CHAPTER III.

"DIE MEISTERSINGER VON NÜRNBERG."

Story of the Drama.--A Comedy Faithful to Classical

Conceptions.--_Ridendo Castigat Mores._--Its Specific Purpose

is to Celebrate the Triumph of Natural Poetic

Impulse, Stimulated by Communion with Nature, over

Pedantic Formalism.--Romanticism _versus_ Classicism.--A

Contest which Stimulates Growth.--Walther as

the Representative of Romantic Utterance.--Pedantry

Pictured in the Master-singers and Caricatured in

Beckmesser.--Sachs, the Real Hero of the Play.--An Intermediary

and Champion of Both Parties.--Form must

Adapt Itself to Spirit.--The Proposition Proved by the

Music of Sachs' First Monologue.--The Symbolism of

a Phrase Investigated.--Corrective Purpose of the Play

as it is Disclosed by the Prelude.--Sachs as a Philosopher.--The

Introduction to Act III. Expounded.--Photographic

Pictures of Nuremberg Life.--Relics of

the Master-singers.--A Master-song by the Veritable

Sachs Pages 72-111

Studies in the Wagnerian Drama · 第 3 / 7 章