Finally, in 1783, Prince Potemkin, to prevent the flight of more of

the Kozaks from Russian control, persuaded Catherine to renew the

institution under the name of the Kozaks of the Black Sea and settle

them in the area of the Kuban to the east. This brought together under

Anton Holovaty a large number of the Kozaks who continued to take part

in the Russian wars, and finally, early in the nineteenth century, a

considerable number returned from Turkey on the outbreak of another war

between Turkey and Russia.

With the Sich and the eastern areas properly consolidated, Catherine

turned her attention to the Hetman state, which had continued quietly

under the iron rule of Count Rumyantsev. In 1780 Catherine issued a

new order, completely abolishing this and dividing its territory into

three provinces which were to be administered on the Russian pattern.

This was done the next year and serfdom was introduced exactly as

in Russia proper. In 1783, even the old regiments were dissolved as

military units and those who wished to continue service were enrolled

in new regiments of carbineers. Nothing was left which would preserve

the memory of the Hetman state or of the heroic past of the Zaporozhian

Kozaks. Finally in 1786 even the last remnants of autonomy in the

Church were abolished and the property of the individual churches and

monasteries was taken over by the state and placed in the same pool

with all the property of the Church in Russia.

Then in 1793, with the second division of Poland, the largest part of

right bank Ukraine was also brought into the Russian Empire and those

of the Ukrainians who had remained under Poland found themselves again

united with the Ukrainians of the left bank under the new conditions.

Their position had been hard enough before, but the masters were given

even more power under Russian law than they had had under the rule of

Poland and the condition of the helpless peasants grew steadily worse.

The only people who profited were some of the officers, for the

complete abolition of all Ukrainian rights and privileges moved them

into the status of Russian landowners and nobles. Some of them had been

striving to achieve this for a long while. To accomplish it they had

broken down the democratic ideas of the Sich and throughout a troubled

century, they had sought in every way to separate themselves from the

mass of the Kozaks. Now they had at last succeeded, but at the cost of

all of those special privileges which they had so long valued.

The ruin was overwhelming. There was left not a vestige of that

independence or of those traditions which had endured in the Dnyeper

valley since the days of Prince Volodymyr. The spirit of Moscow had

conquered and its will to unity had been achieved. Nothing could be

left except the songs sung by despairing serfs. The written records

were preempted by the conquerors and the official Russian history

whereby Moscow was the legitimate descendant of Kiev had no one to

contradict it.

CHAPTER ELEVEN

_UKRAINE AT THE END OF THE EIGHTEENTH CENTURY_

The Zaporozhian Sich was destroyed by the forces of Catherine the Great

of Russia on June 5, 1775 and on August 3 of the same year the Empress

by an edict abolished the very name of the Zaporozhian Kozaks. This

was the symbolic ending of the old Ukraine, of the old struggle for

liberty and independence. More than the Hetman state with its shadowy

hetmans and its confused Russianized Little Russian Board, the Sich

had embodied the ideals and aspirations of the Kozaks. Around it had

gathered the memories and the traditions of the days when the Kozaks

had formed an independent body of free men, administering their affairs

and choosing their enemies in popular assemblies. It had typified the

Kozak spirit of individual daring and of individual resource. Now

its destruction meant that all that was past and that the autocratic

sovereign of Russia felt it had no place in her domain.

It is interesting and significant that this took place barely two

months after the outbreak of the American Revolution at the battles

of Lexington and Concord. It took place just two weeks before the

battle of Bunker Hill, when for the first time the American army

met a determined attack from British regular forces. It took place

just a month before George Washington assumed at Boston his post

as Commander-in-Chief of the American Army. The eleven years that

followed, during which the Empress methodically eliminated every trace

of Ukrainian independent rights, were the same that saw the successful

carrying on of the American Revolution and the beginning of plans

for the forming of the American Constitution. The year 1783, which

witnessed the definite recognition of the independence of the United

States, saw the elimination of the Kozak regiments from the already

defunct Hetman state. In a word the old Ukraine passed away just as the

new United States was coming into existence.

It would be easy to draw sentimental parallels between these two events

but there is something even more important that this, for it was only

three years after the final liquidation of Ukraine that the French

Revolution broke out and an era opened when all of the intellectual

ferment of the eighteenth century turned into political activity. The

new Europe, the new Europe of the nineteenth century, was in the making

and Ukraine by the narrowest of margins missed being included in it.

The new current of nationalism was beginning to run its course. In

ten years more, Kotlyarevsky with the _Eneida_ was to create the

modern Ukrainian literary language. The various nations and peoples

included within the Hapsburg Empire were to begin their agitation for

national recovery by the simple expedient of linguistic revival, and

by the demand for the restoration of old and forgotten rights and

privileges that had fallen into disuse, though they had never been

officially abrogated.

In the ferment that was to come, the very existence of the Sich would

have served as a rallying point for Ukrainian national sentiment. All

those classes of people who could appreciate the meaning of the new

movements would have found a definite centre, and even though the Sich

had lost its old time power and independence, it would still have been

a living connection with the great past. With the Sich gone, the link

with the great days was broken and the new movement was compelled to

start from the beginning without any existing juridical basis.

For this reason it may be well to pause a moment and look at the

conditions as they existed in Ukraine at this crucial period.

For all intents and purposes the noble class had either been

Russianized or Polonized. In the sixteenth century a large part of the

old noble families had definitely adopted Polish culture and the Roman

Catholic Church. The newer nobles and landowners who had arisen from

the ranks of the Kozak officers had nearly all been Russianized. They

felt that it was beneath them to use the language of their peasants

and serfs and they endeavored to carry on their daily activities

in either one of the more fashionable languages. Many of them used

French almost exclusively in their relations with members of their own

class. These people sometimes preserved some relics of the past. They

dearly loved to have serfs and attendants dressed in Kozak costume,

as did the Engelhardts, the owners of the young Shevchenko, early in

the nineteenth century. They enjoyed hearing Ukrainian folksongs sung

by peasant choirs but they looked upon them as an inferior form of

amusement and had that superior attitude that was so bitterly attacked

by Shevchenko in his introduction to the _Haydamaki_. All in all,

these people found the present situation to their personal interest

and they did not care to jeopardize their own fortunes by challenging

the power of the government or to injure their social standing by

associating with people of the lower classes.

In the same way the townsmen who had played such a large part in

the cultural revival of the sixteenth century were no longer so

influential. The towns had lost much of their importance, the leading

classes, like the landowners, had fallen under the spell of the

conquering cultures and those who still maintained the Ukrainian

tradition had been so subjected to political disabilities that they

were unable or indisposed to play their old role.

The Ukrainian language and Ukrainian traditions were then largely

restricted to the peasantry. Their lot had always been hard but as they

approached the modern period, their burdens were increased by the law.

They had lost the power of changing their homes, even though this had

been rather closely restricted, and the vast majority were mere serfs

on the estates of masters who were either of foreign origin or had been

completely denationalized. They were overwhelmingly illiterate and

could not be presumed to know much of the history of their country.

Yet they were wiser than might easily be thought. The villagers had

their rich and varied folksongs and there was hardly an occasion of

the religious or secular year, hardly an event of public or private

commemoration and festivity, when there did not appear some kobzar

or bandurist to sing them songs of the exploits of the Kozaks or to

retell some narrative of the past. These kobzars were often blind

bards, accompanying themselves with a form of stringed instrument,

something of the type of a banjo. They knew large numbers of songs,

especially historical songs and dumy, which would serve to remind the

peasants of other tales which had been handed down by their fathers.

When we remember that scarcely a half century had passed since the last

desperate revolts, we can understand that there was hardly a village

where some old man or woman did not remember the stirring tales of the

past and tell them to the young during the winter evenings or in the

scanty hours of leisure. Shevchenko’s account of his grandfather’s

tales of the Koliishchina can be paralleled again and again and allows

us to see how the oral tradition of the village handed down much that

was ignored or forgotten in the manor house.

It was in this wealth of peasant tradition and of vague and indistinct

memories that there lurked the dying sparks of Ukrainian consciousness.

It was easy to see that the hard conditions of life were tapping this

supply. Without literacy or writing, each generation knew less than

had the preceding of what had gone before. The death of one old man

might mean the irreparable loss of much that was valuable and true.

With each decade there remained fewer and fewer accounts of the history

of the past. Had the conquering classes thought of such a trifling

subject, they would have realized that time was on their side and that

the unpleasant and disturbing nightmares of the past would pass away

and leave them in peace. The time was surely coming when the peasantry

too would lose their consciousness, exactly as had the nobles and the

upper classes who had been won over to the new and fashionable culture

and accepted a new nationality!

Of course there were some manuscripts that told the ancient history,

but these were rarely printed and they remained hidden in the various

archives and libraries. Thus there was the _Istoria Rusov, the

History of the Rus’_, probably by Hrihori Poletika, who had prepared

an appeal for the old rights of the Kozaks for presentation to

Catherine the Great. Later this work was to have considerable influence

on the development of the study of Ukrainian history. It was to inspire

Kostomarov, Kulish and Shevchenko, but it was still an unknown work

collecting dust in the archives and not valued even by the few people

who stumbled upon it.

The condition of the language was still more tragic. No one thought of

using the vernacular speech, the language of the folksongs and the dumy

in writing. The burden of Church Slavonic lay as a heavy weight upon

the people and even a man like Skovoroda did not venture to challenge

this spectre.

After all, Church Slavonic had served a noble purpose in the past.

It had been the distinguishing work of Orthodoxy. It had contributed

to the splendid culture of Kiev in the beginning, but it was now

outmoded. Even so, the Church Slavonic of the day was not the language

of the early Chronicles. It had been brought from the Balkans by the

first Christian monks that had penetrated the country. The people had

received it at the time of the baptism of the nation and it was hoary

with age and sacred from its many traditions. It required a man of

genius to defy the centuries of reverence that it had acquired.

In the early days, the old Balkan Church Slavonic had been modified to

make it more intelligible to the people. There had been no attempts to

translate it into the popular speech, but step by step popular words

crept in and within the old framework there had come something that

was well on its way to being the speech of the people. The cultural

revival of the sixteenth century, with its emphasis upon religion

and Orthodoxy, with its attempts to purify the national faith and

consciousness, looked askance at these innovations. Patriotic and

intelligent men had believed that the advance of Polonization and

of the Roman Catholic Church could only be checked by a more rigid

adherence to the old standards. As a result, with the best intentions

in the world, the scholars of the sixteenth century and of the Kiev

school worked directly against the popularization of the language.

Their program was strikingly similar to that of the Ciceronian

Latinists of the Renaissance who tried to make their Latin purely

classical in scope, vocabulary and grammar and who only succeeded in

making Latin truly a dead language.

It was they who did so much to insure the triumph of the vernaculars

of Western Europe, but then Latin was so different even from French

and Italian that it was impossible to confuse the old and the new.

The case with Church Slavonic was different. It had entered in large

part into the phraseology of the peasants, it had colored the speech

of the villages, and while it was not flexible and not adapted to the

needs of the population as a medium of expression, it was too close

to it to be cast off without regret and without remorse. Muscovite had

already freed itself and become a modern language. The similarities

between Muscovite Great Russian, Ukrainian and Church Slavonic were

such that Russianizing influences could argue that there was no need

to adapt Ukrainian to every-day literary use and that if the Church

Slavonic were to be abandoned, Russian should be used in its place.

The very unnational and religious attitude of the Kievan School all

too often seemed to bear out this interpretation, and with each

succeeding decade, the doom of the native speech seemed to be more

surely impending. The action of the Russian ecclesiastical censorship

after the destruction of the independence of the Ukrainian Orthodox

Church seemed to be working in the same way, for the Church books were

henceforth to be remodelled on the Russian Church Slavonic, even though

that had been at one time really reformed on the Ukrainian pattern

by the scholars who had gone from Kiev to Moscow in the seventeenth

century.

On the other hand, the Uniat Church did preserve the old Ukrainian

Church Slavonic books. The result was the same, for their conservatism

led them to preserve the old as a sacred tradition and to the devout

members of the Uniat Church, it likewise seemed almost heretical to

change the accepted forms and to seek to bring them in touch with the

language of the uneducated people. The pride of these poorly educated

priests in their superior knowledge worked as well as the conceit of

the nobles and the censorship of Moscow to put apparently insuperable

barriers in the way of adapting the ordinary language to practical and

literary purposes, and added to the general conviction of the educated

that the Ukrainian language was finished as a potent factor in the

educated life of the day.

Yet we would be much mistaken if we regarded this as a purely Ukrainian

problem. Wherever the Church Slavonic liturgy had penetrated, whether

in communion with Constantinople or with Rome, the same problem

inevitably arose. The language question, the burning discussion as to

whether the written language was to be that of the people or of the

Church, was actively considered everywhere. Russia was the first to

solve the problem and to restrict the Church language to the Church.

The Serbs in the Balkans and the Bulgarians were destined to have the

same conflict.

More than that, they were faced with the same situation and even with

the same books. Peter the Great had sent to the Balkans men educated

in the Kiev tradition. He had sent down the same grammar of Smotritsky

that had served for a century to teach the Russian grammar from the

Ukrainian Church Slavonic standpoint. The same books appeared at

Belgrade and Sofia that had vanished from Kiev and Chernihiv under

Russian influence. During most of the eighteenth century, there was

used among the Serbs exactly that same mixture of Church Slavonic,

Muscovite and Ukrainian that was preventing the revival of the

Ukrainian spirit. It had the same effect elsewhere. The Russian Church

Slavonic that mastered Serb and Serb Church Slavonic blocked for nearly

a century the cultural revival in the Balkans.

The Russian rulers played heavily on the theme of the linguistic unity

of Slavonic Orthodoxy. When it was necessary to check a dissent, they

ignored the language and demanded the unity of the Orthodox Church.

They stressed the religious unity as opposed to the Catholic West.

At other moments, they were ready to ignore this and to emphasize

the linguistic similarities and to argue that there was no need for

linguistic reform among the Slavs, since Russian had already been thus

favored and there was no need to have two literary Slavonic languages.

They emphasized with a bland disregard of facts that it would be

child’s play to remodel all the languages on the Russian basis and to

combine into one Russian language all the varied tongues. It was no

wonder that they aroused in the Balkans the same reactions that they

did in Ukraine. The more rigid monks refused to listen to their demands

and there was repeated on a small scale something of that revulsion of

feeling that had come when the Kiev scholars first appeared at Moscow.

We can parallel the Ukrainian situation with that of the Czechs and

Slovaks. From the time of the Thirty Years War to the end of the

eighteenth century, there was hardly a book of any value published

in Czech. There was nothing as important as the _History of the

Rus’_, for here it was Latin and German that took the lead as the

permitted and encouraged languages. We must never forget that the great

work of Dobrovsky which began the Czech revival was itself written in

Latin, exactly as the few surviving scholars of Ukraine wrote in the

archaic form of Ukrainian Church Slavonic.

It is of interest that the only two Slavonic languages which were in

a more or less healthy condition were Russian and Polish. In both

cases, the upper classes had not been denationalized. They were still

willing to use the popular language, even if in a refined or revised

form. They were still able to produce literature such as it was and

to secure access to printing presses to make their works known. They

still maintained a historical culture, even though Peter had completely

overturned Russian life and had started his new creation off on a

Polish-Ukrainian-Western European tack. It gave the two peoples a

tremendous advantage which they were not slow to recognize and it added

tremendously to the burden of the other Slavonic peoples, who had not

lost all hope and ambition of recovery. Even the dismemberment of

Poland had not had time to damage the dreams of the Poles and to take

away the advantages that centuries of political life had given them.

The special burden of the Ukrainians was rather to be found in the

nature of the Kozak Host. As we have seen, the Host did not in the

beginning think of taking over civilian administration. It had been a

brotherhood of fighting men. Its remains, the tales of its exploits,

looked very little to territorial control and much to heroic deeds.

Where a Czech, whether he were writing in Czech, Latin or German, could

not fail to know of the achievements of the Kingdom of Bohemia, the

Ukrainian could not look back easily to the Ukrainian state of two or

three centuries before. He had to go back to Kiev and those traditions

were torn and confused by the tragedies of seven hundred years. The

Kozaks gave him much but not what was most important in a national

revival.

The people had confused ideas of the Kozaks but not of their valor.

They could admire the songs of the fearless raiders; they could draw

from them very little of political education. There was needed a long

series of scholars and of thinkers to delve into the annals of the

past and to draw the proper conclusions, before an intelligent and

clear theory could be put before the average peasant serf. There was

needed a work of study and of synthesis and it seemed clear under the

conditions of the eighteenth century that that could not take place. As

Catherine the Great looked out on the reorganized Ukraine, now turned

into typical Russian provinces in Little Russia, she could be sure that

there was no danger, that the last sparks of the Ukrainian idea had

been quenched and that her work had been a success.

She was startlingly incorrect, for all that the eighteenth century

could not imagine suddenly happened. The intellectual changes of the

world in one or two decades laid the basis for a Ukrainian revival

in a form that would have seemed incredible to the leaders even a

half-century earlier.

CHAPTER TWELVE

_THE AWAKENING IN EASTERN UKRAINE_

In 1798 there suddenly appeared in St. Petersburg, a volume entitled

the _Eneida_, written by one Ivan Kotlyarevsky. It was a travesty

on Virgil’s Aeneid, in which the Trojans were depicted as the wandering

Kozaks who had been expelled from the Sich less than twenty-five years

before. Furthermore the volume was written in the popular dialect of

the province of Poltava where the author was serving as an official of

the government. The revival of the Ukrainian spirit had commenced.

All possible honor must be paid to Kotlyarevsky for his audacious

effort which was crowned with so much success and it would have been

a godsend for Ukraine, had any one a century earlier had the courage

and the intellectual independence to have made the same attempt.

The tragedy of Ukraine had been, as we have seen, largely caused by

the fact that the scholars of Kiev had adopted only a reactionary

attitude toward the language question. They had striven so hard for

the preservation of Church Slavonic that they had ignored the revival

of the vernacular in both Poland and Russia. Even Skovoroda with all

of his inspired teachings as to the rights of the individual had not

ventured to break this old and stultifying tradition. Kotlyarevsky did

and the results were at once visible.

Yet there was more to this innovation than the mere publishing of a

book in the Ukrainian language. The spirit of Europe had been changing

for over a quarter of a century and consciously or not Kotlyarevsky was

a reflection of that change. Not only he among the Ukrainians but such

men as Dositey Obradovich among the Serbs and Dobrovsky for the Czechs

reflected the new attitude.

All of these men were products of the Enlightenment, that interesting

movement of the eighteenth century which endeavored to apply the

rule of reason to human affairs. They were often well trained in the

classical languages and their cool intellectual powers fitted well

with the powdered wigs and the stately manners of the courts of the

enlightened despots. There was much in the writings of the Kievan

school which encouraged a man like Kotlyarevsky. The various comedies

produced in the school, the comical intermezzos, and all the varied

performances which had dragged on at weary length in pseudo-Church

Slavonic, all could be cited as prototypes for a whimsical treatment of

a classical theme.

The story of the Ukraine · 第 10 / 23 段