So we shook the camphor out of our morning-coat, and put a l

Produced by Al Haines.

[Illustration: "We don't know what he struck, but he certainly struck

something."--That Motor Boat of Algie's]

*Imperfectly Proper*

*By P. O'D. (Peter Donovan)*

Illustrated by

R. E. JOHNSTON

McCLELLAND & STEWART

Publishers - - Toronto

COPYRIGHT, CANADA 1920

BY MCCLELLAND & STEWART, LIMITED, TORONTO

1st Edition, Nov., 1920

2nd Edition, Feby., 1921

PRINTED IN CANADA

*Preface*

It is with extreme diffidence that the author presents--but then is any

healthy author ever really as modest as he makes himself out in his

foreword? Probably not, or there wouldn't be any book. The author,

however, is quite conscious of the many defects of these sketches, and

only hopes that in book form they will meet with the indulgence which

greeted their original appearance. They have been gathered from the

pages of _Toronto Saturday Night_ and are here reprinted, through the

courtesy of the publisher and editor, with such additions and

alterations as have been suggested by the increasing years and wisdom of

the writer--and the removal of the censorship. And they are dedicated

to those two splendid and long-suffering friends, "Constant Reader" and

"Old Subscriber," by their very grateful liegeman, the author.

PETER DONOVAN.

Toronto, Sept. 1920.

*Contents*

That Motor Boat of Algie's

Aesthetics and Some Tea

Beauty in the Bank

Koncerning Kosmetics

Clurks and Clarks

Ventilation

City Chickens

Porters, Pullmans and Patience

Helping Our Friends to Economize

Refreshments at Five

Manners for the Masses

Raiment and Mere Clothes

That Fur Coat

Spring in the City

Moving Day

Vacation Vagaries

Lawnless Tennis

That Glorious First Drive

That Awful First Game

On Keeping Cool

Back to Nature in a Limousine

Stringencies and How to Stringe in Them

Taming the Furnace

Mike

Dogs

On Being Handy with Tools

Bumps and a Brogue

[Illustration: THAT MOTOR BOAT OF ALGIE'S]

*That Motor-Boat of Algie's*

His name really isn't Algie. It wouldn't do to use his real name--he

has a very nice wife, you know. So we shall call him Algie, partly as a

disguise, and partly because we wish to be offensive. We want to hurt

his feelings. It is our earnest desire that he should read this account

and writhe painfully. We claim to be as patient and forgiving as the

next one, but there are some subjects--and that motor-boat picnic is one

of them. When, in addition to being made sea-sick, being scared into

acute heart-disease, and being banged about in a locoed launch like a

bean in a coal-scuttle, a gentleman is forced to ruin his second-best

pair of--but we anticipate.

For two or three weeks prior to the fatal invitation and the fatal day

on which he perpetrated the picnic, Algie had been coming down to the

office late every morning--so late in fact that his coming amounted to

an afternoon call. Furthermore, his face and shirt bore mysterious

smudges of train-oil. And though Algie was never what is known as a

"swell dresser," he was always a very neat sort of chap in the matter of

his personal adornment.

As soon as he arrived he would immediately begin calling up all sorts of

mechanics, plumbers, boiler-makers, painters, boat-builders, and

electricians. Lengthy conferences would ensue in which frequent

references would be made to cylinders and hulls and carburetors and

propellers, and the time when certain jobs should have been done, and

what a helluva nerve they had to ask any such price. The language was

usually very technical. But it was occasionally quite lucid and human,

though not of a nature to bear repetition in print which is intended to

go into Christian homes.

During the two or three hours in the afternoon when Algie was with us,

he would run out every few minutes and come back with a coil of lead

pipe, or a dry battery, or a can of gasoline. And then he would slip

away at about four o'clock with an intensely preoccupied air.

We all knew where he was going and what he was going to do. He had

bought a motor-boat from a friend, and he was trying to put it in such

condition that he could go out in it without having to wear a life-belt.

Of course, the friend had guaranteed it as the safest, speediest,

staunchest, and trimmest little craft that ever got in front of a

ferry-boat on the Bay. But one should never buy a motor-boat from a

friend. Better buy it from a deadly enemy. Then you may discover a big

hole in the bottom of it, or a dynamite bomb stowed away forward with a

clock attachment. But that is all. Once you have patched up the hole

or thrown the bomb overboard, you are all right. But when you buy a

motor-boat from a friend you are never done with trouble.

After Algie had had the Gladiolus--his wife christened it--for about a

week, he realized that he had to put a new engine in it. He put the

engine in, got the thing started, and headed for the Island. He got

there just in time--to save his life, that is. The Gladiolus sank

gently to rest on a sand-bar in three feet of water. The liquid

composing the Bay is admittedly rather thick, but it managed to ooze

into that boat in about four hundred and forty different places. Algie

said afterwards that it had looked to him as though the boat were being

invaded by an army of angle-worms.

With a marine derrick they enticed the Gladiolus out of the bosom of the

sand-bar, and got her back to dry-dock. Then Algie started in to put a

new hull around the engine. It amounted to that by the time he got all

the repairs made. Then she had to be painted. Also she had to have a

new propeller, ditto some chairs, ditto lanterns and a search-light,

ditto a set of cushions. But at last the work was done. Algie was tired

but happy; and he wanted to share his bliss.

"You simply got to come, old man," he said in a spirit of exuberant

hospitality, "won't take no for an answer. Ten sharp, Sunday morning,

at Sunnyside--the Missus and I will be right there as you get off the

car. We'll run up beyond Port Credit and have lunch by the lakeside.

Sharp at ten, mind!"

In a moment of weakness we consented. Nay, more, we looked forward to

it. We had visions of ourself leaning back in one of the sumptuous

deck-chairs of the Gladiolus, as that beauteous speed-devil ate up the

watery miles on old Ontario. We could imagine the shores whizzing by,

and the Hamilton boats being left hopelessly behind. So we prayed for

fine weather. And when we say we prayed we don't mean that we issued an

order to Divine Providence like a parson, but we made a timid and

tentative appeal. It was answered. It was one of the finest Sundays we

have ever seen. We don't suppose we were really the cause of it, you

know, but we felt gratified. When a chap doesn't pray to excess, he

naturally is surprised and delighted to get what he asks for. But,

alas, we knew not what we did.

When we got off the car at Sunnyside--a popular local beach--there was

Algie, sure enough, in white ducks and a stern expression of

countenance. Just imagine the face of Admiral Sir David Beatty as he

prepared to take the battle-cruisers into action off Jutland, and you

will have a faint notion of the concentrated solemnity and sense of

responsibility which sat upon Algie's features as he shook our hand in

an absent-minded manner and told us to hustle aboard. We did hustle.

We don't mind admitting that we were impressed. We felt that here was a

seaman who entered upon the grave duties of his position in no frivolous

spirit--a true sailor who loved and yet feared the mighty deep.

When we got to the wharf where the gasoline wonder reposed her graceful

length, we found Mrs. Algie and two other guests. They were very nice

people, very nice indeed. The husband was a clerical-looking chap--his

facial make-up suggested a curate in an ineffectual disguise. But his

conversation was at times decidedly unclerical--at least, it wasn't the

sort of thing one gets from clergymen in their more professional

moments. When that big wave came over and sloshed down his neck, he

said--but again we anticipate.

Algie and his wife were in nautical costume as befitted the skipper and

skipperess. Algie wore a nice pair of white ducks and a white shirt

very open at the throat. Mrs. Algie was also in ducks--cut on a

different pattern, of course. It was a very fetching little costume.

We say "little" advisedly. The skirt had been made remarkably short, or

it had grown that way from too long and too intimate association with

steam-laundries. The effect, in any case, was to keep it hovering about

midway between the nautical and the naughty.

The rest of us were in the ordinary Sunday garb of churchgoers who

happen to be going somewhere else. Our clothes were sober and

restrained, but natty. They expressed the sombre atmosphere of the

Sabbath, with a dash of outing flavor. Personally, we wore that grey

suit with the black-line pattern which everyone admired so much. You

may have noticed it--two-button coat and cuff-bottom trousers. Really a

very pretty thing. We don't mention this from any feeling of childish

vanity, but merely because it has a bearing on later developments.

When we saw the Gladiolus we must confess we were disappointed. We had

been hearing so much about it, and Algie had spoken with such

enthusiasm, that we had formed an idea of a vessel combining the luxury

and grace of the Astor family yacht with the rakishness and speed of a

torpedo-destroyer. Instead of that gorgeous conception, here was a boat

which looked like a very long and narrow packing-case, pointed at one

end. It contained an engine that suggested a coffee-mill with a very

chunky fly-wheel. Abaft--that, we believe is the technical term--abaft

the engine were a couple of cane-chairs.

The Gladiolus, however, was very strong in the matter of decoration.

There were stencilled flower-designs in every possible place, and a huge

flag drooped over the stern. The cushions presented florid designs of

young ladies in sailor-blouses. A large and highly polished

search-light glared over the bow like the eye of an enraged Cyclops.

There was no acetylene for the light, but it looked well, and it made

one feel so much safer.

The party fitted itself into the boat as best it could. It was a very

tight fit. Two people seated themselves on the little bench in the

stern. They were jammed in so tight that when one was pulled out it made

a noise like drawing an obstinate cork. And two sat on the cane-chairs,

when they weren't sitting on the bottom of the boat to keep her steady.

The skipper had a bench all to himself, so that he could get up and

wrestle with the fly-wheel every time the engine paused to think.

When we were all in the boat, she settled down to within three inches of

the water--or so it seemed to us personally. We made a hesitating

comment on the subject to Algie. He smiled a wintry smile.

"Guess you don't know much about motor-boats, old man," he said in a

glacial tone. "You can't have speed unless you have narrow lines and a

low free-board. Of course, if you want something built like a

grain-barge----"

Hastily we disclaimed any desire for a grain-barge. We stated our

entire agreement with him on the subject of low free-boards. Our

concurrence was all the more enthusiastic that we didn't know the

difference between a low free-board and a loose plank in the fence.

Soothed by our submission, Algie stepped gingerly forward, taking great

care not to kick the engine over. He gazed sternly about. We watched

anxiously. Algie bent down with dignity, grasped the fly-wheel with

both hands, and gave a mighty heave. The engine coughed asthmatically

and relapsed into silence. Algie heaved again. The engine cleared its

throat--only that and nothing more. Algie smiled a sickly smile,

muttered something about the sparker, toyed with a few cocks and

levers--that engine seemed to possess more of them than any piece of

mechanism we have ever seen--and then heaved that blessed wheel for

fifteen minutes without stopping. Nothing doing! Algie was red in the

face, his lovely ducks were all smudged with oil, and still the engine

preserved the meditative silence of a paralyzed yogi.

It was very trying, very. We all started in to make suggestions, and

Algie was so much at a loss that he even tried to carry some of them

out, thus losing caste terribly in our eyes. No skipper should ever

treat a suggestion with anything but withering contempt. At last he

lost his temper and gave the engine a kick. We don't know what he

struck, but he certainly struck something. The result was miraculous.

The engine started with a roar like an express-train on a bridge, and

before we knew we were shooting out into the Lake, just missing a canoe

in which a young man sprawled with a double-bladed paddle and beamed at

his "ladifren." As we whizzed by, nearly knocking the paddle out of his

hand, that young man sat straight up, and while we were within range his

conversation was of a character not countenanced by the Lord's Day

Alliance.

Thus we started. Of course we didn't keep it up long. After about a

hundred yards or so, the Gladiolus settled down to a steady clip of

about three miles an hour--when she was going. There were frequent

intervals when the engine stopped to get its breath. But we didn't

mind. It was a lovely bright day, and there was very little wind. So

with our one-lung engine we gayly coughed our way over the glassy

waters. We made many jokes, and occasionally burst into song--all except

Algie, of course. Algie insisted on preserving the best traditions of

British seamanship. On shore he might relax, but while he was at sea

and our lives depended on him, he stayed right there on the bridge, and

his stern eyes swept the waste of waters and the rock-bound coast lest

danger should lurk there. He must have seen a lot of dangers that no

one else saw, for he kept zigzagging and tacking about in the most

extraordinary manner.

Pleasantly the hours passed and the landmarks on shore--summer hotels,

gaudy villas smirking coquettishly through the trees, boating

establishments where gentlemen hire canoes for their ladies, or perhaps

ladies for their canoes. Slowly we drew near to Mimico. There is an

asylum at Mimico. We have heard friends of ours account for its

presence there on the ground that one must be out of one's mind to live

at Mimico; but as they had been fined for speeding through the village,

it is possible that their opinion was not entirely unbiased.

Inch by inch Mimico slipped past the beautiful low free-board of the

Gladiolus. And incidentally, that famous free-board began to seem lower

than ever. For some little time the wind had been rising, and the waves

kept growing bigger--"quite a sea kicking up," as Algie said--and now

and then there was an unmistakeable slap of spray over the side. The

original intention had been to go some miles further along the shore for

lunch, but Algie finally decided to turn back to Mimico--not that he

distrusted the seaworthy qualities of the Gladiolus or himself, but

merely as a concession to the fears of the ladies in the party. He

announced his intention of landing at the Asylum. He had been a visitor

or a guest or something there, and professed to know the doctor quite

well. Besides they had a good wharf, he said.

Algie managed to warp in the Gladiolus, after several determined efforts

to knock the end off the concrete pier. Then we landed the grub. Each

of the three gentlemen--we include Algie--assumed the white man's

burden, while the ladies tripped on gracefully ahead. We advanced into

the grounds of the Asylum. There were a number of the inmates strolling

about, but they made no attempt to accost us. Evidently they thought we

were new and more than usually weak-minded arrivals. There was much to

support such a view.

We found a nice spot for picnicking. It was on a low bluff overlooking

the Lake. Sombre pines cast romantic shadows about us. And the lunch

was excellent--just such a lunch as marooned sailors might dream to find

awaiting them in heaven. We even had initialed napkins. And as the food

went down our spirits rose. We felt that the perils of the deep were a

myth, and we said ha-ha in our hearts and asked for another piece of

pie. Then, having eaten and the chicken bones having been thrown over

the cliff, we lay about in graceful postures, listening to what the wild

waves were saying and quoting such verse as we remembered out of the

fifth reader.

Suddenly it occurred to someone that the wild waves were saying a good

deal and that they were talking in a big bass voice. We woke up to the

fact that the wind had wakened up some time previously.

"Lord, but it's going to be rough!" said Algie:

But none of us realized just how rough it was going to be, or we would

have all walked to town. Seen from above, waves are very different from

what they are when seen from below--a truth which no member of that

party will ever doubt again. We hastily packed up and made a run for

the wharf and the boat. When we got there we found that another boat

had also sought its shelter. Two sun-burned youths in extremely

primitive costumes brooded in it and smoked cigarettes and cursed their

engine. They had tried everything they could think of, including a lot

of language they had never thought of before, and the darn thing

wouldn't go. Thereupon Algie climbed into their boat and worked like an

African slave for half an hour, in spite of our appeals and unveiled

hints that he was an ass.

At last even Algie gave the task up and consented to get back into his

own boat and begin a little Graeco-Roman with his own engine. Strangely

enough, that temperamental machine was quite amenable this time. It

took only twelve minutes and a few damns to start it. Promptly we backed

into the other fellow's anchor rope and put several fancy stitches into

it with our propeller. Naturally our propeller became somewhat involved

in the process. The other gentlemen--and when we say

"gentlemen!"--refused to let us cut the rope, so there was nothing for

it but to land the ladies once more, shoo them away from the wharf,

undress Algie, and put him into the water. We kept him there till he

had untied the propeller, and then we dragged him in, half-frozen. When

he recovered sufficiently to be able to speak, he used some expressions

which we are personally treasuring up for an occasion of great mental

stress.

We rounded the break-water, incidentally scraping all the paint off one

side of the boat, and then everything happened at once. A great big

wave with a white head saw us coming, gave a glad, wild shout, and

jumped aboard. The Gladiolus shuddered and groaned, and we all

shuddered and groaned. But it was only the beginning. The big wave was

followed by a bigger, which also climbed playfully aboard and coiled up

in our laps. And then all Lake Ontario seemed to crowd in on us at

once. We were breathing, drinking, and absorbing water which we had

intended using solely for purposes of navigation.

The way the Gladiolus acted would have been a revelation to a builder of

submarines. That rakish craft, with the long, narrow lines and the

lovely low freeboard, dived into every wave and shipped it gracefully

all over the passengers. With a very little coaxing, she would have

plunged down and run along the bottom. Now and then she came up to

breathe, and then we all looked a mute farewell at one another and

disappeared once more beneath the foam. None of us ever expected to see

Yonge Street and the department-stores again.

The most extraordinary thing about the whole damp business was the way

the engine kept going. A real engine would have stopped dead the first

time a wave came in and lay down beside it. But this rheumatic and

asthmatic old bunch of junk, which some heartless pirate had sold to

Algie for an engine, kept coughing and sputtering through it all. There

was no spray-hood, and the water was about a foot deep all around the

machine, but it hammered away with a steadiness it would never have

displayed in happier circumstances.

We would have turned back if we could, but we couldn't. Algie was in no

condition of mind to steer, and the boat wouldn't answer the rudder

anyway. So we just chug-chugged through the welter, holding our breaths

when we were under water, and gasping for air when we could get any.

Now and then we caught sight of Algie hanging on to the wheel, evidently

prepared to go to his God like a sailor. It was noble but it wasn't

seamanship.

For years and years we kept plunging into huge waves that rose up from

the nether abyss, towered over our heads, and then crashed down upon us

like the side of the Woolworth Building. Once or twice we caught a

fleeting glimpse of the shore, with peaceful cottages upon it, and we

remembered that somewhere the sun was shining and somewhere hearts were

light. But we had little time for reflection.

Suddenly, after a century or two of submarine existence, we found that

we were at Sunnyside once more. We were very much at Sunnyside. We were

on the beach, with huge waves breaking over us, and three hundred people

yelling directions at us. Some noble life-savers stood on the end of a

wharf and threw us a rope. Algie grabbed it and performed prodigies of

pulling. But it was no use. There we stuck, and a lot more waves came

tumbling in to play with us. That is where we personally saw our duty,

and we did it. We got out and pushed. It sounds simple. Most heroic

things do. But it took the eye that saw and the legs that dared. We

clambered out in the bosom of a wave, got a firm toe-hold on the

submerged soil of Sunnyside, laid our head lovingly against the polished

side of the Gladiolus, and shoved her out into the Lake. Then we held

her there and got in again, carrying about a barrel of water with us,

like a Newfoundland dog coming back with a stick he has retrieved.

Far be it from us to dwell upon this part of the adventure, though we

know men who have got their pictures into the paper and the pictures of

their entire families for deeds no braver. And these men have been

sailors, hardened to the perils of the splashy deep, while we are a raw

amateur whose favorite exercise is running a typewriter. But let us

pass on.

Little remains to be told. Algie finally managed to blunder into the

shelter of the Humber River. There we fished the ladies out of the

boat, wrung them out, and we all walked rapidly home. We walked to keep

from being chilled to death--also because there wasn't the slightest

chance of them letting us board a street-car in that condition.

Fortunately, home wasn't more than a mile or so away--Algie's home. But

it seemed farther. Our clothes stuck lovingly to our personalities, and

passers-by made unfeeling remarks.

Algie and Mrs. Algie did their very best for us. They fed us, gave us

old clothes while ours were drying, made us take a little something with

hot water and lemon in it, and rendered all the first aids usual in such

circumstances. When we came away we told them we had had a lovely time.

"You must come out again in her," said Algie, "when I have had her

decked in, and a new four-cylinder engine...."

But that was a long time ago, and we are still resisting the

temptation--tactfully, we trust, but firmly.

[Illustration: AESTHETICS AND SOME TEA]

*AEsthetics and Some Tea*

Why anyone should invite us to an aesthetic tea is one of those

insoluble mysteries which Heaven alone can penetrate--supposing that

Heaven would so far condescend as to notice the matter at all. We are

not aesthetic, and we don't care a darn about tea.

What's more, we hate dressing up for it. There might be some sense in

dressing up for a case of beer or a couple of bottles of Scotch. But why

people should get into afternoon gowns and morning-coats for tea and

postage-stamp sandwiches--well, it beats us, dear reader, it beats us.

Of course, nothing was stated in the invitation about it being an

aesthetic tea. But we were asked to meet Mrs. De Frizac-Jones, and we

knew what that meant. The reader may not know Mrs. De Frizac-Jones--at

least, not by that name--but she is a very real person. She is the

arch-priestess of the higher cultchaw in our town. And she makes it

pay--about five thousand a year and unlimited kudos! But more of her

anon.

So we shook the camphor out of our morning-coat, and put a little

indelible ink on the places where the lining showed through the more

recent moth-holes in the vest. We sewed a button or two on our striped

trousers, took a spot off one leg, rectified the line of our shirt-bosom

and cuffs by clipping the feathers off the edges, read a couple of

chapters of a book of etiquette--all about leaving your hat and stick in

the hall without fear, and making a bright, spontaneous remark to your

hostess on entering and leaving (a different remark each time, we

presume)--and we felt prepared for the massed attacks of the enemy,

including gas.

When we arrived there was already a goodly company

assembled--thirty-seven ladies and three men. The ladies were bubbling

over with unsuppressed excitement, and the air was filled with extremely

cultured badinage involving the frequent mention of Maeterlinck and Mrs.

Inez Haynes Gilmore. The three men didn't seem excited. They weren't

saying a word. Till we were introduced to them, we thought they were

the hired help.

The expression of intense eagerness with which every lady's face was

turned to the door as we stepped in, caused a flush of pride and modest

confusion to mantle our Grecian features. Not that we are entirely

unused to such manifestations of feminine approval--but thirty-seven all

at once!

When they saw it was only us--that is, when they saw it was only we--O

Lord, we mean when they saw who it was, thirty-six of the ladies turned

around again and began talking to the nearest person in loud, casual

tones, with a unanimity that we can only describe as unpleasantly

marked. The thirty-seventh was our hostess. She, poor woman, had to

look at us, and she came forward with a wan smile and her hand stretched

out.

"Oh, I'm so glad you have come," she assured us without conviction.

"You will adore Mrs. De Frizac-Jones--her influence makes so powerfully

for sweetness and light, as dear Matthew Arnold would say. And you

newspapermen--you are so dreadfully cynical, so _tout a fait cynique_!

She will be here any moment now. We are all longing for her. She is

wonderful--so psychic, you know."

So that was why they all looked at the door when we first came in--they

thought we were the priestess herself. And we were going to be

uplifted. Also we were to be psyched--a hilarious prospect for a

healthy, single man! We told our hostess, however, that we were sure we

would adore Mrs. De Hyphen-Jones, as we always liked 'em psychic. We

were about to explain that as a rule we preferred psychic blondes, but

that a good psychic brunette with a neat ankle--our hostess, however,

turned and addressed the company at large.

"Just to show you how wonderful she is," she warbled ecstatically, "the

very first time she honored our little home with her presence, she

simply telephoned to say she was coming, and when I began to tell her

the address and how to get here, she stopped me at once. 'Don't tell

me,' she said, 'don't even tell me the number. For when I come down the

street, I will know at once the house where you dwell by its emanation

of your personality, its you-ness, so to speak.' And she did! She came

straight to the door."

On every side were heard gurgles of wonder and delight--"Marvellous!"

"Isn't she just too wonderful?" "Extraordinary creature of genius!" And

right in the midst of that liquid chorus of enthusiasm, we had to break

in with one of those inept and devastating remarks which have time and

again blasted our hopes of social preferment.

"But if she telephoned to you," we said in a loud voice like the

imbecile we are, "she must have seen your address in the telephone

book."

There was a chilling pause of indignation and a universal glassy stare.

We felt the finger of scorn burning a hole in our shirt-bosom just above

our heart. It was a hideous situation for us. We glanced about

anxiously for a nice, low sofa to crawl under, when there was a sudden

diversion to the right.

Mrs. De Frizac-Jones!--we were a lot gladder to see her than we had ever

expected to be. She stood in the doorway, a middle-aged vision in

powder-blue (or so we heard one lady describe the color). She carried

her head slightly on one side, and a pensive smile lit up the shadows

under her blue hat with a blue-and-black ostrich-mount (more

eavesdropping on our part). She held out her hand to the hostess as

though it were an orchid.

"So sorry to be late," we heard her say. And then the phalanx of ladies

charged as one woman, leaving us four men stranded in the middle of the

floor. We looked furtively at one another, but no one winked. We were

all gentlemen. Besides, we were all badly scared.

"I am so utterly exhausted," Mrs. De Frizac-Jones explained languidly,

when the first wild enthusiasm of welcome had somewhat subsided. "I have

been lecturing to a class of dear girls on rhythm and deportment, you

know, and it takes so much out of one. But their sweet sympathy and

intelligence are very reviving. I was teaching them how they must

walk--stooping slightly forward, with the face gracefully uptilted. The

mannish swagger of most girls nowadays is so very frightful. I told

them that when they glide across a room, they must say to themselves, 'I

am a lily swaying in the breeze.' And they understood at once--they are

so exquisitely plastic."

All the ladies, talking together, said it was really miraculous how she

thought of such lovely metaphors. And it brought the idea home to one

so beautifully--a lily swaying in the breeze! Personally, we recalled

that the last time we saw anyone trying to walk like a lily swaying in

the breeze, was about 1.35 a.m. on a down-town thoroughfare. The person

in question was trying to carry a most splendiferous slosh past a

watchful guardian of the law without affording an excuse for police

intervention. The result was something like a lily, and also something

like a wrecking-crane that had got out of control. But we didn't tell

the company this bright thought of ours. We didn't tell anybody--we had

had enough of telling.

A few minutes later we were presented to the great woman. Our hostess

did it with the air of one consciously heaping coals of fire on our

head. She murmured something about our being a literary critic--as a

matter of fact, the Managing-Editor makes us review such books as come

in, because the stenographer has too much other work to do, and the last

office-boy he tried it on quit.

"Ah-h-h!" said the prophetess giving us her hand, and promptly

dismissing that limb from her thoughts--we nearly put it in our

vest-pocket we were so embarrassed. "Ah-h-h! And where is your

centre?"

Just casually like that--just as though she were asking us where was our

favorite hotel. In fact, for a wild moment we did think she might mean

where did we usually hang out socially, and we almost said that we could

generally be found after office-hours in the Press Club playing poker or

waiting for a friendly boot-legger. But the slight vestige of sanity

remaining to us prevented this final catastrophe, and we managed to

stammer out that we were not aware of possessing any centre at all--none

to speak of.

"Oh, but you must have a centre," she persisted brightly. "We who are

engaged in the sacred service of the arts and muses must have a centre,

a guiding beacon leading us ever onward and upward to the stars. Have

you no star?"

We hadn't the heart to tell the dear lady that the star to which we

generally turned our longing eyes in the service of the arts and muses

was the hope that the Business Office of the journal on which we work

would increase the weight and thickness of our weekly envelope--(the

printer will please not spell this "weakly," however appropriate and

true the epithet may be). We did not care to introduce these mercenary

considerations, so we said nothing and blushed. We may be a benighted

newspaperman, but we retain certain rudiments of delicacy. She smiled

on us in imitation of a Pre-Raphaelite madonna, and floated away.

Then we had tea--not right away, but after half an hour or so of pained

wonder whether or not we were going to get anything at all, and where

the dickens the people were all drifting away to. They disappeared, two

or three at a time, and none of them came back. We began to suspect

that we were being ostracized, when our hostess came up and collected

us.

"Oh, you naughty, naughty man," she said in that mischievous and knowing

tone which some married ladies love to adopt towards bachelors, "you

don't deserve that I should bother about you at all, but you really must

have something to eat. Come out to the dining-room."

We went out to the dining-room, disguising as well as we could our

extreme eagerness for vittles of some sort or other; and there we found

that assemblage of giant intellects wandering about picking sandwiches

and little cakes and cups of tea off the mantel, off the side-board, off

the window-sill, off chairs, and even off the stairs in the hall. They

were taking their food the way the Twentieth Century Limited takes

water, scooping it up on the run. We must have looked a little amazed,

for our hostess deigned to explain.

"That is the way we eat now," she said. "We do it spontaneously and

almost unconsciously. Mrs. De Frizac-Jones suggested it. She said there

was something so gross and premeditated about sitting down deliberately

to food. One should eat as the bees sip honey, flitting about from

flower to flower."

We said we thought it a very delightful idea--no doubt, the cook does,

too. Then we walked six miles and a half around the place trying to get

enough to sustain the vital forces till supper-time. We finished up by

nearly sitting in a plate of angel-cake. And we were still hungry. It

may be a good system for humming-birds, but it has its drawbacks for

people gifted with the usual thirty-two feet of internal equipment.

When the sandwiches had at last been all tracked down and destroyed

spontaneously and unconsciously, there was a general demand that Mrs. De

Frizac-Jones should read something to us. After the usual amount of

ah-do-pleasing on our part and no-I-rully-can'ting on hers, she suddenly

remembered that she had Maeterlinck's "Death of Tintagiles" with her,

and if they rully insisted--and, of course, they rully did.

The company draped itself in attitudes more or less graceful all over

the furniture and the window-ledges, and assumed expressions of gloomy

concentration. Mrs. De Frizac-Jones cleared her throat two or three

times in a silvery way, and then began to read in a deadly monotone of

the soul-freezing sort which villains used to employ in the

"ten-twenty-thirt's" before the movies killed the spoken drama.

Personally, we feared the worst from the very moment that the name of

Maeterlinck was mentioned. It acts like a spell. We have seen big,

bouncing matrons, accustomed to bully their husbands and run large

families, turn pale and tremble at the sound of it. We have known it to

reduce to silence even the sort of prosperous business person who talks

continually in a loud voice about his new car, and the cost of its

tires, and the number of its cylinders, and the oceans of gasoline it

consumes every time it runs around the block. The word makes them feel

like a greenhorn at a Spiritist sceance watching a visitor from another

plane materialize in the corner of the room.

The only people who seem to thrive on a diet of Maeterlinck are the

aesthetes like Mrs. De Frizac-Jones. The gloomier the twilight of his

scene, the more mournful the voices that float down the wind, the more

the real enthusiasts expand and burgeon. Just give them a nice poetic

strangling or something like that, and they are perfectly happy.

Certainly, Mrs. De Frizac-Jones seemed to get a lot of fun out of "The

Death of Tintagiles."

It was a cheerful little piece, all about a dear child and a black

castle and a vampire queen. His young sisters try to shield him in their

arms, but the queen's servants tear him away, and she slowly strangles

him to death behind a big iron door while his sisters beat in despair

upon it.

The reader will recognize at once how much better and stronger one feels

when a play like this is over. Personally we almost gave three cheers

when the poor little beggar was finally and completely killed. It put

him out of pain--us, too. But fortunately Mrs. De Frizac-Jones checked

us in time.

"No applause!" she commanded the company. "No applause! Silence is

best."

We heroically restrained our desire to clap with our hands and pound

with our feet on the rug; and everyone else sat still and frowned in

intense thought. While they were wrestling with their souls, we slipped

out into the hall. There we found one of the other men slipping away,

too. Neither spoke a word, till we were both safely out on the

sidewalk. Then he turned and pointed with his thumb to the house.

"Don't they beat hell!" he said.

[Illustration: BEAUTY IN THE BANK]

*Beauty in the Bank*

Somehow we enjoy going to the bank nowadays far more than we used to.

It isn't that we are more solvent than heretofore--our solvency does not

seem to increase with our years--but the banks are much more interesting

resorts than in the old days before the war filled them up with young

ladies. The banks now have more color and animation, so to

speak--especially since the girls have taken to wearing those gaudy

pull-over sweaters.

We were reminded of this changed aspect of our sterner financial

institutions the other day, when we caught ourself going in to have our

bank-book made up for the third time in the week. Formerly it had been

our custom to wait till we got a short and nasty note from the

accountant asking us to call around and fix up that overdraught. But

now we run right in every time we pass and have a little book-keeping

done for us.

Instead of the gloomy young man who used to preside over the records of

the savings department, they now have a bright young woman. This

naturally introduces a very pleasing social atmosphere. We no longer

chuck our bankbook in through the wicket with an air of weary

nonchalance, or gaze coldly at the clerk as though daring him to make an

insolent remark about the size of our balance and the amount of

book-keeping it involves. Our account is still small and very lively,

but we don't gaze coldly--on the contrary!

Now we take off our hat, and try to think up something sprightly to say

about the weather. If it is a nice day in the summer, for instance, this

leads naturally to a discussion of the best place to spend one's

vacation, and whether or not one likes sailing, and does one do much

dancing in the summer, and how good the roads are for motoring just now.

If it is winter or the weather is bad, it brings one at once to the

tragic impossibility of going anywhere or doing anything, and how dull

town is just now, and the theatre and the movies--especially the movies!

This last is an opening we have found invariably successful. Once you

mention Mary Pickford or Francis X. Bushman, acquaintance ripens

visibly. Young ladies who turn coldly from almost any other

conversational bait rise voraciously to this one, and take it hook,

line, and sinker.

A great thing, too, about discussing film-favorites is that it furnishes

a most useful index to character. Girls who like Mary Pickford and

Douglas Fairbanks, for instance, are apt to be of the merry, hoydenish

sort--fond of romping, you know, and caramels and practical jokes, and

all that sort of jolly rot. The admirers of Clara Kimball Young or Mr.

Bushman, on the other hand, are usually of the yearning, soulful type,

the kind of girl who wants you to recite poetry to her in the twilight,

and longs for some strong man to protect her--this sort of thing usually

leads to solitaire-diamond rings. But the young ladies who enthuse over

Theda Bara and Pauline Frederick--well, when we run across one of these

we always look around for help. When one meets an amateur of vamping

one had best not get too far from one's strategic reserves.

This conversational gambit, is all right, but the trouble in the banks

is that they keep changing the young ladies around. Just as soon as we

have got things moving along nicely, and have reached the point where we

can talk about the young lady's preferences in the matter of supper, or

can throw out general suggestions in the direction of an evening's

paddle in the Island lagoon, they remove her to an inaccessible portion

of the building--perhaps they confine her in the main vault--and we have

to start all over again. It is a little discouraging, even though our

heart is in the work. Bank managers and chief accountants certainly

seem to be jealous devils.

Business men, too, are an awful nuisance. They have a way of breaking in

disastrously on our little _tete-a-tetes_ at the wicket. One day last

summer an awfully nice girl was reading a cheque we brought in, while we

playfully seized her other hand which she had left carelessly within

reach. Naturally she didn't notice that we were holding it--wonderful

concentration these business women have! And naturally neither of us

was paying much attention to anyone else--not while this particular

business matter was being settled.

"Say, what is this?" a wheezy voice asked at our ear. "Is this a bank

or have I butted into a manicuring parlor?"

We looked at the person, a fat and clammy merchant with a bunch of

colored cheques in his flabby fist, the sort of human hippo who wears a

pink shirt with a Palm Beach suit, and perspires on the end of the nose.

We looked coldly down him from the gaudy band on his Panama, to the

gilded buckle of his belt--everything below that was concealed by the

overhang--but we couldn't think of a darn thing to say. Nothing

suitable for a bank, that is.

Fortunately the lady was more than equal to the occasion. She raised

her eyebrows and looked at the cheques he held.

"Do you want to cash those?" she asked in silvery tones of hauteur.

"I do," he said with unabashed assurance, "if you can spare the

time--and a hand."

"Well, then you had better run out and get someone to identify

you--perhaps one of the other butchers might be willing."

We could see the ripples of rage run up the back of that fat financier's

neck. He turned a rich magenta, and the diamond on his little finger

wobbled about as though he were trying to send a distress message by

heliograph.

"Where--where's the Manager?" he spluttered. "I want the Manager. I'll

report you, that's what I'll do--you--you minx!"

"Second door at the left of the main entrance," she said sweetly, and

reached for a ledger. She did not seem flustered in the least, but our

little conversazione was over--this sort of interruption makes it so

difficult to recapture the first fine careless rapture.

It was our own fault. We shouldn't have gone in at an hour when

business men were likely to be shouldering their way up to the financial

trough. In order to take advantage of the social possibilities of

present-day banking, it is best to call early--say, around ten o'clock.

Then the commercial machine has not got properly under way and little

flowers of romance may be made to bloom in the arid paths of business.

But, of course, one mustn't go too early. One must give the girls a

chance to exchange their little confidences with one another about the

sort of time they had the night before, and what canoe club he belongs

to, and how many fox-trots she had with him, and what she said to Reggie

when Reggie objected to her going around with a former aviator--aviators

presumably being men of flighty notions of morality--and the other vital

topics that ladies discuss the morning after.

We made that mistake one morning two or three months ago. A fellow had

given us a cheque--it was rather a surprise, we admit--and we were quite

short of money, which is never a surprise to us. We needed it and we

needed it quickly, so we were at the door of his bank just one minute

and a half after it opened. We didn't want to give anyone else a chance

to beat us to his bank-balance, so we were there at

nine-thirty-six-and-a-half.

The young ladies were present all right--most of them, at any rate--but

they had not yet turned their minds to the business of the day. About a

dozen of them were gathered in chatty little groups, from which stray

snatches of conversation reached our ears.

"I think I'd have frills on it, my dear," said one. "You know those net

and muslin frills are all the rage. Gertie was over at Buffalo last

week, and she said that the girls were wearing them all over."

How "all over?" But another broke in.

"Say, have you girls seen Maud's new Dew-Kist silk skirt?" she burbled.

"It's just too sweet. But don't you think Dew-Kist is an awful

nuisance?--everything sticks to it, you know. And it gets so fuzzy when

it's rubbed."

Dew-Kist!--it certainly was a very pretty name. A Dew-Kist skirt

suggested Arcadian gambols about the morning meadows, with singing and

laughter and--well, there is no need of leaving all the kissing to the

dew. But we decided not to rub one of those skirts--not if it was going

to get all fuzzy and give us away like that. We even made a brief

mental prayer that the vogue of Dew-Kist silk would be a short one, much

as we liked the name.

Then we waited patiently for another five minutes, while the

conversation turned lightly to chenille hats and knitted sweaters.

"I am doing mine in old-rose silk," one young lady informed the other

girls and the banking public generally, as represented by us. "Wool is

getting so common, don't you think? And the silk clings to the figure

much better. You don't get that bulkiness around the waist."

Under the circumstances, we were strong for silk, and we were glad to

think the girls were taking it up. In fact, we found the whole

conversation very pleasant and improving. But we could not help

reflecting that our financial purpose in visiting the bank was not being

furthered by it, and that the Managing Editor might perhaps be impatient

for our presence at the office. Of course, his humor would all depend on

what sort of golf he had played the afternoon before, but one mustn't

count too confidently on a good score.

So we coughed. We coughed gently at first, and then louder and louder,

until finally we were tearing the fur lining out of our throat. A

couple of fair bankeresses glanced at us as though we were an obnoxious

June-bug. And then one of them--we think it was Claire--sauntered over

to us humming one of Al Jolson's newest records. She laid a powder-puff

on the desk and stretched a languid hand for our cheque. She read the

cheque. She seemed to read it over several times. Then she laid it on

the ledger and walked back to the group. An idea had evidently struck

her--we thought she was going to call the police.

"Oh, girls," she said, "do you know what that dirty little cat,

Edith...."

We wouldn't have minded so much if we had been able to catch the rest of

it, but she lowered her voice, their heads all drew together, and we

were left to beat our forehead against the brass grating in impotent

rage. We also thumped on the desk with the end of our cane. They heard

us--you could hear us two blocks away--but they heeded not.

Finally, the only man in sight came out of the teller's cage--if we

worked in a bank these days, we also would wish to be kept in a cage.

We would feel much safer that way. He was a comparatively young man but

he looked harassed and worn. He came up to the wicket, and we pointed

to our cheque--we were too hoarse to speak. He picked it up.

"Say, would some of you ladies kindly consent to attend to this?" he

asked in an O-my-gawd tone of voice. It was the voice of a man who had

suffered much and saw no relief in sight.

Claire came back, still humming. Her manner indicated that she despised

us both. The Paying Teller--at least, that was the name on his

cage--went into the big vault in the back of the office. Then he

returned.

"Have you changed your combination, Miss Jenkins," he asked curtly, "or

do you wish me to do it for you?"

Her combination--great heavens! We gasped and the purple flood of

embarrassment mantled our particularly open countenance. But Claire was

perfectly cool.

"Thanks," she said without the quiver of an eyelid, "but I want to get

used to doing it myself."

She handed us our cheque and then she disappeared into the vault. No

wonder they have big iron doors on those things!

[Illustration: KONCERNING KOSMETICS]

*Koncerning Kosmetics*

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