CHAPTER XIV.

THE young man continued to skirt the side of the stream until he

reached the boundary pale of the park. Here, placed on a rough grass

mound, some former proprietor, of a social temperament, had built a

kind of belvidere, so as to command a cheerful view of the high road

below. Mechanically the heir of the Chillinglys ascended the mound,

seated himself within the belvidere, and leaned his chin on his hand

in a thoughtful attitude. It was rarely that the building was

honoured by a human visitor: its habitual occupants were spiders. Of

those industrious insects it was a well-populated colony. Their webs,

darkened with dust and ornamented with the wings and legs and

skeletons of many an unfortunate traveller, clung thick to angle and

window-sill, festooned the rickety table on which the young man leaned

his elbow, and described geometrical circles and rhomboids between the

gaping rails that formed the backs of venerable chairs. One large

black spider--who was probably the oldest inhabitant, and held

possession of the best place by the window, ready to offer perfidious

welcome to every winged itinerant who might be tempted to turn aside

from the high road for the sake of a little cool and repose--rushed

from its innermost penetralia at the entrance of Kenelm, and remained

motionless in the centre of its meshes, staring at him. It did not

seem quite sure whether the stranger was too big or not.

"It is a wonderful proof of the wisdom of Providence," said Kenelm,

"that whenever any large number of its creatures forms a community or

class, a secret element of disunion enters into the hearts of the

individuals forming the congregation, and prevents their co-operating

heartily and effectually for their common interest. 'The fleas would

have dragged me out of bed if they had been unanimous,' said the great

Mr. Curran; and there can be no doubt that if all the spiders in this

commonwealth would unite to attack me in a body, I should fall a

victim to their combined nippers. But spiders, though inhabiting the

same region, constituting the same race, animated by the same

instincts, do not combine even against a butterfly: each seeks his own

special advantage, and not that of the community at large. And how

completely the life of each thing resembles a circle in this respect,

that it can never touch another circle at more than one point. Nay, I

doubt if it quite touches it even there,--there is a space between

every atom; self is always selfish: and yet there are eminent masters

in the Academe of New Ideas who wish to make us believe that all the

working classes of a civilized world could merge every difference of

race, creed, intellect, individual propensities and interests into the

construction of a single web, stocked as a larder in common!" Here the

soliloquist came to a dead stop, and, leaning out of the window,

contemplated the high road. It was a very fine high road, straight

and level, kept in excellent order by turn pikes at every eight miles.

A pleasant greensward bordered it on either side, and under the

belvidere the benevolence of some mediaeval Chillingly had placed a

little drinking-fountain for the refreshment of wayfarers. Close to

the fountain stood a rude stone bench, overshadowed by a large willow,

and commanding from the high table-ground on which it was placed a

wide view of cornfields, meadows, and distant hills, suffused in the

mellow light of the summer sun. Along that road there came

successively a wagon filled with passengers seated on straw,--an old

woman, a pretty girl, two children; then a stout farmer going to

market in his dog-cart; then three flies carrying fares to the nearest

railway station; then a handsome young man on horseback, a handsome

young lady by his side, a groom behind. It was easy to see that the

young man and young lady were lovers. See it in his ardent looks and

serious lips parted but for whispers only to be heard by her; see it

in her downcast eyes and heightened colour. "'Alas! regardless of

their doom,'" muttered Kenelm, "what trouble those 'little victims'

are preparing for themselves and their progeny! Would I could lend

them Decimus Roach's 'Approach to the Angels'!" The road now for some

minutes became solitary and still, when there was heard to the right a

sprightly sort of carol, half sung, half recited, in musical voice,

with a singularly clear enunciation, so that the words reached

Kenelm's ear distinctly. They ran thus:--

"Black Karl looked forth from his cottage door,

He looked on the forest green;

And down the path, with his dogs before,

Came the Ritter of Neirestein:

Singing, singing, lustily singing,

Down the path with his dogs before,

Came the Ritter of Neirestein."

At a voice so English, attuned to a strain so Germanic, Kenelm pricked

up attentive ears, and, turning his eye down the road, beheld,

emerging from the shade of beeches that overhung the park pales, a

figure that did not altogether harmonize with the idea of a Ritter of

Neirestein. It was, nevertheless, a picturesque figure enough. The

man was attired in a somewhat threadbare suit of Lincoln green, with a

high-crowned Tyrolese hat; a knapsack was slung behind his shoulders,

and he was attended by a white Pomeranian dog, evidently foot-sore,

but doing his best to appear proficient in the chase by limping some

yards in advance of his master, and sniffing into the hedges for rats

and mice, and such small deer.

By the time the pedestrian had reached to the close of his refrain he

had gained the fountain, and greeted it with an exclamation of

pleasure. Slipping the knapsack from his shoulder, he filled the iron

ladle attached to the basin. He then called the dog by the name of

Max, and held the ladle for him to drink. Not till the animal had

satisfied his thirst did the master assuage his own. Then, lifting

his hat and bathing his temples and face, the pedestrian seated

himself on the bench, and the dog nestled on the turf at his feet.

After a little pause the wayfarer began again, though in a lower and

slower tone, to chant his refrain, and proceeded, with abrupt

snatches, to link the verse on to another stanza. It was evident that

he was either endeavouring to remember or to invent, and it seemed

rather like the latter and more laborious operation of mind.

"'Why on foot, why on foot, Ritter Karl,' quoth he,

'And not on thy palfrey gray?'

Palfrey gray--hum--gray.

"'The run of ill-luck was too strong for me,

'And has galloped my steed away.'

That will do: good!"

"Good indeed! He is easily satisfied," muttered Kenelm. "But such

pedestrians don't pass the road every day. Let us talk to him." So

saying he slipped quietly out of the window, descended the mound, and

letting himself into the road by a screened wicket-gate, took his

noiseless stand behind the wayfarer and beneath the bowery willow.

The man had now sunk into silence. Perhaps he had tired himself of

rhymes; or perhaps the mechanism of verse-making had been replaced by

that kind of sentiment, or that kind of revery, which is common to the

temperaments of those who indulge in verse-making. But the loveliness

of the scene before him had caught his eye, and fixed it into an

intent gaze upon wooded landscapes stretching farther and farther to

the range of hills on which the heaven seemed to rest.

"I should like to hear the rest of that German ballad," said a voice,

abruptly.

The wayfarer started, and, turning round, presented to Kenelm's view a

countenance in the ripest noon of manhood, with locks and beard of a

deep rich auburn, bright blue eyes, and a wonderful nameless charm

both of feature and expression, very cheerful, very frank, and not

without a certain nobleness of character which seemed to exact

respect.

"I beg your pardon for my interruption," said Kenelm, lifting his hat:

"but I overheard you reciting; and though I suppose your verses are a

translation from the German, I don't remember anything like them in

such popular German poets as I happen to have read."

"It is not a translation, sir," replied the itinerant. "I was only

trying to string together some ideas that came into my head this fine

morning."

"You are a poet, then?" said Kenelm, seating himself on the bench.

"I dare not say poet. I am a verse-maker."

"Sir, I know there is a distinction. Many poets of the present day,

considered very good, are uncommonly bad verse-makers. For my part, I

could more readily imagine them to be good poets if they did not make

verses at all. But can I not hear the rest of the ballad?"

"Alas! the rest of the ballad is not yet made. It is rather a long

subject, and my flights are very brief."

"That is much in their favour, and very unlike the poetry in fashion.

You do not belong, I think, to this neighbourhood. Are you and your

dog travelling far?"

"It is my holiday time, and I ramble on through the summer. I am

travelling far, for I travel till September. Life amid summer fields

is a very joyous thing."

"Is it indeed?" said Kenelm, with much /naivete/. "I should have

thought that long before September you would have got very much bored

with the fields and the dog and yourself altogether. But, to be sure,

you have the resource of verse-making, and that seems a very pleasant

and absorbing occupation to those who practise it,--from our old

friend Horace, kneading laboured Alcaics into honey in his summer

rambles among the watered woodlands of Tibur, to Cardinal Richelieu,

employing himself on French rhymes in the intervals between chopping

off noblemen's heads. It does not seem to signify much whether the

verses be good or bad, so far as the pleasure of the verse-maker

himself is concerned; for Richelieu was as much charmed with his

occupation as Horace was, and his verses were certainly not Horatian."

"Surely at your age, sir, and with your evident education--"

"Say culture; that's the word in fashion nowadays."

"Well, your evident culture, you must have made verses."

"Latin verses, yes; and occasionally Greek. I was obliged to do so at

school. It did not amuse me."

"Try English."

Kenelm shook his head. "Not I. Every cobbler should stick to his

last."

"Well, put aside the verse-making: don't you find a sensible enjoyment

in those solitary summer walks, when you have Nature all to

yourself,--enjoyment in marking all the mobile evanescent changes in

her face,--her laugh, her smile, her tears, her very frown!"

"Assuming that by Nature you mean a mechanical series of external

phenomena, I object to your speaking of a machinery as if it were a

person of the feminine gender,--/her/ laugh, /her/ smile, etc. As

well talk of the laugh and smile of a steam-engine. But to descend to

common-sense. I grant there is some pleasure in solitary rambles in

fine weather and amid varying scenery. You say that it is a holiday

excursion that you are enjoying. I presume, therefore, that you have

some practical occupation which consumes the time that you do not

devote to a holiday?"

"Yes; I am not altogether an idler. I work sometimes, though not so

hard as I ought. 'Life is earnest,' as the poet says. But I and my

dog are rested now, and as I have still a long walk before me I must

wish you good-day."

"I fear," said Kenelm, with a grave and sweet politeness of tone and

manner, which he could command at times, and which, in its difference

from merely conventional urbanity, was not without fascination,--"I

fear that I have offended you by a question that must have seemed to

you inquisitive, perhaps impertinent; accept my excuse: it is very

rarely that I meet any one who interests me; and you do." As he spoke

he offered his hand, which the wayfarer shook very cordially.

"I should be a churl indeed if your question could have given me

offence. It is rather perhaps I who am guilty of impertinence, if I

take advantage of my seniority in years and tender you a counsel. Do

not despise Nature or regard her as a steam-engine; you will find in

her a very agreeable and conversable friend if you will cultivate her

intimacy. And I don't know a better mode of doing so at your age, and

with your strong limbs, than putting a knapsack on your shoulders and

turning foot-traveller like myself."

"Sir, I thank you for your counsel; and I trust we may meet again and

interchange ideas as to the thing you call Nature,--a thing which

science and art never appear to see with the same eyes. If to an

artist Nature has a soul, why, so has a steam-engine. Art gifts with

soul all matter that it contemplates: science turns all that is

already gifted with soul into matter. Good-day, sir."

Here Kenelm turned back abruptly, and the traveller went his way,

silently and thoughtfully.

Kenelm Chillingly — Volume 01 · 第 14 / 15 章