So she stood in the damp darkness of Little Asia, skirts daintily aloof,

while the groom sought for the chap he knew down here. She felt that

it must be a queer and inspiring situation to know a man down here. Yet

Dixon seemed to think nothing of it. It seemed too frightfully awful that

people should live here. Never mind; Socialism was growing day by day

among the right people, and——

Then Dixon returned with the chap he knew down there, and Lady Dorothy

thought of Grosvenor Square, and shrank as she viewed their cicerone. For

he was Ho Ling, fat and steamy; and he sidled to her out of the mist,

threatening and shrinking, with that queer mixture of self-conceit and

self-contempt which is the Chinese character. It may be that Dixon was

up to something in bringing his mistress here; one never knows. But here

she was, and here was the yellow Ho Ling; and, with a feminine fear of

cowardice, she nerved herself to go through with it. She had heard that

the Chinese quarter offered splendid material for studies in squalor,

as well as an atmosphere of the awful and romantic. Her first glances

did not encourage her in this idea; for these streets and people are

only awful and romantic to those who have awful and romantic minds. Lady

Dorothy hadn’t. She had only awful manners.

With Ho Ling in front, Lady Dorothy following, and Dixon in the rear,

they crossed the road.

* * * * *

Henry Wiggin lifted the jug from the coverless deal table, inverted

it on his face, held it for a moment, then set it down with a crack,

voluptuously rolling his lips. That was all right, that was. Heaven help

the chaps what hadn’t got no beer that night; that’s all he’d got to say.

He was leading from this to a few brief but sincere observations to his

brother Bert on the prices of malt liquors, when, on the grimy window,

which, in the fashion of the district, stood flush with the pavement,

came two or three secret taps. Each started; each in different ways.

Henry half rose from his chair, and became at once alert, commanding,

standing out. Bert’s glance shot to half-a-dozen points at once, and he

seemed to dissolve into himself. For a few seconds the room was chokingly

silent. Then, with a swift, gliding movement, Henry reached the window,

and, as Bert flung back from the light’s radius, he stealthily opened it.

It creaked yearningly, and immediately a yellow face filled its vacancy.

“Ullo. It is I—Ho Ling. Lady here—all same lah-de-dah—going—how you

say—slumming. Parted half-a-bar. Wants to see inside places. Will my

serene friend go halves if she come into here, and part more half-bars?

How you say?”

“Wotto. I’m on. Wait ’alf-a-jiff.” He closed the window, and made for the

door. “’S all right, Bert. On’y a toff gointer shell out. Wants to squint

round our place. We go halves with Chinky whatever she parts.”

“Sure it’s a toff?” in a voice meant to be a whisper but suggesting the

friction of sand-paper. “Sure it ain’t a plant?”

“Course it ain’t. Old ’O Ling’s all right.” He fiddled with the handle

of the door, opened it, and stood back, only mildly interested in the

lah-de-dah who was invading the privacy of his home. If he had any

feeling at all, it was a slight impatience of this aloof creature of the

world above; the sort of mild irritation that the convicts feel when they

stand on railway stations, the objects of the curious stares of hundreds

of people who are at liberty and think nothing of being so.

There was a moment’s hesitation; then, into the fishy, beery, shaggy

atmosphere of the room stole a whiff of the ampler ether and diviner

air of Mayfair. Into the arc of yellow candle-light, into the astonished

gaze of Henry, and into the professionally quickened stare of Bert,

stepped the warm, human actuality of _A Duke’s Daughter_, from last

year’s academy. Behind her, in the doorway, calm and inscrutable as a

Pentonville warder, stood Ho Ling, careful to be a witness of the amount

parted. Behind him, in the deep, dark gloom of the archway, was the groom.

Lady Dorothy gazed around. She saw a carpetless room, furnished only with

a bed on the floor, a couple of chairs, and a table littered with fried

fish and chips and a couple of stone jugs. In the elusive twilight, it

was impossible to obtain a single full view, and the bobbing candle made

this still more difficult. By the table stood Henry, in all his greasy

glory, a tasteful set-off to the walls which dripped with moisture from

the railway above.

Oh! And again—oh! And did people really live down here? Was it allowed?

Didn’t the authorities——? Was this all there was—one room? Did they eat

and sleep and do _everything_ here? And was this all the furniture?

Really? But how_ever_ did they manage? Did they really mean to say....

But they couldn’t, surely.... How ... well.... Was that the bed—that

thing over there? And had they no.... Dear-dear. How terrible. How——

Oh! What was that? A _rat_? A RAT? Ugh! How _horrid_! She skipped lightly

aside, and as she did so the bracelets on her wrists jingled, and the

small chatelaine bag at her waist jingled, and her wrist-watch and the

brooch at her alabaster throat were whipped to a thousand sparkling

fragments by the thin light. And as they sang, Bert’s ears tingled, even

as a war-horse’s at the noise of battle.

He considered the situation. From the outer world came little sound. The

bewildering maze of arches shut them completely from the rattle of the

main streets, and Poppy Gardens was deserted. A train rumbled heavily

over the arches—a long train carrying a host of woes that grumbled

and whined. It passed, and left a stillness more utter. It was simply

tempting Providence to let the occasion pass. It was simply asking for it.

He looked; he saw; he appreciated. His fingers moved. On her entry he had

been standing back in the corner, beyond the dancing reach of the light,

and, with sub-conscious discretion, he had maintained his position. Now

he saw the magnificent meaning of it. And as Lady Dorothy, prettily

shrinking, moved from point to point of the cramped room, he thrust

forward his scrubby lips until they reached Henry’s shoulder.

“It’s a sorf job!”

Henry at the table turned his head, and his eyes raked the ceiling. “I’m

ashamed of yeh, Bert,” he whispered.

“Make old Ling take that kid off,” came from Bert. “Tell ’im we’ll share.”

“Bert—oh, yeh low blaggard!”

But Bert, from his gloomy corner, caught Ho Ling’s eye, and mouthed

him. And Ho Ling knew. He turned back into the dark street. He spoke to

the groom, and his mumbling voice came sleepily to the others, like the

lazy hum of busy bees. Four footsteps grated on the rough asphalt and

gradually dimmed away. Silence.

Bert moved a foot forward, and tapped his brother’s ankle. There was no

response. He repeated the action. But Henry had dropped into his chair

before the odorous litter of three-pieces-and-chips in paper, and was

staring, staring, quietly but with passionate adoration, at the lady who

shed her lambent light on Number 2 Poppy Gardens. For though Henry’s

calling, if it is to be followed with success—and five years ago Henry

was the narkiest nark in East London—demands a hardened cynicism, a

resolute stoniness, yet his heart was still young, in places, and a faint

spark of humanity still glowed, not only for Bert, but for the world in

general. But Henry knew nothing of the ways of love. None of the rosebuds

of Limehouse had won his regard or even his fleeting fancy. In his middle

age he was heartwhole. And now, into the serenity of that middle age had

burst a whirlwind. He gazed—and gazed. Here stood this—this—“ayngel”

was the only word that came to his halting mind—here she stood, a rose

among dank river weeds, in his bedroom, next to him, ’Enery, the blahsted

copper’s nark. It was too wonderful. It was too—oh, too....

He was trapped. He was in love. Soft voices sang to him, and he became

oblivious to all save the dark head of Dorothy, standing out in the misty

light, a vague circle of radiance enchanting his dulled eyes.

So that Bert tapped his brother’s foot vainly.

Then Dorothy moved a pace toward Henry. Bert, still unseen, drew snakily

back. She stood against the table, looking down on the seated figure. Her

dress rustled against his fingers, and he thrilled with pulsing heat,

because of the body loaded with graces and undiscovered wonders that it

clothed. The glamour of her close neighbourhood and the peaceful perfume

of violet that stole from her fired him with a senseless glory, and he

longed to assert his right to her admiration. She was talking, but he

heard no words. He only knew that she was standing against him; and as

he stared, unseeing, about the room with its whiffy table, its towzled

bed, its scratched walls (set alight by the shivering candle, as though

the whole world were joining him in his tremor), he felt well content.

He would like to sit like this for ever and for ever. This English rose,

this sleek angel, this....

_Ah!_ Henry felt at that moment that it was Providence and nothing

less. Providence. Only so could it be explained. It was, without the

least doubt, some divinity protecting this wandering angel that moved

Henry, at that critical moment, to turn his head. For what he saw,

as he turned, was a corner of thick velvety darkness; and from that

corner emerged a pair of swart, whiskered hands. Slowly they swam,

slowly, toward the fair neck of Lady Dorothy as she talked to Henry in

ostrich-like security. Henry stared.

Then the hands met, and their meeting was signalled by a quick scream

that died as soon as uttered into a gasping flutter. It must be repeated

that Henry loved his brother, and though, from childhood onward, they had

differed widely on points of ethics, never once had either raised his

hand against the other. But to-night romance had steeped Henry’s soul;

he was moon-mad; the fairies had kissed him. Thus he explained it next

morning, but none would hear him.

For, the moment Bert’s hands enclosed Dorothy’s neck, Henry, full of

that tough, bony strength peculiar to those who live lives of enforced

abstinence, sprang up, and his left went _THK!_ squarely between Bert’s

eyes. The grasp was loosened, and Henry grabbed Dorothy’s wrist and

swung back his arm, jerking her clean across the room. She screamed. He

followed it with a second blow on Bert’s nose. Bert staggered, dazed.

“Wha’-wha’? Hands orf yeh brother, ’Enery. What yeh doin’? ’Ittin’ yer

own brother?” There was ineffable surprise and reproach in his tone.

But Henry left him in no doubt, for he now saw red, and a third smack

landed on Bert’s jaw. Then Bert, too, arose in his wrath. Henry, however,

in his professional career had had vast experience in tough scrums of

this kind, in narrow space, while Bert knew but little of any warfare

except that of the streets. As Henry drew back, tightly strung for Bert’s

rush, his leg shot out behind him, caught the corner of the table and

sent it and the candle sprawling to the floor with a doleful bump and a

rush of chips.

Then the fun began. For of all sports that can ever be devised, there

can be none more inspiriting than a fight in the dark. To Henry, in

the peculiar circumstances, it was the time of his life. He thrilled

and burned with the desire to perform great deeds. He would have liked

very much to die in this fight. Quixote never so thrilled for Dulcinea

as Henry Wiggin for Lady Dorothy. He became all-powerful; nothing was

impossible. He could have fought a thousand Berts and have joyed in the

encounter. An intense primed vigour swept over his spare jockey frame,

and he knew, even so late, the meaning of life and love. Lady Dorothy

screamed.

“Oh, yeh snipe!” cried Bert, with furious curses; and his rubber slippers

_sup-supped_ on the floor as he fumbled for his recreant brother. Henry

retreated to the wall, and his pawing hand found Lady Dorothy. She

screamed and shrank.

“Shut up, yeh fool!” he cried, in excess of enthusiasm. “Give yehself

away, yeh chump. Steady—I’ll get yeh out.” He dragged her along the wall

while Bert fumed and panted like a caged animal.

“Gotcher!” A sudden rush forward and he spread himself over the upturned

table. More language, and Lady Dorothy, had her senses been fully alert,

might have culled material for half-a-dozen slum novels from her first

excursion into Limehouse.

“’Alf a mo’, ’alf a mo’,” whispered Henry, consolingly, as he felt her

shake against him. “I’ll get the door in a minute. So bloody dark,

though. Steady—’e’s close now. Bert—don’ be a fool. Yeh’ll get the

rozzers on yeh.”

But Bert was beating the air with a Poplar sandbag, and it was clear from

his remarks that he was very cross. It seemed doubtful that he would

hear reason. Lady Dorothy screamed.

“’Alf a mo’, lidy. I’ll——” He broke off with a rude word, for the

sandbag had made its mark on his shoulder. Now he wanted Bert’s blood as

a personal satisfaction, and he left his lady by the wall and charged

gloriously into the darkness. “I’ll break yeh face if I get yeh, Bert.

I’ll split yeh lousy throat.”

His hand groped and clawed; it touched something soft. The something

darted back, and almost immediately came a volley of throttled screams

that set Henry writhing with a lust for blood. There followed a little

clitter, as of dropping peas, and a wrench and a snap.

“Gottem!”

“Bert—yeh bleeding twicer, if I get ’old of yeh I’ll——” and the rest of

his speech cannot be set down. He snaked along the wall and his stretched

hand struck the door knob. The situation was critical. The thick darkness

veiled everything from him. Somewhere, in that pool of mystery, was Lady

Dorothy in the vandal clutches of brother Bert. Too, she was silent.

Henry opened the door, and looked out on a darkness and a silence

thicker than those of the room. A train rumbled over the long-suffering

arches. When it had faded into the beyond, he stepped out and put one

hand to his mouth. Along the hollow, draughty archway a queer call rang

in a little hurricane.

“Weeny—Weeny—_Wee-ee-ee-ee-ny_!”

Bert gave a gusty scream. He knew what it meant. “Gawd, ’Enery, I’ll do

yeh in for this. I’ll ’ave——”

“Where’bouts are yeh, lidy; where’bouts are yeh?”

“I’m here. He’s got—he’s—oh!” Tiny shrieks flitted from her like sparks

from an engine.

And then the atmosphere became electric, as Henry, noting the position of

the door, made a second dash into space. He heard the dragging of feet as

Bert hustled his quarry away from the point at which she had spoken. He

followed it, and this time he caught Bert and held him. For a moment or

so they strained terribly; then Henry, with a lucky jerk, released the

grip on Dorothy.

They closed. Henry got a favourite arm-lock on his brother, but blood

was pounding and frothing, and violence was here more useful than

skill. They stood rigid, and gasped and swore as terribly as our Army in

Flanders, and they tugged and strained with no outward sign of movement.

One could hear the small bones crick. Lady Dorothy stood in a corner and

shrieked staccato. It seemed that neither would move for the next hour,

when Bert, seeing a chance, shifted a foot for a closer grip, and with

that movement the fight went to Henry. He gave a sudden jerk and twist,

flattened his brother against his hard chest, hugged him in a bear-like

embrace for a few seconds and swung him almost gently to the ground.

“Come, lidy-quick. ’E’ll be up in a minute. Run! Fer the love of

glory—run!”

He caught her and slid for the door; bumped against the corner of it;

swore; found the exit and pulled Lady Dorothy, gasping thankfully, into

the chill air and along the sounding arches, which already echoed the

throbbing of feet—big feet. But he had no thought for what lay behind.

With Dorothy’s lily hand clasped in his he raced through the night and

the lone Poplar arches towards East India Dock Road.

* * * * *

“No, but, look ’ere,” said Bert; “hang it all, cancher see——”

“Quite ’nough from you,” said the constable. “Hear all that at the

station, we can.”

Bert extended a hand tragically to argue, but, realising the futility of

resisting the obvious, he sat on the edge of the floor-bed and relapsed

into moody silence. He reflected on the utter hopelessness of human

endeavour while such a thing as luck existed. And it was only the other

day that he had pasted on his walls a motto, urging him to _Do It Now_.

“You was ’asty, Bert,” he communed. “’At’s alwis bin your fault—’aste.”

Then Henry, shoulders warped, hands pocketed, shuffled into the room. He

looked disgustedly at the floor, littered with fish and chips and watered

with two small pools of black beer. He looked around the room, as though

around life generally, and his lip dropped and his teeth set. He seemed

to see nobody.

“What-o, Hen, me boy!” said the constable amiably. “You look cheerful,

you do. Look’s though you lost a tanner and found a last year’s Derby

sweep ticket.” Then, relapsing to business: “This is all right, though,

this is.” He indicated the table, where lay a little heap of bracelets,

a brooch, two or three sovereigns, some silver and a bag. “First time I

ever knew you pop the daisy on yer brother, though. Fac. What was it?”

“Eh? What was ...? Oh, he went for a—a lidy what was going round ’ere.

She’s just got int’er carriage near ‘The Star of the East.’ You’ll find

’er chap under the arches somewhere with old Ho Ling, the Chink. In ‘The

Green Man’ I fink I saw ’em. Bert went for ’er and swabbed the twinklers.

’At’s all I know.” He sat down sourly by the table.

Bert sprang up frantically, but the constable put a spry grip on his arm.

He squirmed. “What.... No, but.... What yeh doing ... ’ere ... I....

Narkin’ on yer own brother! But yeh can’t! Yeh can’t _do_ it! Playin’ the

low-down nark on Bert. You.... I....”

It could be seen that this second shock was too terrible. The fight

and the calling of the cops was a mortal offence, but at least

understandable. But this....

“’Ere, but it’s Bert, ’Enery. Bert. You ain’t goin’ back on ol’ Bert.

Now! ’Enery, play up!” He implored with hands and face.

Henry slewed savagely round. In his eyes was the light that never was on

sea or land. “Oh, shut orf!”

For the lips of Henry Wiggin, copper’s nark, had kissed those of Lady

Dorothy Grandolin, all under the Poplar arches, and in the waistcoat

pocket of Henry Wiggin, the copper’s nark, were the watch and chain of

Lady Dorothy Grandolin.

_The Gorilla and the Girl_

In an underground chamber near the furtive Causeway, Saturnalia was being

celebrated. The room which lay below the sign of the Blue Lantern was

lit by shy gas-jets and furnished with wooden tables and chairs. Strange

scents held the air. Bottled beer and whisky crowded a small table at

the far end, and near this table stood the owner of the house, Mr Hunk

Bottles. At other small tables were cards and various devices for killing

time and money. All those who were well seen in Limehouse and Poplar were

here, and the informed observer could recognise many memorable faces.

Chuck Lightfoot and Battling Burrows were engaged in a comparatively

peaceable game of fan-tan with Sway Lim and Quong Tart; at any rate the

noise they were making could not have been heard beyond Custom House. Tai

Ling and his Marigold were there, very merry, and Pansy Greers, with an

escort from the Pool, attracted much attention in a dress which finished

where it ought to have begun. Ding-Dong was there: Perce Sleep; Paris

Pete; Polly the Pug; Jenny Jackson’s Provence Boys, so called because

they frequented that café; the Chatwood Kid, from whom no safe could

withhold its secrets; and, in fact, all the golden boys and naughty

girls of the district were snatching their moment of solace. Old Foo

Ah lolloped on a chair, slumbering in the heavy content of a kangaroo.

That masculine lady, Tidal Basin Sal, sprawled on a shabby private-bar

lounge with a little girl, whom she would alternately kiss and slap

proprietorially. A nigger from the Polynesians made himself a nuisance to

the air and the company; and on a table at the extreme end stood little

Gina of the Chinatown, slightly drunk, and with clothing disarranged,

singing that most thrilling and provocative of rag-times:

“You’re here and I’m here,

So what do we care?”

“Yerss,” the Monico Kid was saying, in a sedulously acquired American

accent, “had a tumble to-day. I was hustling the match with Flash Fred,

and we took a big nig off the water for the works. I stood for the finish

on him, and it listens like good music to me, cos he don’t tip me. Fred

spotted him and officed me to pull the rough stuff. Rough’s my middle

name. I wrote the book about it. But the nig was fresh and shouted for

the blue boys. See my eye? Well, we handed out some punk stuff, and then

I levanted, and now I’m lying cavey a bit, see? Gaw, there ain’t nothing

to this rough-neck stuff. I figger on quittin’ ’fore long. Dick the Duke

was pinched t’other day. I went t’ear it. A stretch? Lorlummy, they fair

shied the book at ’im and told ’im to add up the sentences. Yerss ...

it’s all a wangle.”

But the couple on whom Hunk kept the most careful eye were his young

daughter, Lois, and little Batty Bertello, the son of the sharpest

copper’s nark in the quarter. These two sat apart, on a lounge, clasped

in one another’s arms, their feet drawn up from the floor, lip locked

to lip in the ecstasy of self-discovery; for the man the ecstasy of

possession, for the girl the ecstasy of surrender.

Lois had picked up Batty in Tunnel Gardens one Sunday night, and although

from the age of ten she had been accustomed to kisses and embraces from

boy admirers, she realised, when Batty first kissed her, that here was

something different. There was nothing soppy about him ... rather,

something kind of curious ... big and strong, like. He seemed to give

everything; yet gave you the rummy feeling of having held something in

reserve, something that you were not good enough for. You didn’t know

what it was or how great it was, and it made you kind of mad to find

out. And when he kissed you.... She wondered if she were a bad, nasty

girl for wanting to have his hands about her. All her person was at once

soothed and titillated by the throb of his pulses when they clasped; she

was a responsive instrument on which he played the eternal melody. She

felt that she could hold no secrets from him; so at risk of losing him

she told him the whole truth about herself; told it in that voice of

hers, fragile and firm as fluted china and ringing with the tender tones

of far-away bells. How that she was the daughter of the terrible Hunk

Bottles, and lived in that bad house, the Blue Lantern, and how that her

father was the lifelong enemy of his father, Jumbo Bertello. And Batty

had laughed, and they had continued to love.

Presently Lois swung herself from the lounge and began to “cook” for

her boy. On a small table she spread the lay-out; lit the lamp; dug

out the treacly hop from the toey and held it against the flame. It

bubbled furiously, and the air was charged with a loathsome sweetness.

Then, holding the bamboo pipe in one hand, she scraped the bowl with

a yen-shi-gow, and kneaded the brown clot with the yen-hok. Slowly it

changed colour as the poison gases escaped. Then she broke a piece in her

finger, and dropped it into the bowl, and handed the stem to Batty. He

puffed languorously, and thick blue smoke rolled from him.

But Hunk Bottles regarded the scene with slow anger. Lois was ignoring

his commands. When he had heard that she was going with the son of a

copper’s nark he had drawn her aside and had spoken forceful words. He

had said:

“Look ’ere, me gel, you be careful. Less you go round with that young

Bertello the better. Y’know what ’is old man is, doncher? Well, be

careful what yeh talk about. Cos if any of my business gets out.... Well”

(he hit the air with a fat hand) “if I do catch yeh talkin’ at all, I’ll

break every bone in yeh blinkin’ body. I’ll take the copper-stick to yeh

and won’t let up till every bit of yeh’s broken. Else I’ll give yeh to

one o’ the Chinks to do what ’e likes with. So now yeh know. See?”

Lois knew that this was not an idle threat. She had seen things done at

the Blue Lantern. There were rooms into which she was not permitted

to pry. Once in the cellar she had seen little glass tubes of peculiar

shape, coloured papers, and a big machine. She had seen men who came to

the private bar, and never called for a drink, but had one given them,

and who sat and mumbled across the counter for hours at a stretch.

Limehouse Nights · 第 9 / 11 段