I must say a few words now of Madame la Duchesse de Berry, who, as may be
imagined, began to hold her head very high indeed directly the regency of
Monsieur her father was established. Despite the representations of
Madame de Saint-Simon, she usurped all the honours of a queen; she went
through Paris with kettle-drums beating, and all along the quay of the
Tuileries where the King was. The Marechal de Villeroy complained of
this next day to M. le Duc d'Orleans, who promised him that while the
King remained in Paris no kettle-drums should be heard but his. Never
afterwards did Madame la Duchesse de Berry have any, yet when she went to
the theatre she sat upon a raised dais in her box, had four of her guards
upon the stage, and others in the pit; the house was better lighted than
usual, and before the commencement of the performance she was harangued
by the players. This made a strange stir in Paris, and as she did not
dare to continue it she gave up her usual place, and took at the opera a
little box where she could scarcely be seen, and where she was almost
incognito. As the comedy was played then upon the opera stage for
Madame, this little box served for both entertainments.
The Duchess desired apparently to pass the summer nights in all liberty
in the garden of the Luxembourg. She accordingly had all the gates
walled up but one, by which the Faubourg Saint-Germain, which had always
enjoyed the privilege of walking there, were much deprived. M. le Duc
thereupon opened the Conti garden to make up to the public for their
loss. As may be imagined, strange things were said about the motives
which led to the walling up of the garden.
As the Princess found new lovers to replace the old ones, she tried to
pension off the latter at the expense of the public. She had a place
created expressly for La Haye. She bought, or rather the King for her,
a little house at the entry of the Bois de Boulogne, which was pretty,
with all the wood in front, and a fine garden behind. It was called La
Muette.
After many amours she had become smitten with Rion, a younger son of the
house of Aydic. He was a fat, chubby, pale little fellow, who had so
many pimples that he did not ill resemble an abscess. He had good teeth,
but had no idea he should cause a passion which in less than no time
became ungovernable, and which lasted a long while without however
interfering with temporary and passing amours. He was not worth a penny,
but had many brothers and sisters who had no more than he. He was a
lieutenant of dragoons, relative of Madame Pons, dame d'atours of Madame
la Duchesse de Berry, who sent for him to try and do something for him.
Scarcely had he arrived than the passion of the Duchess declared itself,
and he became the master of the Luxembourg where she dwelt. M. de
Lauzun, who was a distant relative, was delighted, and chuckled inwardly.
He thought he saw a repetition of the old times, when Mademoiselle was in
her glory; he vouchsafed his advice to Rion.
Rion was gentle and naturally polished and respectful, a good and honest
fellow. He soon felt the power of his charms, which could only have
captivated the incomprehensible and depraved fantasy of such a princess.
He did not abuse this power; made himself liked by everybody; but he
treated Madame la Duchesse de Berry as M. de Lauzun had treated
Mademoiselle. He was soon decorated with the most beautiful lace and the
richest clothes covered with silver, loaded with snuffboxes, jewels, and
precious stones. He took pleasure in making the Princess long after him,
and be jealous; affecting to be still more jealous of her. He often made
her cry. Little by little, he obtained such authority over her that she
did not dare to do anything without his permission, not even the most
indifferent things. If she were ready to go to the opera, he made her
stay away; at other times he made her go thither in spite of herself.
He made her treat well many ladies she did not like, or of whom she was
jealous, and treat ill persons who pleased her, but of whom he pretended
to be jealous. Even in her finery she had not the slightest liberty.
He amused himself by making her disarrange her head-dress, or change her
clothes, when she was quite dressed; and that so often and so publicly,
that he accustomed her at last to take over night his orders for her
morning's dress and occupation, and on the morrow he would change
everything, and the Princess wept as much as she could, and more. At
last she actually sent messages to him by trusty valets,--for he lived
close to the Luxembourg,--several times during her toilet, to know what
ribbons she should wear; the same with her gown and other things; and
nearly always he made her wear what she did not wish for. If ever she
dared to do the least thing without his permission, he treated her like a
serving-wench, and her tears lasted sometimes several days. This
princess, so haughty, and so fond of showing and exercising the most
unmeasured pride, disgraced herself by joining in repasts with him and
obscure people; she, with whom no man could lawfully eat if he were not a
prince of the blood!
A Jesuit, named Pere Riglet, whom she had known as a child, and whose
intimacy she had always cultivated since, was admitted to these private
repasts, without being ashamed thereof, and without Madame la Duchesse de
Berry being embarrassed. Madame de Mouchy was the confidante of all
these strange parties she and Rion invited the guests, and chose the
days. La Mouchy often reconciled the Princess to her lover, and was
better treated by him than she, without her daring to take notice of it,
for fear of an eclat which would have caused her to lose so dear a lover,
and a confidante so necessary. This life was public; everybody at the
Luxembourg paid court to M. de Rion, who, on his side, took care to be on
good terms with all the world, nay, with an air of respect that he
refused, even in public, to his princess. He often gave sharp replies to
her in society, which made people lower their eyes, and brought blushes
to the cheek of Madame la Duchesse de Berry, who, nevertheless, did not
attempt to conceal her submission and passionate manners, even before
others. A remarkable fact is, that in the midst of this life, she took
an apartment at the Convent of the Carmelites of the Faubourg Saint-
Germain, where she sometimes went in the afternoon, always slept there on
grand religious fete days, and often remained there several days running.
She took with her two ladies, rarely three, scarcely a single domestic;
she ate with her ladies what the convent could supply for her table;
attended the services, was sometimes long in prayer, and rigidly fasted
on the appointed days.
Two Carmelites, of much talent, and who knew the world, were charged to
receive her, and to be near her. One was very beautiful: the other had
been so. They were rather young, especially the handsomer; but were very
religious and holy, and performed the office entrusted to them much
against their inclination. When they became more familiar they spoke
freely to the Princess, and said to her that if they knew nothing of her
but what they saw, they should admire her as a saint, but, elsewhere,
they learnt that she led a strange life, and so public, that they could
not comprehend why she came to their convent. Madame la Duchesse de
Berry laughed at this, and was not angry. Sometimes they lectured her,
called people and things by their names, and exhorted her to change so
scandalous a life; but it was all in vain. She lived as before, both at
the Luxembourg and at the Carmelites, and caused wonderment by this
surprising conduct.
Madame la Duchesse de Berry returned with usury to her father, the
severity and the domination she suffered at the hands of Rion--yet this
prince, in his weakness, was not less submissive to her, attentive to
her, or afraid of her. He was afflicted with the public reign of Rion,
and the scandal of his daughter; but he did not dare to breathe a word,
or if he did (after some scene, as ridiculous as it was violent, had
passed between the lover and the Princess, and become public), he was
treated like a negro, pouted at several days, and did not know how to
make his peace.
But it is time now to speak of the public and private occupations of the
Regent himself, of his conduct, his pleasure parties, and the employment
of his days.
Up to five o'clock in the evening he devoted himself exclusively to
public business, reception of ministers, councils, etc., never dining
during the day, but taking chocolate between two and three o'clock, when
everybody was allowed to enter his room. After the council of the day,
that is to say, at about five o'clock, there was no more talk of
business. It was now the time of the Opera or the Luxembourg (if he had
not been to the latter place before his chocolate), or he went to Madame
la Duchesse d'Orleans' apartments, or supped, or went out privately, or
received company privately; or, in the fine season, he went to Saint-
Cloud, or elsewhere out of town, now supping there, or at the Luxembourg,
or at home. When Madame was at Paris, he spoke to her for a moment
before his mass; and when she was at Saint-Cloud he went to see her
there, and always paid her much attention and respect.
His suppers were always in very strange company. His mistresses,
sometimes an opera girl, often Madame la Duchesse de Berry, and a dozen
men whom he called his rows, formed the party. The requisite cheer was
prepared in places made expressly, on the same floor, all the utensils
were of silver; the company often lent a hand to the cooks. It was at
these parties that the character of every one was passed in review,
ministers and favourites like the rest, with a liberty which was
unbridled license. The gallantries past and present of the Court and of
the town; all old stories, disputes, jokes, absurdities were raked up;
nobody was spared; M. le Duc d'Orleans had his say like the rest, but
very rarely did these discourses make the slightest impression upon him.
The company drank as much as they could, inflamed themselves, said the
filthiest things without stint, uttered impieties with emulation, and
when they had made a good deal of noise and were very drunk, they went to
bed to recommence the same game the next day. From the moment when
supper was ready, business, no matter of, what importance, no matter
whether private or national, was entirely banished from view. Until the
next morning everybody and everything were compelled to wait.
The Regent lost then an infinite amount of time in private, in
amusements, and debauchery. He lost much also in audiences too long, too
extended, too easily granted, and drowned himself in those same details
which during the lifetime of the late King we had both so often
reproached him with. Questions he might have decided in half an hour he
prolonged, sometimes from weakness, sometimes from that miserable desire
to set people at loggerheads, and that poisonous maxim which occasionally
escaped him or his favourite, 'divide et impera'; often from his general
mistrust of everybody and everything; nothings became hydras with which
he himself afterwards was much embarrassed. His familiarity and his
readiness of access extremely pleased people, but were much abused.
Folks sometimes were even wanting in respect to him, which at last was an
inconvenience all the more dangerous because he could not, when he
wished, reprimand those who embarrassed him; insomuch as they themselves
did not feel embarrassed.
What is extraordinary is, neither his mistress nor Madame la Duchesse de
Berry, nor his 'roues', could ever draw anything from him, even when
drunk, concerning the affairs of the government, however important. He
publicly lived with Madame de Parabere; he lived at the same time with
others; he amused himself with the jealousy and vexation of these women;
he was not the less on good terms with them all; and the scandal of this
public seraglio, and that of the daily filthiness and impiety at his
suppers, were extreme and spread everywhere.
Towards the end of the year (1715) the Chevalier de Bouillon, who since
the death of the son of the Comte d'Auvergne had taken the name of the
Prince d'Auvergne, proposed to the Regent that there should be a public
ball, masked and unmasked, in the opera three times a week, people to pay
upon entering, and the boxes to be thrown open to those who did not care
to dance. It was believed that a public ball, guarded as is the opera on
days of performance, would prevent those adventures which happened so
often at the little obscure balls scattered throughout Paris; and indeed
close them altogether. The opera balls were established on a grand
scale, and with all possible effect. The proposer of the idea had for it
six thousand livres pension; and a machine admirably invented and of easy
and instantaneous application, was made to cover the orchestra, and put
the stage and the pit on the same level. The misfortune was, that the
opera was at the Palais Royal, and that M. le Duc d'Orleans had only one
step to take to reach it after his suppers and show himself there, often
in a state but little becoming. The Duc de Noailles, who strove to pay
court to him, went there from the commencement so drunk that there was no
indecency he did not commit.