Some six weeks later. Undine Marvell stood at the window smiling down on
her recovered Paris.
Her hotel sitting-room had, as usual, been flowered, cushioned and
lamp-shaded into a delusive semblance of stability; and she had really
felt, for the last few weeks, that the life she was leading there must
be going to last--it seemed so perfect an answer to all her wants!
As she looked out at the thronged street, on which the summer light lay
like a blush of pleasure, she felt herself naturally akin to all the
bright and careless freedom of the scene. She had been away from
Paris for two days, and the spectacle before her seemed more rich and
suggestive after her brief absence from it. Her senses luxuriated in all
its material details: the thronging motors, the brilliant shops, the
novelty and daring of the women's dresses, the piled-up colours of
the ambulant flower-carts, the appetizing expanse of the fruiterers'
windows, even the chromatic effects of the petits fours behind the
plate-glass of the pastry-cooks: all the surface-sparkle and variety of
the inexhaustible streets of Paris.
The scene before her typified to Undine her first real taste of life.
How meagre and starved the past appeared in comparison with this
abundant present! The noise, the crowd, the promiscuity beneath her eyes
symbolized the glare and movement of her life. Every moment of her days
was packed with excitement and exhilaration. Everything amused her: the
long hours of bargaining and debate with dress-makers and jewellers, the
crowded lunches at fashionable restaurants, the perfunctory dash through
a picture-show or the lingering visit to the last new milliner; the
afternoon motor-rush to some leafy suburb, where tea and musics and
sunset were hastily absorbed on a crowded terrace above the Seine; the
whirl home through the Bois to dress for dinner and start again on the
round of evening diversions; the dinner at the Nouveau Luxe or the
Café de Paris, and the little play at the Capucines or the Variétés,
followed, because the night was "too lovely," and it was a shame to
waste it, by a breathless flight back to the Bois, with supper in one
of its lamp-hung restaurants, or, if the weather forbade, a tumultuous
progress through the midnight haunts where "ladies" were not supposed
to show themselves, and might consequently taste the thrill of being
occasionally taken for their opposites.
As the varied vision unrolled itself, Undine contrasted it with the pale
monotony of her previous summers. The one she most resented was the
first after her marriage, the European summer out of whose joys she had
been cheated by her own ignorance and Ralph's perversity. They had been
free then, there had been no child to hamper their movements, their
money anxieties had hardly begun, the face of life had been fresh and
radiant, and she had been doomed to waste such opportunities on a
succession of ill-smelling Italian towns. She still felt it to be her
deepest grievance against her husband; and now that, after four years of
petty household worries, another chance of escape had come, he already
wanted to drag her back to bondage!
This fit of retrospection had been provoked by two letters which had
come that morning. One was from Ralph, who began by reminding her that
he had not heard from her for weeks, and went on to point out, in his
usual tone of good-humoured remonstrance, that since her departure the
drain on her letter of credit had been deep and constant. "I wanted
you," he wrote, "to get all the fun you could out of the money I made
last spring; but I didn't think you'd get through it quite so fast. Try
to come home without leaving too many bills behind you. Your illness and
Paul's cost more than I expected, and Lipscomb has had a bad knock in
Wall Street, and hasn't yet paid his first quarter..."
Always the same monotonous refrain! Was it her fault that she and the
boy had been ill? Or that Harry Lipscomb had been "on the wrong side" of
Wall Street? Ralph seemed to have money on the brain: his business life
had certainly deteriorated him. And, since he hadn't made a success of
it after all, why shouldn't he turn back to literature and try to write
his novel? Undine, the previous winter, had been dazzled by the figures
which a well-known magazine editor, whom she had met at dinner had named
as within reach of the successful novelist. She perceived for the first
time that literature was becoming fashionable, and instantly decided
that it would be amusing and original if she and Ralph should owe their
prosperity to his talent. She already saw herself, as the wife of a
celebrated author, wearing "artistic" dresses and doing the drawing-room
over with Gothic tapestries and dim lights in altar candle-sticks. But
when she suggested Ralph's taking up his novel he answered with a laugh
that his brains were sold to the firm--that when he came back at night
the tank was empty...And now he wanted her to sail for home in a week!
The other letter excited a deeper resentment. It was an appeal from
Laura Fairford to return and look after Ralph. He was overworked and out
of spirits, she wrote, and his mother and sister, reluctant as they
were to interfere, felt they ought to urge Undine to come back to him.
Details followed, unwelcome and officious. What right had Laura Fairford
to preach to her of wifely obligations? No doubt Charles Bowen had sent
home a highly-coloured report--and there was really a certain irony in
Mrs. Fairford's criticizing her sister-in-law's conduct on information
obtained from such a source! Undine turned from the window and threw
herself down on her deeply cushioned sofa. She was feeling the pleasant
fatigue consequent on her trip to the country, whither she and Mrs.
Shallum had gone with Raymond de Chelles to spend a night at the old
Marquis's chateau. When her travelling companions, an hour earlier, had
left her at her door, she had half-promised to rejoin them for a late
dinner in the Bois; and as she leaned back among the cushions disturbing
thoughts were banished by the urgent necessity of deciding what dress
she should wear.
These bright weeks of the Parisian spring had given her a first real
glimpse into the art of living. From the experts who had taught her to
subdue the curves of her figure and soften her bright free stare with
dusky pencillings, to the skilled purveyors of countless forms of
pleasure--the theatres and restaurants, the green and blossoming
suburbs, the whole shining shifting spectacle of nights and days--every
sight and sound and word had combined to charm her perceptions and
refine her taste. And her growing friendship with Raymond de Chelles had
been the most potent of these influences.
Chelles, at once immensely "taken," had not only shown his eagerness to
share in the helter-skelter motions of Undine's party, but had given her
glimpses of another, still more brilliant existence, that life of the
inaccessible "Faubourg" of which the first tantalizing hints had but
lately reached her. Hitherto she had assumed that Paris existed for the
stranger, that its native life was merely an obscure foundation for
the dazzling superstructure of hotels and restaurants in which her
compatriots disported themselves. But lately she had begun to hear
about other American women, the women who had married into the French
aristocracy, and who led, in the high-walled houses beyond the Seine
which she had once thought so dull and dingy, a life that made her own
seem as undistinguished as the social existence of the Mealey
House. Perhaps what most exasperated her was the discovery, in this
impenetrable group, of the Miss Wincher who had poisoned her far-off
summer at Potash Springs. To recognize her old enemy in the Marquise de
Trezac who so frequently figured in the Parisian chronicle was the more
irritating to Undine because her intervening social experiences had
caused her to look back on Nettie Wincher as a frumpy girl who wouldn't
have "had a show" in New York.
Once more all the accepted values were reversed, and it turned out that
Miss Wincher had been in possession of some key to success on which
Undine had not yet put her hand. To know that others were indifferent to
what she had thought important was to cheapen all present pleasure and
turn the whole force of her desires in a new direction. What she wanted
for the moment was to linger on in Paris, prolonging her flirtation with
Chelles, and profiting by it to detach herself from her compatriots and
enter doors closed to their approach. And Chelles himself attracted
her: she thought him as "sweet" as she had once thought Ralph, whose
fastidiousness and refinement were blent in him with a delightful
foreign vivacity. His chief value, however, lay in his power of exciting
Van Degen's jealousy. She knew enough of French customs to be aware that
such devotion as Chelles' was not likely to have much practical bearing
on her future; but Peter had an alarming way of lapsing into security,
and as a spur to his ardour she knew the value of other men's
attentions.
It had become Undine's fixed purpose to bring Van Degen to a definite
expression of his intentions. The case of Indiana Frusk, whose brilliant
marriage the journals of two continents had recently chronicled with
unprecedented richness of detail, had made less impression on him than
she hoped. He treated it as a comic episode without special bearing on
their case, and once, when Undine cited Rolliver's expensive fight for
freedom as an instance of the power of love over the most invulnerable
natures, had answered carelessly: "Oh, his first wife was a laundress, I
believe."
But all about them couples were unpairing and pairing again with an ease
and rapidity that encouraged Undine to bide her time. It was simply a
question of making Van Degen want her enough, and of not being obliged
to abandon the game before he wanted her as much as she meant he should.
This was precisely what would happen if she were compelled to leave
Paris now. Already the event had shown how right she had been to come
abroad: the attention she attracted in Paris had reawakened Van Degen's
fancy, and her hold over him was stronger than when they had parted
in America. But the next step must be taken with coolness and
circumspection; and she must not throw away what she had gained by going
away at a stage when he was surer of her than she of him. She was still
intensely considering these questions when the door behind her opened
and he came in.
She looked up with a frown and he gave a deprecating laugh. "Didn't I
knock? Don't look so savage! They told me downstairs you'd got back, and
I just bolted in without thinking."
He had widened and purpled since their first encounter, five years
earlier, but his features had not matured. His face was still the
face of a covetous bullying boy, with a large appetite for primitive
satisfactions and a sturdy belief in his intrinsic right to them. It was
all the more satisfying to Undine's vanity to see his look change at her
tone from command to conciliation, and from conciliation to the entreaty
of a capriciously-treated animal.
"What a ridiculous hour for a visit!" she exclaimed, ignoring his
excuse. "Well, if you disappear like that, without a word--"
"I told my maid to telephone you I was going away."
"You couldn't make time to do it yourself, I suppose?"
"We rushed off suddenly; I'd hardly time to get to the station."
"You rushed off where, may I ask?" Van Degen still lowered down on her.
"Oh didn't I tell you? I've been down staying at Chelles' chateau in
Burgundy." Her face lit up and she raised herself eagerly on her elbow.
"It's the most wonderful old house you ever saw: a real castle, with
towers, and water all round it, and a funny kind of bridge they pull up.
Chelles said he wanted me to see just how they lived at home, and I did;
I saw everything: the tapestries that Louis Quinze gave them, and the
family portraits, and the chapel, where their own priest says mass, and
they sit by themselves in a balcony with crowns all over it. The priest
was a lovely old man--he said he'd give anything to convert me. Do you
know, I think there's something very beautiful about the Roman Catholic
religion? I've often felt I might have been happier if I'd had some
religious influence in my life."
She sighed a little, and turned her head away. She flattered herself
that she had learned to strike the right note with Van Degen. At this
crucial stage he needed a taste of his own methods, a glimpse of the
fact that there were women in the world who could get on without him.
He continued to gaze down at her sulkily. "Were the old people there?
You never told me you knew his mother."
"I don't. They weren't there. But it didn't make a bit of difference,
because Raymond sent down a cook from the Luxe."
"Oh, Lord," Van Degen groaned, dropping down on the end of the sofa.
"Was the cook got down to chaperon you?"