Machiavelli replies:--

"Your very kind letter has made me forget my past disasters; and

although I was convinced of the affection you bore me, yet your letter

delighted me. I thank you heartily, and pray God that I may be able to

show my gratitude to your advantage. You may derive this pleasure from

my misfortunes, that I think well of myself for the courage with which I

bore them, so that I feel myself of more value than I before gave myself

credit for: and if my masters, the magnificent Giuliano and your Paolo,

to whom I owe my life, will raise me from the earth, I think they will

hereafter have cause to congratulate themselves. If they will not, I

shall live as I have done before; for I was born poor, and I learnt to

suffer before I learnt to enjoy. If you remain at Rome, I will spend

some time with you, as you advise. All our friends salute you. Every day

we assemble at some lady's house, so to recover our strength. Yesterday

we went to see the procession in the house of Sandra di Pero, and thus

we pass our time during this universal rejoicing, enjoying the remnant

of life, which appears to me like a dream. Valete.

"Florence, 18th of March, 1513.

From this time till the end of his life we possess a series of

Machiavelli's private correspondence, of the most valuable kind. His

chief friend was Vettori, who continued to reside as ambassador at Rome.

Some of their letters are long political discussions, which Vettori drew

Machiavelli in to write, that he might show them to pope Leo X., and

excite him to admire and employ his talents. His endeavours were without

success. Machiavelli continued for many years to live in obscurity,

sometimes at Florence, sometimes at his country-house at San Casciano, a

bathing town among the hills, south of Pisa. His letters from Florence

contain the gossip of their acquaintance,--amusing anecdotes that paint

the manners, while they give us no exalted idea of the morals, of the

Italians of those days. Machiavelli himself had no poetry nor delicacy

of imagination: his feelings were impetuous, and his active mind

required some passion or pursuit to fill it. He bitterly laments the

inaction of his life, and expresses an ardent desire to be employed.

Meanwhile, he created occupation for himself; and it is one of the

lessons that we may derive from becoming acquainted with the feelings

and actions of celebrated men, to learn that this very period, during

which Machiavelli repined at the neglect of his contemporaries, and the

tranquillity of his life, was that during which his fame took root, and

which brought his name down to us. He occupied his leisure in writing

those works which have occasioned his immortality. No one would have

searched the Florentine archives for his public correspondence, acute

and instructive as it is, nor would his private letters now lie before

us, if he had not established a name through his other writings. He

wrote them to bring himself into present notice, and to show the Medici

the worth of that man whom they dishonoured and neglected.

One of his letters from the country to Vettori, is so interesting, and

so necessary to the appreciation of his character, that we give it at

length:--

"_Tarde non furon mai grazie divine._ Divine favours never come too

late. I say this, because it seemed to me that I had, not lost, but

mislaid your kindness, you having remained so long without writing to

me, that I wondered what might be the cause. Your last of the 23d

dissipated my doubts, and I am delighted to find how quietly and

regularly you fulfil your office. I advise you to go on thus; for

whosoever neglects his own affairs for those of others, injures himself

and gets no thanks. As fortune chooses to dispose of our lives, let her

alone. Do not exert yourself, but wait till she urges other men to do

something, when it will be time for you to come forward, and for me to

say. Here I am. I cannot thank you in any way except by giving you an

account of my life here; and you may see whether it is worth exchanging

for yours.

"I remain at my country house; and since the last events I have not

spent in all twenty days in Florence. I have hitherto been killing

thrushes. Rising before daylight I prepared my snares, and set off with

a bundle of cages at my back, so that I resembled Geta, when he returns

from the harbour with Amphytrion's books. I took two or at most seven

thrushes each day.[127] Thus passed September, since when, to my great

annoyance, this diversion has failed me; and my life has been such as I

will now detail. I rise with the sun, and go to a wood of mine, which I

am cutting; where I remain a couple of hours, reviewing the work of the

past day, and talking with the woodcutters, who are always in trouble

either for themselves or their neighbours. I have a thousand

entertaining things to tell you, which have happened with regard to this

wood[128], between me and Fresino da Panzaro and others, who wanted to

buy some of the wood. Frosino sent for several loads without saying a

word to me; and on payment wanted to keep back ten livres, which he says

he ought to have had from me four years ago, having won it at play, at

the house of Antonio Guicciardini. I began to play the devil, and to

accuse the carrier of cheating, on which G. Machiavelli interfered, and

brought us to agree. When the north wind blew, Battista Guicciardini,

Filippo Ginori, Tommaso del Bene, and several other citizens took a

load. I promised some to all, and sent one to Tommaso, half of which

went to Florence, because he and his wife and children were there to

receive it. So, seeing I gained nothing by it, I told the others that I

had no more wood, which made them all very angry, especially Battista,

who numbers this among other state troubles. When I leave the wood I go

to a fountain, where I watch my bird nets with a book in hand; either

Dante or Petrarch, or one of the minor Latin poets--Tibullus, Ovid, or

one similar. I read the accounts of their loves; I think of my own, and

for a while enjoy these thoughts. Then I go to the inn on the road side;

I talk with the passers by; ask the news of their villages; I hear many

things, and remark on the various tastes and fancies of men. Meanwhile

the hour of dinner arrives, and I dine with my family on such food as my

poor house and slight patrimony afford. When I have dined, I return to

the inn; where I usually find the host, a butcher, a miller, and two

kiln men: with these I associate for the rest of the day, playing at

cricca and tric-trac. We have a thousand squabbles; angry words are

used, often about a farthing, and we wrangle so loudly, that you might

hear us at San Casciano. Immersed in this vulgarity, I exhaust my

spirits, and give free course to my evil fortune; letting her tread me

thus under foot, with the hope that she will at last become ashamed of

herself.

"When evening comes I return home, and shut myself up in my study.

Before I make my appearance in it, I take off my rustic garb, soiled

with mud and dirt, and put on a dress adapted for courts or cities. Thus

fitly habited I enter the antique resorts of the ancients; where, being

kindly received, I feed on that food which alone is mine, and for which

I was born. For an interval of four hours I feel no annoyance; I forget

every grief, I neither fear poverty nor death, but am totally immersed.

As Dante says, 'No one learns a science unless he remembers what he is

taught;' so have I noted down that store of knowledge which I have

collected from this conversation; and have composed a little work on

princely governments, in which I analyse the subject as deeply as I can,

discussing what a principality is; how many kinds there are; in what way

they are acquired; how kept; how lost: and if any devise of mine ever

pleased you, this will not be displeasing. It ought to be acceptable to

princes, and chiefly to a new prince, wherefore I address it to Giuliano

de' Medici. Filippo Casavecchia has seen it, and can describe the thing

to you, and recount the discussions we have had together about it. I am

still adding to and polishing it.

"Your excellency desires that I should leave this place to go and enjoy

myself with you. I will do so assuredly; but am detained by some

affairs, which will keep me here about seven weeks. The only thing that

causes me to hesitate is, that the Soderini are in your town; and I

should be obliged to see and visit them; and I should be afraid on my

return that, instead of alighting at my own door, I should alight at the

gates of the prison; because, although our person here (_Giuliano de'

Medici_) has secure foundation, and is fixed, yet he is new and

suspicious; and there are not wanting meddling fellows, like Paolo

Bertini, who would draw upon others and leave me all the trouble.

Preserve me from this fear, and I will certainly come to you.

"I have talked with Philip concerning my little work, whether I shall

dedicate it or not; and if I do, whether I shall present it myself, or

send it to you. If I do not dedicate it, I fear that Giuliano will not

even read it, but that Ardinghelli will get the honour of it. Necessity

drives me to present it, for I pine away, and cannot remain long thus

without becoming despicable through poverty. I wish these signori Medici

would begin to make use of me, even if I commenced by rolling a stone,

for if I did not afterwards gain their favour I should despise myself.

And, therefore, if this book were read, they would see that, for the

fifteen years during which I studied the arts of government, I neither

slept nor played; and every one ought to be glad to make use of one who

has learned experience at the expense of others. Nor need they doubt my

fidelity; for having proved myself trustworthy hitherto, I would not

alter now: he who has been faithful for forty-three years, as I have,

cannot change his nature; and my poverty is a witness of my honour and

disinterestedness.

"I wish you would tell me what you think on these matters, and so

farewell.--_Si felix._

"NICCOLÒ MACHIAVELLI.

"10th of December, 1513."

The expressions in this letter appear sufficiently clear, that he wrote

"The Prince," for the purpose of recommending himself to the Medici, and

of being employed by them. His sons afterwards declared to our

countryman, cardinal Pole, that he alleged, his intention to be, to

induce the Medici to render themselves so hateful to Florence, by acting

on the maxims he laid down, as to cause them to be exiled anew. There is

no trace of this idea in his private correspondence. Giuliano de' Medici

was an amiable prince, and he often praises him highly. It is true that

his work is dedicated to Lorenzo de' Medici; but this change was

occasioned by the death of Giuliano. And even of Lorenzo, who was

unpopular. Machiavelli writes thus to Vettori:--"I must give you some

account of the proceedings of the Magnifico Lorenzo, which have hitherto

been such as to fill the city with hope; so that every one begins to see

his grandfather revived in him. He is diligent and affable, and causes

himself to be loved and respected, rather than feared." Nor can it be

believed that Machiavelli was so devoid of understanding, as to fancy

that he could dupe men as intelligent as Leo X. and cardinal Julius, who

were the heads of the family, by so barefaced an artifice. Besides that,

the authority of the Medici was maintained by foreign arms, and the

citizens were already very willing to get rid of them, as was proved a

very few years after. Yet his real intentions form a question, perhaps,

never to be decided. On one hand, the treatise is so broad and

unplausible in its recommendations, that it is difficult to suppose him

in earnest; and, on the other, it is so dry, and has in so small a

degree the air of irony, that it can scarcely be regarded as a satire.

If it is, it is ill done, since men have not yet agreed whether it is

one or not.

Let us turn to the work itself, however, and present some analysis of a

treatise which has been the subject of so much disquisition.

Machiavelli, in the letter given above, professes to have written his

book for the instruction of new princes,--_principi nuovi_,--sovereigns

lately raised to power. Italy was then divided into small states,

governed by a variety of lords. Sometimes one among them endeavoured,

like Cæsar Borgia, to conquer a number of these, and to unite them into

one state. Machiavelli taught how a prince thus situated might acquire

and confirm his power. He adduces the example of the Duke of Valence,

saying, "He does not know how to give better precepts to a new sovereign

than those afforded by a view of Borgia's conduct." [129] He describes

the course of his policy, applauds the perfidy with which he destroyed

the confederates of Magione, and holds up the death of Ramiro d' Oreo as

a laudable proceeding. He allows, that perseverance in cruelty on the

part of a prince becomes unendurable. "And, therefore," he says, "a

prince should determine to execute all his acts of blood at once, so

that he may not be obliged each day to renew them; but give security to

his subjects, and gain them by benefits. Injuries ought to be done at

once, because thus they are less felt, and offend less; but benefits

ought to be bestowed gradually, that they may produce a profounder

impression."

The reader may judge whether this maxim is sagacious, and seriously

enjoined; or mischievous, and therefore brought forward with sinister

and sarcastic motives.

The first fourteen chapters are taken up by considering the various

modes by which a prince acquires power--either by force of arms, or the

favour of the citizens; being imposed on them by the aristocracy, or

raised by the affection of the people. In the course of these

considerations he remarks (chap, V.), that "he who becomes master of a

city habituated to freedom, and does not destroy it, must expect to be

destroyed by it; because it will, in every rebellion, take refuge in the

name of liberty and its ancient rights, the memory of which can never be

extinguished by time or benefits." The fifteenth chapter is

headed,--"Concerning those things for which men, and principally

sovereigns are praised or blamed." He begins by saying,--"It now remains

to be seen what government and treatment a prince ought to observe with

his subjects and friends. I know many people have written on this topic;

and I expect, therefore, to be accused of presumption, in differing from

the opinions of others in my view of the subject. But, it being my

intention to write what is useful to those who rule, it appears to me

better to follow up the truth of things, than to bring forward imaginary

ideas." He adds, "A man who, instead of acting for the best, acts as he

ought, seeks rather his ruin than his preservation. For he who resolves

on all occasions to adhere to what is virtuous, must be destroyed by the

many who are not virtuous. Hence it is necessary that a prince, who

would maintain his power, should learn not to be virtuous, but to adapt

the morality of his actions to the dictates of necessity." He then

enumerates the good and bad qualities for which sovereigns are

distinguished, and adds:--"I know that every one will confess that it

would he laudable for a prince to possess all the above-mentioned

qualities, which are considered virtuous; but human nature does not

allow of this. It is necessary, however, that he should be prudent, and

avoid the infamy of those vices which would deprive him of power; and it

would be well if he avoided the others also, if it were possible; but if

it be not possible, he may yield to them with less danger. And also he

must not hesitate to incur the reputation of those vices, through which

his government may be preserved; for, on deep consideration, it will be

found that there is a line of conduct which appears right, but which

leads to ruin: and there is another which appears vicious, but from

which security and prosperity flow."

And this is what is called Machiavelian policy.

He goes on to show, that generosity, which is supported by extortion,

must injure a prince more than parsimony, which makes no demands on the

subject; he therefore advises a prince to gain a character for

liberality, rather by being prodigal of the wealth of others than his

own. "For," he says, "nothing consumes itself so much as liberality; for

while you use it, you lose your power of so doing, and you become poor

and despicable; or, to escape from poverty, grow rapacious and odious. A

prince ought carefully to guard against becoming odious and

contemptible: and liberality is one of the good qualities most likely to

lead to this result, and therefore to be avoided."

He then treats of "Cruelty and clemency, and whether it is better to be

feared or loved." He says;--"Every sovereign ought to desire to be

esteemed merciful, and not cruel. Nevertheless, he ought to take care to

what use he puts his mercy. Cæsar Borgia was considered cruel;

nevertheless his cruelty subdued Romagna, and united it, and reduced it

to peace and obedience. A prince, therefore, ought not to fear the

reputation of cruelty, if by it he preserves his subjects tranquil and

faithful. A few examples will be more merciful than tolerating

disorders, through a compassion, which gives rise to assassinations and

disturbances; for these injure the community, while the execution of

offenders is injurious to individuals only." He then enters on a

discussion of whether it is better for a prince to be loved or feared.

He decides for the latter; for, he says, "Love is a duty, which, as men

are wicked, is continually transgressed; but fear arises from the dread

of punishment, which is never lost sight of." Nothing can be more false

than this. Men like to be benefited even more than they dislike being

injured; and love is a more universal passion than terror. He continues,

"Still a prince, while he seeks to be feared, must avoid being

hated--for fear is very distinct from hatred. And he ought always to

avoid seizing on the goods of his subjects. He may, as far as is

justified by the cause given, proceed against the life of an individual;

but let him not touch the possessions. For men more easily forget the

death of a father than the loss of patrimony." After stating this

diabolical and false maxim in all its native deformity, he proceeds to

consider the propriety of a sovereign's preserving his good faith:

remarking, that though good faith and integrity are praiseworthy in a

prince, experience in his own time shows those statesmen to have

achieved the greatest things, who held truth in small esteem:--"For

there are two ways of acting,--one by law and the other by force; the

one for men, the other for animals; but when the first does not succeed,

it is necessary to have recourse to the second; and a sovereign ought to

know how to put the animal man to good use. A prudent prince cannot and

ought not to observe faith, when such observance would injure him, or

the occasions for which he pledged himself are at an end. A sovereign,

therefore, need not possess all the virtues I have mentioned; but it is

necessary that he should appear so to do. A prince cannot always

practise the qualities which are esteemed good, being often obliged to

maintain his power by acting against the dictates of humanity and

religion. He must act conscientiously when he can; but when obliged, he

ought to be capable of doing ill. A prince ought to take great care not

to say a word that is not animated by good feeling, and he ought to

appear full of pity, integrity, humanity, and religion; and there is

nothing so necessary as that he should appear to attend to the last.

Every one sees what you seem; few know what you are." Very false,

notwithstanding its plausibility: children even have an instinct for

detecting false appearances.

He tells princes to cherish the affections of the people; as, he says,

if loved by his subjects, he need fear no conspiracy; but, hated by

them, he has every thing to dread. He avers, also, that it is easier for

a newly raised prince to make friends of those who opposed him, than to

preserve the good will of his own partisans. He goes on to give much

advice concerning the choice of ministers and courtiers, and concerning

the influence of fortune over states; and shows how concord and

constancy are the only modes by which a government can preserve itself

during the variations of fortune; and that, above all, it is necessary

not to submit timidly, but to command her by audacity and resolution.

He concludes by an exhortation to the Italians to drive the barbarians,

French, Spaniards, and Germans, from their country. "It appears to me,"

he says, "considering all things, that there is an admirable opening for

a new prince to introduce another state of things into Italy. Does not

the whole land pray God to send her some one to free her from the

barbarians? And is she not ready to follow any banner, if some one

prince would display it? Nor do we see any house from which she can hope

so much as yours (_that of Lorenzo de' Medici_) favoured as it is by God

and the church; being at the head of which, it may lead us to this

redemption. The justice of your cause is great, and the war will be

just, and necessary, and pious. God, also, has opened the way for you.

The Italians, however, must accustom themselves to the exercise of arms,

if they would defend their country from foreign invaders. The infantry

of other kingdoms have their defects: the Spaniards cannot stand the

impetus of cavalry; the Swiss would fear any infantry which should show

itself as strong as themselves. Let the Italians, therefore, form an

army of foot that shall possess none of these defects, and which shall

be able to resist the shock of both horse and foot; and this must be

done by a novel style of command, by introducing which, a new ruler will

acquire reputation and power. You ought not, therefore, to lose this

opportunity of appearing as the deliverer of Italy. I cannot express

with what affection such a one would be received in those provinces

which have suffered from the inundation of foreign troops; with what

thirst of vengeance, what resolute fidelity; with what piety, and what

grateful tears he would be followed. What gates would be shut against

him? what people would refuse to render him obedience? what Italian

would hesitate to submit to his rule? Every one abhors the authority of

the barbarians. Let, therefore, your illustrious house assume this

enterprise, animated by that hope which a just cause inspires, so that

your country may rise triumphant under your auspices."

There is nothing that is not patriotic and praiseworthy in these

exhortations; and they were such, moreover, as were likely to gain the

hearts of the Italians. If, therefore, he is previously sarcastic, he is

serious here; and the mixture renders still more enigmatic the question

of the aim he had in view in this work.

Besides "The Prince," Machiavelli wrote, at this time, his "Essays on

the first Decade of Livy." These are considered by their author as his

best work; an opinion confirmed by the learned Italians of the present

day. They breathe a purely republican spirit, and have for their scope

to demonstrate how the greatness of Rome resulted from the equal laws of

the commonwealth, and the martial character of its citizens. He

dedicated them to his friends Zanobi Buondelmonte, and Cosimo Rucellai,

who were the patrons of the academy of the Rucellai gardens, a society

set on foot by the father of Cosimo, for the support of the Platonic

philosophy, and whose youthful followers were all devoted to liberty.

"The Art of War" was also written at this time, as well as his two

comedies, his "Belfegor," and "Life of Castruccio Castracani." The

"Belfegor" has laid him open to the supposition that he was not happy in

his married life: but there is no foundation for this notion. He was,

early in life, married to Marietta Corsini, and had five children. He

always mentions his wife with affection and respect in his letters, and

gives tokens, in his will, of the perfect confidence he reposed in her.

"Belfegor" has always been a popular tale: it is written with great

spirit, and possesses the merit of novelty and wit. His comedies are

thought highly of by the Italians. The "Mandragola," licentious as it

is, was a great favourite. Leo X. caused the actors and scenic

decorations to be brought from Florence to Rome, that he might see it

represented; and Guicciardini invited the author to come to get it up at

Modena, and tells him to bring with him a favourite singer and actress,

named La Barbara, to give it more effect: so early in Italian history do

we find mention of prime donne, and of the court paid to them.

But all this diligent authorship did not satisfy the active mind of

Machiavelli: he tried to school himself to content, and says, in one of

his letters to Vettori, "I am arrived at not desiring any thing again

with passion." But this was a deceit which he practised on himself. "If

I saw you," he writes again to his friend, "I should fill your head with

castles in the air; because fortune has so arranged, that, not being

able to discourse concerning the silk trade, nor the woollen trade, nor

of gains nor losses, I must talk of the art of government."--"While I

read and re-read your disquisitions on politics, I forget my adversity,

and appear to have entered again on those public affairs, in prosecuting

which I vainly endured so much fatigue, and spent so much time."

The endeavours of Vettori, who was attached to the Medici, to gain

favour for his friend with Leo X., were long ineffectual; and

Machiavelli showed symptoms of despair.

[Sidenote: 1514.

Ætat.

45.]

"It seems," he writes, "that I am to continue in my hole, without

finding a man who will remember my services, or believe that I can be

good for any thing. It is impossible that I can remain long thus. I pine

away; and see that, if God will not be more favourable to me, I shall be

obliged to leave my home, and become secretary to some petty officer, if

I can do nothing else; or exile myself into some desert to teach

children to read. I shall feign that I am dead; and my family will get

on much better without me; as I am the cause of expense--being

accustomed to spend, and unable to do otherwise. I do not write this to

induce you to take trouble for my sake; but to ease my mind, so as not

to recur again to so odious a subject."

Yet all his letters are not complaining. The spirit of "Belfegor" and

"La Mandragola" animates many of them. "We are now grave," he writes,

"and now frivolous; but we ought not to be blamed for this variety, as

in it we imitate nature, which is full of change."

[Sidenote: 1519.

Ætat.

50.]

The first use to which the Medici put him, was when Leo X. had placed

the cardinal Julius over Florence, and washed to remodel the government.

He addressed himself to Machiavelli for his advice; and the latter

wrote, in reply, his "Essay on the Reform of the Government of Florence,

Written at the request of Leo X." Soon after Leo died, and the cardinal

Julius expected to have been elected pope. He was disappointed, and

returned to Florence to confirm his authority. The death of Leo awakened

the hopes of the opposite party; and a conspiracy was at this juncture

entered into by the nephew of the gonfaloniere Soderini and the young

philosophers of the Rucellai, to expel the Medici. It was discovered;

two ringleaders were put to death, and the rest fled.

Sismondi hastily assumes the fact, that Machiavelli was implicated in

this plot; but, on the contrary, there seems every proof that he took no

part in it whatever; and at this very time he was again employed by the

reigning powers.

[Sidenote: 1521.

Ætat.

52.]

The Minor Friars were assembled in chapter at Carpi, in the duchy of

Modena. The government of Florence wished to obtain from them, that

their republic should be formed by their order, into a distinct

province, separated from the rest of Tuscany. At the instance of

cardinal Julius, Machiavelli was charged with this negotiation. A few

days after his arrival at Carpi, the council of the company of the

woollen trade commissioned him to procure a good preacher for the

metropolitan church at Florence, during the ensuing Lent. His letters to

his employers, on these occasions, are as serious and methodical as

during any other legation; but in his heart he disdained the petty

occupation. His friend Francesco Guicciardini, the celebrated historian,

was then governor of Modena; and several amusing letters passed between

them while Machiavelli was at Carpi. Guicciardini writes: "When I read

your titles of ambassador to republics and friars, and consider the

number of kings and princes with whom you have formerly negotiated, I am

reminded of Lysander, who, after so many victories, had the office of

distributing provisions to the army he had formerly commanded; and I say

that, though the aspects of men, and the exterior appearances of things,

are changed, the same circumstances perpetually return, and we witness

no event that did not take place in times gone by."

Machiavelli replies with greater gaiety:--"I can tell you that, on the

arrival of your messenger, with a bow to the ground, and a declaration

that he was sent express and in haste, every one arose with so many bows

and so much clamour, that all things seemed turned topsy-turvy. Many

persons asked me the news; and I, to increase my importance, said that

the emperor was expected at Trent, that the Swiss were assembling a new

diet, and that the king of France was going to have an interview with

the king of England; so that all stood open-mouthed and cap in hand to

hear me. I am surrounded by a circle now, while writing, who, seeing me

occupied upon so long a letter, wonder and regard me as one possessed;

and I, to excite their surprise, pause now and then, and look very wise;

and they are deceived. If they knew what I was writing, their wonder

would in crease. Pray send one of your men again; and let him hurry, and

arrive in a heat, so that these people may be more and more astonished;

for thus you will do me honour, and the exercise will be good for the

horse at this season of the year. I would now write you a longer letter,

if I were willing to tire out my imagination; but I wish to preserve it

fresh for to-morrow. Remember me, and farewell.

"Your servant,

"NICCOLÒ MACHIAVELLI,

"Ambassador to the Minor Friars.

"Carpi, 17th of May, 1521."

This letter, as well as well as one of Guicciardini's on this occasion,

has been mutilated by a person, whose scrupulous good taste was offended

by the tone of some of the pleasantries. That was not the age of decorum

either in speech or action.

[Sidenote: 1524.

Ætat.

55.]

The cardinal Julius had commissioned Machiavelli to write the history of

Florence, and he proceeded in it as far as the death of Lorenzo de'

Medici. He writes to Guicciardini, on the 30th of August, 1524, "I am

staying in the country, occupied in writing my history; and I would give

fivepence--I will not say more--to have you here, that I might show you

where I am, as in certain particulars I wish to know whether you would

be offended most by my elevated or humble manner of treating them. I

try, nevertheless, to write so as, by telling the truth, to displease no

one."

[Sidenote: 1526.

Ætat.

57.]

Cardinal Julius had now become pope, under the title of Clement VII. He

paid Machiavelli a regular but very limited salary as historiographer.

Having brought it down to the time of the death of Lorenzo de' Medici,

he made a volume of it, and dedicated it to the pope. On this occasion

he writes to Guicciardini, "I have received a gratification of 100

ducats for my history. I am beginning again; and relieve myself by

blaming the princes who have done every thing they can to bring us to

this pass." He signs himself to this letter, Niccolò Machiavelli,

historian, comic and tragic author,--_storico, comico, et tragico._

The condition of Italy was at this period most deplorable. The French

had been driven from Italy after the battle of Pavia; but no sooner was

that power humbled, than the various states began to regard with alarm

the ascendancy of the emperor Charles V. A confederacy was formed by the

chief among them, for the purpose of holding this powerful monarch in

check; and he sent the constable Bourbon to Milan to preserve that

duchy. Thus there were two armies in the heart of the peninsula, both

unpaid, both lawless, and destructive to friends as well as to enemies.

The emperor sent no supplies to Bourbon; and the pope, who was at the

head of the Italian league, showed himself so timid and vaccillating,

and, above all, so penurious, as to bring down ruin on his cause.

Bourbon was unable to keep his troops together, except by promises of

plunder; and he led them southward by slow advances, with the intention

of enriching them by the sack of Florence or Rome. The danger was

nearest to the former city; and Clement VII. considered it requisite to

put it in a state of defence. Machiavelli was employed to inspect the

progress of the fortifications. He executed his task diligently, and, as

was his wont, put his whole heart and soul into his occupation. "My head

is so full of bulwarks," he says, "that nothing else will enter it."

The imperial army continued to advance; and the Florentine government,

in great alarm, sent Machiavelli to Guicciardini, governor of Modena,

and lieutenant-general of the papal forces, to take measures with regard

to the best method of securing the republic; and it was agreed that, if

the imperialists advanced, the forces of the church should be sent in

aid of Florence. The winter season and other circumstances delayed the

operations of the imperialists, but early in the following spring the

danger grew imminent.

[Sidenote: 1527.

Ætat.

58.]

Bourbon had arrived with his army to the vicinity of Bologna; and there

was every likelihood that his army would traverse Tuscany, and attack

Florence itself. Machiavelli again went to Parma, to advise with

Guicciardini, to watch over the movements of the hostile army, and to

send frequent intelligence to Florence of their proceedings. The

republic wished that the troops of the Italian league should assemble at

Bologna, and be on the spot to guard the frontiers of Tuscany.

The imperialists continued to advance: the pope, alarmed by their

progress, entered into a treaty for peace with the emperor; but it was

uncertain whether the army under Bourbon would agree to it. Machiavelli

continued for some weeks at Parma, and then accompanied Guicciardini to

Bologna, watching their movements. It was doubtful what road they would

take on proceeding to Rome; but the chances still were, that they would

pass through Tuscany. The army now removed to Castel San Giovanni, ten

miles from Bologna, where they remained some days, detained by the bad

weather, and overflowing of the low lands, caused by the melting of the

snow, which had fallen heavily around Bologna: they were in danger,

while thus forced to delay, of being reduced to great straits for want

of provisions. "If this weather lasts two days longer," Machiavelli

wrote to his government, "the duke of Ferrara may, sleeping and sitting,

put an end to the war."

A truce was concluded between Clement VII. and the ministers of Charles

V.; but it was not acceded to by Bourbon and his army. The pope,

however, unaware of this circumstance, dismissed his troops, and

remained wholly unguarded. The imperialists, rendered unanimous through

the effects of hunger and poverty, continued to advance. They entered

Tuscany; but, without staying to attack Florence, they hurried on by

forced marches and falling unexpectedly on Rome, took it by assault; and

that dreadful sack took place, which filled the city with death and

misery, and spread alarm throughout Italy. Machiavelli followed the

Italian army, as it advanced to deliver the pope, who was besieged in

the Castel Sant' Angelo. From the environs of Rome he repaired to

Cività Vecchia, where Andrea Doria commanded a fleet; and from him he

obtained the means of repairing by sea to Leghorn. Before embarking, he

received intelligence of the revolution of Florence. On hearing of the

taking of Rome, on the 6th of May, the republicans rose against the

Medici; and they were forced to quit the city. The government was

changed on the 16th of May, and things were restored to the state they

were in 1512.

Machiavelli returned to Florence full of hope. He considered that the

power was now in the hands of his friends, and that he should again

enter on public life under prosperous auspices. His hopes were

disappointed--public feeling was against him: his previous services, his

imprisonment and torture, were forgotten; while it was remembered that,

since 1513, he had been continually aiming at getting employed by the

Medici, against whom the popular feeling was violently excited. He had

succeeded at last; and was actually in their service, when they were

driven from the city. These circumstances rendered him displeasing to

men who considered themselves the deliverers of their country.

Machiavelli was disappointed by their neglect, and deeply wounded by

their distrust. He fell ill; and taking some pills, to which he was in

the habit of having recourse when indisposed, he grew worse, and died

two days after--on the 22d of June, 1527--in the 59th year of his age.

Paul Jovius, his old enemy, insinuates that he took the medicine for the

sake of destroying himself,--a most clumsy sort of suicide,--but there

is no foundation whatever for this report.[130] His wife Marietta, the

daughter of Ludovico Corsini, survived him; and he left five

children,--four sons and one daughter. He had made a will in 1511, when

secretary of the republic; and in 1522 he made another, which only

differs in details--the spirit is the same. He leaves his "beloved wife"

an addition to her dower, and divides the rest of his slight fortune

between his children. Marietta is left guardian and trustee of the

younger children--to continue till they were nineteen--with a clause

forbidding them to demand any account of money spent; and mentions that

he reposes entire confidence in her.

Machiavelli was of middle stature, rather thin, and of olive complexion.

He was gay in conversation, obliging with his friends, and fond of the

arts. He had readiness of wit; and it is related of him, that, being

reproved for the maxims of his "Prince," he replied--"If I taught

princes how to tyrannise, I also taught the people how to destroy them."

He probably developes in these words, the secret of his writings. He was

willing to _teach_ both parties, but his heart was with the republicans.

He was buried at the church of Santa Croce at Florence; and soon after

his death a violent sensation was created against his works--principally

through an attack on the "Prince," by our own countryman, cardinal Pole.

They were interdicted by successive popes, and considered to contain

principles subversive of religion and humanity.

It was not till the lapse of more than two centuries that a re-action of

feeling took place--and the theory was brought forward, that he wrote

for the sake of inducing the Medici to render themselves odious to their

countrymen, so as to bring ruin and exile again on their house. In 1782,

the Florentines were induced by the representations of an English

nobleman, lord Cowper, to pay honour to their countryman, and set on

foot a complete edition of his works; which Leopold, grand duke of

Tuscany, permitted to be printed; and which was preceded by an eulogium

written by Baldelli. In 1787, a monument was erected over his remains,

on which was carved the following inscription:--

Tanto Nomini nullum par Elogium

NICOLAUS MACHIAVELLI.

Obiit Anno A. P. V. MDXXVII.

There remains no descendant of Machiavelli. His grandson, by his only

daughter. Giuliano Ricci, left several writings relative to his

illustrious ancestor, which are preserved in the archives of the Ricci

family. The branch of the Machiavelli, descending from the secretary,

terminated in Ippolita Machiavelli, married to Francesco de' Ricci in

1608. The other branch terminated in Francesco Maria, Marchese di Quinto

in the Vicentino, who died in Florence, 1726.

[Footnote 111: Baldelli.]

[Footnote 112: Let. Fam. II.]

[Footnote 113: Guicciardini.]

[Footnote 114: Guicciardini.]

[Footnote 115: Guicciardini.]

[Footnote 116: Lettere di Machiavelli, Legazione al Duca Valentino.]

[Footnote 117: It must be mentioned, that a great enmity subsisted

between the Florentines and Vitellozzo Vitelli. His brother, Paolo

Vitelli, had commanded the troops of the republic at one time before

Pisa, and was suspected by them of treachery. They sent for him one

night to come to Florence, and he obeyed without hesitation. On his

arrival he was seized, cast into prison, tortured, and, though no

confession could be extorted from him, he was put to death the same

night. It was the intention of the Florentine government to seize on

Vitellozzo also, but he escaped and took refuge in Pisa. Borgia had at

one time taken up the cause of the Medici, and threatened Florence: he

now threw the blame of this action upon the counsels of Vitellozzo.]

[Footnote 118: This letter is lost; and we are thus deprived of a most

interesting link in the correspondence, and an insight into

Machiavelli's feelings. In it he detailed the half confidence that

Borgia at last reposed in him--when, at the moment of execution, there

was no longer any necessity for concealing his intentions.]

[Footnote 119: Half an hour before sunset: in December, about half after

three o'clock.]

[Footnote 120: "Account of the Mode in which the Valentian Duke

destroyed Vitellozzo Vitelli, Paolo Orsino, &c. &c."]

[Footnote 121: Two hours and a half after sunset. The Italian day of

twenty-four hours ends at dark, _i. e._ half an hour after sunset; and

then they begin one, two; but as they often say, one o'clock after noon,

two o'clock alter noon, so they designate these evening hours as hours

of night. This method of counting time is still practised by the common

people in Italy, south of the Apennines; and, indeed, by every one of

all ranks at Naples and Rome. Our mode of counting time is called by the

Italians, French time, as it was first introduced after the conquests of

Napoleon. It is often puzzling to hear of fourteen or fifteen

o'clock,--it is necessary to remember the season of the year, and the

hour of sunset, and how far that is off. On this occasion, the 31st of

December, the second hour of night was about half after six o'clock

P. M.; the sun setting at about four in December, in Italy.]

[Footnote 122: Guicciardini.]

[Footnote 123: There is something in the entrance of these "two

murderers," and their secret conference with the pope, that reminds one

of scenes in Shakspeare, which appear improbable in our days of ceremony

and exclusion.]

[Footnote 124: Guicciardini.]

[Footnote 125: One of Louis's expressions is curious:--"If the pope will

make any demonstration of friendship to me, though no bigger than the

black of my nail, I will respond by a yard." The black of the nail of

the king of France!]

[Footnote 126: Lettere Familiari, VIII.]

[Footnote 127: Machiavelli's bird-catching need not excite surprise. It

is the common pastime of Italian nobles of the present day, to go out

with an owl for a decoy, to shoot larks, thrushes, &c.]

[Footnote 128: Critics have given themselves the trouble to imagine and

explain a mysterious meaning here, and to suppose that Machiavelli's

wood is an allegory of the political labyrinth: but there is no

foundation for this idea. Machiavelli never recurred to allegory to

express his political opinions; and we have twenty letters of his to

Vettori, discussing the intentions and enterprises of the various

European princes, without any attempt at mystery or covert allusion. At

the same time we have also twenty letters full of anecdotes as

insignificant as those of the wood. He was fond of minute details, and

lively, though trifling, stories concerning himself and his friends.]

[Footnote 129: When Leo X. formed a duchy, of which he made his nephew

Lorenzo duke, Machiavelli, in a private letter to Vettori, discusses the

government that he ought to adopt. In this letter he again adduces the

example of Cæsar Borgia, saying, that were he a new prince, he would

imitate all his proceedings. This of course only alludes to the civil

government of Romagna, which was equitable and popular.]

[Footnote 130: He had before recommended these pills to Guicciardini,

saying that he himself never took more than two at a time. They are

chiefly composed of aloes. There is a letter from his son Pietro to

Francesco Nelli, professor at Pisa, which relates concisely the manner

of his death:--

"Dearest Francesco,--I cannot refrain from tears on being obliged to

inform you of the death of our father Niccolò, which took place on the

22d of this month, of colic, produced by a medicine which he took on the

20th. He allowed himself to be confessed by Frate Matteo, who remained

with him till his death. Our father has left us in the greatest poverty,

as you know. When you return here, I will tell you many things by word

of mouth. I am in haste, and will say no more than farewell.

"Your relation,

"PIETRO MACHIAVELLI."]

Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 1 (of 3) · 第 43 / 44 题