UNINTELLIGENT ANTICIPATION.

"My dear," I said, "you are always proposing things, and then, when they

are carried _nem. con._, you argue against your own proposal."

"It's unfair to use Greek to me."

"_'Nem. con._,'" I said, "is rich old Castilian and, put simply, means

that nobody--I am nobody--objects."

"But we can't afford a new tea-set."

"Then why did you ask so many to tea at once?"

"I didn't think," said Alison. "They are coming to make pyjamas for our

soldiers in the trenches, and I simply thought that the more people came

the more pyjamas there would be."

"How many cups have we?"

"Only five tea-cups. Jessie broke two more yesterday, and there's one

with a piece out that you or I could use. Oh! and there are the two

breakfast cups and two odd ones which would make up the number, but

they're such a mixed lot."

Jessie is our domestic staff and a champion china-breaker.

"If Jessie," I said, "were not so good to young Peter I should insist on

handing her back her credentials. Hold! I have the germ of an idea.

Leave me to work it out, please. I see credit, nay kudos, in it."

At the end of ten minutes Alison looked in again.

"I'm just putting the finishing touches," I said. "Kindly ask Peter to

spare me a few moments. He's sailing his boats in the bath, I imagine.

By the way, what time are these people coming?"

"Half-past four," said Alison, "and it's now nearly four."

"Then please see that Jessie brings in tea at five exactly."

"Why exactly?" said Alison.

"Why not?" I said. "Five is a very good hour, and it's part of my

scheme."

"It's most mysterious," said Alison.

"It's particularly ingenious," I said. "Everything dovetails in

beautifully, and if you'll carry out your small share all will be well.

By the way, if I make any remark to the company before tea which is

not--er--strictly true, you will please to take no notice of it."

"I'll try not to," said Alison, "if it isn't too outrageous."

"Oh, no," I said, "nothing to shy at. But I might find it necessary to

say something about a Worcester tea-set. Listen," I said before she

could interrupt. "When you hear me say, 'Worcester tea-set' you say

'Great heavens!' or whatever women say under stress of great emotion.

But sit tight. Don't go and see about it."

"See about what?"

"The Worcester tea-set, of course."

"But we haven't got one."

"My dear girl," I said, "try to imagine we have. In this little

drawing-room comedy you've only one line to learn, and your cue's

'Worcester tea-set.'"

"But what's the idea?" said Alison.

"The idea," I said, "is great, but it is as well you should not know the

whole plot of the piece yet. Play your one line, and I, as stage

manager, will answer for the rest of the cast."

"And what's Peter got to do with it? I want him to have tea with

Jessie."

"Right," I said. "Peter's part is important, but is played off--in the

wings, as it were."

My interview with Peter was not a long one.

"Now look here, old pal," I said at the close, "quarter to exactly, in

the bathroom."

"Right-o! Daddy." Peter (ætat. 9) has a wrist-watch already and winds it

regularly, so I knew he wouldn't fail me.

At a quarter to five I was talking to Mrs. Padbury, the Rector's wife,

about the doings of the various Armies in the field. I was sitting in

such a position that, while seeming to attend only to her, I could keep

an eye on the drawing-room clock behind her. Every detail of my scheme

had been carefully arranged; it now only remained for the actors to play

their ...

Crash!

"Bless my soul," I said, "that sounds remarkably like the Worcester

tea-set," and looking at the clock again I knew that Peter had made the

"loud noise off" at the exact moment. "Good lad," I said to myself.

"Great heavens!" said Alison.

I was delighted. I had been more afraid of Alison's getting stage fright

than of anything else, and there she was playing her part like a veteran

actress. Things were going really splendidly.

It was at this precise moment that the grandfather clock in the kitchen

gave out the first stroke of five, and at the same moment Jessie entered

bearing a tray, on which were the five drawing-room tea-cups which were

intact, the single ditto with a piece out, two breakfast cups and two

odd ones.

So the one player, the kitchen clock, whose part had been overlooked,

had spoilt the whole show by being nearly fifteen minutes fast; and the

fact that Jessie tripped on the doormat as she came in, with fatal

results to the rest of our tea-things, was a mere circumstance.

Alison blames me for everything.

The next pyjama conference is to be held at the Rectory.

* * * * *

Punch or the London Charivari, Vol. 147, October 21, 1914 · 第 10 / 62 题