Not even the novelty of the fresh wing, though we kept returning to it

again and again in the course of that to us memorable evening, could

keep us indoors. Lilac, hawthorn, and laburnum had of course flowered

and faded, and the glory of the rhododendrons was fast passing away.

But the air was fragrant with the newly-made but yet uncarted hay; the

scent of the elder was wafted from the lane; the smell of sweet-briar,

with its profusion of little pink rosebuds, was everywhere in the

garden; and we kept stopping ever and again to inhale the penetrating

perfume of the freshly-opened tassels of the lime. Longer and darker

grew the shadows on the lawn, then gradually drew themselves in, and

vanished. The Tea Roses, no longer languid from the heat of the long

summer day, lifted their fair faces freshened with evening dew; the

streaks of crimson that point the pathway of departed days gradually

faded from the west, and the lingering love-song of the missel-thrush

at length came to end, absorbed into the general silence. It was

twilight still, but a twilight slowly succumbing to the Midsummer

night, if night it could be called to which the darkness never wholly

came. Elsewhere, on shrub and sward the deepening dusk brought its

beneficent tribute of abounding moisture; but, under the manifold

foliage of the Oak, the ground retained the dryness of noon. Under

its protecting canopy therefore, as many a time before, satisfied and

silent we sate; till Lamia, moved by the influence of the hour, once

again liberated her fresh young voice, and wedded to notes of almost

austere simplicity the no less simple measure of this Vesper Hymn.

GOOD-NIGHT!

I

Good-night! Now dwindle wan and low

The embers of the afterglow,

And slowly over leaf and lawn

Is twilight’s dewy curtain drawn.

The slouching vixen leaves her lair,

And, prowling, sniffs the tell-tale air.

The frogs croak louder in the dyke,

And all the trees seem dark alike:

The bee is drowsing in the comb,

The sharded beetle hath gone home:

Good-night!

II

Good-night! The hawk is in his nest,

And the last rook hath dropped to rest.

There is no hum, no chirp, no bleat,

No rustle in the meadow-sweet.

The woodbine, somewhere out of sight,

Sweetens the loneliness of night.

The Sister Stars, that once were seven,

Mourn for their missing mate in Heaven.

The poppy’s fair frail petals close,

The lily yet more languid grows,

And dewy-dreamy droops the rose:

Good-night!

III

Good-night! Caressing and caressed,

The moist babe warms its mother’s breast.

Silent are rustic loom and lathe;

The scythe lies quiet as the swathe;

The woodreeve blinks in covert shed,

The weary yokel is abed,

The covey warm beneath the wing,

And sleep enfoldeth everything.

Forsaken love, its last tear shed,

On the lone pillow lays its head,

And all our woes are respited:

Good-night!

_Printed by_ R. & R. CLARK, LIMITED, _Edinburgh_.

* * * * *

Transcriber’s note:

Obvious typographical errors have beencorrected silently . All other

variations in hyphenation spelling and punctuation remain unchanged.

Colour plates are identified by their captions. The many

illustrations without captions are black and white sketches of largely

rural scenes. No attempt has been made to describe them.

Lamia's Winter-Quarters · 第 8 / 8 段