“However, I learnt all this long after that evening which was to

have such a curious effect on my subsequent life, the evening of the

Duke’s visit to the Morgue, a visit as I then imagined out of ordinary

curiosity. As I previously mentioned, I had returned late that night

to dispose of the friendless man, whose soul I had previously guided

as well as I could into the shadows of the other world. I was reading

the last words of my Breviary by the flickering gaslight, when suddenly

shadows passed the frosted glass, and to my horror I heard the Duke

making arrangements for the temporary watching of the beautiful woman

I had already seen him cover with piteous eyes. I gathered that it

was not considered discreet, and would entail a licence from the

police, to remove the body from the Morgue to his private house. So

saying, they both entered where I was standing. It was one of the most

embarrassing moments of my life. The Duke turned as pale as one of

the marble mortuary slabs, and the Commissioner actually seized me as

though to prevent my escape. When they realised that I was a priest,

they seemed relieved, for a priest becomes so used to the seal imposed

upon the confessional that even secrets which come to him in other

ways join that silence of the grave. They both read what came in my

face, and without a word nodded to each other, and passed on their

way. I finished writing the formularies descriptive of my unknown

client, and left him lying with the others. I noticed that he was on

the next slab to the mysterious woman. It was beyond human nature for

me to refrain from glancing a second time at her features. They were

beautiful with the pallid unreality of the sculptor’s art. I have

observed that if the sculptor attains the slightest line of beauty or

personality in his art, it is far more wonderful than the painter’s.

It is more difficult to raise life out of the marble depths than upon

the surface of canvas or paint. But to leave by brush or chisel any

idea of the life that has recently left the countenance is the most

difficult. And this lovely model from the Divine sculptor conveyed that

haunting expression which sometimes the mediæval tombs possessed, as

though life lingered in death. How can I describe it? If you have ever

seen a fort or town which has been surrendered to the enemy, there is

a moment of tremendous pathos after the flag has been lowered and the

garrison withdrawn, before the enemy have taken possession. The prize

lies like the body of Patroclus between contending rivals. So, I may

say, lay the body of this beautiful woman, over whom life and death had

contended, and now that the colours of life had been lowered she lay

awaiting the legions of death and corruption. I turned away, making

the Sign of the Cross, and said the _De Profundis_ for the absent

soul. It was well that it had passed from its hostel’s desecration.

The next morning the body was gone. And then the weeks and the months

passed.... I was agreeably surprised that winter to be summoned by my

Bishop, and told that the moment of my promotion had arrived. I was to

be sent to a fashionable parish, where I would find more leisure to

continue my taste for historical studies, which the Bishop was gracious

enough to say had met his attention when inspecting the Seminary. He

wished me to leave my curacy, and with it those unhealthy but rather

fascinating duties at the Morgue, while another priest took my place.

I bowed to the Bishop’s decision, and kissed his ring. As I rose to

leave his anticamera he mentioned without a trace of inner meaning,

as though he were saying the most natural thing in the world, ‘You

owe your promotion to the kind offices of the Duke.’ To my amazement

he mentioned the name of the Duke I had reason to remember under

ineffaceable circumstances. The Bishop looked at me with the gentle

wondering look as though to say: ‘Go in peace, my son, your career is

made. You know how to keep secrets. To those who can keep the secrets

of humanity or of the Church all things will come.’ At least this came

into a mind, alert to guess the reasons of the Duke’s action in my

favour.

“I found my new position delightful--new interests, new ecclesiastical

visions, new friends. My confessional was thronged, which is always

pleasing to a young priest. When one becomes older, one’s professional

vanity can be adequately satisfied by shriving one old washerwoman _per

diem_. One day the confessional bell rang out of my usual hours. I

descended into the Church and a woman heavily veiled began telling me

the history of her life. As a good confessor, I forget all she said.

It is a blank, but I can say that the sweat poured down my face before

I left my seat. She joined me in the sacristy as she wished to speak

to me of other matters, and once outside the sacred seal my memory of

course returns. I recall that she was anxious for me to arrange her

private wedding. She wished to be married at the dead of night, and

my name had been mentioned as the only one fit and willing to perform

the ceremony. I replied that I could do nothing without my Bishop’s

consent, but that I would take him the particulars immediately, if she

would leave me her name and address. She replied that that she could

not, but a carriage would come to fetch me that night to perform the

ceremony, which would take place in a private house. So saying she laid

the marriage fees on the table, and without letting me look through her

veil handed me a letter from her bosom, which she requested me to give

the Bishop. Then she withdrew.

“That afternoon I called on the Bishop without giving notice, and to my

surprise was admitted immediately. He listened quietly to my request,

which I never dreamed for a moment he would permit, but I gave him the

lady’s letter. He glanced at the contents as though he knew it all

in advance. Without a trace of surprise or reflection in his eyes he

nodded and told me to perform the ceremony that night if I was sent

for. I gasped something about papers and ecclesiastical authorisation.

He forestalled me with a packet of papers, bidding me fill all the

particulars except the names of those about to be married. He ordered

me under severe penalties to bring back the papers without attempting

to read the signatures. He himself would fill in the names in the body

of the document. I respectfully withdrew, and waited in my rooms that

evening with some of the trepidation that I can imagine a girl feeling

while waiting for her first romance.

“After a solitary dinner I waited and waited. I finished reading

my Office for the day, and still sat waiting. I was too excited to

pray, too curious to meditate, too tired to read any book of piety.

I waited from nine to eleven, and from eleven to half-past eleven. A

bell rang and to my amazement my friend the Duke was introduced. He

explained that he had come because he was not sure if I would come on

such a wild goose chase, and also because it was necessary for me to

come blindfolded. Under his guarantee I naturally lent myself to the

adventure, and left the clergy house in a two-horsed carriage with a

tight bandage round my eyes. The Duke never spoke to me, but he helped

me very graciously out of the carriage, and through a courtyard, and up

what seemed a very fine flight of stairs, for I quickly felt that I was

treading marble, not wood.

“Then my eyes were released and I found myself standing in a long

and richly curtained apartment. There were two witnesses blindfolded

like myself, standing in front of an altar brought apparently out of

a private chapel. Others there were none except the Duke and the lady

whose confession I had heard that afternoon. The Duke then asked me

to perform the marriage ceremony between them. I bowed and took up my

place before the altar beside which were laid the necessary vestments.

As in a dream I proceeded to recite the prayers and perform the

gestures which should symbolise and solderise the mystical union of

two human beings. I had reached the moment for the Duke to place the

ring on the finger of the bride, when she let slip her veil, and for

a minute I could neither speak nor move. I should have been prepared,

but it had never crossed my mind, not even as the wildest and maddest

possibility. My friends, the bride whom I was uniting in marriage with

the Duke was the woman whose body I had seen laid on a marble slab at

the Morgue a year previously!

“She stood there with the same transcendent beauty, but with the slight

flush of life and love recurdling in her cheeks. This was the woman

whom I had seen among the dead and for whose soul I had said Mass! The

dead shall rise up and praise Thee, O Lord!

“Truly I may say that love is stronger than death and that God had most

strangely permitted this woman to be raised from the dead, by the whim

of a madman’s sentiment. Though she had been a sinner she was found

not unworthy of what I account as a miracle. Like the Prince and the

sleeping Beauty in the Fairy tale the Duke had restored her to life.

Their marriage was naturally morganatic, but as the incident restored

the Duke to his normal senses, it was a marriage that neither Church

nor State cared to forbid.”

THE BEAU GESTE

The _Beau geste_ is rare enough but not unknown in English life.

Certainly there is no English paraphrase. “Beautiful gesture” bespeaks

the orator or actor without conveying a certain brilliance, a sense of

the unique and sometimes the sheer spirituality which is inherent in

the _Beau geste_. “Noble act” sounds like a subscription to a hospital.

The schoolboy who thought that _Beau geste_ was another French way

of saying _Bon mot_ could not have been further astray. The _Beau

geste_ must be heroically conceived and, what is harder, artistically

expressed!

The Saints have often shown themselves capable of the _Beau geste_,

which carried to a sublime degree in supernatural matters can often be

advanced as a reason for canonisation. An ordinary soul may cherish

the sense of the _Beau geste_ through a lifetime without finding the

occasion. Expression does require an occasion, a crisis or a crash.

Nothing became King Charles so well in his life as leaving it. Charles

on the scaffold, Sir Philip Sidney at Zutphen and Byron at Missolonghi,

knew how to make the _Beau geste_ to posterity. There is no life

however spoilt or degraded that cannot be irradiated if not redeemed by

the _Beau geste_ at its close. There is the _Beau geste_ of the sinner

as well as the _Beau geste_ of the righteous. The Good Samaritan was

of the latter and many a pardoning husband since. The _Beau geste_

of the profligate is rarer, but neither disgrace nor degradation can

tarnish the _Beau geste_ when it is made. The American clergyman,

who was executed for poisoning an unfortunate sweetheart when he saw

the chance of marrying a richer, seemed beyond the pale. There was

possibly nothing he could do to redeem himself, but with a supreme

effort he succeeded in blinding himself in prison. “If thine eye offend

thee pluck it out.” Well, he did so, and went not unjustified to the

gruesome chair. Again, the Dutch dancer, whose career of spycraft was

brought to book by the punctuation of a French firing squad, rose to

that occasion. Dressing herself for execution in a superb opera cloak

she only asked leave to give the signal unblindfolded. This was granted

by the officer on duty. She gave the signal by lifting her arms and

revealing her person to the bullets. “_C’était beau_” quoth the Gallic

centurion in charge.

Men and women are both capable of the _Beau geste_, but it takes a

woman to appreciate it sometimes, to accept its shining significance

or to bow to its grim subtlety. A woman’s _Beau geste_ is often lost

on a man’s intelligence but a man’s is never lost on a woman’s. Even

in connubial life the _Beau geste_ occurs and in the hour of greatest

disaster. Couples are too often coupled like railway carriages on

well worn lines by certificated couplers. They are expected to roll

placidly from Junction to Junction with occasional rests in the siding.

Everything is done to avoid accidents, but accidents will occur on the

best regulated lines and the collapse, like the start, of married life

can be relieved by a _Beau geste_ embalming even what may be a broken

memory for both. In any case a _Beau geste_ is never lost on a woman.

Let me think of two instances, one at the commencement, and the other

at the end of a married career.

I remember a young Italian Prince, the future head of a family, whose

veins ran with patrician and papal blood. At one moment of his life

he insisted on entering a _mésalliance_ by marrying a very beautiful

courtesan, whom many of his friends had known under attached but

detachable circumstances. They were naturally very distressed when he

insisted on crowning his deep love with marriage. It seemed unnecessary

and suicidal and caused his family the utmost apprehension. As a matter

of fact courtesans who have made their career and their fortunes may

yet make admirable wives. Everything however was done in this case

to avert the catastrophe. Even the lady, who loved him with equal

nobility of passion, refused to allow him to sacrifice himself. But

her unselfishness made him more desperate and more determined to wreck

his prospects at her feet. His friends were equally determined, and in

a last effort to avert the marriage confronted him with legal proofs

that his intended bride had been confined of an illegitimate child. Of

her lovers he was aware, but this was new to him, and for a moment he

was staggered. Recovering himself, he said, with one superb gesture

of contempt, “Then it was by an immaculate conception!” and married

her the next day. It was the _Beau geste_ of a great lover and of a

Catholic nobleman. A Protestant bourgeois would have virtuously slunk

out of the affair and left her to the streets.

But John Betterman, whose marriage story supplies me with the second

of my instances, was just a well-meaning and wealthy English

public-school man, two generations away from Trade and, if truth be

told, three generations off a butler. There was no glowing blood in his

descent and no noble obligations held sway in his composition, but when

his wife left him he behaved with real magnanimity. And in his case the

_Beau geste_ repaid him a hundredfold. Like most of us, he had to pass

through the experience of feminine desertion.

John Betterman was no lover, and, much as he loved the affectionate

woman who married him for his well-furnished house in Belgravia, his

choice cook, butler and housekeeper, he could never inspire her with

more than a deep appreciation. Affectionate appreciation lasted until

his wife fell in love with one of those American officers who caused

such havoc in the Allied ranks. Cornelius Murphy stood about six foot

four and looked a cross between George Washington and Adonis. He danced

like an Archangel on the tight-rope, and Broadway had taught him to be

a real lover. He was fatal, like all his type, to the unsophisticated

women of Europe. John Betterman’s wife had dreamed of such a find

before she met him. Once she had found her dream, she never stopped

meeting him. Captain Murphy received a standing invitation for lunch,

dinner and tea and a sitting invitation for most moments between. It

came under the Hospitality to Allies scheme. After the Armistice they

danced together for six weeks. The Armistice was not made applicable

to the war of sexes, which raged all the fiercer after the suspension

of masculine hostilities. Man’s earthly warfare was not intended to

be against his own sex. He must eternally meet the approaches and

desertions of the beloved enemy, whose adorable artillery has always

included all the refinements of poisoned breath, scraps of paper and

submarine poignarding. The question was how would John Betterman take

it. Quiet, inoffensive and obedient husbands can be far more dangerous

than the blustering Pasha.

Cornelius Murphy and Mrs. Betterman withdrew to a Railway Hotel, from

which she telephoned the first news of her flight to her husband. He

took the parting like a hero. He would cause the necessary reasons for

her to divorce him, and he only asked her to come and fetch her things

the next day and promised that she would not find him in the house. He

added his word of honour. With a sudden sigh she hung up the receiver,

but grateful that she was spared pursuit or scenes. “I will go round

to-morrow and fetch my clothes and all I need travelling abroad,”

she said to Murphy. “It is such a relief that he takes it so kindly.

English gentleman, you know.”

“No, you don’t,” shot Murphy, alert and suspicious, “No such thing as

an English gentleman when it comes to that. It’s bound to be a trap.

You’ll find lawyers and detectives waiting for you.”

Immediately she felt stung with a faint pity for her husband and

insisted on obeying his last unselfish request. “No,” she said firmly,

“I know John Betterman. He would cut off his hand rather than set a

dirty trap. I shall go to-morrow alone.”

“For God’s sake, you shall not!” shouted Murphy. She drew herself up

and said, “It is the price of my remaining with you to-night.” He bowed

his head ashamed. “I was afraid some harm might come to you, darling.

If I were your husband and could trap you I would kill you.”

The next morning he motored her to her husband’s house and waited

while she collected her luggage. A letter was waiting for her on the

hall table in his handwriting. She opened and read. A cheque for ten

thousand pounds fell to the floor. There was no mention of it in the

letter, which ran simply:

DEAR JULIA,

I have been a good husband but not good enough for you. You have been

a perfect wife and to you I assign no fault. If there is something

lacking in your life you must complete yourself elsewhere. When I

come to the end of my life, I shall be as glad as I am now unhappy

that I did not hinder you mounting a flame, which would bring any

other woman unto earth and ashes but upon which I know you will

rise to the highest heaven. When your life is complete, perfect and

finished, let my love still lie like a wreath of immortelles at your

feet.

JOHN.

She cried a little when she read it. A new kind of feeling rose in her

heart which possibly she could not explain. It has been said that every

man kills the thing he loves. Perhaps it is sometimes true that a woman

loves the thing she kills. It was her soul’s response to his _Beau

geste_, the tiniest seed of a love he had never awakened in their whole

married life.

Cornelius Murphy was relieved when he saw her emerge, but he spied her

tears in a second. “Is he there? Did he frighten you?” and he pulled

out his army pistol and dragged her across the threshold. She did not

like his roughness and deliberately backed into the house. Murphy

followed. “Of course he’s not here. I only felt a little sorry going

away, that is all,” she explained. “I guess he had better not follow

us,” said the other and, by way of a visible hint, he loaded his pistol

and left it in the tray of visitors’ cards. Then they both went to

America.

When John Betterman returned to his house that evening it looked as

empty as the shell without the pearl. He gave one glance at the pistol

in the hall, read the name, “Capt. Cornelius Murphy, 105 U.S. Cavalry,”

and gave orders that it was never to be touched. In the morning he

stood staring at that implement of ruffianism and feeling ironical

amusement. But the impetus of his _Beau geste_ was unabated and he

consulted his lawyers on his wife’s behalf. They showed the same sleek

sympathy which coffin-makers always extend to their clients and gave

him the necessary instructions how to enable his wife to divorce him

with least expense and most credit to herself. It was necessary that

he should find a lady who was willing to share the same room (nothing

more, but to be legal hardly less) at an hotel and to forward the

written testimony to the proper quarters.

That evening, accordingly, John Betterman walked round and round the

purlieus of Victoria Station until he was accosted by a cheery lady

with a head of red tow, who suggested drinks in Victoria Station. To

this proposition he agreed, and under these amical surroundings she

confided to him that she was locally known as “Pink Tart” and that

she was ready to pass the evening with bachelors for the sum of ten

shillings sterling. John Betterman offered her five pounds on condition

that she spent the night sitting on one chair, while he sat reading in

another, and that she made no sign of her existence until the morning.

Her name was Susan Honeyman, and she decidedly wished there were

more wealthy lunatics and less impoverished rakes in the vicinity of

Victoria Station.

Evidence of this extraordinary evening was duly furnished to the

lawyers of Mrs. Betterman, who brought proceedings for divorce in the

most respectable fashion, and received a good deal of broadcasted

sympathy from readers of the best read column in the _Daily Press_,

especially when the flagrant details of Mr. Betterman’s infidelities

were exposed and even the nickname of Miss Susan Honeyman was set down

in stark print and read eagerly by those who would never have allowed

it to soil their lips.

John Betterman felt these shameful and painful details intensely,

but he had come to take a strange and fantastic pleasure in his own

sufferings. His suffering and his shame were for the sake of the woman

he loved. He could ask no more.

Every night washed he his pillow with his tears and imagined deeper

sufferings and further humiliations for himself. Toward his wife he

felt no resentment in the least, not even a little. It had all turned

and curdled into a bitter resentment against himself, bitterer than

death. The months passed and his wife’s divorce was made absolute.

He had borne up his heart while in the twilight stage of “decree

nisi,” but dark finality bowed him to the ground. All that night he

sat wishing to make an end of himself. At last he felt that death

and suicide were too good for him. He must make himself suffer even

more than he had suffered all those weeks, but how? He felt that no

scourging could have hurt him as much as that undefended divorce trial,

the crushing allusions of the paid lawyers, the scornful comment of

the Judge, and, what cut him like vinegar poured into a slit spleen,

the nickname of the woman with whom he was proved to have passed the

stipulated time of lust. If it had been a “Green Goddess” or a “Black

Beauty” it would not have looked so ridiculous in the evening papers,

but the fatal synonym of Miss Susan Honeyman lost him all sympathy even

from himself. He could not help hating himself like Hell.

The next night the house became more than he could endure, and he

strode into the lamp-speckled dark. This way and that, like an

unimaginative madman longing by some astounding stroke to trouble the

mocking world, he sought some action that would help her and hurt

himself, even if it were criminal. He would have gladly gone to prison

to explain this sin of hers. No! by the sweet bones of Christ! she was

sinless and immaculate! But he would willingly have gone to prison to

serve some long sentence incurred by Murphy so that she might live

happily with him. He would out-Enoch Enoch Arden in that way. How could

he sufficiently lower and degrade himself to justify her desertion of

home and husband in the face of the world?

A familiar figure reeled against him near Victoria Station. “Got

any more fivers for sitting up to watch you read all night?” quoth

a coarse but kindly voice. Why, of course he had, and he laughed a

skeleton laugh as he recognised his old friend, who had often told

her friends the story of her midnight escapade with a madman and was

often reminiscent of the divorce proceedings in which her name and

style had been taken by hired lawyers in vain. “Out for a lark?” she

asked, but John Betterman was in dead earnest, when he asked her to go

even further than on their former meeting and consent to marry him at

a registry office the next day. Miss Honeyman would have been really

surprised had she not taken his proposal for a joke. “Why, won’t one

night at the hotel do you again? What do yer want marrying me at the

end of me life?” And she roared with laughter. Only once before had

she been asked in marriage, and that was by her original seducer, who

had subsequently thrown her on the streets. However, John Betterman

not only treated her to supper but gave her twenty pounds to pay her

arrears of rent and buy a decent dress to make a proper appearance the

next morning. No wonder that she went her way rejoicing, astounded at

her luck in falling in again with so profitable a madman. It was in

hopes of another windfall and not of the matrimonial position that

she made her way to the registry the following day. To her amazement

and perhaps a little to his own, John Betterman awaited her, prim

and punctual, but with a look of insane pride in his face. He took a

perverted pride in the depth of degradation and misery he found it

possible to inflict upon his own soul. Before noon they were united

legally by the law of England, and by three o’clock Mrs. John Betterman

the second was lying quite drunk under his dining-room table. It was

years since she had tasted champagne. She had that excuse. She lay

there while John Betterman wrote to his first wife. He wished to put

her into a position from which she could for ever more look down upon

him. He took no further notice of his second wife. Had an angel from

Heaven picked her up and made her drunk with the wine of celestial

grapes she could not have been enjoying greater bliss. In fact at each

interval of sick gratitude she constantly expressed her opinion that

such was the actual case.

He looked up when he had finished writing and at the same moment heard

the bell ring. His housekeeper entered. It was a cable from America

sent by his first wife and it read with tragic simplicity:

“All I have done has been a horrible mistake. I am on the returning

boat. Please meet me on Saturday at Liverpool and forgive your

adoring wife.”

Masquerades · 第 18 / 20 段