CHAPTER VIII

Holiday and Vacation Stories

Stories fitted to the holiday seasons, and the out-door stories of

vacation time are always a source of delight to both story-teller and

listeners. Each holiday has its quota of timely stories; and by no other

means can the spirit and the lesson of a special day or season be more

vividly impressed upon a child’s mind than by a well-chosen, well-told

story. Many mothers and teachers understand this, and a still larger

number would find undreamed-of pleasure and resultant good in a practical

test of the statement.

The spirit of Thanksgiving may be made active in the child and a lasting

impetus for good imparted through stories which are strong, and full of

the Thanksgiving atmosphere.

The same is true of stories pertaining to Christmas, to New Year’s, to

Washington’s and Lincoln’s Birthdays, to Memorial Day, and to all other

days that are generally observed, and whose lessons teachers are expected

to impress.

In making up special day programs, if teachers will devote one number

to a good, strong story, appropriate to the occasion, it will prove

not only one of the most interesting features of the day, but the one

which will make the most lasting impression. This applies to the higher

grades even more emphatically than to the lower grades where stories are

more frequently told, and are, in consequence, less of a treat and an

innovation.

_Vacation Stories_

After the first few blissful days of vacation idleness, children of

school age begin to grow restless, and are ready for occupation or

entertainment. This natural desire opens up a useful and delightful

occupation for teachers, or for others who are interested in children and

capable of telling them stories in a fascinating way. This consists of a

series of “story hours in the open” which may be arranged for the summer

months. The work should be planned systematically, with a definite

object in view for each series, and with special regard to grouping

children of the same approximate age.

One series may be made up of stories of out-door mythology, or fairy

tales dealing with out-door life. They may be told upon a lawn or in some

park, with the children seated upon the grass in informal groups, and

the story-teller in their midst. The out-door environment will give the

children a sense of participation in the events of the story which cannot

be gained within four walls.

A park or a bit of natural woods makes an ideal setting for a series

of Robin Hood tales, or for tales of chivalry. The boys and girls will

people the woods about them with the characters of the story, and the

tales they hear under such conditions will not be easily effaced.

Excursions to parks, or near-by lakes, or woods, seem an almost necessary

accompaniment to stories of the trees, the birds, the wild life of the

floral and the animal world. Material for such stories is abundant. There

are the works of John Burroughs, Olive Thorne Miller, Dr. Long, Kipling,

Thompson-Seton, and Charles G. D. Roberts, with a host of others which

any library or book store can furnish.

Boys and girls will show a vital interest in stories of local history, if

the stories are not thus labeled.

The early history of the region in which they live, the struggles,

experiences, and adventures of the early explorers of the territory

surrounding their own home, may be made intensely interesting; and if the

group of listeners can be taken to the spot which forms the setting of

the story, the bit of history becomes most vital and real.

This plan of out-door story-telling combines the benefits of the usual

vacation activities with the legitimate good of the story hour as

conducted in our libraries during the winter months.

Stories of industry, and of the development of a given line of commerce

or manufacture are full of interest for boys especially. These may be

told in connection with the leading business interests of the city or

community in which the stories are given.

Every state, every city, affords story material which may be so cast

as to rival the wonders of Aladdin’s lamp. These stories are not, as

a rule, ready-made. They require study, research, preparation, but the

warp and the woof are there, ready at hand in the records which any

state or city library holds, and it remains for the story-teller so to

weave the fabric of her story that it shall attract the fancy and stir

the imagination. It need not be a literary masterpiece, but it must have

life and action; it must tell of difficulties overcome, with a triumphant

ending of final achievement.

The Art of Story-Telling, with nearly half a hundred stories · 第 8 / 13 章