SHE asked me to walk in her garden, and one of her slaves immediately

brought her a _pellice_ of rich brocade lined with sables. I waited

on her into the garden, which had nothing in it remarkable but the

fountains; and from thence she shewed me all her apartments. In her

bed-chamber, her toilet was displayed, consisting of two

looking-glasses, the frames covered With pearls, and her night

_talpoche_ set with bodkins of jewels, and near it three vests of

fine sables, every one of which is, at least, worth a thousand

dollars, (two hundred pounds English money.) I don't doubt but these

rich habits were purposely placed in sight, though they seemed

negligently thrown on the sofa. When I took my leave of her, I was

complimented with perfumes, as at the grand vizier's, and presented

with a very fine embroidered handkerchief. Her slaves were to the

number of thirty, besides ten little ones, the eldest not above

seven years old. These were the most beautiful girls I ever saw, all

richly dressed; and I observed that the sultana took a great deal of

pleasure in these lovely children, which is a vast expence; for there

is not a handsome girl of that age to be bought under a hundred

pounds sterling. They wore little garlands of flowers, and their own

hair, braided, which was all their head-dress; but their habits were

all of gold stuffs. These served her coffee kneeling; brought water

when she washed, &c.--'Tis a great part of the work of the older

slaves to take care of these young girls, to learn them to embroider,

and to serve them as carefully as if they were children of the

family. Now, do you imagine I have entertained you, all this while,

with a relation that has, at least, received many embellishments from

my hand? This, you will say, is but too like the Arabian

tales.--These embroidered napkins! and a jewel as large as a turkey's

egg!--You forget, dear sister, those very tales were written by an

author of this country, and (excepting the enchantments) are a real

representation of the manners here. We travellers are in very hard

circumstances: If we say nothing but what has been said before us,

_we are dull, and we have observed nothing_. If we tell any thing

new, we are laughed at as _fabulous and romantic_, not allowing

either for the difference of ranks, which affords difference of

company, or more curiosity, or the change of customs, that happen

every twenty years in every country. But the truth is, people judge

of travellers, exactly with the same candour, good nature, and

impartiality, they judge of their neighbours upon all occasions. For

my part, if I live to return amongst you, I am so well acquainted

with the morals of all my dear friends and acquaintances, that I am

resolved to tell them nothing at all, to avoid the imputation (which

their charity would certainly incline them to) of my telling too

much. But I depend upon your knowing me enough, to believe whatever

I seriously assert for truth; though I give you leave to be surprised

at an account so new to you. But what would you say if I told you,

that I have been in a haram, where the winter apartment was

wainscoted (sic) with inlaid work of mother of pearl, ivory of

different colours, and olive wood, exactly like the little boxes you

have seen brought Out of this country; and in whose rooms designed

for summer, the walls are all crusted with japan china, the roofs

gilt, and the floors spread with the finest Persian carpets? Yet

there is nothing more true; such is the palace of my lovely friend,

the fair Fatima, whom I was acquainted with at Adrianople. I went

to visit her yesterday; and, if possible, she appeared to me

handsomer than before. She met me at the door of her chamber, and,

giving me her hand With the best grace in the world; You Christian

ladies (said she, with a smile that made her as beautiful as an

angel) have the reputation of inconstancy, and I did not expect,

whatever goodness you expressed for me at Adrianople, that I should

ever see you again. But I am now convinced that I have really the

happiness of pleasing you; and, if you knew how I speak of you

amongst our ladies, you would be assured, that you do me justice in

making me your friend. She placed me in the corner of the sofa, and

I spent the afternoon in her conversation, with the greatest pleasure

in the world.--The sultana Hafiten is, what one Would naturally

expect to find a Turkish lady, willing to oblige, but not knowing how

to go about it; and 'tis easy to see, in her manner, that she has

lived excluded from the world. But Fatima has all the politeness and

good breeding of a court, with an air that inspires, at once, respect

and tenderness; and now, that I understand her language, I find her

wit as agreeable as her beauty. She is very carious after the

manners of other countries, and has not the partiality for her own,

so common in little minds. A Greek that I carried with me, who had

never seen her before, (nor could have been admitted now, if she had

not been in my train,) shewed that surprise at her beauty and

manners, which is unavoidable at the first sight, and said to me in

Italian,--_This is no Turkish lady, she is certainly some

Christian_.--Fatima guessed she spoke of her, and asked what she

said. I would not have told her, thinking she would have been no

better pleased with the compliment, than one of our court beauties to

be told she had the air of a Turk; but the Greek lady told it to her;

and she smiled, saying, _It is not the first time I have heard so: my

mother was a Poloneze, taken at the siege of Caminiec; and my father

used to rally me, saying, He believed his Christian wife had found

some gallant; for that I had not the air of a Turkish girl_.--I

assured her, that if all the Turkish ladies were like her, it was

absolute necessary to confine them from public view, for the repose

of mankind; and proceeded to tell her, what a noise such a face as

hers would make in London or Paris. _I can't believe you_, replied

she agreeably; _if beauty was so much valued in your country, as you

say, they would never have suffered you to leave it_.--Perhaps, dear

sister, you laugh at my vanity in repeating this compliment; but I

only do it, as I think it very well turned, and give it you as an

instance of the spirit of her conversation. Her house was

magnificently furnished, and very well fancied; her winter rooms

being furnished with figured velvet, on gold grounds, and those for

summer, with fine Indian quilting embroidered with gold. The houses

of the great Turkish ladies are kept clean with as much nicety as

those in Holland. This was situated in a high part of the town; and

from the window of her summer apartment, we had the prospect of the

sea, the islands, and the Asian mountains.--My letter is insensibly

grown so long, I am ashamed of it. This is a very bad symptom. 'Tis

well if I don't degenerate into a downright story-teller. It may be,

our proverb, that _knowledge is no burden_, may be true, as to one's

self but knowing too much, is very apt to make us troublesome to

other people. I am, &c, &c.

LET. XL.

TO THE LADY ----.

_Pera, March_ 16. O. S.

I AM extremely pleased, my dear lady, that you have, at length, found

a commission for me, that I can answer, without disappointing your

expectations; though I must tell you, that it is not so easy as

perhaps you think it; and that if my curiosity had not been more

diligent than any other stranger's has ever yet been, I must have

answered you with an excuse, as, I was forced to do, when you desired

me to buy you a Greek slave. I have got for you, as you desire, a

Turkish love-letter, which I have put into a little box, and ordered

the captain of the Smyrniote to deliver it to you with this letter.

The translation of it is literally as follows: The first piece you

should pull out of the purse, is a little pearl, which is in Turkish

called _Ingi_, and must be understood in this manner:

Ingi, Sensin Uzellerin gingi

_Pearl_, _Fairest of the young_.

Caremfil, Caremfilsen cararen yok

_Clove_, Conge gulsum timarin yok

Benseny chok than severim

Senin benden, haberin yok.

_You are as slender as the clove!_

_You are an unblown rose!_

_I have long loved you, and you have not known it!_

Pul, Derdime derman bul

_Jonquil_, _Have pity on my passion!_

Kihat, Birlerum sahat sahat

_Paper_, _I faint every hour!_

Ermus, Ver bixe bir umut

_Pear_, _Give me some hope._

Jabun, Derdinden oldum zabun

_Soap_, _I am sick with love._

Chemur, Ben oliyim size umur

_Coal_, _May I die, and all my years be yours!_

GUl Ben aglarum sen gul

_A rose_, _May you be pleased, and your sorrows mine!_

Hasir, Oliim sana yazir

_A straw_, _Suffer me to be your slave._

Jo ho, Ustune bulunmaz pahu

_Cloth_, _Your price is not to be found._

Tartsin, Sen ghel ben chekeim senin hargin

_Cinnamon_, _But my fortune is yours._

Giro, Esking-ilen oldum ghira

_A match_, _I burn, I burn! my flame consumes me!_

Sirma, Uzunu benden a yirma

_Goldthread_, _Don't turn away your face._

Satch, Bazmazum tatch

_Hair_, _Crown of my head!_

Uzum Benim iki Guzum

_Grape_, _My eyes!_

Til, Ulugorum tez ghel

_Gold wire_, _I die--come quickly._

And, by way of postscript:

Beber, Bize bir dogm haber

_Pepper_, _Send me an answer._

You see this letter is all in verse, and I can assure you, there is

as much fancy shewn in the choice of them, as in the most studied

expressions of our letters; there being, I believe, a million of

verses designed for this use. There is no colour, no flower, no

weed, no fruit, herb, pebble, or feather, that has not a verse

belonging to it; and you may quarrel, reproach, or send letters of

passion, friendship, or civility, or even Of news, without ever

inking your fingers.

I FANCY you are now wondering at my profound learning; but, alas!

dear madam, I am almost fallen into the misfortune so common to the

ambitious; while they are employed on distant insignificant conquests

abroad, a rebellion starts up at home;--I am in great danger of

losing my English. I find 'tis not half so easy to me to write in

it, as it was a twelvemonth ago. I am forced to study for

expressions, and must leave off all other languages, and try to learn

my mother tongue.--Human understanding is as much limited as human

power, or human strength. The memory can retain but a certain number

of images; and 'tis as impossible for one human creature to be

perfect master of ten different languages, as to have, in perfect

subjection, ten different kingdoms, or to fight against ten men at a

time; I am afraid I shall at last know none as I should do. I live

in a place, that very well represents the tower of Babel: in Pera

they speak Turkish, Greek, Hebrew, Armenian, Arabic, Persian,

Russian, Sclavonian, Walachian, German, Dutch, French, English,

Italian, Hungarian; and, what is worse, there are ten of these

languages spoken in my own family. My grooms are Arabs; my footmen

French, English, and Germans; my nurse an Armenian; my house-maids

Russians; half a dozen other servants, Greeks; my steward an Italian;

my janizaries Turks; so that I live in the perpetual hearing of this

medley of sounds, which produces a very extraordinary effect upon the

people that are born here; for they learn all these languages at the

same time, and without knowing any of them well enough to write or

read in it. There are very few men, women, or even children here,

that have not the same compass of words in five or six of them. I

know, myself, several infants of three or four years old, that speak

Italian, French, Greek, Turkish, and Russian, which last they learn

of their nurses, who are generally of that country. This seems

almost incredible to you, and is, in my mind, one of the most curious

things in this country, and takes off very much from the merit of our

ladies, who set up for such extraordinary geniuses, upon the credit

of some superficial knowledge of French and Italian.

AS I prefer English to all the rest, I am extremely mortified at the

daily decay of it in my head, where I'll assure you (with grief of

heart) it is reduced to such a small number of words, I cannot

recollect any tolerable phrase to conclude my letter with, and am

forced to tell your ladyship very bluntly, that I am,

Your's, &C. &c.

LET. XLI.

TO THE COUNTESS OF B----.

AT length I have heard from my dear Lady B----, for the first time.

I am persuaded you have had the goodness to write before, but I have

had the ill fortune to lose your letters. Since my last, I have

staid (sic) quietly at Constantinople, a city that I ought in

conscience to give your ladyship a right notion of, since I know you

can have none but what is partial and mistaken from the writings of

travellers. 'Tis certain, there are many people that pass years here

in Pera, without having ever seen it, and yet they all pretend to

describe it. Pera, Tophana, and Galata, wholly inhabited by French

Christians (and which, together, make the appearance of a very fine

town,) are divided from it by the sea, which is not above half so

broad as the broadest part of the Thames; but the Christian men are

loth to hazard the adventures they sometimes meet with amongst the

_levents_ or seamen, (worse monsters than our watermen) and the women

must cover their faces to go there, which they have a perfect

aversion to do. 'Tis true, they wear veils in Pera, but they are

such as only serve to shew their beauty to more advantage, and would

not be permitted in Constantinople. These reasons deter almost every

creature from seeing it; and the French ambassadress will return to

France (I believe) without ever having been there. You'll wonder,

madam, to hear me add, that I have been there very often. The

_asmack_, or Turkish veil, is become not only very easy, but

agreeable to me; and, if it was not, I would be content to endure

some inconveniency, to gratify a passion that is become so powerful

with me, as curiosity. And, indeed, the pleasure of going in a barge

to Chelsea, is not comparable to that of rowing upon the canal of the

sea here, where, for twenty miles together, down the Bosphorus, the

most beautiful variety of prospects present themselves. The Asian

side is covered with fruit-trees, villages, and the most delightful

landskips (sic) in nature; on the European, stands Constantinople,

situated on seven hills.--The unequal heights make it seem as large

again as it is, (though one of the largest cities in the world)

shewing an agreeable mixture of gardens, pine and cypress-trees,

palaces, mosques, and public buildings, raised one above another,

with as much beauty and appearance of symmetry, as your ladyship ever

saw in a cabinet, adorned by the most skilful hands, where jars shew

themselves above jars, mixed with canisters, babies and candlesticks.

This is a very odd comparison; but it gives me an exact idea of the

thing. I have taken care to see as much of the seraglio as is to be

seen. It is on a point of land running into the sea; a palace of

prodigious extent, but very irregular. The gardens take in a large

compass of ground, full of high cypress-trees, which is all I know of

them. The buildings are all of white stone, leaded on the top, with

gilded turrets and spires, which look very magnificent; and, indeed,

I believe there is no Christian-king's palace half so large. There

are six large courts in it, all built round, and set with trees,

having galleries of stone; one of these for the guard, another for

the slaves, another for the officers of the kitchen, another for the

stables, the fifth for the divan, and the sixth for the apartment

destined for audiences. On the ladies side, there are, at least, as

many more, with distinct courts belonging to their eunuchs and

attendants, their kitchens, &c.

THE next remarkable structure is that of St Sophia which is very

difficult to see. I was forced to send three times to the

_caimairam_, (the governor of the town) and he assembled the chief

_effendis_, or heads of the law, and enquired of the _mufti_, whether

it was lawful to permit it. They passed some days in this important

debate; but I insisting on my request, permission was granted. I

can't be informed why the Turks are more delicate on the subject of

this mosque, than on any of the others, where what Christian pleases

may enter without scruple. I fancy they imagine, that, having been

once consecrated, people, on pretence of curiosity, might profane it

with prayers, particularly to those saints, who are still very

visible in Mosaic work, and no other way defaced but by the decays of

time; for it is absolutely false, though so universally asserted,

that the Turks defaced all the images that they found in the city.

The dome of St Sophia is said to be one hundred and thirteen feet

diameter, built upon arches, sustained by vast pillars of marble, the

pavement and stair-case marble. There are two rows of galleries,

supported with pillars of party-coloured (sic) marble, and the whole

roof Mosaic work, part of which decays very fast, and drops down.

They presented me a handful of it; its composition seems to me a sort

of glass, or that paste with which they make counterfeit jewels.

They shew here the tomb of the emperor Constantine, for which they

have a great veneration.

THIS is a dull, imperfect description, of this celebrated building;

but I understand architecture so little, that I am afraid of talking

nonsense, in endeavouring to speak of it particularly. Perhaps I am

in the wrong, but some Turkish mosques please me better. That of

sultan Solyman is an exact square, with four fine towers in the

angles, in the midst is a noble cupola, supported with beautiful

marble pillars; two lesser at the ends, supported in the same manner;

the pavement and gallery round the mosque, of marble; under the great

cupola is a fountain, adorned with such fine coloured pillars, that I

can hardly think them natural marble; on one side is the pulpit, of

white marble, and on the other, the little gallery for the grand

signior. A fine stair-case leads to it, and it is built up with

gilded lattices. At the upper end is a sort of altar, where the name

of God is written; and before it stand two candlesticks, as high as a

man, with wax candles as thick as three flambeaux. The pavement is

spread with fine carpets, and the mosque illuminated with a vast

number of lamps. The court leading to it is very spacious, with

galleries of marble, of green columns, covered with twenty-eight

leaded cupolas on two sides, and a fine fountain of basins in the

midst of it.

THIS description may serve for all the mosques in Constantinople.

The model is exactly the same, and they only differ in largeness and

richness of materials. That of the sultana Valida is the largest of

all, built entirely of marble, the most prodigious, and, I think, the

most beautiful structure I ever saw, be it spoken to the honour of

our sex, for it was founded by the mother of Mahomet IV. Between

friends, Paul's church would make a pitiful figure near it, as any of

our squares would do near the _atlerdan_, or place of horses, (_at_

signifying a horse in Turkish). This was the _hippodrome_, in the

reign of the Greek emperors. In the midst of it is a brazen column,

of three serpents twisted together, with their mouths gaping. 'Tis

impossible to learn why so odd a pillar was erected; the Greeks can

tell nothing but fabulous legends, when they are asked the meaning of

it, and there is no sign of its having ever had any inscription. At

the upper end is an obelisk of porphyry, probably brought from Egypt,

the hieroglyphics all very entire, which I look upon as mere ancient

puns. It is placed on four little brazen pillars, upon a pedestal of

square free stone, full of figures in bas-relief on two sides; one

square representing a battle, another an assembly. The others have

inscriptions in Greek and Latin; the last I took in my pocket-book,

and it is as follows:

_Difficilis quondam, dominis parere serenis

Jussus, et extinctis palman portare tyrannis

Omnia Theodosio cedunt, sobolique perenni_.

Your lord will interpret these lines. Don't fancy they are a

love-letter to him.

ALL the figures have their heads on; and I cannot forbear reflecting

again on the impudence of authors, who all say they have not; but I

dare swear the greatest part of them never saw them; but took the

report from the Greeks, who resist, with incredible fortitude, the

conviction of their own eyes, whenever they have invented lies to the

dishonour of their enemies. Were you to believe them, there is

nothing worth seeing in Constantinople, but Sancta Sophia, though

there are several large, and, in my opinion, more beautiful mosques

in that city. That of sultan Achmet has this particularity, that its

gates are of brass. In all these mosques there are little chapels,

where are the tombs of the founders and their families, with wax

candles burning before them.

THE Exchanges are all noble buildings, full of fine alleys, the

greatest part supported with pillars, and kept wonderfully neat.

Every trade has its distinct alley, where the merchandize is disposed

in the same order as in the New Exchange at London. The _besisten_,

or jeweller's quarter, shews so much riches, such a vast quantity of

diamonds, and all kinds of precious stones, that they dazzle the

sight. The embroiderer's is also very glittering, and people walk

here as much for diversion as business. The markets are most of them

handsome squares, and admirably well provided, perhaps better than in

any other part of the world.

I KNOW, you'll expect I should say something particular of the

slaves; and you will imagine me half a Turk, when I don't speak of it

with the same horror other Christians have done before me. But I

cannot forbear applauding the humanity of the Turks to these

creatures; they are never ill used, and their slavery is, in my

opinion, no worse than servitude all over the world. 'Tis true, they

have no wages; but they give them yearly clothes to a higher value

than our salaries to our ordinary servants. But you'll object, that

men buy women _with an eye to evil_. In my opinion, they are bought

and sold as publicly, and as infamously, in all our Christian great

cities.

I MUST add to the description of Constantinople, that the _historical_

pillar is no more. It dropped down about two years before I came to

this part of the world. I have seen no other footsteps of antiquity,

except the aqueducts, which are so vast, that I am apt to believe

they are yet more ancient than the Greek empire. The Turks indeed

have clapped in some stones with Turkish inscriptions, to give their

natives the honour of so great a work; but the deceit is easily

discovered.--The other public buildings are the hanns and

monasteries; the first are very large and numerous; the second few in

number, and not at all magnificent. I had the curiosity to visit one

of them, and to observe the devotions of the dervises, which are as

whimsical as any at Rome. These fellows have permission to marry,

but are confined to an odd habit, which is only a piece of coarse

white cloth, wrapped about them, with their legs and arms naked.

Their order has few other rules, except that of performing their

fantastic rites, every Tuesday and Friday, which is done in this

manner: They meet together in a large hall, where they all stand with

their eyes fixed on the ground, and their arms across, while the

_imaum_ or preacher reads part of the alcoran from a pulpit placed

in the midst; and when he has done, eight or ten of them make a

melancholy concert with their pipes, which are no unmusical

instruments. Then he reads again, and makes a short exposition on

what he has read; after which they sing and play, 'till their

superior (the only one of them dressed in green) rises and begins a

sort of solemn dance. They all stand about him in a regular figure;

and while some play, the others tie their robe (which is very wide)

fast round their waist, and begin to turn round with an amazing

swiftness, and yet with great regard to the music, moving slower or

faster as the tune is played. This lasts above an hour, without any

of them shewing the least appearance of giddiness, which is not to be

wondered at, when it is considered they are all used to it from their

infancy; most of them being devoted to this way of life from their

birth. There turned amongst them some little dervises, of six or

seven years old, who seemed no more disordered by that exercise than

the others. At the end of the ceremony, they shout out, _There is no

other god, but God, and Mahomet his prophet;_ after which, they kiss

the superior's hand, and retire. The whole is performed with the

most solemn gravity. Nothing can be more austere than the form of

these people; they never raise their eyes, and seem devoted to

contemplation. And as ridiculous as this is in description, there is

something touching in the air of submission and mortification they

assume.--This letter is of a horrible length; but you may burn it

when you have read enough, &c. &c.

LET. XLII.

TO THE COUNTESS OF ----.

I AM now preparing to leave Constantinople, and perhaps you will

accuse me of hypocrisy, when I tell you 'tis with regret, but as I am

used to the air, and have learnt the language, I am easy here; and as

much as I love travelling, I tremble at the inconveniencies attending

so great a journey, with a numerous family, and a little infant

hanging at the breast. However, I endeavour, upon this occasion, to

do, as I have hitherto done in all the odd turns of my life; turn

them, if I can, to my diversion. In order to this, I ramble every

day, wrapped up in my _serigee_ and _asmack_, about Constantinople,

and amuse myself with seeing all that is curious in it. I know you

will expect that this declaration should be followed with some

account of what I have seen. But I am in no humour to copy what has

been writ so often over. To what purpose should I tell you, that

Constantinople is the ancient Byzantium? that 'tis at present the

conquest of a race of people, supposed Scythians? that there are five

or six thousand mosques in it? that Sancta Sophia was founded by

Justinian? &c. I'll assure you, 'tis not for want of learning, that

I forbear writing all these bright things. I could also, with very

little trouble, turn over Knolles and Sir Paul Rycaut, to give you a

list of Turkish emperors; but I will not tell you what you may find

in every author that has writ of this country. I am more inclined,

out of a true female spirit of contradiction, to tell you the

falsehood of a great part of what you find in authors; as, for

instance, in the admirable Mr Hill, who so gravely asserts, that he

saw, in Sancta Sophia, a sweating pillar, very balsamic for

disordered heads. There is not the least tradition of any such

matter; and I suppose it was revealed to him in vision, during his

wonderful stay in the Egyptian catacombs; for I am sure he never

heard of any such miracle here. 'Tis also very pleasant to observe

how tenderly he and all his brethren voyage-writers lament the

miserable confinement of the Turkish ladies, who are perhaps more

free than any ladies in the universe, and are the only women in the

world that lead a life of uninterrupted pleasure, exempt from cares;

their whole time being spent in visiting, bathing, or the agreeable

amusement of spending money, and inventing new fashions. A husband

would be thought mad, that exacted any degree of economy from his

wife, whose expences are no way limited but by her own fancy. 'Tis

his business to get money, and hers to spend it: and this noble

prerogative extends itself to the very meanest of the sex. Here is a

fellow that carries embroidered handkerchiefs upon his back to sell.

And as miserable a figure as you may suppose such a mean dealer, yet,

I'll assure you, his wife scorns to wear any thing less than cloth of

gold; has her ermine furs, and a very handsome set of jewels for her

head. 'Tis true, they have no places but the bagnios, and these can

only be seen by their own sex; however, that is a diversion they take

great pleasure in.

Letters of the Right Honourable Lady M—y W—y M—e Written during Her Travels in Europe, Asia and Africa to Persons of Distinction, Men of Letters, &c. in Different Parts of Europe · 第 10 / 17 段