Ex-military and naval officers, professional men, convicts from Van

Diemen's Land, picturesque cut-throats from the Californian and Mexican

mines, Chinese, and many other varieties of the human species, rubbed

shoulders and lived generally in remarkable order and amity in the

crowded canvas cities of Turon, Mount Alexander, Ballarat, and Bendigo.

In 1852, the year before Kingsley's arrival, seventy thousand of them

were toiling in Victoria alone.

Such were the times and the people which gave the future novelist his

first practical experience of colonial life. The varied knowledge that

he accumulated, first of the gold-fields and later of pastoral life and

the towns, was the only reward of his five years' voluntary exile from

England. During his absence he never wrote to his parents, and they

thought him dead. His reticence as to his unsuccessful struggles was

continued when he returned home, and not relaxed in later life even to

his wife.

An interesting memoir by Mr. Clement Shorter, prefixed to a new edition

of Kingsley's novels, briefly describes his school-days and literary

career, but is almost wholly silent concerning the eventful years spent

in the colonies. There is a single reference to the period which

succeeded his gold-digging days, when want forced him to seek a less

precarious occupation. For a time, it seems, he was a mounted policeman

in New South Wales, until, 'compelled by duty to attend an execution, he

was so much affected that he threw up the appointment in disgust.' Then,

like many another unlucky digger, he was obliged to travel the country

in search of work on the sheep and cattle stations.

A well-known pastoralist of the western district of Victoria, the late

Hon. Philip Russell, was accustomed to describe to his friends the

arrival at his station many years ago of a party of 'sundowners'

(_i.e._, tramps), among whom was Kingsley, looking 'very much down on

his luck.' Soon found to be no ordinary swagman, he was made a guest at

the station, where he remained for several months. The most agreeable

glimpse obtainable of his colonial life is given in _Old Melbourne

Memories_, a little collection of sketches published by Rolf Boldrewood

twelve years ago.

At the period which they recall, Boldrewood was a young man, and making

the experiment in squatting which, though disastrous in its ultimate

commercial results, was afterwards turned to a rich literary account by

him. A friend of his named Mitchell occupied a station in western

Victoria named Langa-willi, and there on one occasion Boldrewood met

Kingsley. The passage in which he gracefully records the event is worth

quoting in full.

'Why Langa-willi,' he says, 'will always be a point of interest in my

memory, apart from other reasons, for I spent many a pleasant day there,

was that Henry Kingsley lived there the chief part of a year as a guest

of Mitchell's.

'It was at Langa-willi that _Geoffry Hamlyn_, that immortal work, the

best Australian novel, and for long the only one, was written. In the

well-appointed sitting-room of that most comfortable cottage one can

imagine the gifted but somewhat ill-fated author sitting down

comfortably after breakfast to his "copy," when his host had ridden

forth with his overseer to make-believe to inspect the flocks, but in

reality to get an appetite for lunch.

'I like to think of them both spending the evening sociably in their own

way, both rather silent men--Kingsley writing away till he had covered

the regulation number of sheets or finished the chapter, perhaps when

the bushrangers came to Garoopna; Mitchell reading steadily, or writing

up his home correspondence; the old housekeeper coming in with the

glasses at ten o'clock; then a tumbler of toddy, a smoke on the

verandah, or over the fire if in winter, and so to bed. Peaceful, happy,

unexciting days and nights, good for Mitchell, who was not strong, and

for his talented guest, who was not always so profitably employed. I

suspect that in England, where both abode in later years, they often

looked back with regret to the peerless climate, the calm days, the

restful evenings spent so far beyond the southern main at Langa-willi.'

At least one of them must often have recalled those days as being among

the happiest of a none too happy life. The main features of Kingsley's

career after he returned to England may be summarised here in a few

words. The distinct success as a novelist which he won during the first

four or five years was not maintained. His work lessened in interest as

he lost the _verve_ of youth, increased his leaning towards romance, and

became more conventional in his methods.

He essayed journalism for a time, first as editor of the Edinburgh

_Daily Review_, and later as a correspondent of the same journal at the

Franco-German War. As an editor he was a failure, through being without

the necessary technical training, and it does not appear that he had

much opportunity to distinguish himself as a war correspondent. The

writing of fiction was his proper work, and his success at it seemed

always to be in proportion to the amount of personal experience which he

employed to support the superstructure of his somewhat reckless fancy.

Those of Kingsley's friends who contribute to the brief memoir of his

life bear unanimous testimony to the personal brightness and kindness of

which he has left so worthy a memorial in his first novels.

It is characteristic of Kingsley that he never wrote an ungenerous word

of the country which sent him away empty-handed from the store of its

riches. Not even a suggestion of the fruitless toil and the

disillusionment which he shared with scores of other amateur diggers

during the first two years of his colonial life finds expression in any

of his novels. His choice of incident and adventure in _Geoffry Hamlyn_

seems to imply a deliberate ignoring of what was by far the most

striking development of Antipodean life in the decade of 1850-60.

The gold-fields were then in a sense an epitome of the world, the centre

at which all men's thoughts converged, an ever-changing spectacle, a

daily source of novelty and suggestion. The life of the squatters was

primitive, inferior in variety, and marked only by a rapid accumulation

of wealth, which was in itself but a part of the general prosperity

created by the discovery of gold. If Kingsley wished to repress memories

which it would have been against his cheerful nature to perpetuate, he

succeeded with singular completeness.

Save the technical knowledge of geology shown by Trevittick in _The

Hillyars and the Burtons_, and by the encyclopædic Dr. Mulhaus in his

lecture at the picnic in the grass-covered crater of Mirngish, there is

nothing to suggest that the author had any personal acquaintance with

mining in the colonies. The experience that was so fresh and abundant in

his mind is put aside in favour of a set of facts and pictures not even

incidentally connected with life on the gold-fields.

As if to emphasise the motive of his choice, if motive there was, he

selected the pre-auriferous period for the Australian parts of his

stories. His squatters become wealthy by a comparatively slow process,

extending over some sixteen years. The squatters of the gold period

would certainly seem better adapted to the purposes of fiction. There

is, indeed, more than a suggestion of romance in the sudden burst of

fortune which within the first few years after 1851 raised so many of

them from positions of struggling uncertainty to affluence, with incomes

varying from ten to twenty thousand pounds, and in some few cases as

high as thirty thousand pounds, a year.

The first and last use Kingsley made of his gold-fields experience is

seen in the sketch of mining of the successful sort in the third volume

of _The Hillyars and the Burtons_, but this is so slight that it might

have been imagined by a writer who had never handled a shovel or a

washing-cradle in his life.

The Australian people have so often been the subject of flippant and

ill-natured criticisms, that they can readily appreciate any liberal

estimate of themselves in whatever form it may be placed before their

kindred in Great Britain. It is a fact, as natural as it is undeniable,

that they are very sensitive to praise or blame. What wounds them more

than adverse comment itself, is the circumstance of its often proceeding

from persons who have accepted without warning their too prompt and

trustful hospitality.

To anyone but the incorrigibly confident and good-natured Antipodean,

the lesson would be obvious, namely, that the distinguished visitor

should be petted less, and left more dependent upon his own devices in

the collection of materials for the inevitable book or magazine article.

Though the result might be the same, there would be no ingratitude, and

the critic would be less able to pose as an impartial inside observer of

Australian society.

Perhaps, indeed, though this implies a somewhat wild flight of

imagination, he might altogether escape the fatal sense of compulsion

towards printers'-ink, under which the traveller of a few weeks' or

months' experience commonly labours when once he has extricated himself

from the blandishments of Toorak or Darling Point.

It is true that Australia has received many a compliment from casual

writers, but to Australians themselves it is always a question whether

these kindnesses are not outbalanced by the inaccuracies which surround

them. For it may as well be said at once that the younger colonists do

not relish being denied all native individuality, and depicted with a

complaisant condescension as mere imitators of English life. It is well

to be a Briton, they say, but better to be an Australian. And who shall

say that their self-satisfaction is not healthy and pardonable?

By contrast with the judgments of persons to whom candour concerning the

colonies seems to be a stern duty, Henry Kingsley's pictures of the

pioneer life of Australia fifty years ago, and his liberal estimate

(since largely realised) of the future of the country, find more

enduring appreciation than would, perhaps, be accorded such writing in

ordinary circumstances.

The good feeling that shines on every page of _Geoffry Hamlyn_ would

earn gratitude from Australian readers were the story not in itself

spirited and absorbing. If from the personal experiences with which this

first novel is crowded Kingsley excluded everything that might be

unfavourable to the reputation of Australia and its people, he at least

told nothing that was untrue. His record of the country is a generous

one, but there is no flattery--at least, none of the grosser sort.

It is one of his supreme qualities, too, that while delighting to

preserve unmodified the British spirit and traditions in his emigrant

colonists, he surrounds their offspring with a subtle distinction. Some

of the manly strength and courtly serenity, the truth, honour, and

delicacy of the ideal Englishman and Englishwoman they reproduce; and

then there is added a something caught from the warm air and the broader

expanses of the South--a new impulse, a deeper tinge in the blood, a

greater trust in human nature.

As befitting the early period of which the novelist wrote, this

difference is not strongly marked, and is more readily recognisable in

the light of colonial experience than without it; but it clearly exists.

Its continuation at the present day is far more apparent. Kingsley's

young Australians are home-taught, and necessarily display most of the

characteristics of their British parents. But, still, they show

themselves types of a new race, which has now its hundreds of

representatives in the homes of the Australian gentry.

Of such was the young squatter who so attracted the attention of Mr.

Froude at the first station he visited in Victoria. 'He had till within

a month or two been herding cattle in Queensland, doing the work for

four years of the roughest emigrant field hand, yet had retained the

manners of the finest of fine gentlemen--tall, spare-loined, agile as a

deer, and with a face that might have belonged to Sir Lancelot.' Of

course, the genial author of _Oceana_ made no pretence of minute

observation in the account of his travels. Had he not been content to

fly through the country, viewing it mainly, as he admits, from 'softest

sofas' of 'a superlative carriage lined with blue satin,' he might have

seen not one, but many fine specimens of what Sir George Bowen has aptly

called the working aristocracy of Australia.

The little Arcadian kingdom--cheerful, self-contained, and

picturesque--of the Buckleys, the Brentwoods, and their historian,

Geoffry Hamlyn, of the Mayfords, Tom Troubridge, Mary Hawker, and the

rest, far from illustrates all the intermittent successes and hardships

which have commonly attended squatting in Australia. The toil,

loneliness, and monotony of the occupation are scarcely mentioned. The

aspect represented is almost entirely the agreeable one.

There is, it must be admitted, some ground for the charge that he has

made squatting life 'too much like a prolonged picnic.' Had Kingsley

been himself a pastoralist, a hundred minute experiences might have

obtained expression which he has avoided. In this respect the

historical value of his work is less than it might have been. But the

compensating gain in human interest more than justifies the author's

choice of treatment. He never allowed himself to forget that he was

telling a story, that he was writing the adventures of a small group of

emigrant English families, not a history of colonial settlement and its

difficulties. Nor does he ever take advantage of the fact that, with the

exception of two or three others whose works are collections of sketches

rather than novels, and whose names are now almost forgotten, he was the

first to describe in fiction the rural life of the country, to recognise

the beginning of an aristocracy of landholders, and to commemorate the

pervading spirit of cheerful confidence to which so much of the rapid

early development of Australia was due.

It may well be regretted that one who had so keen an eye for all that

was best in the social life of the country, at one of its most

interesting periods, should not have written a volume or two of

reminiscences, but no colonial reader would wish _Geoffry Hamlyn_ or

_The Hillyars and the Burtons_ to have been made the vehicle of more

descriptive matter than they contain. Kingsley was more sparing in the

use of local colour and incident than Boldrewood and some of the younger

writers are, though in his first novel a few passages occur which may be

considered unnecessary, including the story told by the hut-keeper to

Hamlyn in the presence of the disguised bushrangers, the whisking of

Captain Blockstrop and his friends on and off the stage, and the story

of the lost child. The latter, however, like Dr. Mulhaus' geological

lecture, has the merit of being one of the best pieces of prose the

author ever wrote, and gives Sam Buckley and Cecil Mayford an

opportunity for a dramatic settlement of the order of their suit for the

hand of Alice Brentwood. In the main narrative the periods of 'dull

prosperity' are expressly avoided. After that first beautiful picture of

the pioneer settlement, 'the scene so venerable, so ancient, so seldom

seen in the old world--the patriarchs moving into the desert with all

their wealth to find a new pasture land'--the action of the story is

rapidly advanced to the later days of their success. The estate which

has been the home of Major Buckley's forefathers for generations no

longer providing a competence, he has resolutely left it for the land

where he is to find 'a new heaven and a new earth.' Unlike so many of

the pioneers, he has bade a final good-bye to England, but that it is

_not_ 'for ever' one can safely predict from the outset. He sees the old

country in long years after, when, with some of the wealth garnered on

the rolling prairies of Northern Australia, his son has proudly bought

back the family domain of Clere in all the completeness of its original

acres. Within a few brief chapters the colonists are discovered in the

security of assured wealth. Sitting under their station verandahs, they

can contemplate almost with calmness the death of their cattle by

hundreds, and the devastation of their runs by Bush fires. They have

arrived at the period when 'there was money in the bank, claret in the

cellar, and race-horses in the paddock.' Meanwhile, the old Devonshire

life is becoming a dim memory. They have kept their promise to create a

new Drumston in the wilderness, and are well content with their homes

among the southern fern-clad hills. The history of their intercourse

approaches the character of an epic. Over his structure of realism--of

life as he saw it and lived it himself--the writer has cast a softening

glow of romance, through which are seen the beauties of ideal

friendship, of youthful love, family affection, pride of nationality,

and charity towards all mankind.

Kingsley was a lover of his fellows, and wont to declare that the

proportion of good to bad in human nature was as ten to one the world

over. This tenet of his religion he infused in some measure into all his

novels. It is this they teach if they teach anything. From it spring

their most vital qualities. The best of the stories possess that

'certain intellectual and spiritual atmosphere,' which Matthew Arnold

assigned as the gift of literary genius. Their virility and right

feeling are unmistakable, and insensibly teach the practice of a silent

and kindly forbearance towards the foibles of our fellow-creatures. The

names alone of the principal characters in _Geoffry Hamlyn_ recall scene

after scene in their idyllic life to which it refreshes the mind to

return. There is Major Buckley, a hero of Waterloo, gigantic in stature,

refined, calmly courageous--a fitting leader of the settlement; Mrs.

Buckley, high-bred, stately, self-reliant, a model English matron; Tom

Troubridge, the big, merry Devonian, grown with prosperity weighty and

didactic in his speech, and thinking of turning his attention to

politics; Miss Thornton, the dignified, sweet old maid, born to spend

her life in uncomplaining service of others; Mary Hawker, tragic,

passionate, paying the slow penalty of youthful wilfulness; Captain

Brentwood, of Wellington's artillery, and his gallant son Jim, who is

sighing for a red coat and a commission; Sam and Alice, the young lovers

so nearly lost to each other 'in the year when the bushrangers came

down'; and Dr. Mulhaus, the mysterious German, with his good-humoured

roar, first heard at old Drumston, and with us to the end, who is

everybody's friend and counsellor, and beloved by all--except George

Hawker, of whose 'tom-cat' skull he has made that amusingly audacious

examination at the beginning of their acquaintance. It is delightful to

find all the faces familiar in the old land reappearing in the new, even

though the coincidences which attend their coming seem too good to be

true.

But the reader forgets the occasional loose-jointedness of the story in

contemplation of the swift succession of happy scenes created for him.

In these there is nothing dubious or artificial. They are sketches

straight from the life of the country, and it is their beauty that makes

_Geoffry Hamlyn_ a classic in Australian literature.

Among the characters, there are so many who inspire us with love rather

than mere interest, that a multiplicity of similar scenes, of

conversations, rides, pleasure-excursions, and other intercourse, which

in another book might prove wearisome, becomes here the best enjoyment

of the reader. With what vivacity and gusto the author describes the

visits exchanged between the home stations, and the comforts and

happiness which they reveal! Half the book is made up of them, and yet

the majority remain sufficiently clear in the memory to be recalled

separately. Brentwood, who is at first fifty miles away, buys a station

near at hand, he and Buckley having become inseparable, and now Baroona,

Garoopna, and Toonarbin are only a few miles apart. 'There was always a

hostage from one staying as a guest at the other.' The visits were

generally unannounced, and the visitors stayed as long as they felt

inclined to. The effects of this custom are once amusingly illustrated

at the home of Captain Brentwood. It is when the members of the little

colony hear of the arrival of his beautiful daughter from Sydney, where

she has been at school. 'That week one of those runs upon the Captain's

hospitality took place which are common enough in the Bush, and,

although causing a temporary inconvenience, are generally as much

enjoyed by the entertainers as the entertained. Everybody during this

next week came to see them, and nobody went back again. So by the end of

the week there were a dozen or fourteen guests assembled, all uninvited,

and apparently bent on making a long stay of it.' They help one another

when there is work to be done, dine sumptuously, picnic luxuriously.

Kingsley has properly made eating and drinking a noticeable part of the

hearty full-bodied existence of his squatters and their friends.

There is no class of people who have a better capacity for enjoying the

material comforts of life than the country gentlemen of Australia. Major

Buckley is just the sort of person one might have expected to hold

decided views on the subject of dining as an art. To dine in the middle

of the day was, in his opinion, a gross abuse of the gifts of

Providence. 'I eat my dinner not so much for the sake of the dinner

itself as for the after-dinnerish feeling which follows--a feeling that

you have nothing to do, and that, if you had, you'd be shot if you'd do

it.'

On another occasion the author himself preaches a similarly agreeable

doctrine, concluding with the advice: 'My brother, let us breakfast in

Scotland, lunch in Australia, and dine in France, till our lives end.'

Nor is the kindred subject of lounging in midsummer forgotten. Anyone in

an armchair under a broad Australian verandah, who fetched anything for

himself, would, in the author's opinion, 'show himself a man of weak

mind.' Niggers were all that a Southern gentleman wanted to complete his

comfort when the sun was at baking-point. Mrs. Beecher Stowe's teachings

undergo a playful deprecation. Did she know the exertion required for

cutting up a pipe of tobacco in a hot north wind; or the amount of

perspiration and anger superinduced by knocking the head off a bottle of

Bass in January; or the physical prostration caused by breaking two

lumps of hard white sugar in a pawnee before a thunderstorm? The

Southern gentleman undertakes to affirm that she didn't.

Australian Writers · 第 4 / 12 段