CHAPTER XII.

What Madelon did at the Redoute.

And so more than half Madelon's troubles are over, and she is

really approaching the moment so looked and longed for, for

which so much has been dared and risked! Ah, is it so that our

dearest hopes get fulfilled? In after years Madelon always

looked back upon the remainder of that day, as upon the

previous night, as a sort of horrible nightmare, through which

she struggled more and more painfully--to what awakening we

shall presently see. The golden morning had faded into a grey

drizzle; the mist hung upon the hills, hiding their tops, and

there were low heavy clouds, presaging an afternoon of more

decided rain. The golden hope, too, that had so sustained and

cheered our Madelon, seemed to have suddenly faded also; and

in its place was that ever-increasing sense of utter weariness

and aching limbs, which seemed as if it would overpower her

before she had gone a dozen yards from the house. She went on

bravely, however, trying to brace herself with the

consciousness of a great purpose, very near its fulfilment

now; but somehow she seemed almost to have forgotten what it

was, or why she had ever formed it. Her keenest feeling at

that moment was, perhaps, that expressed by the quick, furtive

glance with which she looked round from time to time, as some

following footstep made itself heard behind her. The sudden

alarm at Chaudfontaine had given rise to a haunting dread,

which she was unable to shake off, though even that was rather

a vague sensation than a well-defined, reasonable fear.

Still she kept on her way, strong in the strength of a

resolution that had so taken possession of all the deepest

feelings and affections of a most ardent little nature, that

nothing but absolute physical inability could have held her

back from keeping to it now. It was perhaps well for her,

however, that with her childish pleasure in planning every

detail, she had arranged everything beforehand with such

minuteness, that she had no need to reflect now as to what she

had to do. She had only to go on mechanically, and indeed she

seemed to have no power of reflection left in her at all, as

she walked slowly up the street, past the gay shops, where, a

happy, chattering little girl, she had so often lingered with

her father, to choose some pretty trifle. Almost without

thinking, so familiar was the road, did she enter the Redoute,

and ascend the wide staircase; and then at last she feels a

thrill as she sees before her the big salons that she has so

often re-visited in her dreams, with their gilding, and

mirrors, and velvet, that she loves so well, and with which

some of her happiest hours are associated--sees, too, the long

green tables, where Monsieur Horace's fortune is to be made,

and Madelon's promise redeemed at last.

Nothing seemed so strange to our inexperienced Madelon, as

that everything should be unchanged; only yesterday she had

been sitting quietly in the convent garden, with long years

separating her from the old life--and now it seemed but

yesterday that she had been here. She went straight up to the

_rouge-et-noir_ table. She was familiar with both it and

roulette, but of the two games _rouge-et-noir_ was that which M.

Linders had always most affected; and without thinking much

about it, Madelon had fixed upon it as the one at which she

would try her fortune. It was still early, and the tables had

not long been opened, yet there was already a crowd two or

three deep round them; and Madelon, hovering on the outside,

had to wait some time for an opening that would enable her to

approach near enough to lay down her money. It seemed so

natural to be standing there watching the play--the expectant

silence, the clink of the coin, the monotonous drone of the

croupier, were all so familiar, that for a minute she quite

forgot that she had any special object in view; and then, with

one of those starts of realization with which from time to

time she seemed to waken up out of some confused dream, she

remembered why she was there, and what she had to do. It was

only then, that on taking out her purse with its cherished

contents, so as to be ready when her turn should come, it

flashed across her mind that she had intended to ask Madame

Bertrand to change the two ten-franc pieces that formed her

capital, into pieces of five francs, which would have given

her two chances more. Well--it could not be helped now, and,

after all, had she not more than enough? "_Dix francs, et je

ferai fortune--dix francs, et je ferai fortune_--" The old words

seemed to set themselves to a tune in Madelon's head, chiming

in with the croupier's perpetual "_Rouge gagne et la couleur_,"

"_Rouge perd et la couleur_," whilst the two precious coins grew

warm in the little hand that was clasped so tightly over them.

She had half relapsed into her dreamy state, when a woman who

had been standing in front of her came pushing through the

crowd. Madelon instinctively stepped forward to take her

place, and roused up on finding that she was near enough to

the table to lay down her money. The croupier was counting out

the cards for the next stakes. Madelon waited till that turn

was over, and then, leaning across the back of the chair

before her, threw one of her little gold pieces on the table.

It was on the red she had staked. There was a pause as the

other players made their game; Madelon's languid pulses began

to flutter with a sudden interest, increasing to breathless

excitement as the croupier began to deal out the cards. "_Rouge

perd et la couleur_," and the poor little piece was swept away.

Madelon's heart sank with a sudden pang, and then it beat

faster, and her cheeks flushed, as, with a quick impulse,

without a moment's hesitation, she threw her remaining ten

francs on to the same spot. Another pause--another deal. "_Rouge

perd et la couleur!_" She had lost again, and her last chance

was gone.

Surely at the gambling-tables of Spa that day there was no

more pitiful little tragedy played out than that represented

by these two warm little gold coins, raked away by an

indifferent croupier into a great careless heap, and carrying

with them how many hopes, and ambitions, and longings--all

crushed and scattered in one brief moment. Madelon half

uttered a stifled cry, half made an involuntary movement

forward; then, recollecting herself, shrank back, disengaging

herself from the crowd. The gap was immediately filled up; no

one remarked, or cared for, the poor, despairing child. The

brave little spirit almost gave way, as Madelon, with a sudden

sick feeling of faintness and giddiness, was obliged to sit

down on the nearest sofa--but not quite even then. All was

lost--nothing now remained for her to do in those _salons_, and

she must not stay there, she knew; so in a minute she got up

again, and made her way out of the room and down the

staircase, clinging to the balustrade, blindly groping her

way, as it were, till she was once more in the street.

Here the fresh air revived her a little, and she was able to

consider what she should do next. Ah! what, indeed, was she to

do, with a programme so rudely disarranged, with all her

little plans and projects so shattered to fragments, that to

restore them to anything like their former shape seemed

hopeless? Madelon could think of nothing better to do than to

go back to the hotel from which she had come. She had left all

her small possessions there, and perhaps Madame Bertrand would

have come in, and would be able to help her. In all the world

our despairing Madelon could turn her thoughts nowhere at this

crisis but to the good, unconscious Madame Bertrand, the one

friend to whom she could apply, and who might perhaps be

willing to assist her.

It seemed a long time before she found herself at the hotel

again, and yet, in fact, it was scarcely more than half an

hour since she had left it. Through the open door to the left

she might have seen the waiter still busy over his plates and

glasses, while the gentleman who had been breakfasting had

only just finished his newspaper. But Madelon never thought of

them, nor looked in that direction, indeed; with dazed eyes

she was making her way along the semi-darkness of the passage

to the parlour at the end, when she ran right up against some

one who was coming towards her--a stout old lady, with grey

hair, and a little grey moustache, a very gay shawl, and a

large bonnet, with primrose-coloured ribbons. Madelon

recognised her in an instant. "Oh! Madame Bertrand!" she

cried, flinging her arms round her, "don't you know me? I am

Madeleine Linders."

Madame Bertrand stepped back, a little overwhelmed by this

vehement salutation, and then,--

"Madeleine Linders?" she cried. "What! little Mademoiselle

Madelon, who used to come here so often with her papa?"

"Yes, I am little Madelon," she answered; and indeed the sight

of the kind old face, the sound of the cheery, familiar voice,

made her feel quite a small Madelon again. "You have not

forgotten me, have you, Madame Bertrand?"

"Indeed I have not, though you have grown into such a tall

young lady. But why have you not been here for such a long

time? Where is your papa?"

"Ah! Madame," says Madelon, her sense of utter discouragement

gaining ground again, as the first flush of pleasure at the

sight of her old friend died away, "I am very unhappy. Papa

died nearly three years ago, and I have been in a convent ever

since, with Aunt Thérèse; but Aunt Thérèse is dead too; and

they said that I was to be a nun, so I ran away."

"To be a nun!--a child like you? How could they think of such a

thing?" cried the good old woman. "And you look tired out.

Come in here and tell me all about it."

She drew her into the little parlour as she spoke.

Mademoiselle Henriette was sitting at the high desk in the

window looking on the garden, and some one else was there too,

fanning herself in one of the worsted-work chairs. It was

Madame la Comtesse, who had come there to settle her husband's

business with Madame Bertrand. Both looked up as the landlady

came into the room, half carrying, half dragging Madelon.

"_Pauvre petite! pauvre petite!_" she kept on saying, shaking

and nodding her kind old head the while.

She made the child lie down on the sofa, pulled a cushion

under her head, and then introduced her generally with "They

wanted to make her a nun, and so she has run away from the

convent."

"Run away!" cried Mademoiselle Henriette, turning quite round.

"Well, I thought there was something very queer----"

"Run away!" cried the Countess. "Dear me, but that is very

naughty!"

These little speeches, coming in the midst of Madame

Bertrand's effusive benevolence, seemed quite irrelevant to

the matter in hand, but nevertheless imparted a sudden chill.

"Not at all naughty," said Madame, at last, rallying, and

still busy about the sofa, where Madelon had passively and

wearily laid back her aching little head. "It was the very

best thing she could do. Nun, indeed! I have no great opinion

of convents, nor nuns either, myself; an idle pack--the best of

them only say more prayers than their neighbours, and there is

nothing very clever in that. I could do it myself, if I had

the time."

"But it is very singular," said the Countess, getting up.

"That is certainly the same little girl I travelled with from

Chaudfontaine this morning. I thought there was something odd

about her; she would not answer any of my questions. But there

is no convent at Chaudfontaine. Are you sure she is telling

you the truth?"

"Of course she is, Madame--I have known her since--since she was

that high," replied Madame Bertrand, with some indignation; a

reply so conclusive to herself, that its want of apparent

logic may be pardoned. "Tell me, _mon enfant_, where is your

convent that you speak of."

"At Liége," said Madelon, rousing and trying to sit up. "Aunt

Thérèse was the Superior, but she is dead. I walked to

Chaudfontaine in the night--and--oh, Madame Bertrand, don't let

them come and take me back!" She gave a terrified glance round

the room, and caught hold of Madame Bertrand.

"No one shall take you away; don't be afraid, _chère petite_;

but tell us all bout it. Walked to Chaudfontaine in the night!

Why, you must be half dead, poor little one! And what have you

come to Spa for--have you any friends here?"

"No," said Madelon, "I thought you would help me, and let me

stay here for a little while."

"And so you shall--for as long as you like," said Madame; "but

what have you come here for? Have you no friends to go to?"

"Yes--I--I--ah, I forgot!" cried Madelon, burying her face in her

hands. All of a sudden she remembered how she had intended

writing to Monsieur Horace, all that she had meant to say to

him, and how she would have asked him to come and help her--and

now all that was at an end. As to telling Madame Bertrand or

any one else of her cherished plans--never; that was her own

secret, which she would never, never part with, except to

Monsieur Horace himself. "I forgot," she cried, "I have no

one--ah? what shall I do, what shall I do?"

"Do!" said the Countess, interposing with much prompt energy,

"it is not difficult to know what you must do; you must go

back to the convent, of course. I never heard of anything so

improper as your running away."

"No, no, no," cried Madelon; "I cannot go back there--never;

they would kill me." She flung herself down on the sofa again,

while old Madame Bertrand tried to comfort her. No one should

make her go back; she was her _chère petite_, she would take

care of her--and was she not very hungry? would she like some

soup, or some cakes, or some bread and _confiture?_

Meanwhile the Countess was saying to Mademoiselle Henriette,

"This is a most extraordinary affair. If we do not take care,

your excellent aunt will be imposed upon; but I am going back

to Liége in an hour, and can perfectly well take the little

girl with me, and leave her at the convent."

"Indeed, Madame, we should be much indebted to you," said

mademoiselle Henriette, briskly; "it is evident that she has

no friends, and has come to my aunt simply because she was in

some way acquainted with her formerly. As you say, if we do

not take care we shall certainly have her on our hands; my

aunt is quite capable of it."

"Then that is easily settled," said the Countess; "I will take

charge of her. No thanks, Mademoiselle, I am only doing my

duty. I really do not know what young people of the present

day will come to. Does any one know what her name is, or

anything about her?"

Madame Bertrand, who had been vainly endeavouring to extract

from our desponding little Madelon any decided expression of

opinion on the subject of cakes or confitures, overheard this

last question. "Poor little one, I know her very well," she

said, lowering her voice confidentially, "her name is Linders;

her father was Monsieur Linders, a famous gambler--it was long

before you came here, Henriette, and Madame will not have

heard of him probably; but here in Spa he was well known, and

he used often to come to our hotel."

"Linders!" cried the Countess--"M. Linders--yes, certainly I

remember him perfectly, and the little girl too. M. Linders?--

of course, every one knew him."

"Ah! Madame, did you know my father?" said Madelon, raising

her head at these last words, and clasping her hands

imploringly; "be good to me then, I entreat of you; do not

speak of sending me back to the convent. I cannot go!"

There was something pitiful in the child's voice and gesture,

something pathetic in the little appeal to her father's

memory, that might have touched any one less animated by a

stern sense of duty than the Countess. As it was, she was not

in the least affected.

"On the contrary, _mon enfant_," she answered, "I shall be doing

you the greatest kindness, and no more than my duty, in taking

you back there; and we have agreed that you shall return with

me at once."

"I will not go!" cried Madelon, wildly; "I cannot, I will

not!--I will not! Do you hear? What right have you to take me?

I am not your child!--I will not go with you!"

She got up as she spoke, confronting the Countess, and trying

to throw all the energy of which she was capable into her

vehement words. But even in her own ears her voice sounded

shrill and weak, and seemed to die away as if she were talking

in her sleep; the very strength of her emotion appeared

unreal, and failing her when she most needed it: her words

seemed to have no meaning, and as she finished speaking, she

dropped down on her seat again with a little sob, feeling that

she was conquered, for she had no power of resistance left in

her.

So she lay upon the sofa in a sot of doze, while a tribunal of

three sat upon, condemned, and sentenced this poor little

criminal, who knew nothing of what they were saying after she

had made her own ineffectual little protest. Madame Bertrand,

indeed, good old soul, with the softest and kindest of hearts,

would not at first hear of her being sent away; she was fond

of the child, she said; she had known her for years, and felt

sure there was something in her story that they did not yet

understand. But Madame Bertrand was old--moreover, she was not

a little in awe of the niece whom she had called in to assist

her failing powers; moreover, she had perhaps a lurking idea

that they might after all be right, and that there was

something exceptionally heinous in running away from a

convent; so she was soon overruled by the other two, who

settled the matter in a very summary way--Madelon must return

to the convent with Madame la Comtesse that very day.

She was roused up presently, and made to drink some wine by

Madame Bertrand, who was in despair because she could eat none

of the good things she had provided, and felt nothing but and

old traitress, as Madelon stood up at last, looking about her

with dazed eyes; and then, without further opposition,

submissively put on her hat, took up her bundle, and prepared

to follow the Countess. Indeed, had Madame Bertrand known how

recently the child had recovered from a long illness, nothing,

I think, would have induced her to let her go; but she only

supposed she was over-tired with her strange night journey;

and, in fact, the wine and the rest together had so far

revived Madelon that she appeared quite capable of walking

down to the station with the Countess. Madame Bertrand gave

her great hug as she wished her good-bye, and was perhaps a

little aggrieved at the passive way in which Madelon received

it.

"If ever you want help, come back to me--will you not, _mon

enfant?_--and I will help you, if I can."

"Yes," said Madelon; "but they will not let me run away again;

will they?"

"Let you run away, _ma petite?_"

"Yes--Aunt Thérèse, you know. She won't let me do it again."

"Your aunt? You told me she was dead;" cried Madame.

"Yes, so she is," said Madelon. "I was forgetting, I think.

Good-bye, Madame Bertrand. You will let me stay next time,

will you not? But I must go now?" And she followed the

Countess out of the house without another word.

Madame la Comtesse, having got her own way, was kind enough to

the child who had so unwittingly strayed across her path. When

they reached the station she gave her her ticket, made her sit

down in the waiting-room, and even offered her refreshment in

the interval before the train started. Indeed, we should err

if we attributed to the Countess, whom this little episode in

our Madelon's history has brought for the second, and we may

trust for the last, time before us--we should err, I say, in

attributing to her any feeling of ill-will towards Madelon, or

any special interest in her conduct or fate. Neither need it

be imagined that she was actuated by any large views of duty

towards the world in general: she was not at all benevolent,

but neither was she particularly ill-natured; she was merely a

shallow-minded, frivolous woman, who, having long since

lowered her standard of perfection to suit her own

attainments, saw fit to measure every one else by her own

narrow ideal, and to set them right where they proved

themselves wanting--a convenient process, which enabled her to

satisfy her vague sense of duty, and right and wrong, without

any reference to her own possible shortcomings. In capturing

our little stray Madelon, and taking her back to the convent,

she felt she was doing a deed that would afford her matter for

self-congratulation for days to come; and she was gracious and

affable accordingly, speaking to Madelon in a tone of

condescending good-nature, which was quite lost upon the

child, who was beyond caring for kindness or unkindness just

then. She was only conscious of some terrible burden, which

she could not define nor reason upon, but which seemed to

oppress and weigh her down, making her incapable of thought,

or speech, or motion. When they got into the railway-carriage

she could only lean back in the corner, with a general sense

that something dreadful had happened, or was going to happen;

but that her head ached too much, and felt too confused, for

her to remember what it was all about.

They changed carriages at Pepinster, and, still in the same

dream of misery, Madelon followed the Countess from one train

to another. They set off again, but presently, as the

slackening speed showed that they were approaching another

station, she suddenly woke up to the keenest perception of her

situation, with a quickening of her numbed senses to the most

vivid realization of all she had lost, of all she might have

to endure. Ah! it was all true, and no dream--she had run away

from the convent to make Monsieur Horace's fortune; and she

had not done it, and now all was over, and she was being taken

back to the convent--and there would be no more chance of

escape for her--never more. In the agony of this thought she

turned towards the Countess, with a half-formed intention of

throwing herself at her feet, and imploring, in such voice and

accents as should admit of no refusal, to be allowed to go

away--anyhow, anywhere, only as far as possible from Liége. But

she checked herself as she saw that the Countess, with a

handkerchief thrown over her face, had comfortably composed

herself to sleep in one corner, and a new idea suggested

itself as the train stopped at a little village station. The

child glanced towards the woman; she still slept, or appeared

to do so, and the next moment Madelon had opened the door,

and, taking up her bundle, had slid swiftly and silently out

of the carriage.

The train moved on, and a drowsy Countess might presently

awake to find with astonishment that she was alone in the

compartment; but our little Madelon, left standing on the

platform, had slipped out of her sight and knowledge for ever.

My Little Lady · 第 7 / 14 章