NEVER BET THE DEVIL YOUR HEAD

A Tale With a Moral.

“_Con tal que las costumbres de un autor_,” says Don Thomas de las

Torres, in the preface to his “Amatory Poems” _“sean puras y castas,

importo muy poco que no sean igualmente severas sus obras”_—meaning,

in plain English, that, provided the morals of an author are pure

personally, it signifies nothing what are the morals of his books. We

presume that Don Thomas is now in Purgatory for the assertion. It would be

a clever thing, too, in the way of poetical justice, to keep him there

until his “Amatory Poems” get out of print, or are laid definitely upon

the shelf through lack of readers. Every fiction should have a moral; and,

what is more to the purpose, the critics have discovered that every

fiction has. Philip Melanchthon, some time ago, wrote a commentary upon

the “Batrachomyomachia,” and proved that the poet’s object was to excite a

distaste for sedition. Pierre la Seine, going a step farther, shows that

the intention was to recommend to young men temperance in eating and

drinking. Just so, too, Jacobus Hugo has satisfied himself that, by

Euenis, Homer meant to insinuate John Calvin; by Antinous, Martin Luther;

by the Lotophagi, Protestants in general; and, by the Harpies, the Dutch.

Our more modern Scholiasts are equally acute. These fellows demonstrate a

hidden meaning in “The Antediluvians,” a parable in Powhatan, “new views

in Cock Robin,” and transcendentalism in “Hop O’ My Thumb.” In short, it

has been shown that no man can sit down to write without a very profound

design. Thus to authors in general much trouble is spared. A novelist, for

example, need have no care of his moral. It is there—that is to say,

it is somewhere—and the moral and the critics can take care of

themselves. When the proper time arrives, all that the gentleman intended,

and all that he did not intend, will be brought to light, in the “Dial,”

or the “Down-Easter,” together with all that he ought to have intended,

and the rest that he clearly meant to intend:—so that it will all

come very straight in the end.

There is no just ground, therefore, for the charge brought against me by

certain ignoramuses—that I have never written a moral tale, or, in

more precise words, a tale with a moral. They are not the critics

predestined to bring me out, and develop my morals:—that is the

secret. By and by the “North American Quarterly Humdrum” will make them

ashamed of their stupidity. In the meantime, by way of staying execution—by

way of mitigating the accusations against me—I offer the sad history

appended,—a history about whose obvious moral there can be no

question whatever, since he who runs may read it in the large capitals

which form the title of the tale. I should have credit for this

arrangement—a far wiser one than that of La Fontaine and others, who

reserve the impression to be conveyed until the last moment, and thus

sneak it in at the fag end of their fables.

_Defuncti injuriâ ne afficiantur_ was a law of the twelve tables, and _De

mortuis nil nisi bonum_ is an excellent injunction—even if the dead

in question be nothing but dead small beer. It is not my design,

therefore, to vituperate my deceased friend, Toby Dammit. He was a sad

dog, it is true, and a dog’s death it was that he died; but he himself was

not to blame for his vices. They grew out of a personal defect in his

mother. She did her best in the way of flogging him while an infant—for

duties to her well-regulated mind were always pleasures, and babies,

like tough steaks, or the modern Greek olive trees, are invariably the

better for beating—but, poor woman! she had the misfortune to be

left-handed, and a child flogged left-handedly had better be left

unflogged. The world revolves from right to left. It will not do to whip a

baby from left to right. If each blow in the proper direction drives an

evil propensity out, it follows that every thump in an opposite one knocks

its quota of wickedness in. I was often present at Toby’s chastisements,

and, even by the way in which he kicked, I could perceive that he was

getting worse and worse every day. At last I saw, through the tears in my

eyes, that there was no hope of the villain at all, and one day when he

had been cuffed until he grew so black in the face that one might have

mistaken him for a little African, and no effect had been produced beyond

that of making him wriggle himself into a fit, I could stand it no longer,

but went down upon my knees forthwith, and, uplifting my voice, made

prophecy of his ruin.

The fact is that his precocity in vice was awful. At five months of age he

used to get into such passions that he was unable to articulate. At six

months, I caught him gnawing a pack of cards. At seven months he was in

the constant habit of catching and kissing the female babies. At eight

months he peremptorily refused to put his signature to the Temperance

pledge. Thus he went on increasing in iniquity, month after month, until,

at the close of the first year, he not only insisted upon wearing

moustaches, but had contracted a propensity for cursing and swearing, and

for backing his assertions by bets.

Through this latter most ungentlemanly practice, the ruin which I had

predicted to Toby Dammit overtook him at last. The fashion had “grown with

his growth and strengthened with his strength,” so that, when he came to

be a man, he could scarcely utter a sentence without interlarding it with

a proposition to gamble. Not that he actually laid wagers—no. I will

do my friend the justice to say that he would as soon have laid eggs. With

him the thing was a mere formula—nothing more. His expressions on

this head had no meaning attached to them whatever. They were simple if

not altogether innocent expletives—imaginative phrases wherewith to

round off a sentence. When he said “I’ll bet you so and so,” nobody ever

thought of taking him up; but still I could not help thinking it my duty

to put him down. The habit was an immoral one, and so I told him. It was a

vulgar one—this I begged him to believe. It was discountenanced by

society—here I said nothing but the truth. It was forbidden by act

of Congress—here I had not the slightest intention of telling a lie.

I remonstrated—but to no purpose. I demonstrated—in vain. I

entreated—he smiled. I implored—he laughed. I preached—he

sneered. I threatened—he swore. I kicked him—he called for the

police. I pulled his nose—he blew it, and offered to bet the Devil

his head that I would not venture to try that experiment again.

Poverty was another vice which the peculiar physical deficiency of

Dammit’s mother had entailed upon her son. He was detestably poor, and

this was the reason, no doubt, that his expletive expressions about

betting, seldom took a pecuniary turn. I will not be bound to say that I

ever heard him make use of such a figure of speech as “I’ll bet you a

dollar.” It was usually “I’ll bet you what you please,” or “I’ll bet you

what you dare,” or “I’ll bet you a trifle,” or else, more significantly

still, “I’ll bet the Devil my head.”

This latter form seemed to please him best;—perhaps because it

involved the least risk; for Dammit had become excessively parsimonious.

Had any one taken him up, his head was small, and thus his loss would have

been small too. But these are my own reflections and I am by no means sure

that I am right in attributing them to him. At all events the phrase in

question grew daily in favor, notwithstanding the gross impropriety of a

man betting his brains like bank-notes—but this was a point which

my friend’s perversity of disposition would not permit him to comprehend.

In the end, he abandoned all other forms of wager, and gave himself up to

“I’ll bet the Devil my head,” with a pertinacity and exclusiveness of

devotion that displeased not less than it surprised me. I am always

displeased by circumstances for which I cannot account. Mysteries force a

man to think, and so injure his health. The truth is, there was something

in the air with which Mr. Dammit was wont to give utterance to his

offensive expression—something in his manner of enunciation—which

at first interested, and afterwards made me very uneasy—something

which, for want of a more definite term at present, I must be permitted to

call queer; but which Mr. Coleridge would have called mystical, Mr. Kant

pantheistical, Mr. Carlyle twistical, and Mr. Emerson hyperquizzitistical.

I began not to like it at all. Mr. Dammits soul was in a perilous state. I

resolved to bring all my eloquence into play to save it. I vowed to serve

him as St. Patrick, in the Irish chronicle, is said to have served the

toad,—that is to say, “awaken him to a sense of his situation.” I

addressed myself to the task forthwith. Once more I betook myself to

remonstrance. Again I collected my energies for a final attempt at

expostulation.

When I had made an end of my lecture, Mr. Dammit indulged himself in some

very equivocal behavior. For some moments he remained silent, merely

looking me inquisitively in the face. But presently he threw his head to

one side, and elevated his eyebrows to a great extent. Then he spread out

the palms of his hands and shrugged up his shoulders. Then he winked with

the right eye. Then he repeated the operation with the left. Then he shut

them both up very tight. Then he opened them both so very wide that I became

seriously alarmed for the consequences. Then, applying his thumb to his

nose, he thought proper to make an indescribable movement with the rest of

his fingers. Finally, setting his arms a-kimbo, he condescended to reply.

I can call to mind only the heads of his discourse. He would be obliged to

me if I would hold my tongue. He wished none of my advice. He despised all

my insinuations. He was old enough to take care of himself. Did I still

think him baby Dammit? Did I mean to say any thing against his character?

Did I intend to insult him? Was I a fool? Was my maternal parent aware, in

a word, of my absence from the domiciliary residence? He would put this

latter question to me as to a man of veracity, and he would bind himself

to abide by my reply. Once more he would demand explicitly if my mother

knew that I was out. My confusion, he said, betrayed me, and he would be

willing to bet the Devil his head that she did not.

Mr. Dammit did not pause for my rejoinder. Turning upon his heel, he left

my presence with undignified precipitation. It was well for him that he

did so. My feelings had been wounded. Even my anger had been aroused. For

once I would have taken him up upon his insulting wager. I would have won

for the Arch-Enemy Mr. Dammit’s little head—for the fact is, my

mamma was very well aware of my merely temporary absence from home.

But Khoda shefa midêhed—Heaven gives relief—as the Mussulmans

say when you tread upon their toes. It was in pursuance of my duty that I

had been insulted, and I bore the insult like a man. It now seemed to me,

however, that I had done all that could be required of me, in the case of

this miserable individual, and I resolved to trouble him no longer with my

counsel, but to leave him to his conscience and himself. But although I

forebore to intrude with my advice, I could not bring myself to give up

his society altogether. I even went so far as to humor some of his less

reprehensible propensities; and there were times when I found myself

lauding his wicked jokes, as epicures do mustard, with tears in my eyes:—so

profoundly did it grieve me to hear his evil talk.

One fine day, having strolled out together, arm in arm, our route led us

in the direction of a river. There was a bridge, and we resolved to cross

it. It was roofed over, by way of protection from the weather, and the

archway, having but few windows, was thus very uncomfortably dark. As we

entered the passage, the contrast between the external glare and the

interior gloom struck heavily upon my spirits. Not so upon those of the

unhappy Dammit, who offered to bet the Devil his head that I was hipped.

He seemed to be in an unusual good humor. He was excessively lively—so

much so that I entertained I know not what of uneasy suspicion. It is not

impossible that he was affected with the transcendentals. I am not well

enough versed, however, in the diagnosis of this disease to speak with

decision upon the point; and unhappily there were none of my friends of

the “Dial” present. I suggest the idea, nevertheless, because of a certain

species of austere Merry-Andrewism which seemed to beset my poor friend,

and caused him to make quite a Tom-Fool of himself. Nothing would serve

him but wriggling and skipping about under and over every thing that came

in his way; now shouting out, and now lisping out, all manner of odd

little and big words, yet preserving the gravest face in the world all the

time. I really could not make up my mind whether to kick or to pity him.

At length, having passed nearly across the bridge, we approached the

termination of the footway, when our progress was impeded by a turnstile

of some height. Through this I made my way quietly, pushing it around as

usual. But this turn would not serve the turn of Mr. Dammit. He insisted

upon leaping the stile, and said he could cut a pigeon-wing over it in the

air. Now this, conscientiously speaking, I did not think he could do. The

best pigeon-winger over all kinds of style was my friend Mr. Carlyle, and

as I knew he could not do it, I would not believe that it could be done by

Toby Dammit. I therefore told him, in so many words, that he was a

braggadocio, and could not do what he said. For this I had reason to be

sorry afterward;—for he straightway offered to bet the Devil his

head that he could.

I was about to reply, notwithstanding my previous resolutions, with some

remonstrance against his impiety, when I heard, close at my elbow, a

slight cough, which sounded very much like the ejaculation “ahem!” I

started, and looked about me in surprise. My glance at length fell into a

nook of the frame—work of the bridge, and upon the figure of a

little lame old gentleman of venerable aspect. Nothing could be more

reverend than his whole appearance; for he not only had on a full suit of

black, but his shirt was perfectly clean and the collar turned very neatly

down over a white cravat, while his hair was parted in front like a

girl’s. His hands were clasped pensively together over his stomach, and

his two eyes were carefully rolled up into the top of his head.

Upon observing him more closely, I perceived that he wore a black silk

apron over his small-clothes; and this was a thing which I thought very

odd. Before I had time to make any remark, however, upon so singular a

circumstance, he interrupted me with a second “ahem!”

To this observation I was not immediately prepared to reply. The fact is,

remarks of this laconic nature are nearly unanswerable. I have known a

Quarterly Review non-plussed by the word “Fudge!” I am not ashamed to say,

therefore, that I turned to Mr. Dammit for assistance.

“Dammit,” said I, “what are you about? don’t you hear?—the gentleman

says ‘ahem!’” I looked sternly at my friend while I thus addressed him;

for, to say the truth, I felt particularly puzzled, and when a man is

particularly puzzled he must knit his brows and look savage, or else he is

pretty sure to look like a fool.

“Dammit,” observed I—although this sounded very much like an oath,

than which nothing was further from my thoughts—“Dammit,” I

suggested—“the gentleman says ‘ahem!’”

I do not attempt to defend my remark on the score of profundity; I did not

think it profound myself; but I have noticed that the effect of our

speeches is not always proportionate with their importance in our own

eyes; and if I had shot Mr. D. through and through with a Paixhan bomb, or

knocked him in the head with the “Poets and Poetry of America,” he could

hardly have been more discomfited than when I addressed him with those

simple words: “Dammit, what are you about?—don’t you hear?—the

gentleman says ‘ahem!’”

“You don’t say so?” gasped he at length, after turning more colors than a

pirate runs up, one after the other, when chased by a man-of-war. “Are you

quite sure he said that? Well, at all events I am in for it now, and may

as well put a bold face upon the matter. Here goes, then—ahem!”

At this the little old gentleman seemed pleased—God only knows why.

He left his station at the nook of the bridge, limped forward with a

gracious air, took Dammit by the hand and shook it cordially, looking all

the while straight up in his face with an air of the most unadulterated

benignity which it is possible for the mind of man to imagine.

“I am quite sure you will win it, Dammit,” said he, with the frankest of

all smiles, “but we are obliged to have a trial, you know, for the sake of

mere form.”

“Ahem!” replied my friend, taking off his coat, with a deep sigh, tying a

pocket-handkerchief around his waist, and producing an unaccountable

alteration in his countenance by twisting up his eyes and bringing down

the corners of his mouth—“ahem!” And “ahem!” said he again, after a

pause; and not another word more than “ahem!” did I ever know him to say

after that. “Aha!” thought I, without expressing myself aloud—“this

is quite a remarkable silence on the part of Toby Dammit, and is no doubt

a consequence of his verbosity upon a previous occasion. One extreme

induces another. I wonder if he has forgotten the many unanswerable

questions which he propounded to me so fluently on the day when I gave him

my last lecture? At all events, he is cured of the transcendentals.”

“Ahem!” here replied Toby, just as if he had been reading my thoughts, and

looking like a very old sheep in a revery.

The old gentleman now took him by the arm, and led him more into the shade

of the bridge—a few paces back from the turnstile. “My good fellow,”

said he, “I make it a point of conscience to allow you this much run. Wait

here, till I take my place by the stile, so that I may see whether you go

over it handsomely, and transcendentally, and don’t omit any flourishes of

the pigeon-wing. A mere form, you know. I will say ‘one, two, three, and

away.’ Mind you, start at the word ‘away.’” Here he took his position by

the stile, paused a moment as if in profound reflection, then looked up

and, I thought, smiled very slightly, then tightened the strings of his

apron, then took a long look at Dammit, and finally gave the word as

agreed upon—

_One—two—three—and—away!_

Punctually at the word “away,” my poor friend set off in a strong gallop.

The stile was not very high, like Mr. Lord’s—nor yet very low, like

that of Mr. Lord’s reviewers, but upon the whole I made sure that he would

clear it. And then what if he did not?—ah, that was the question—what

if he did not? “What right,” said I, “had the old gentleman to make any

other gentleman jump? The little old dot-and-carry-one! who is he? If he

asks me to jump, I won’t do it, that’s flat, and I don’t care who the

devil he is.” The bridge, as I say, was arched and covered in, in a very

ridiculous manner, and there was a most uncomfortable echo about it at all

times—an echo which I never before so particularly observed as when

I uttered the four last words of my remark.

But what I said, or what I thought, or what I heard, occupied only an

instant. In less than five seconds from his starting, my poor Toby had

taken the leap. I saw him run nimbly, and spring grandly from the floor of

the bridge, cutting the most awful flourishes with his legs as he went up.

I saw him high in the air, pigeon-winging it to admiration just over the

top of the stile; and of course I thought it an unusually singular thing

that he did not continue to go over. But the whole leap was the affair of

a moment, and, before I had a chance to make any profound reflections,

down came Mr. Dammit on the flat of his back, on the same side of the

stile from which he had started. At the same instant I saw the old

gentleman limping off at the top of his speed, having caught and wrapt up

in his apron something that fell heavily into it from the darkness of the

arch just over the turnstile. At all this I was much astonished; but I had

no leisure to think, for Dammit lay particularly still, and I concluded

that his feelings had been hurt, and that he stood in need of my

assistance. I hurried up to him and found that he had received what might

be termed a serious injury. The truth is, he had been deprived of his

head, which after a close search I could not find anywhere; so I

determined to take him home and send for the homœopathists. In the

meantime a thought struck me, and I threw open an adjacent window of the

bridge, when the sad truth flashed upon me at once. About five feet just

above the top of the turnstile, and crossing the arch of the foot-path so

as to constitute a brace, there extended a flat iron bar, lying with its

breadth horizontally, and forming one of a series that served to

strengthen the structure throughout its extent. With the edge of this

brace it appeared evident that the neck of my unfortunate friend had come

precisely in contact.

He did not long survive his terrible loss. The homœopathists did not give

him little enough physic, and what little they did give him he hesitated

to take. So in the end he grew worse, and at length died, a lesson to all

riotous livers. I bedewed his grave with my tears, worked a bar sinister

on his family escutcheon, and, for the general expenses of his funeral,

sent in my very moderate bill to the transcendentalists. The scoundrels

refused to pay it, so I had Mr. Dammit dug up at once, and sold him for

dog’s meat.

The Works of Edgar Allan Poe — Volume 5 · 第 10 / 82 题