CHAPTER IX

Bible Stories

Of all the stories that we may tell our children, first in importance are

the stories of the Bible. During the early years, when the most lasting

impressions are made, when faith is simple, when the thought of God’s

presence and love is natural, the Bible stories should be told over and

over again.

There should be no attempt at this time to interpret the stories or to

bring out theological questions. The stories should be told in all their

original simplicity, using as far as possible the Bible language, which

is brief, strong, picturesque. No possible improvement could be made over

the wording of the Creation Story as told in the first chapter of Genesis

and the first three verses of the second chapter. The children will not

tire of its telling, and it should become as familiar to them as are

their nursery rhymes. The shame is upon us as fathers and mothers that

this is so seldom the case.

The story of the flood, divided into its four parts, as given in the

collected stories of this book, should be made equally familiar to the

children. A comparison of these stories with the Bible narrative will

show that the original language has been retained, and only such detail

and repetition as would confuse the little child, have been omitted. The

literary style is unchanged.

In these stories there is all the charm of the folk-tale with its simple

directness of style, its rapid action, its repetition of words and

phrases, such as “every living thing, of fowl, and of cattle, and of

every creeping thing,” yet it is lifted far above the folk-tale by the

all-pervading thought of God acting in righteousness.

No Bible story is worthily told which does not touch the underlying truth

of the beauty of holiness, and the folly and inevitable consequences of

sin. In preparing Bible stories for telling, the story-teller should have

always in mind what has been called the “basic principle of both Old and

New Testaments”—the perfect God desiring to restore man “to holiness and

true communion with Himself.” But this truth should be inherent in the

story, and not presented in the form of an appended moral.

As to the manner of telling: a Bible story should be narrated with the

spontaneous life that is accorded the telling of any other story. Too

often, through an effort upon the part of the conscientious story-teller

to impress their religious nature, to communicate to the child a feeling

of awe, the Bible stories are told in a truly _awful_ manner, and the

child, without knowing why, learns to dread them. They have been made

to him something unreal, something which he cannot understand, which he

fears. This is the last result that the story-teller has desired, but it

is the inevitable result when sanctimoniousness is substituted for the

“love, joy, and gentleness” which are among the fruits of the Spirit, and

which must fashion the telling of the Bible stories.

Rightly told, the Bible stories arouse in the child the keenest

interest and the deepest pleasure. What child, after hearing the story

of Joseph—the child who dreamed dreams and who wore the marvelous

coat of many colors—being sold into bondage to the Midianites by his

brethren, will not want to hear “what happened next?” And what story

is more beautiful, more filled with wonders and marvels, with love, and

forgiveness, and moral steadfastness, than the story of Joseph? It is

quite as fascinating as any tale from the Arabian Nights, and it excels

the latter a thousand-fold in its fundamental value, for these Old

Testament stories eclipse the myth and the hero-tale not only in their

genuine interest for the child, but because they bring him into conscious

relationship with God—the God of Abraham, and Isaac, and Jacob; the God

whose throne is for ever and ever, and the sceptre of whose kingdom is

the sceptre of _righteousness_.

It is possible here to give only the briefest outline of the various

kinds of stories which one may choose from this wealth of material. There

are the wonder stories of the creation, the Garden of Eden, the flood, in

the first part of the book of Genesis; the patriarch stories of Abraham,

Isaac, Jacob, and Joseph, in the latter part of the same book; the story

of Moses, and all the wonders of the Exodus; the stories of the prophets,

of Joshua, Samuel, Daniel; the hero-stories of Samson, of David’s

encounter with Goliath; of Gideon; the pastoral story of Ruth. In the

New Testament are the stories of Christ’s birth, His life, with all its

boyhood incidents, its parables, and its wonders, closing with His death

and resurrection. The question is not, “What can I tell?” but, “Which

shall I tell?” The fund is practically inexhaustible.

I have a word of caution to offer to the one—be she mother, Sunday School

teacher, or story-teller, who presents Bible stories to children: put

nothing into the stories by way of explanation which the Bible does not

put there, and which will have to be recalled or modified when the child

grows older and begins to ask questions, and to this end do not make the

mistake of confounding the truth taught, with the literal form of its

teaching.

As the child grows older and begins to analyze, to reason, and to ask

questions, then must the story-teller—and let us hope that the chief

Bible story-teller may be the mother—be ready to guide surely and unfold

wisely the deeper and higher meaning of the stories of the Book of Books.

The Art of Story-Telling, with nearly half a hundred stories · 第 9 / 13 章