by “the hangman,” and fifteen

by hardly more respectable persons, namely _themselves_! Mad dogs,

vipers, and mortification, swept off a goodly number. Five pastoral

poets, who could not live by the oaten pipe, appropriately died of

“fistula.” And, as a contrast to the multitude “starved,” we find a

_zero_ indicating the ascertained quantity of authors who had perished

by the aldermanic malady of “surfeit.”

There is, perhaps, more approximation to truth than appears at first

sight in this _jeu d’esprit_. It was only in Pagan days that authors

could boast of obesity. They dined with the _tyranni_, as Persian poets

get their mouths stuffed with sugar-candy by the Shah Inshah. And yet

Pliny speaks of poets feeding sparingly, _ut solent poetœ_. Perhaps

this was only an exception, like that of Moore, who smilingly sat

down to a broil at home when not dining with “right honourables;” or

contentedly thanked Heaven for “salt fish and biscuits” with his mother

and sister in Abbey Street, the day after he had supped with the ducal

viceroy of Ireland, and half the peerage of the three kingdoms.

Still, in the old times, authors took more liberty with their hosts.

In Rome they kept more to the proprieties; for a nod of the head of

the imperial entertainer was sufficient to make their own fly from

their shoulders. In presence of the Roman emperor of old, an author

could only have declared that the famous invasion of Britain, which

was productive of ship-loads of spoil, in the shape of sea-shells,

was a god-like feat. So, at the table of the czar, all the lyres of

Muscovy sing the ode of eternal sameness, to the effect that the

dastardly butchery at Sinope was an act that made the angels of God

jubilant! The Russian lyres dare not sing to any other tune. It was

not so of yore. Witness what is told us of Philoxenus, the ode writer,

whose odes, however, are less known than his acts. He was the author

of the wish that he had a crane’s neck, in order to have prolonged

enjoyment in swallowing. This is a poor wish compared with that of

Quin, elsewhere recorded, that he might have a swallow as long as from

here to Botany Bay in palate all the way! He was a greedy fellow,

this same Philoxenus. He accustomed himself to hold his hands in the

hottest water, and to gargle his throat with it scalding; and, by this

noble training, he achieved the noble end of being able to swallow the

hottest things at table, before the other guests could venture on them.

He would have conquered the most accomplished of our country bumpkins

in consuming hasty-pudding at a fair. His mouth was as though it was

paved, and his fellow-guests used to say of him, that he was an oven

and not a man. He once travelled many miles to buy fish at Ephesus;

but, when he reached the market-place, he found it all bespoke for a

wedding banquet. He was by no means embarrassed; he went uninvited to

the feast, kissed the bride, sang an epithalamium that made the guests

roar with ecstasy, and afforded such delight by his humour, that the

bridegroom invited him to breakfast with him on the morrow. His wit

had made amends for his devouring all the best dishes. It is a long way

from Philoxenus to Dr. Chalmers forgetting his repast in the outpouring

of his wisdom, and entering in his journal the expression of his fear

that he had been intolerant in argument. What a contrast, too, between

Philoxenus and Byron, who, when dining with a half-score of wits at

Rogers’s, only opened his mouth to ask for biscuits and soda-water, and

not finding any such articles in the bill of fare, silently dining on

vegetables and vinegar! The noble poet’s fare in Athens was often of

the same modest character; but we know what excesses he could commit

when his wayward appetite that way prompted, or when he wished to lash

his Pegasus into fury, as, after reading the famous attack on his

poetry in the Edinburgh Review, when he swallowed three bottles of

claret, and then addressed himself to the tomahawking of his reviewers

and rivals.

Philoxenus, however, had his counterpart in those abbés and poets who

used, in the hearing of Louis XV., to praise Madame de Pompadour. He

was writing a poem called “Galatea,” in honour of the mistress of

Dionysius of Sicily, when he was once dining with that tyrant. There

were a couple of barbels on the royal board, a small one near the

poet, and a larger near the prince. As the latter saw Philoxenus put

his diminutive barbel to his ear, he asked him wherefore, and the poet

replied that he was asking news of Nereus, but that he thought the

fish he held had been caught too young to give him any. “I think,”

said Philoxenus, “that the old fish near your sacredness would better

suit my purpose.” This joke has descended to Joe Miller, in whose

collection it is to be found in a modified form. But the story is

altogether less neat than the one told of Dominic, the famous Italian

harlequin and farce writer. He was standing in presence of Louis

XIV. at dinner, when the Grand Monarque observed that his eyes were

fixed on a dish of partridges. “Take that dish to Dominic,” said the

king. “What!” exclaimed the _farceur_, “partridges and all!” “Well,”

said the monarch, smiling with gravity, “yes, partridges and all!”

This reminds me of another anecdote, the hero of which is the Abbé

Morallet, whom Miss Edgeworth in her “Ormond” praises so highly, and

praises so justly. But Morallet, if he loved good deeds, loved not

less good dinners, and he shone in both. His talents as a writer,

and his virtues as a man, to say nothing of his appetite, made him

especially welcome at the hospitable table of Monsieur Ansu. The abbé

had learned to carve expressly that he might appropriate to himself

his favourite portions,--a singular instance of selfishness in a man

who was selfish in nothing else. It was on one of these occasions that

a magnificent pheasant excited the admiration of the guests, and of

the abbé in particular, who nevertheless sighed to think that it had

not been placed close to him. Some dexterity was required so to carve,

it, that each of the guests might partake of the oriental bird; and

the mistress of the house, remembering the abbé’s skill as a carver,

directed an attendant to pass the pheasant to M. l’Abbé de Morallet.

“What!” exclaimed the latter, “the whole of it? how very kind!” “The

whole of it?” repeated the lady; “I have no objection, if these ladies

and gentlemen are willing to surrender their rights to you.” The entire

company gave consent, by reiterating the words, “the whole of it!” and

the man, who might have gained the Montholon prize for virtue, really

achieved a prize of gluttony which hardly confers honour on a hungry

clown at a fair.

La Fontaine at table was seen in a better light than the Abbé Morallet.

A fermier-general once invited him to a dinner of ceremony, in the

persuasion that an author who excited such general admiration would

create endless delight for the select company, to entertain whom he

had been invited. La Fontaine knew it well, during the whole repast

ate in silence, and immediately rose, to the consternation of the

convives, to take his departure. He was going, he said, to the Academy.

The master of the house represented to him that it was by far too

early, and that he would find none of the members assembled. “I know

that,” said the fabulist, with his quiet smile and courteous bow; “I

know that, but I will go a long way round.” If this seemed a trifle

uncourteous--and it was so more in seeming than reality--it was not

so much so as in the case of Byron, who used to invite a company to

dinner, and then leave them to themselves to enjoy their repast. Noble

hosts of the past century used to do something like this when they gave

masquerades. Fashion compelled them to adopt a species of amusement

which they detested; but they vindicated personal liberty nevertheless,

for when their rooms were at their fullest, the noble host, quietly

leaving his guest to the care of his wife, would slip away to some

neighbouring coffee-house, and over a cool pint of claret enjoy the

calm which was not to be had at home. The late Duke of Norfolk used

habitually to dine at one of the houses in Covent Garden, out of pure

liking to it. He was accustomed to order dinner for five, and to duly

eat what he had deliberately ordered; but, as he one day detected a

waiter watching him in his gastronomic process, he angrily ordered his

bill, and never entered the house again.

It was a common practice with Haydn, like his Grace of Norfolk, to

order a dinner for five or six, and then eat the whole himself. He

once ordered such a dinner to be ready by a stated hour, at which time

he alone appeared, and ordered the repast to be served. “But where is

the company?” respectfully inquired the head waiter. “Oh!” exclaimed

Haydn, “_I_ am de gompany!” But if he ate all, he also paid for all.

Moore and Bowles, in their visits together to Bath, used sometimes to

dine at the White Hart, where, as Moore records, he paid his share of

the dinner and pint of Madeira, and then Bowles magnificently “stood” a

bottle of claret, at dessert. And a pleasant dinner the two opposite,

yet able, poets, made of it;--far more pleasant than Coleridge’s dinner

with a party at Reynolds’s, when he bowled down the glasses like

nine-pins, because they were too small to drink from copiously!

The name of Coleridge reminds me of Dufresny, an author of the time

of Louis XIV., who was full of sentiment and majestic sounds, but

who was content to live at the cost of other people, and who never

achieved anything like an independence for himself. After the death

of his royal patron, he was one day dining with the Regent Duke of

Orleans, who expressed a wish to provide for him. Caprice inspired

the author to say, “Your royal highness had better leave me poor, as

I am, as a monument of the condition of France before the regency.”

He was not displeased at having his petition refused. A guest at his

side did indeed remark, by way of encouragement, that “poverty was no

vice.” “No,” answered Dufresny, sharply, “but it is something very

much worse.” In act and spirit he was not unlike a prince of wits and

punsters among ourselves, who used to set up bottles of champagne on

his little lawn and bowl them down for nine-pins; and who, of course,

left his wife and children pensioners on the charity of the state and

the people.

I have spoken of La Fontaine; he was as absent at table as poor Lord

Dudley and Ward, whose first aberrations so alarmed Queen Adelaide.

La Fontaine was also like Dean Ogle, who, at a friend’s table, always

thought himself at his own, and if the dinner were indifferent, he

would make an apology to the guests, and promise them better treatment

next time. So La Fontaine was one day at the table of Despreaux; the

conversation turned upon St. Augustin, and after much serious discourse

upon that Christian teacher, La Fontaine, who had till then been

perfectly silent, turned to his neighbour, the Abbé Boileau, one of

the most pious men of his day, and asked him “if he thought that St.

Augustin had as much wit as Rabelais?” The priest blushed scarlet, and

then contented himself with remarking, “M. de la Fontaine, you have got

on one of your stockings the wrong side out;”--which was the fact.

The poet’s query to the priest was no doubt as startling as that put

by the son of a renowned reverend joker to the then Lord Primate. The

anxious parent had informed his somewhat “fast” offspring, that as the

archbishop was to dine with him that day, it would be desirable that

the young gentleman should eschew sporting subjects, and if he spoke at

all, speak only on serious subjects. Accordingly, at dessert, during a

moment of silence, the obedient child, looking gravely at his grace,

asked him “if he could tell him what sort of condition Nebuchadnezzar

was in, when he was taken up from grass?” The Lord Primate readily

replied that he should be able to answer the question by the time he

who had made it had found out the name of the man whom Samson ordered

to tie the torches to the foxes’ tails, before they were sent in to

destroy the corn of the Philistines!

Moore loved to dine with the great; but there have been many authors

who could not appreciate the supposed advantages of such distinction.

Lainez was one of these, and there were but few of his countrymen who

resembled him. One day the Duke of Orleans met him in the park at

Fontainebleau, and did him the honour of inviting him to dinner. “It

is really quite impossible,” said Lainez; “I am engaged to dine at a

tavern with half-a-dozen jolly companions; and what opinion would your

royal highness have of me if I were to break my word?” Lainez was not

like Madame de Sevigné, who, after having been asked to dance by Louis

XIV., declared in her delight that he was the greatest monarch in the

world. Bussi, who laughed at her absurd enthusiasm, affirms that the

fair authoress of the famous “Letters” was so excited at the supper

after the dance, that it was with difficulty she could refrain from

shrieking out “Vive le Roi!”

Had the famous “petit père André” kept down his impulses as

successfully as Madame de Sevigné did at the supper, where, after

all, she did _not_ exclaim, “Vive le Roi,” it would have been more to

his credit, and less to our amusement. The good father, like a better

man, H. Vincent de Paul, was excessively fond of cards, but he did not

cheat, like the saint, for the sake of winning for the poor. He had

been playing at _piquet_, and in one game had won a considerable sum by

the lucky intervention of a fourth king. He was in such ecstasy at his

luck, that he declared at supper he would introduce his lucky fourth

king into his next day’s sermon. Bets were laid in consequence of this

declaration, and the whole company were present when the discourse was

preached. The promise made at the supper was kept in the sermon, though

something profanely: “My brethren,” said the abbé, “there arrived one

king, two kings, three kings; but what were they?--and where should I

have been without the fourth king, who saved _me_, and has benefited

you? That fourth king was He who lay in the manger, and whom the three

royal magi came but to worship!” At the dinner which followed the

author of the sermon was more eulogised than if he had been as grand as

Bourdaloue, as touching as Massillon, or as winning as Fénelon.

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