CHAPTER IV.

"DER RING DES NIBELUNGEN."

Beautiful and Enduring Legends are Universal Property.--Parallels

Between the Elements and Apparatus of

Mythological Tales.--The Grotto of Venus, the Garden

of Delight, Avalon, Ogygia, the Delightful Island.--Pope

Urban's Staff, the Lances of Charlemagne, Joseph's

Staff, and Aaron's Rod.--The _Tarnhelm_, the

Mask of Arthur, Helmet of Pluto.--The Holy Grail, the

Horn of Bran; Huon's Goblet, the Horn of Amalthea.--Invulnerability

of Achilles, Jason, and Siegfried.--The

Sword of Wotan, Arthur's Sword, Ulysses's Bow.--Siegfried's

Prototypes in Egypt, Greece, and Scandinavia.--Von

Hahn's _Arische Aussetzung und Rückkehr Formel_.--The

Celestial Plot in the Tragedy.--Wotan its Hero.--A

Contest Between Greed of Gain and Temporal

Power and Love.--Effect of the Curse.--Wotan's Vain

Plot.--The Force of Law.--Brünnhilde becomes the

Agent of Redemption by Becoming Simple, Loving

Woman.--The Progress of the Plot is from a State of

Sinlessness through Sin and its Awful Consequences to

Expiation.--Symbols for These Steps in "Das Rheingold."--The

Golden Age and the Instrumental Introduction.--Elemental

Music.--Erda and the Götterdämmerung.--Greek

and Teuton.--The Tragic Nature of the

Northern Mythological System.--Wotan's Effort to

Escape the Penalty of Violated Law.--A Plan Doomed

to Failure from the Start.--Wagner's Mood Pictures.--How

Nature Reflects the Discord Created by the God's

Wrong Doing.--Contrasted Pictures in Two Preludes

and First Scenes: the Peacefulness of the Golden Age,

the Storm which Buffets Siegmund.--Entrance of the

Sinister Element with Alberich and Hunding.--Agents

Created to Carry on the Contest: the Beloved Progeny

of the God, the Loveless Offspring of the Niblung.--Wotan's

Tragic Grandeur in the Moment of Despair.--Brünnhilde

the Embodiment of Wotan's Will.--The

God Destroys his Agents, but Unconscious Love Carries

on the Plot.--Siegfried.--The Forest Lad Achieves

Heroic Stature.--He Discloses that he is a Free Agent

by Shattering the Visible Symbol of the God's Power.--Wotan

Disappears for the Action and Awaits the End of

his Race.--The Miraculous in Wagner's Musical System.--The

Drink of Forgetfulness.--Brünnhilde Prizes Love

More than the Welfare of the Gods.--Outraged Love

Avenged.--The Catastrophe.--The Death March a

Hymn of Praise.--The Musical Symbol of the Ethical

Principle of the Tragedy Pages 112-161

Studies in the Wagnerian Drama · 第 4 / 7 章