of the Sultan. His father was a distinguished and influential man, at
one time governor of Crete and afterwards prince of Samos, a post he
occupied until his death. The son spent his childhood and youth about
the Yildiz Kiosk, where he had exceptional opportunities for seeing
and knowing the extraordinary events of the Ottoman court, and much of
the material used in his book is said to have been obtained from the
private papers of his late father, which fell into his possession after
the latter’s death. Mr. Dorys was correspondent of the London Times
at Constantinople for two or three years, and as such made himself
familiar with political conditions. He was therefore admirably equipped
for the task he undertook, but was unable to suppress his prejudice,
and does not give the Sultan credit for his few virtues. The work is
both approved and condemned by people in Turkey. Some say that it is
accurate and just; others accuse him of being actuated by personal
spite. He has at least stirred up the Sultan and his court to a degree
of indignation that has not been shown there for many years.
The missionaries say that Abdul Hamid is a bad Sultan, but a good
Moslem; that his fanaticism is equal to that of any fakir in his realm;
that he is responsible for the persecution of the Christians and for
the massacre of the Armenians; that the orders were given by him
personally. On the other hand, Americans and Englishmen who are in the
habit of visiting the palace and have personal acquaintance with His
Majesty, insist that he has many good traits and that he would not be a
bad man at all if he lived under different conditions.
When General Horace Porter, our ambassador to France, visited Turkey,
the Sultan received him with unusual cordiality and attention, because
of General Porter’s former relations to General Grant. When he heard
that Mr. Porter had been Grant’s private secretary, it was enough. A
carriage from the imperial stable, an aide-de-camp from the Yildiz
Kiosk and a military escort were placed at his disposal and all doors
in Constantinople were ordered thrown open to him. Few travelers have
ever been received with so much distinction, and before he left the
city the Sultan gave a dinner in his honor at the palace and decorated
Mrs. Porter with one of his most important orders.
It is remarkable what an impression General Grant left during his
famous tour around the world. He is remembered with reverence
everywhere--in China and Japan as well as in Turkey. The Sultan and
the King of Siam, as well as Li Hung Chang, have always quoted him to
Americans as their highest authority. His fame and his influence will
be everlasting.
Mrs. Porter was entertained in the Sultan’s harem, but that was no
unusual courtesy. The wives of the diplomatic corps are often received
by the sultanas, who are glad to see them, and any other strangers
for that matter, because their lives are very monotonous and their
diversions are few. No person may ask permission to visit the imperial
or any private harem. It would be considered an insult. If the Sultan
or any Turkish gentleman desires foreign ladies to meet his wives he
will offer them an invitation, and will either conduct them in person
to the harem or send them in charge of the _kizlar-aghasi_, or chief
eunuch, a very important personage, who ranks next to the grand vizier
and the Sheik-ul-Islam.
The Sultans have long ceased to contract regular marriages, and the
harem is a state institution. Nobody knows the exact number of Abdul
Hamid’s wives, but he is supposed to have 300 or 400, who are graded
and live according to their rank under the direction of the _khasna-dar
kadin_, or superintendent of the harem. They are from the prominent
families of the empire, as frequently the sultanas are able to exercise
a powerful influence in behalf of their relatives and friends. When a
rich pasha wants to secure the favor of the Sultan he offers him one
of his daughters with a suitable dowry as a wife. If she is accepted
it is a sign of friendliness as well as a mark of distinction. When
the governor of the Circassian province, which is said to have the
most beautiful women in Turkey, wishes to please his imperial master,
he will send him a handsome young girl as a gift, or when any of his
subordinates discover a young woman of remarkable attractions they
secure her for the harem just as they would secure a valuable horse for
the imperial stables. The Sultan does not always accept such gifts. He
is supposed to be very fastidious, particularly now that he has passed
the age of sixty years, and is becoming quite as suspicious regarding
the inmates of the harem as he is concerning the members of his court.
His eldest sister, who is a woman of very strong character and has more
influence with him than any other person, looks after the harem very
closely, and has sent away a large number of girls whom she considered
supernumeraries, if such a term can be used in that connection. It is
also understood throughout the empire that His Majesty does not care
for any more wives. He has transferred to his favorite pashas several
remarkable beauties who have been added to the harem within the last
few years. In the summer of 1902 he sent one of the most beautiful to
the governor of Damascus to comfort the latter in affliction, as he had
recently become a widower.
The ladies of the harem are called sultanas. They enter as slaves, and
the younger become the servants of the older and attend upon them until
they are promoted. If the Sultan takes a fancy to any one of his wives
her fortune is made, for she is rapidly promoted, her allowance for
dresses and jewels is increased and, if she bears a child, she can live
apart from the rest, as becomes a princess. All children born in the
harem, whether of free women or slaves, are legitimate and of equal
lineage, and may inherit the throne if they ever become the head of the
family.
The daughters of the Sultan are married to favorite pashas and officers
of the army. He confers them upon his favorite subjects at pleasure,
but they are not always regarded as a blessing. It is assuming a great
responsibility to marry the daughter or the sister of the Sultan. They
are very exacting and naturally realize their rank and superiority to
ordinary people. They are expensive luxuries also, because an imperial
princess must live in a certain degree of state.
Ladies of the imperial harem almost without exception wear European
dress. Only the most recent arrivals, girls who come from the interior
of the country, retain the native costume. The sultanas have French
maids and order their gowns and hats in Paris. Every now and then a
French modiste or milliner arrives in Constantinople with samples for
the inspection of the sultanas, from whom she receives very large and
liberal orders. Although they are seldom seen by men, the inmates of
the harem have all the feminine instincts and there is a great deal
of rivalry among them. We saw one of the Sultan’s favorite wives and
her daughter driving in a victoria, accompanied by a negro eunuch and
a military escort. They were dressed in European fashion, but were
closely veiled so that their features could not be distinguished.
The apartments of the harem are equipped with European furniture. The
meals are served in European style and the cooks are French. The French
language is spoken generally among the sultanas and they read French
novels. Turkish customs are almost obsolete. The traditional harem in
which houris sit around upon silk rugs with their legs crossed and
play guitars and eat sweetmeats exists only in the imagination. The
women live just like any other royal family, except that they are not
allowed to receive company or enter society, and when they leave the
palace they must wear heavy veils. When the Sultan’s wives are ill
they are attended by the male physician of the British embassy. This
is also an innovation. Formerly no Christian physician was allowed in
the harem. The patients are always veiled when the doctor visits them.
Even if they are confined to their beds, strips of mull are thrown over
their faces.
Abdul Hamid is the son of Abdul Medjid, who abdicated in 1861 in favor
of his eldest son, Abdul Aziz. The latter reigned until 1876, when he
was overthrown and his next brother, Murad V., was placed in power.
The latter was an impetuous reformer and one of the founders of the
“Young Turkey” party, which demands a constitution and a change in the
form of government from an absolute to a limited monarchy. When he
attempted to carry his ideas into effect his ministers pronounced him
insane--and perhaps it was an evidence of insanity to introduce liberal
reforms into Turkey--so they shut him up in the Tcheragan Palace, upon
the banks of the Bosphorus, where it is supposed that he still resides
in seclusion, although no one is bold enough to show curiosity as to
his fate in the presence of those who would be apt to know. It was in
that palace also that Abdul Aziz died after his abdication. So reliable
a witness as the surgeon of the British embassy testified that it was
a case of suicide; that the deposed Sultan, in a fit of passion and
disappointment, opened the arteries in his arms with a pair of scissors
that were given him to trim his nails. But the popular theory is that
somebody opened them for him and let him bleed to death. Perhaps Prince
Murad may have met with a similar fate years ago. He has not been
seen by any competent witness since the spring of 1877, and was then
pronounced to be in an advanced state of paresis--a mere idiot--but the
circumstance that the Tcheragan Palace has never been opened since,
and is as closely guarded as ever, leads people to suppose Murad still
survives. But, as I have said, nobody but the confidential eunuchs of
the Sultan knows anything about him.
The heir to the Turkish throne is not the son of the Sultan, but his
eldest living male relative--brother, son or cousin, whoever it happens
to be. This is the law of Islam, and has been a fruitful source of
conspiracy and tragedy ever since the Turks have been in possession of
the Ottoman Empire. It was formerly customary for a new Sultan to order
the immediate execution of all his brothers as soon as he was seated
upon the throne; but public sentiment in Europe has forbidden the
application of that heroic precaution during the last fifty or sixty
years. It is generally assumed that the present Sultan would like to
murder his brothers, but dare not do so; hence he keeps them prisoners
or constantly under surveillance in the many palaces of Constantinople.
They are the most unhappy and wretched of all his subjects. He has five
brothers:
Murad Effendi, born September 21, 1840.
Mohammed Reshad Effendi, born November 3, 1844.
Kemel Eddin Effendi, born December 3, 1847.
Suleiman Effendi, born March 12, 1860.
Wahid Uddin Effendi, born January 12, 1861.
[Illustration: GATE TO DOLMA BAGHTCHEH PALACE, CONSTANTINOPLE]
Reshad Effendi, the second brother, is therefore the heir to the
throne, and, although he has been kept a practical prisoner for
twenty years, so that very few people know him, he is said to be a
man of refinement, education and integrity, much superior to his
imperial brother in intellect and appearance. He occupies a portion
of the Dolma-Baghtcheh Palace in Constantinople during the winter
months, and during the summer goes to Machla, a suburban town, where
he has a farm and a pretty villa. He has never been allowed to leave
the immediate vicinity of Constantinople, and his communications with
the outside world have been closely restricted by the orders of his
brother. He is said to read French readily and to receive the principal
newspapers and reviews of Europe that are printed in that language. He
is also believed to have been in sympathy and in communication with
his brother-in-law, the late Damad-Mahmoud Pasha, who fled to escape a
sentence of death for his liberal opinions. This is, however, purely
conjecture, because if the Sultan, with all his spies, cannot discover
such a circumstance, it would seem impossible for the gossips to learn
anything about it.
Prince Kemel Eddin, the third brother, is an invalid, and quite as
feeble in mind as in body, with a low degree of cunning and strong
animal instincts. He inherits the family tendency to pulmonary
complaints. Prince Suleiman and Prince Wahid Uddin are allowed to go
about Constantinople more freely than the other brothers, and are quite
familiar to the public, better known perhaps than any other members of
the family. Both live in handsome palaces and have liberal allowances
from the public revenues, which they spend with great extravagance in
luxury and vice. Neither Turks nor foreigners seem to care much for
them. They have no social position and very few friends.
The Sultan has several sisters. One of them, Djemile Sultana, six years
older than he, is a woman of strong character and has a great deal of
influence with her brother. She is with him frequently and takes an
active interest in public affairs. She has been a widow since 1858, and
really has been a mother to him. They were born of the same mother,
a Circassian slave, who lost her life in giving him birth, and hence
they have naturally been very much attached to each other. The other
brothers and sisters are the children of different wives of his father.
As previously stated, all children born in the harem, whether of free
women or of slaves, are legitimate and of equal rank; but, by the law
of succession, the crown is inherited by the senior male descendant of
Othman, the founder of the present dynasty in 1299. Therefore, so long
as he has any brothers living, the children of Abdul Hamid will not
come to the throne.
The Princess Senieh Sultana, another sister of Abdul Hamid, is about
fifty years old, and the widow of Mahmoud Pasha, who was the leader
of the “Young Turkey” party and for years an active advocate of
its principles, regardless of his near relationship to the Sultan.
His conspiracies, if they may be called such, were always carried
on directly under the eyes of the Sultan, and of course were very
offensive to him. Mahmoud was a good man, judged by our standard, but
a great traitor and an unpardonable villain from the Turkish point of
view. He was educated in France and England, where he imbibed liberal
ideas, and, returning to Turkey, married the Sultan’s sister and
introduced into his own family many of the customs and ideas which he
had acquired in western Europe.
Being anxious that his sons should have a liberal education, he sent
them to Robert College, the American Presbyterian Institution on the
Bosphorus, just beyond the Sultan’s palace, which was founded there
half a century ago by the munificence of Mr. Robert, an American
merchant. Mahmoud Pasha himself went to arrange for the education of
his boys, and as there were reasons why he did not wish them to form
intimacies with the ordinary students, he persuaded Dr. Washburn, the
president of the institution, to take them into his own family.
The boys remained there just two days. On the evening of the second
day an aide-de-camp of the Sultan summoned them to his presence. They
were conducted to Yildiz Kiosk, where they had an interview with him,
and were offered commissions in the army. The Sultan told their father
that they must be educated according to Turkish ideas and in the
Moslem religion. “We have been educated by Turkish scholars, selected
by our father, who was a wise and learned man,” he said, “and such an
education is good enough for your sons, instead of sending them to be
taught by Christian _giaours_ (infidels).” The boys took commissions in
the army, but a few months later surrendered them and went to Paris,
where they have since resided. By an official edict of the Sultan they
have been degraded from their princely rank, cashiered from the army,
banished from Constantinople permanently and their allowances cut off.
In 1901 their father was also formally banished after he had fled
from the city to escape arrest and execution. For several months his
whereabouts were unknown. He was then discovered to be living quietly
at Corfu, one of the Greek islands. Being compelled to leave there he
went to Rome, Geneva, and afterward to Brussels where he died January
17, 1903. His wife, the Princess Senieh Sultana, is supposed to be
imprisoned somewhere among the many palaces of the Sultan, to prevent
her from joining her sons, as she is known to sympathize with their
liberal views.
An elder sister, the Princess Fatma Sultana, died insane in 1892, and
the aberration of her mind was a serious shock to the Sultan, who
dreads insanity as much as he dreads death--perhaps more. She was the
wife of a military adventurer, Nouri Damad Pasha, who was sent into
exile and afterward assassinated on suspicion.
The youngest member of the family, the Princess Medie Sultana, is
a woman of quiet disposition, about forty years of age, who lives
in absolute retirement, and is unknown to the foreign colony of
Constantinople. Her husband is Ferid Pasha, an inoffensive but
respectable army officer.
Two or three members of the immediate family of the Sultan have given
him much trouble, and it is from his own household that he fears
most. He trusts nobody. He reigns alone. His ministers are merely his
instruments and very few of them have any influence with him, although,
of course, he is compelled to depend upon them to carry out his orders
and to furnish him information.
Abdul Hamid has ten children--Mehemmed Selim, born 1870; Abdul
Kidir, born 1878; Ahmed, born 1878; Mehemmed Burhan, born 1885;
Abdur Rahim, born 1892. Zekie, his eldest daughter, born 1871, was
married in 1889 to Nur-ed-din Pasha, who occupies a high position in
the military department; Naime, a second daughter, born 1876, is the
wife of Mehemmed Kemal, another army officer. There are three other
daughters--Naile, born 1884; Shadieh, born 1886, and Ayisheh, born 1887.
So far as I was able to find out, the Sultan’s sons are decent fellows,
although their horizon is very narrow. None of them have been permitted
to travel, as he does not wish them to see anything of the world for
fear of weakening their faith in their religion and their confidence in
the form of government he maintains. Their education has been intrusted
to military officers and Moslem priests, and they will probably turn
out as narrow, bigoted and superstitious as their father.
Prince Selim, the eldest son, is more respected than any other member
of the family. The fact that there are several lives between him and
the throne gives him greater freedom than he would otherwise enjoy.
He was born in January, 1870, and is, therefore, thirty-three years
old. He has only one wife and keeps no harem, which is a surprising
exception in the imperial family. He holds the rank of colonel in the
army, and commands one of the regiments of the palace guards. His
duties are light, however, and leave him plenty of leisure, which he
spends in study with French and German tutors, although I understand
that his French tutors were recently dismissed by command of the
Sultan, because they were suspected of giving the young man dangerous
information. Prince Selim is not intellectual, however; his mind is
said to be rather dull, but he is patient and studious and has a
retentive memory, which is perhaps better for a man of his position
than more brilliant attainments.
Some years ago Prince Selim incurred the enmity of his father because
of the use of disrespectful language, and was banished to Bagdad for
several months, but was allowed to return to Constantinople under
the surveillance of Kiazim Pasha, his maternal uncle, who has the
confidence of the Sultan. The relations between the prince and his
father have never been fully restored, and there is no confidence
between them; but the prince receives a liberal allowance and is
allowed to do practically as he pleases, although he is surrounded by
spies and is not permitted to leave the city. He seems to be very fond
of his wife, who is the daughter of one of the pashas about the court,
and of his only child, a little girl now twelve years old.
Ahmed, the third son, who is twenty-four years old, is his father’s
favorite, and is studying military tactics under one of the most
successful of Turkish generals. He is destined to be commander of the
army. Burhan Eddin, who is seventeen years old, is also a favorite
and has considerable musical talent. The Sultan frequently introduces
him to foreign visitors, and has him perform for them upon the piano.
When Emperor William of Germany was visiting Constantinople, the young
prince was detailed as one of his attendants, and the members of the
Kaiser’s suite took a great fancy to him. He was then only about
fourteen years old, but was quite mature, and conducted himself with
great dignity. All the princes are educated by French and German tutors.
The Sultan is very liberal toward his family. He is absolute master of
the finances of the empire. He is not required to prepare a budget or
report his expenditures. The public money belongs to him and he directs
its disbursement. He gives each one of his brothers and sisters a
palace fully furnished and equipped, and all their household expenses
are paid from the imperial treasury. In addition to this each one of
them has an allowance of $5,000 a month for pin money. But Abdul
Hamid is much more economical than Abdul Aziz, his predecessor, who
squandered more than $100,000,000 during his reign without a thing to
show for it, and piled up a debt so big that it can never be paid.
The public bonds now outstanding amount to over $750,000,000, and the
revenues of the government can scarcely pay the interest. The finances
of Turkey, like those of other bankrupts, are controlled by a committee
representing the foreign bondholders, who receive from the treasury
a certain amount of money every month and distribute it among the
creditors of the nation.
A Constantinople physician who has had abundant opportunities
for studying his case, told me that Abdul Hamid is a victim of
neurasthenia, a nervous disease which is a form of insanity, and that
his psychological condition presents a most interesting problem,
for his symptoms are complex and vary materially from time to time.
He is naturally very intelligent, but, living in continual terror
of assassination, being afflicted with chronic insomnia, and having
a naturally suspicious nature abnormally developed, he has become
a monomaniac on the subject of self-preservation. His disposition
is gentle, and if he had lived like an ordinary man he might have
escaped the disease from which he suffers almost continual agony; but
his mistrust of everyone around him has become chronic, and he has
developed a cunning that is never at a loss for expedients.
He sleeps only two or three hours out of the twenty-four, and then
only when somebody is reading to him, or some orchestra or musician is
performing in the adjoining room. Darkness frightens him. Therefore
a light is always kept burning in his chamber, and Ismet Bey, grand
master of the imperial wardrobe, always sleeps in the same room. Ismet
Bey is his foster brother, and probably possesses his confidence more
fully than any other man. Because he resembles the Sultan so closely
in appearance, it is believed among the gossips of Constantinople that
he often impersonates His Majesty at ceremonies and on other occasions
where the latter is likely to be exposed to the danger of assassination.
Ismet Bey carries the keys to his desk, his wardrobe and his treasury
caskets, and is perhaps trusted farther and knows more secrets than any
other man about the palace; but he has no influence whatever with the
Sultan and would not attempt to exercise it if he did, for it would be
fatal to him. By a lifetime of devotion, as unselfish as any Turk can
render, he has demonstrated his loyalty and disinterestedness.
The Sultan is always restless and is awakened at the slightest sound.
When he awakes he always wants somebody to talk to, and Elias Bey,
second officer of the wardrobe, or Faik Bey, one of his confidential
secretaries, is usually at hand for that purpose. The Sultan sleeps
in a detached chamber, surrounded by corridors on all four sides, and
it is a popular impression that the walls are of steel. Four or five
sentinels slowly pace the corridors during the entire night, and if
the regular measure of their footsteps is interrupted the Sultan will
waken and inquire the cause. In addition to this guard an officer sits
at each corner of the corridor, where he can see both ways. In order to
prevent a conspiracy, a detail for this purpose is made from among the
subalterns of the different regiments about the palace every night. The
names are drawn by lot a few moments before the hour and no one knows
of his selection until he receives orders to report. These officers
have watches of four hours each, coming on duty at sunset and remaining
until sunrise. The Sultan is such a light sleeper that he awakens every
time the guard is changed.
He is extremely fond of music, and when restless, his orchestra, which
is under the direction of Dussap Pasha, is required to play all night,
or until orders are sent to relieve them. His Majesty is also fond of
theatrical and vaudeville performances and similar diversions, finding
them a relief from his perpetual fears. A theater connected with the
palace has two troupes of well-paid actors for dramatic and musical
performances. One of them is composed of Turkish and the other of
French and Italian artists. Foreign actresses and opera singers who
visit Constantinople are always anxious to appear before His Majesty,
because they not only receive liberal compensation from the master
of ceremonies, but, if they happen to please, His Majesty is sure to
present them with valuable jewels. Few people except members of the
imperial family are permitted to attend these performances. When the
Sultan invites one of the ambassadors, as he sometimes does, it is
considered a mark of unusual distinction.
The Sultan’s dress is extremely simple and free from extravagance. He
wears a military uniform and a campaign cloak such as is worn by the
ordinary officers of the army. His jewels, however, are unsurpassed by
any of the sovereigns of Europe. When His Majesty requires a new suit
of clothes Ismet Bey, his foster brother, is used as a model by the
tailor, as he and the Sultan are almost of the same size.
His diet is also very simple. He eats very little, of the plainest
food, and never touches wine nor liquors of any kind, but consumes
enormous quantities of coffee, which aggravates his nervousness. Up to
a few years ago a servant with a coffee pot always followed him when he
went out for exercise, and while driving in the park coffee stations
were placed at frequent intervals, where he could stop and refresh
himself. By the advice of his physicians he now limits himself to five
or six cups of his favorite beverage a day, and it is said that he has
himself noticed an improvement in his health. He is not so nervous
and sleeps better. General Porter, the American ambassador to Paris,
told me of a dinner at the Yildiz Kiosk, when the Sultan ate little
but American corn bread and soup. His meals are cooked separately from
those served to his family and guests, and the same man always prepares
them in a little room, like a laboratory, not bigger than an ordinary
bathroom. During their preparation an inspector always watches the cook
for fear of poison. The food purchased for the Sultan’s use is kept in
a huge safe to which his private chef alone has the key. Eggs and milk
are the principal articles of his diet. He seldom touches meat, but at
dinner usually has one or two vegetables.
Not being able to sleep, the Sultan does not retire before midnight,
and is always up by 4:30 or 5 o’clock in the morning, when he puts on
a long silken robe, takes a cup of coffee, smokes a few cigarettes and
reads his correspondence. About seven o’clock he takes a bath, and
then a breakfast of eggs and rolls and more coffee. At one o’clock his
luncheon is served, which is seldom more than a crust of bread and a
glass of milk--perhaps a small omelet. Although he takes his breakfast
and luncheon alone, his dinners are always served with great ceremony.
His younger sons, several of his secretaries and usually two or three
of his ministers dine with him. The list of his guests is usually
made out by the grand chamberlain of the palace and submitted to His
Majesty’s approval. The dinner is served at eight o’clock in French
style, with liveried attendants and an orchestra in the balcony of the
state dining-room, which is a gorgeous apartment. As a formality each
course is placed before the Sultan by the chief butler before it is
served to his guests, although he never touches it himself, his own
food being brought from his private kitchen by his personal attendant.
Sometimes he dines in his harem, where his sisters and wives and
daughters receive him with great ceremony.
Yildiz, the park in which the palace is situated, is a veritable
city, with a population of nearly 5,000, including the members of
the official staff and their families, the women of the harem, their
slaves and eunuchs, the princes and sultanas, with their households and
servants, the chambermaids, aides-de-camp, the imperial guard, which
consists of several regiments, musicians, clerks, gardeners, grooms,
valets, domestics and other employés, including a number of masons,
carpenters and other mechanics. The Sultan has a machine-shop for the
repair of machinery used upon the place, an arsenal, which contains
several thousand stands of arms for both sport and war, and samples of
all patents and styles. He has also a very rich collection of antique
oriental arms.
One of His Majesty’s fads is the manufacture of porcelain. He has
recently set up a factory in the park and imported a number of French
artists, who are making placques and other ornaments. He is fond of
wild animals and has quite an interesting zoölogical garden, with one
of the best kennels of dogs in the world.
I was informed by a high authority in Constantinople that the Sultan
pays $500,000 annually as subsidies to newspapers in Vienna, Berlin,
Paris and other cities of Europe to defend him and his acts and create
public sentiment in his favor. After the Armenian massacres, a few
years ago, he distributed more than $1,000,000 among the newspapers
that treated him kindly. Notwithstanding his self-enforced seclusion,
he is as familiar with European affairs as any man on the continent,
and scarcely anything that appears in print of importance or interest
concerning him or his empire fails to meet his eye. His ambassadors
and ministers at the different capitals are instructed to secure all
press clippings that relate to Turkey and forward them to a central
information bureau in Constantinople, where they are classified,
translated and arranged for the Sultan’s inspection. He spends a great
deal of time reading them and frequently receives important suggestions
and information from them.
I was repeatedly warned that every newspaper letter I wrote from Turkey
would be read by the Sultan personally. Missionaries and others from
whom I obtained information frequently asked me not to publish certain
things, because the Sultan was certain to see them and trace them to
their source. One gentleman, in giving me an account of a certain
enterprise, remarked: “I wish you would say that the Sultan takes a
great interest in our affairs. It will do you no harm and will do us a
great deal of good, for he is certain to see your letter and will be
pleased.”
The largest sums of money expended in purchasing the good opinion of
the press are expended in Germany and France, for the Kaiser is the
Sultan’s best friend and most reliable supporter, and he is pleased
when the German newspapers approve his policy.
Although the censorship in Turkey is very strict, the Sultan is a
thorough believer in the usefulness and importance of the press, and
in 1886 conceived the idea of founding a great national journal, to
be published in the Turkish and French languages and to be for Turkey
what the London Times is to Great Britain. He appointed a committee of
five of his ministers and secretaries to formulate a plan and prepare
estimates of the cost, but when he received a report and found how
expensive a luxury his proposed newspaper would be, he abandoned the
idea.
IV THE SELAMLIK
On Friday of each week--the Mohammedan Sabbath--occurs the Selamlik,
the one occasion on which the public may see the Sultan, although at
a great distance for most of them. The Moslem law requires the head
of the church to make a formal prayer at some mosque at least once a
week, and Friday is the day naturally chosen. Therefore the Sultan
must go, sick or well, to worship publicly. If he could not perform
this duty his ministers would dress up a dummy and send it in a closed
carriage in his place, because the act of reverence must be performed
though the heavens fall. The Sultan has his own little mosque attached
to the palace, where he prays frequently and with great regularity,
often abruptly leaving his ministers and others with whom he is engaged
on business when the cry of the muezzin is heard from the neighboring
minaret. No man is more devout or scrupulous in the observances of the
ritual in which he believes, and in that way he sets a good example to
his subjects.
Abdul Hamid’s public worship is performed at Hamidieh Mosque, a pretty
structure within the imperial park and close to the high iron fence
which surrounds it, so that those who enter and leave the temple may
be seen from the street. There is a large vacant lot, with rising
ground, across the road, intended for a drilling ground for cavalry,
and on every Friday it is crowded with the carriages of those who are
curious to see the Sultan, and are not allowed to approach any nearer
to him. Formerly the Selamliks were more public. There was a wooden
pavilion, a sort of grand stand for spectators, which was generally
crowded by strangers visiting the city, members of the diplomatic
corps, and others who were fortunate enough to get tickets, but since
the assassination of King Humbert of Italy and President McKinley, it
has been torn down and no more invitations are issued, although upon
the personal application of the ambassadors the Sultan will sometimes
admit foreigners whom they vouch for. Guests are allowed to witness
the ceremony from the windows or the roof of the neighboring palace,
but no one else is permitted inside the grounds except officials of
the government, officers of the army and pilgrims who constantly visit
Constantinople in large numbers. The public must be contented with
looking through the bars of the iron fence or witnessing the pageant
through field-glasses from the tops of the neighboring hills.
We were at Constantinople during the pilgrim season, when faithful
Mohammedans on their way to Mecca were arriving daily from Russia
and the surrounding states as well as from all parts of the Ottoman
Empire to pay their respects to the Sultan, who is the visible head
of their church, and to the Sheik-ul-Islam, his vicar in charge of
ecclesiastical affairs. They are admitted to the Selamlik when properly
vouched for, but the police are very careful to see that no assassin
disguised as a pilgrim shall pass the gates. The pilgrims occupy a
plot bordering upon the roadway over which the Sultan drives. As he
approaches they utter a peculiar cry. It sounds more like a wail
than a cheer, and is supposed to express reverence and admiration
rather than enthusiasm. It is the salutation of the true believer
to the head of his church, but if anyone were to make such a noise
at the approach of President Roosevelt or any of the sovereigns of
Europe he would be immediately arrested as a dangerous person. When
the Sultan has gone by, the pilgrims bow their heads in reverence and
afterward push forward and kiss the ground over which the wheels of
his carriage have passed. Many of them are venerable men, priests as
well as laymen, and as each wears the costume of his country the group
usually presents a picturesque appearance and adds much to the interest
of the scene. Those with green turbans are descendants of the Prophet
Mohammed and constitute a clan of themselves. They have maintained
their individuality during all the centuries, like the house of David
among the Jews, but it gives them no material advantages. They honor
themselves more than they are honored by others. You see laborers
wearing green turbans; yea, even the children of the prophet begging
bread from infidels.
There is very little to be seen at a Selamlik except the military
display. And that is splendid. Nearly the entire garrison of
Constantinople, numbering 12,000 or 15,000 of the picked soldiers
of the Turkish army, appear every Friday in brilliant and peculiar
uniforms, line the roadway over which the Sultan passes, surround the
mosque in which he worships and are packed into the grounds until their
red fezzes and glistening bayonets light up the entire park. There are
regiments of Nubians, Soudanese, Albanians, Arabs, Syrians, Kurds,
Turkestanese, Bokharans, Georgians, Circassians and other races unknown
to us, which cannot be seen elsewhere. The red fez, white turbans,
gold lace, stripes and sashes, white gloves, red and green banners and
the glitter of the arms make a brilliant combination, and one must
acknowledge that the soldiers of the Sultan are fine-looking fellows,
although they may be as wicked and as cruel as represented. They are
all Moslems. No Christian is admitted to the army, but every Christian,
Jew and Gentile subject of military age is required to furnish a Moslem
substitute. There are numerous military bands playing modern music very
poorly, and it may gratify Mr. Sousa to know that his marches are as
popular in Turkey as elsewhere. The pashas and generals wear dazzling
uniforms, covered with gold braid and lace, and other officers,
bedecked with equal brilliancy, seem innumerable. The grounds of the
palace suddenly become an ocean of gold lace and red fezzes.
When a carriage arrived with a black man upon the box in the footman’s
place, we knew it brought ladies from the harem with a eunuch in
charge. While all black men are not eunuchs, all eunuchs are black.
They are brought from Africa and Arabia when children and are purchased
like other slaves. The Sultan’s wives and sisters usually attend the
Selamlik, but have their own place in the mosque partitioned off by
screens. They cannot even enter the same door with their sovereign
master. He must pray alone. Only the Sheik-ul-Islam, the high priest
of the Moslems, or some great _mufti_ designated to represent him, is
admitted, whose presence is necessary to carry out the ritual.
The guardian of the harem, the _kizlar-aghasi_, or chief eunuch,
who ranks next to the grand vizier and the Sheik-ul-Islam, was
present, having in charge four sultanas. Each had her own carriage
drawn by white horses and a military escort and was attended by
ladies-in-waiting. Three of the Sultan’s sons rode on horseback among
the pashas that formed his bodyguard, and another, a little chap about
ten years old, had a tiny brougham drawn by ponies similar to that used
by Tom Thumb. He was accompanied by his tutor, an officer of the army,
and by a little aide-de-camp of his own age, a miniature imitation of
those who attended his imperial father. The little prince was in the
uniform of a colonel of the army, wearing a sword and baby revolvers,
and his aide was dressed to correspond.
Another carriage, one of the latest arrivals, was occupied by a little
girl--one of the Sultan’s daughters, attended by a woman with unveiled
face, wearing a violet satin gown. Hence we knew her to be a foreigner
and were told that she was the little sultana’s French governess. We
noticed that she sent one of her attending eunuchs with a coin to a
crippled beggar who caught her eye outside the gates.
After the carriages came two covered vans like those used in the United
States to move furniture. They backed up to the entrance of the mosque
and discharged a lot of rugs, chairs, chests and other things that were
carried inside, but I could not find out what they were for or why
they should be delivered just at this time. Then a squad of servants
in long white robes came out of the mosque, washed the marble steps
and dried them carefully with cloths, after which they spread a long
rug that reached from the gravel roadway to the vestibule, so that His
Majesty’s feet might not touch the vulgar earth, and fastened it down
with brass rods. Then appeared a dozen carts loaded with sand, which
was sprinkled along the roadway to absorb the moisture and deaden the
noise of the wheels. When these preparations were complete the notes of
a trumpet were heard in the distance--the signal that the Sultan had
left the palace and was on his way. A white-robed muezzin with a big
turban appeared upon the balcony of the beautiful minaret and gave the
conventional call to prayer, only his cry was louder and the wail more
prolonged than usual. Two columns of pashas and generals in brilliant
uniform, on horseback, appeared around the curve, riding slowly, and
when the leaders reached the steps of the mosque they opened ranks,
facing each other, and formed an aisle for the Sultan to pass through.
They were an additional guard for his safety.
The general of the army, a stern-looking man with an intellectual
forehead, large gray eyes, a Roman nose and a grizzled beard, mounted
upon a magnificent charger, next appeared, surrounded by his staff.
Formerly Osman Pasha, the hero of the Russo-Turkish war, held this
position and attended his sovereign regularly each Friday until his
death. Closely following him, surrounded by a squad of officers running
on foot, came a low carriage drawn by a pair of beautiful white horses,
in which sat Abdul Hamid, the Sultan of Turkey and the successor
of the Prophet of Islam. On the opposite seat was the minister of
war--one more precaution--and it is said that the standing order to
the bodyguard is to shoot down that official instantly in case an
attack is made upon the Sultan. He is held responsible for the safety
of his imperial master, and if the protection provided by him proves
inadequate his punishment is death. Riza Pasha, the present minister
of war, is a large, fat man, so large that the diminutive figure of
the Sultan looked very small by contrast. Abdul Hamid is slight of
stature and weighs only 135 pounds. He looks like the late Jay Gould
and the late Matias Romero, for many years Mexican ambassador to the
United States. He wore a shabby military overcoat and a red fez. His
face is very melancholy. His eyes are large and have a wandering
look. He is said to be the saddest man on earth, and he looks it. An
escort of young officers on foot followed the carriage, the Sultan’s
aides-de-camp and secretaries, and as the pageant proceeded everybody
saluted and bowed. The crowd outside the gates cheered, but were not
very enthusiastic. The Sultan’s eyes took in everything. They surveyed
the scene with extraordinary rapidity. His officers say that he never
overlooks anything that is amiss. He can see where a button is off the
coat of a soldier as he rides by.
The imperial group was followed by an empty phaeton drawn by a pair of
white horses with gold-mounted harness and half-blankets of leopard
skin, and also by five saddle horses--the most beautiful animals you
ever saw--so that the Sultan could choose among them if he should take
the whim to ride back to the palace from the ceremony. As he passed the
pilgrims he bowed to them several times. When he reached the mosque he
stopped upon the steps, turned around, faced them and bowed and bowed
again, while they uttered the peculiar wail that I have described. He
then entered the vestibule, followed by the minister of war and several
of his aides.
While the Sultan was at prayer strips of matting were unrolled upon
the pavement, and the pilgrims, swarming out, kneeled upon it with
their faces toward Mecca and went through their devotions, a priest
leading them. This continued for half an hour or so, until the Sultan
reappeared, got into the phaeton, took the reins in his own hands
and drove back to the palace surrounded by his aides-de-camp and
secretaries on foot, who are compelled to run at full speed to keep up
with him. This pageant is witnessed every Friday, but it is conducted
with so many safeguards and precautions that the military display is
not seen at its full effect.
There is no particular place for the burial of Sultans. Each
Sultan usually builds his own tomb, according to his own taste and
extravagance, but throughout the city may be found several _turbets_,
or tombs, containing the bodies of one or more Sultans with their
favorite wives beside them. The graves are covered with plain cenotaphs
of stuccoed brick four or five feet high and seven or eight feet
long, draped with covers of black broadcloth or velvet, exquisitely
embroidered with silver or gold, and upon them are usually several
cashmere shawls of the very finest texture, fabrics of priceless value,
gifts and tributes from neighboring kings and governors. Distinguished
men, Sultans and others, are buried in the different mosques, the most
sacred being that of Eyub Ansari, the standard-bearer and most intimate
companion of the Prophet Mohammed, who was killed by the Arabs at
the siege of Constantinople, A.D. 668. His burial-place was revealed
in a dream to a celebrated priest during the attack of Mohammed II.
upon Constantinople, and its discovery inflamed the fanaticism of the
Turkish soldiers to such a degree that their next attack upon the city
was irresistible. After the capture Mohammed II. erected the mosque
of Eyub upon the site of the grave, and it is held so sacred that no
Christian has ever been allowed to enter the gates of the walls that
surround it, or even to live in the neighborhood. It is a beautiful
building of white marble, with a large dome, two small domes and many
semi-domes, and two graceful minarets. It stands on the banks of the
Golden Horn about five miles from the city, and upon the accession of
a new Sultan a ceremony corresponding to the coronation of a Christian
sovereign takes place there. After performing an elaborate service of
prayer the new Sultan is girded with the sword of Osman, the founder
of the dynasty, by the superior of the dervishes. The sword of Osman
always lies upon the tomb of Eyub, constantly watched by relays of
the priests and monks who have charge of the temple. The tomb is of
silver gilt and elaborate workmanship, covered with a cloth of gold,
surrounded by a high gilt railing and overhung with many costly lamps.
At the village is a factory in which are made the fezzes worn by the
soldiers of the Turkish army.
[Illustration: A STREET OF CONSTANTINOPLE]
V THE CITY OF THE GRAND TURK
Poets, painters and other people with vivid imaginations and emotional
natures have become ecstatic in describing the city of the Grand Turk,
and while it has unique and exquisite attractions, it is no more
beautiful than New York or San Francisco, Rio de Janeiro, Naples,
Hongkong or half a dozen other cities I might name. There is none of
the barbaric splendor, the gold and purple and blue and scarlet of
Moscow, as seen from the Sparrow Hills; nor the fantastic pagodas
and temples of Kioto or Peking. It has none of the quiet dignity of
Stockholm or the soft beauty of Naples, but the colors that are lacking
and the gorgeousness that is invisible is readily supplied by the
imaginations of tourists, who generally see what they expect to see,
no matter whether it is there or not. You find the same trouble in
Holland and Spain after reading the books of D’Amicis, and at Venice
after studying Ruskin. Perhaps it is the fault of the observer, who
lacks sufficient sentiment, but when you begin to dissect the scene and
separate the actual from the imaginary the criticism of practical minds
is sustained.
The continents of Europe and Asia are separated by the Sea of Marmora,
which is 110 miles long and 40 miles wide in its widest part. At the
west end it is entered through the Hellespont or Dardanelles, a deep
and swift stream or strait, about as wide as the Hudson River. The
place where Leander swam across to visit Hero, his sweetheart, and
where Lord Byron imitated his example, is only about three-quarters of
a mile wide, and although to swim it was a prodigious feat in those
days, it would not be more than an ordinary adventure to many members
of a modern athletic club.
At its east end the Sea of Marmora is connected with the Black Sea by
the Bosphorus, a channel similar to the Hellespont. These streams,
which form a remarkable boundary between the continents, have always
been regarded of great strategic importance, and from the time of
Alexander the Great to Alexander II. of Russia have been fought for by
rival nations.
Where the Bosphorus joins the Sea of Marmora there is a little bay,
about half a mile wide at its mouth, growing gradually narrower and
curving like a cornucopia for about three miles through the hills to a
point where it receives fresh water from a little stream. This bay is
called the Golden Horn. Between the Golden Horn and the Sea of Marmora
is a tongue of land similar in size and shape to Manhattan Island, upon
which New York is built, except that it is higher in the center. This
ridge, or “hog’s back,” rises about five hundred feet above the water,
and at intervals is broken by gullies, several of them very wide and
deep,--gashes that have been cut into the soil by water. This ridge
or tongue of land is occupied by the old city of Stamboul, and upon
the extreme point, corresponding to Battery Park, New York, is located
the Seraglio, a group of palaces occupied by the Sultans before the
nineteenth century. An imposing marble gate, by which the grounds are
entered, is the ancient Sublime Porte, and from it is derived the title
by which the Turkish government is often referred to in history and
diplomatic discussions. The modern Sublime Porte is a still more
imposing marble gate which leads into an inclosure where are situated
the palace of the grand vizier, the ministry of finance and other
official departments of the government.
[Illustration: The Sublime Porte, Mosque of St. Sophia THE SERAGLIO,
CONSTANTINOPLE]
Upon the opposite side of the Bosphorus, situated to Stamboul as
Jersey City is to New York, is Scutari, a city of residences, schools,
hospitals, military barracks, carpet factories and other manufacturing
establishments, with a population of about 50,000. It is surrounded by
a group of fertile hills, which in the spring and summer are covered
with brilliant foliage.
Upon the opposite side of the Golden Horn a steep hill, rising directly
from the water, is occupied by the city of Galata, corresponding
to Brooklyn. Its houses and shops are arranged in terraces along
precipitous slopes to a height of five hundred feet; and on the other
side of the crest, which slopes to the Golden Horn, is the city of
Pera, which means “beyond”--that is, the place beyond the hill.
This completes the group of four cities, which, combined, are called
Constantinople, and from the bridge which connects Stamboul and Galata,
or at any other point between, they are spread out before the spectator
like an audience in an amphitheater, rising in irregular terraces and
showing patches of whitewashed walls among unpainted, wood-colored
houses, shingled roofs and occasionally a roof of tile. Here and there
appear squatty domes like warts, queer-looking towers and slender
minarets, which are peculiar to Constantinople and are its greatest
attraction. The domes indicate mosques and occupy the summits of the
hills. Their ugliness heightens the beauty and grace of the minarets
by which they are surrounded. The minarets take the place of church
steeples and the campaniles or bell-towers that are usually attached
to cathedrals in southern Europe. They look very slender and very tall,
rising often to the height of three hundred feet--delicate, beautiful
shafts, perhaps twenty feet in diameter at the bottom and gradually
tapering to a needle point at the top, upon which a golden crescent is
always placed. About the center, overlooking the roofs of the houses
and the adjoining streets, are balconies, sometimes only one, sometimes
two, and, on the taller minarets three, protected by beautifully carved
balustrades and sustained by brackets, from which the muezzin calls
the Mohammedans to prayer. In Constantinople most of the minarets are
of marble and other stones, as they were built by rich Sultans as
monuments to their own memory, but elsewhere such structures are of
brick, coated with stucco, and kept neatly whitewashed. Whatever may
be said of the Moslem, his houses of worship always show evidences of
careful and constant attention. You seldom see a slovenly mosque and
seldom a mosque out of repair. They set an example to other religious
sects in this, as in several other matters.
The view from any place of observation will comprehend nearly all of
the city of Constantinople except, of course, those portions which
are on the opposite side of the ridges. I do not know of any city of
which so much can be viewed from a single point. Standing upon the
bridge that crosses the Golden Horn, one can easily see the abodes of
two-thirds of the population spread out before him. But the view is
monotonous. There is a lack of variety about the architecture which is
very tiresome. One house differs from another so little that the eye
becomes weary and rests gratefully upon the picturesque towers and
the beautiful minarets that rise here and there in striking relief.
Several conspicuous buildings stand out boldly. These are the embassies
of Russia, Germany and other European Powers on the Galata side and the
government offices in Stamboul. The largest buildings, and those which
are most conspicuous in every direction, are occupied as barracks by
the Sultan’s army. There are no parks, no promenades, no amusements,
no theaters except one which is insignificant, and no entertainments
or diversions for the people except a few low-class vaudeville
performances.
The streets are irregular, narrow and crooked and wind up in serpentine
or zigzag fashion to the top of the town. It is evident that they
originally followed the trails of goats, which, unlike the buffalo,
are poor engineers. The straight streets are so steep that no load can
be hauled up them, and many of them are actually stairways, with small
shops on either side. In building the city no grading was done and
no filling. The natural topography was allowed to remain unaltered,
which, while it adds to the picturesqueness, is a permanent embargo on
business. Horses cannot be used for transportation purposes because the
streets are too narrow and too steep and the pavements are too rough.
There are a few carts and a good many donkeys with panniers upon their
backs, but heavy freight, like lumber, bales of merchandise and such
things are carried from one place to another by men. It is a common
thing to see eight, twelve or sixteen men with long poles staggering
under a load of dry goods, hardware, iron rails or timbers for the
construction of houses. They can carry their cargo only a little way
without stopping to rest, and as long as they are engaged, block the
entire street. No carriage can pass them, and even a donkey finds it
difficult to creep by. You will appreciate the difficulty of doing
business with these embarrassments, and will not be surprised that the
commerce and internal trade of Constantinople is less than that of
the average German or French city of one-fourth its population. More
business is done in New York in one day than in Constantinople during
the entire 365.
There are no sidewalks except upon a few of the principal streets,
and they are very narrow. The houses are high--five, six and seven
stories--without elevators, and are divided into tenements, the
ground floor being occupied in most cases for business purposes. The
architecture is indifferent where it is not ugly. Most of the city is
built of wood, unpainted, and the cheapest kind of construction; much
of it being in an advanced state of dilapidation. Some of the houses
in the principal residence quarter remind me of those on the West Side
in Chicago, the wooden façades being covered with “ginger-bread work,”
balconies, loggias and other architectural frills. In the Turkish
quarter there is even less of architectural interest. Only occasionally
can a Moorish design be seen or any building of the oriental type.
You can follow some of the longest streets from one end to the other
without finding a window or a door or a roof or a balcony that looks
like what you expected to see in Turkey. When the lower sash of the
window is covered with fixed lattice work you may know that it is
some Turk’s harem. The houses occupied by Greeks, Armenians, Jews
and Europeans have ordinary windows and no blinds, and as only about
one-fourth of the population of Constantinople--the estimates are
generally less--are Turks, and three-fourths are foreigners, you
should not expect anything but what you see, and must swallow your
disappointment.
There are other reasons, in addition to the topography, why the
houses are so cheaply and indifferently built. All foreigners are in
Constantinople on sufferance and the investment of money is unsafe.
When a foreigner erects a house he takes great risks and naturally
does not wish to spend any more upon it than is absolutely necessary.
Furthermore, an evidence of prosperity would immediately attract the
attention of the officials, who are all Turks, and the assessment for
taxation would at once be raised. The Turkish officials receive little
if any compensation from the government, and are obliged to turn into
the treasury for the use of the Sultan and his court certain sums of
money annually. This money and whatever they need for themselves must
be raised by whatever measures they can manage, and, as they have
autocratic powers, it is easy for them to make good their quota. If
they see a man, particularly an Armenian or a Jew--they do not care
so much about Greeks--showing signs of prosperity and wealth, they
make preparations to bleed him, and the methods they adopt are usually
successful. The population of Stamboul around the Seraglio is mostly
Turkish, and beyond that Armenian and Jewish. The inhabitants of Galata
are mostly Greeks, and those of Pera are English, French, Germans and
subjects of other European Powers.
Landing at Constantinople is an exciting experience. The ships anchor
out in the stream, and passengers, with their luggage, are taken ashore
in rowboats. No traveler is allowed to land without a passport. If he
is a resident of Turkey he must have a permit granted by the police
officials of the town in which he lives. If he is a foreigner his
passport must be viséd by the Turkish consul or minister at the port of
his departure.
When the steamer comes to anchor the gangplank is at once surrounded by
a motley crowd of boatmen, howling like a lot of demons and grabbing
at the luggage of the passengers. If you have not a courier to look
after you and your belongings the best thing is to give yourself up to
Cook, the traveler’s friend and protector. If you have written ahead to
engage apartments at any of the hotels a dragoman, or interpreter, will
be sent down to meet you and help you through the custom-house, but
Cook’s men always come aboard, not only at Constantinople but at all
the eastern ports, and are a blessing to the inexperienced.
As each boatload passes towards the landing-place it is stopped in
midstream by a policeman seated in the stern of a Turkish _caique_, or
canoe, who counts the number of passengers and the number of pieces of
baggage. What this is done for I was unable to discover, but the most
reasonable theory is that it is intended as a checking system for the
police, in order that no stranger shall enter the country without their
knowledge.
The guidebooks, which are closely censored by the Turkish government,
so that they may not contain anything offensive or treasonable to
the Sultan, state very plainly that couriers and dragomans from the
hotels can “arrange” with the customs officers so that the inspection
of luggage will be only formal. The only thing that they are after
is books. Their orders are very strict in that respect. They are
positively forbidden to pass any books, newspapers, manuscripts or
sealed parcels, all of which must be submitted to examination by the
censor, who destroys all works pertaining to the Mussulman religion,
the personality of the Sultan, the foreign relations or the internal
affairs of Turkey. Guns, revolvers and that sort of thing, which are
prohibited in most countries, are admitted without objection in Turkey.
We were advised to conceal all our guidebooks, notebooks, manuscripts
and that sort of thing in the bottom of our trunks in case of an
emergency, although our dragoman, or guide, said he did not think any
of them would be opened. When they were landed and carried into the
dilapidated and dirty old wooden building of one story used for a
custom-house, all the trunks, bags and rug rolls were arranged in a row
upon a bench and the dragoman proceeded calmly to negotiate with the
inspectors. How much he paid to pass them I do not know, but it was not
a large sum, and we were soon sent on our way rejoicing.
The baggage of passengers leaving Constantinople is examined quite
as closely as that which comes in, and the same process occurs. The
customs officers often demand larger bribes from outgoing than incoming
travelers, and will threaten to detain their luggage if the money is
not paid.
The same corruption and the same practices exist in other branches of
the custom-house, only to a greater extent. Imported merchandise is
seldom inspected. Merchants doing business in Constantinople usually
have a regular arrangement with the customs officials to admit their
goods without examination upon the payment of certain sums, which cover
both the customs duties and the bribes. These practices must be known
to the higher officials, because nearly all of them have been promoted
to the positions they occupy, and they require a certain amount of
revenue from each inspector or appraiser every month. The latter must
raise it the best way he can. There is a regular tariff, of course,
and fixed rates of duty for different kinds of merchandise, but it is
seldom observed, even in the case of strangers.
All travelers in Turkey must have _tezkerehs_, or traveling permits,
which are granted upon the application of the minister or consul of the
country from which they come, and are an acknowledgment on the part of
the Ottoman authorities of their responsibility for the safety of the
bearer. Natives have ordinary passports, but no man can land at a port
or buy a steamship or railway ticket without showing a document of this
kind, which not only is a protection to the traveler, but also gives
the police authorities an opportunity to watch suspicious persons.
The United States diplomatic and consular officials in Turkey receive
almost daily applications for certificates from Armenians who claim to
be naturalized, but there has been so much fraudulent naturalization
that they no longer issue them unless they are satisfied that the
applicant is a bona fide citizen of the United States stopping
temporarily in Turkey. Certain Armenians in New York, San Francisco
and other cities for years did a fraudulent naturalization business,
and for large fees obtained papers for Armenians in Turkey who had
never been in the United States. It is an easy thing for a man to
make application in any of the courts under any name, and again make
a second or third or fourth or repeated applications under other
names later without being detected. When the papers are issued they
are forwarded to Turkey to the persons whose names they bear, and
the latter use them whenever necessary. Not long ago such fraudulent
papers were abundant in Turkey, but many of them have been taken from
the holders and retained by the United States officials. When a man
claiming to be a naturalized citizen of New York cannot tell the name
of the street upon which he lives and does not know the location of
Brooklyn or Jersey City; who never heard of Washington, Grant, McKinley
or Roosevelt, and cannot give the name of the long street which runs
from one end of New York to the other, it is pretty certain that he is
not entitled to the protection of our government, but has abused its
hospitality by obtaining naturalization papers under false pretenses.
Constantinople is the seat of the Sheik-ul-Islam, the ecclesiastical
head of the Moslem faith, and also the seat of the Patriarchs of the
Greek and the Armenian churches, and of the chief rabbi of the Jews.
Every other religion has its representatives among the population,
which is more cosmopolitan than that of any other city. It is claimed
that there are in Constantinople representatives of every nation and
every tribe upon the globe, and that every language is spoken. It is
common to see signs written in eight or nine languages on the fronts
of the retail shops. These races and religions are all more or less
antagonistic. There is nothing to unite them. Each suspects the other
of treachery. They have no relations, except in trade, and in their
commercial dealings they are all trying to cheat each other.
Everybody lives in a state of constant apprehension, in a vague dread
of danger, and there is good reason for it, because the hand of Ishmael
is still against every man.
No census has ever been taken of Constantinople, and the population is
unknown. Estimates range all the way from 875,000 to 1,250,000, and the
latter figure is probably somewhere near the truth, judging from the
dense manner in which the people are huddled together and the enormous
area covered by the city. The floating population is very large.
Thousands of men are constantly coming and going, spending a portion of
each season in the city and the remainder of the year in the provinces
of Turkey or in some neighboring state.
According to religious belief the population is supposed to be divided
somewhat as follows:
Moslems 400,000
Greeks 175,000
Armenians 250,000
Jews 75,000
Bulgarians 6,000
Greek Catholics 1,200
Roman Catholics 7,500
Protestants 2,000
Miscellaneous 150,000
The city is divided into ten municipal circles or wards, which,
combined, constitute a vilayet, whose affairs are directed by a
_prefet_, assisted by a _mejlis_, or council, and a large staff of
officials. Each municipal circle has a director and is subdivided into
precincts which are governed by _mudirs_. The _prefet_, or governor, is
a despot, responsible to no one but the Sultan and exercising absolute
and unquestioned authority over the lives and property of his subjects.
Men disappear and their property is confiscated at his orders, and no
questions can be asked. He regulates the taxes, receives the funds
and disposes of them without a question. The _mudirs_ and other
subordinates carry out his instructions and trust him to stand between
them and the Sultan. The priests and monks of the Moslem Church must be
taken into consideration always, as they are the most powerful body in
Constantinople, and their influence over the people is undisputed. The
Sheik-ul-Islam, the head of the church, stands next to the Sultan in
power and authority and the _prefet_ and _mudirs_ are careful never to
offend him.
The Armenians at one time were the most important part of the business
community, but since the massacres in 1896, when at least 5,000 of that
sect were butchered and their property looted and confiscated, they
have been exceedingly cautious, and at present very few of the 250,000
Armenians in Constantinople are doing business under their own names.
Some of them have gone into partnership with Turks, paying the latter
a certain percentage of the profits of their business for protection
and the use of their names. Many of the old shops of Armenian merchants
now have Turkish signs over the doors, for which privilege, however,
the owners have to pay a heavy blackmail. Since the massacres every
Armenian has been discharged from the employ of the government and
very generally from the employment of private Turks. Before 1896 and
as far back as anyone can remember, Armenians held the most important
subordinate positions under the government because of their executive
ability, particularly in the financial department, where they are very
strong; but now the vindictiveness of the Turk against them is so
violent that the name of Armenia has been stricken off the map and that
province is known as Upper Turkey. The custom-house officers will not
permit the importation of maps bearing the name Armenia. If any such
are found they are confiscated and burned, and every book containing
the name Armenia is blotted by the censor.
The Greeks, who are next in numbers, are also business men and now have
the largest share of the mercantile trade in their own quarter of the
city. Although Turkey was recently at war with Greece and the rivalry
between the two countries is bitter, there is no hatred or prejudice
against them. The same is true of the Jews. Both races live at peace
with their Turkish neighbors, and are allowed to worship God in their
own way without interference, and are never compelled to endure such
persecutions as have been suffered by the Armenians for centuries. The
explanation of this is that Greeks and Jews never meddle in politics,
while the Armenians are continually doing so. Furthermore, the province
of Armenia has been in a state of discontent for many years, and
its inhabitants are constantly exciting revolutions against their
oppressors--usually with very bad judgment and no possible prospect
of success. Palestine is just as much a Turkish province as Armenia,
but its inhabitants submit to the despotism under which they are born,
while the Armenians will not.
Half the Greeks and Armenians in Turkey have lost their own languages
because they have been forbidden to speak them. Without practice they
have forgotten their native tongues. The Jews have been more kindly
treated. The Armenians are compelled to worship in secret. Greek
churches can be found in every part of the Ottoman Empire as public as
the Mohammedan mosques, and no Jewish synagogue is ever interfered with
by Moslem mobs. It is the Armenians that they attack exclusively.
The ferry-boats which run to all parts of the Bosphorus are very much
like those on the Thames in London and on the Seine in Paris. They
have time-tables, which are posted in convenient places and published
in the newspapers, but are seldom observed; no one knows why, except
that it is the nature of the Turk. A boat which is advertised to start
at nine o’clock may go ten minutes before or twenty minutes after. The
guidebooks warn people not to rely upon the published announcements.
The boats to Brussa, a neighboring town much frequented by tourists,
the guidebook says, leave daily, “some time between 7 a.m. and 8:30
p.m., according to circumstances.” In other words, their movements
depend upon the cargo, the number of passengers and the whim of the
captain.
The railway management is very much the same. While I was in
Constantinople, in the spring of 1902, a small section of the track
between that city and Budapest was washed away. The trains going west
returned to Constantinople, but the trains coming east from Budapest
and Vienna were not notified of the obstruction and were allowed to
start as usual and accumulated at the washout, where there were no
accommodations for the passengers, no place for them to eat or sleep.
When the cars were finally sent back to Adrianople, the nearest town,
the passengers were compelled to pay full fare to that point. The mails
for several days were allowed to accumulate at the washout and were
held there for nearly three weeks, when they might have been taken
back a few miles to Adrianople and sent around by another route, via
Bucharest, but no one seemed to have thought of it, although such
accidents and interruptions of traffic occur every year. Passengers by
the Orient express, which is the most expensive train in the world,
were allowed to leave Constantinople and were carried to the washout.
Tickets were sold to London, Paris, Berlin, Vienna and other distant
points and full sleeping-car fare was collected and all tickets are
limited to one day--the date stamped upon them. The railway company
would not extend them or refund the money or give rebates, and even
compelled the passengers who were carried to the blockade to pay, not
only the regular fare, but what is termed a “speed supplement” charged
upon express trains, and also the full sleeping-car rates. Those who
attempted to secure a rebate or the return of their money were calmly
informed that it was not the practice of the railway company to redeem
its tickets, and persons who started for London and other places by
the first train after the break was repaired were compelled to buy new
tickets and pay again the regular sleeping-car charge and the “speed
supplement.”
A gentleman who purchased a ticket from Vienna to Constantinople was
compelled to turn back at Sofia, about half way on his journey, and
asked the railway officials to redeem the unused portion. They refused
to do so on the ground that he had given no reason why it should be
done. He replied at once that he had been met by a telegram stating
illness in his family which required him to postpone his journey and
return to Vienna, and asked that the money he had paid for the ticket
be refunded or the time limit be extended, so that he could use it at
some future date. The railway officials calmly replied that they did
not consider the reason given sufficient.
VI SCENES IN CONSTANTINOPLE
Experienced travelers have often asserted that the representatives of
a larger number of races and more picturesque costumes can be seen
upon the bridges of Constantinople than anywhere else in the world,
and those who have watched the throngs that are continually passing to
and fro on foot, on horseback, on donkeys, in carriages and in sedan
chairs are inclined to believe the assertion. There are two bridges
across the Golden Horn, about one mile apart. Both are pontoons, strips
of planks laid upon iron floats or caissons, and were intended to be
temporary. The erection of a permanent bridge across the Golden Horn
between Stamboul, the principal and most populous Mohammedan quarter,
and Galata, where the foreigners live, has been frequently proposed
and plans have been repeatedly submitted, but no engineer or bridge
company will undertake the job without a large payment in advance, and
there is never any money in the Sultan’s treasury. Several companies
have been organized to construct bridges, but have never been able to
obtain permission, and a multitude of promoters have sought concessions
for that purpose from time to time, but there is no sign of a permanent
bridge. The old floats still remain and answer every purpose, not
only being a means of communication for a million people, but landing
places for ferry boats, pleasure steamers, private yachts and other
small craft upon the Bosphorus. The caissons are immense rectangular
casks of iron sixty by thirty by twenty feet in size. They are chained
together, with passages between so as to give free flow to the water.
About the middle of the channel there is an arrangement by which two of
the floats can be detached and brought around out of the way so as to
allow the passage of vessels, but this always was a very slow process
and interrupted traffic for half an hour or more. Hence a regular
time is appointed for the passage of vessels, and from four to six
o’clock every morning the gateway is opened, and those who do not avail
themselves of that opportunity have to wait twenty-four hours. Upon the
caissons a frame of timbers sixty feet wide has been laid and planked
over. Sidewalks for foot passengers are reserved, but pedestrians
take the roadway quite as often, and from six o’clock in the morning
until nearly midnight the bridge is thronged by two endless streams
of humanity passing both ways. At either entrance are groups of toll
collectors wearing long white tunics to distinguish them from the rest
of the public, and they hold out their hands to receive the coppers
from people who walk and people who ride. Everybody has to pay except
the high officials of the government--usually great, fat pashas, who
are identified by the livery of their coachmen. The toll is about one
cent for foot passengers, two cents for mounted persons and ten cents
for carriages.
It would take many pages to describe the different classes of people
that may be seen upon this wonderful bridge, and the catalogue would
contain representatives of every race and religion under the sun. Their
costumes afford a very interesting study. Those who are familiar with
the oriental races can identify them readily and tell you where every
man comes from. Many of the women are veiled, with long mantles and
black shawls over their heads. Some of them wear a sort of mackintosh
belted in, altogether unlovely and ungraceful, which is the intention.
The idea of wearing a veil is to make a woman as hideous as possible,
and the Turk succeeds in that purpose, if in no other. The ladies
who are not veiled are either Greeks, Armenians, Jewesses or other
foreigners. All the women of Constantinople, except Turkish women, wear
European garments and ordinary hats. Turkish women of position always
ride attended by a eunuch or a mounted escort, because it is not proper
for them to appear alone in a public place, even if they are veiled,
and the etiquette of the country forbids men to accost veiled women.
If such a thing should be noticed there would be a mob in an instant,
for every Moslem in sight would consider it an insult to his mother,
his wife and his sister--in fact to all their sex. Few men dare assist
a veiled woman even if she should stumble, or even pick up a package
if she should drop one, for fear his courtesy should be misconstrued.
The first caution offered to strangers in Constantinople concerns this
matter of national etiquette, and it is often wisely bestowed. To take
no notice whatever of veiled women is the safest thing a stranger in
Constantinople can do. Women who do not wear veils are not included
in the category, for they are not Mohammedans and may be treated with
ordinary courtesy. Some of the Armenian women are beautiful and are
richly dressed. The Greek women have dark eyes, thin lips, and dress
with Parisian taste. In certain parts of Constantinople very few
veiled women are to be seen. On the Grand Rue de Pera, the principal
shopping-place of the European quarter, where most of the tradesmen
are French and German, they seldom appear.
Each side of the bridge is lined with peddlers, selling all sorts of
things and crying their wares in stentorian tones, and beggars who
crouch under the railing, holding out their hands in a piteous manner
and appealing for baksheesh. The priests of the Mohammedan Church wear
white wrappings around their fezzes as a badge of their profession.
Persians wear black fezzes, often made of lamb’s wool or astrakhan,
while the other races have different head-dresses. The Greeks wear
stiffly starched white petticoats of cotton about the length of the
skirts of a ballet-dancer, with white leggings, embroidered vests and
jackets with long, flowing sleeves. The dervishes wear long black
caftans or cloaks, which reach to their heels like the frock of a
Catholic priest. You see all sorts of priests. They seem to number next
to the soldiers, who constitute almost one-half of the passengers to be
seen upon the bridge.
Many of the carriages and the horses are fine, although not equal to
those to be seen in St. Petersburg. The mounted officers dash through
the crowd in the most reckless manner, without regard to the lame or
the lazy, and the donkey drivers do not seem to care whether they run
over people or not, although they are extremely careful not to injure
the mangy mongrels that lie around on the bridge, as they do everywhere
else. Upon the bridge can be bought from peddlers almost anything a
human being can want, because they are constantly passing back and
forth, offering their wares. The number of peddlers in Constantinople
is estimated at 75,000.
The water-front of Constantinople, instead of being devoted to docks,
warehouses and other facilities for shipping and commerce, is occupied
by the palaces of the Sultan and the pashas. There is one short quay
reserved for the landing and embarkation of goods, not larger than
a single pier in New York harbor, or the space between two of the
bridges over the Chicago River, and every article of merchandise that
is brought into Constantinople or is shipped out of the city, including
the luggage of passengers, must be handled in that narrow space. A
little narrow-gauge manpower railway track runs along the edge of the
water and terminates at the custom-house, through which all goods must
pass. There are no bonded warehouses, and imported merchandise must be
taken out at once upon arrival and the duty paid.
Upon the graves of the dead in the Turkish cemeteries little vessels of
water are placed for the benefit of the birds, and some of the marble
tombs have basins chiseled out for the same purpose, the superstition
being that birds carry messages about the living to the dead, and,
like everybody else in Turkey, are suspected of being spiteful unless
something is done to win their favor.
Upon entering a Mohammedan mosque the hat is kept on, but the shoes
must be taken off, for “the spot on which thou standest is holy
ground.” Hence the Turks have their boots made with double bottoms. A
sort of slip like the new-fashioned rubber sandals fits over the toe
as far as the instep and the sole of the shoe and is held on by a band
passing around the heel. A little brass point projects at the heel,
which is convenient in kicking them off.