CHAPTER TEN.

Marcolina’s window was still closed. There was no sign from within. It

wanted a few minutes to midnight. Should he make his presence known in

any way? By tapping gently at the window? Since nothing of this sort had

been arranged, it might arouse Marcolina’s suspicions. Better wait. It

could not be much longer. The thought that she might instantly recognize

him, might detect the fraud before he had achieved his purpose, crossed

his mind--not for the first time, yet as a passing fancy, as a remote

possibility which it was logical to take into account, but not anything

to be seriously dreaded.

A ludicrous adventure now recurred to his mind. Twenty years ago he had

spent a night with a middle-aged ugly vixen in Soleure, when he had

imagined himself to be possessing a beautiful young woman whom he

adored. He recalled how next day, in a shameless letter, she had derided

him for the mistake that she had so greatly desired him to make and

that she had compassed with such infamous cunning. He shuddered at the

thought. It was the last thing he would have wished to think of just

now, and he drove the detestable image from his mind.

It must be midnight! How long was he to stand shivering there? Waiting

in vain, perhaps? Cheated, after all? Two thousand ducats for nothing.

Lorenzi behind the curtain, mocking at the fool outside!

Involuntarily he gripped the hilt of the sword he carried beneath the

cloak, pressed to his naked body. After all, with a fellow like Lorenzi

one must be prepared for any tricks.

At that instant he heard a gentle rattling, and knew it was made by the

grating of Marcolina’s window hi opening. Then both wings of the window

were drawn back, though the curtain still veiled the interior. Casanova

remained motionless for a few seconds more, until the curtain was pulled

aside by an unseen hand. Taking this as a sign, he swung himself over

the sill into the room, and promptly closed window and grating behind

him. The curtain had fallen across his shoulders, so that he had to push

his way beneath it. Now he would have been in absolute darkness had

there not been shining from the depths of the distance, incredibly far

away, as if awakened by his own gaze, the faintest possible illumination

to show him the way. No more than three paces forward, and eager arms

enfolded him. Letting the sword slip from his hand, the cloak from his

shoulders, he gave himself up to his bliss.

From Marcolina’s sigh of surrender, from the tears of happiness which

he kissed from her cheeks, from the ever-renewed warmth with which she

received his caresses, he felt sure that she shared his rapture; and

to him this rapture seemed more intense than he had ever experienced,

seemed to possess a new and strange quality. Pleasure became worship;

passion was transfused with an intense consciousness. Here at last was

the reality which he had often falsely imagined himself to be on the

point of attaining, and which had always eluded his grasp. He held in

his arms a woman upon whom he could squander himself, with whom he could

feel himself inexhaustible; the woman upon whose breast the moment of

ultimate self-abandonment and of renewed desire seemed to coalesce into

a single instant of hitherto unimagined spiritual ecstasy. Were not life

and death, time and eternity, one upon these lips? Was he not a god?

Were not youth and age merely a fable; visions of men’s fancy? Were not

home and exile, splendor and misery, renown and oblivion, senseless

distinctions, fit only for the use of the uneasy, the lonely, the

frustrate; had not the words become unmeaning to one who was Casanova,

and who had found Marcolina?

More contemptible, more absurd, as the minutes passed, seemed to him

the prospect of keeping the resolution which he had made when still

pusillanimous, of acting on the determination to flee out of this night

of miracle dumbly, unrecognized, like a thief. With the infallible

conviction that he must be the bringer of delight even as he was the

receiver of delight, he felt prepared for the venture of disclosing his

name, even though he knew all the time that he would thus play for

a great stake, the loss of which would involve the loss of his very

existence. He was still shrouded in impenetrable darkness, and until the

first glimmer of dawn made its way through the thick curtain, he could

postpone a confession upon whose favorable acceptance by Marcolina his

fate, nay his life, depended.

Besides, was not this mute, passionately sweet association the very

thing to bind Marcolina to him more firmly with each kiss that they

enjoyed? Would not the ineffable bliss of this night transmute into

truth what had been conceived in falsehood? His duped mistress, woman

of women, had she not already an inkling that it was not Lorenzi, the

stripling, but Casanova, the man, with whom she was mingling in these

divine ardors?

He began to deem it possible that he might be spared the so greatly

desired and ‘yet so intensely dreaded moment of revelation. He fancied

that Marcolina, thrilling, entranced, transfigured, would spontaneously

whisper his name. Then, when she had forgiven him, he would take her

with him that very hour. Together they would leave the house in the grey

dawn; together they would seek the carriage that was waiting at the

turn of the road; together they would drive away. She would be his for

evermore. This would be the crown of his life; that at an age when

others were doomed to a sad senility, he, by the overwhelming might of

his unconquerable personality, would have won for himself the youngest,

the most beautiful, the most gifted of women.

For this woman was his as no woman had ever been before. He glided with

her through mysterious, narrow canals, between palaces in whose

shadows he was once more at home, under high-arched bridges which

blurred figures were swiftly crossing. Many of the wayfarers glanced

down for a moment over the parapet, and vanished ere their faces could

be discerned.

Now the gondola drew alongside. A marble stairway led up to the stately

mansion of Senator Bragadino. It was the only palace holding festival.

Masked guests were ascending and descending. Many of them paused with

inquisitive glances; but who could recognize Casanova and Marcolina in

their dominoes?

He entered the hall with her. Here was a great company playing for high

stakes. All the senators, Bragadino among them, were seated round the

table in their purple robes. As Casanova came through the door, they

whispered his name as if terror-stricken, for the flashing of his eyes

behind the mask had disclosed his identity. He did not sit down; he did

not take any cards, and yet he joined in the game. He won. He won all

the gold on the table, and this did not suffice. The senators had to

give him notes of hand. They lost their possessions, their palaces,

their purple robes; they were beggars; they crawled round him clad in

rags, kissing his hands.

Nearby, in a hall with crimson hangings, there was music and dancing.

Casanova wished to dance with Marcolina, but she had vanished. Once

again the senators in their purple robes were seated at the table; but

now Casanova knew that the hazards at stake were not those of a game of

cards; he knew that the destinies of accused persons, some criminal and

some innocent, hung in the balance.

What had become of Marcolina? Had he not been holding her by the hand

all the time? He rushed down the staircase. The gondola was waiting.

On, on, through the maze of canals. Of course the gondolier knew where

Marcolina was; but why was he, too, masked? That had not been the custom

of old in Venice. Casanova wished to question him, but was afraid. Does

a man become so cowardly when he grows old?

Onward, ever onward. How huge Venice had grown during these

five-and-twenty years! At length the houses came to an end; the canal

opened out; they were passing between islands; there stood the walls of

the Murano nunnery, to which Marcolina had fled.

There was no gondola now; he had to swim; how delightful! It was true

that in Venice the children were playing with his gold pieces. But what

was money to him? The water was now warm, now cold; it dripped from his

clothing as he climbed over the wall.

“Where is Marcolina?” he enquired in the parlor, in loud, challenging

tones such as only a prince would dare to use.

“I will summon her,” said the Lady Abbess, and sank into the ground.

Casanova wandered about; he had wings; he fluttered to and fro along the

gratings, fluttered like a bat. “If I had only known sooner that I can

fly,” he thought. “I will teach Marcolina.”

Behind the gratings, the figures of women were moving hither and

thither. They were nuns--and yet they were all wearing secular dress.

He knew it, though he could not really see them. He knew who they were.

Henriette the Unknown; Corticelli and Cristina, the dancers; the bride;

Dubois the Beautiful; the accurst vixen of Soleure; Manon Balletti; a

hundred others--but never Marcolina!

“You have betrayed me,” he cried to the gondolier, who was waiting for

him beneath. Never had he hated anyone as he hated this gondolier, and

he swore to take an exquisite revenge.

But how foolish he had been to seek Marcolina in the Murano nunnery when

she had gone to visit Voltaire. It was fortunate that he could fly,

since he had no money left with which to pay for a carriage.

He swam away. But he was no longer enjoying himself. The water grew

colder and colder; he was drifting out into the open sea, far from

Murano, far from Venice, and there was no ship within sight; his heavy

gold-embroidered garments were dragging him down; he tried to strip

them off, but it was impossible, for he was holding his manuscript, the

manuscript he had to give to M. Voltaire. The water was pouring into

his mouth and nose; deadly fear seized him; he clutched at impalpable

things; there was a rattling in his throat; he screamed; and with a

great effort he opened his eyes.

Between the curtain and the window-frame the dawn was making its way

through in a narrow strip of light. Marcolina, in her white nightdress

and with hands crossed upon her bosom, was standing at the foot of the

bed contemplating Casanova with unutterable horror. Her glance instantly

recalled him to his senses. Involuntarily he stretched out his arms

towards her with a gesture of appeal. Marcolina, as if rejecting this

appeal, waved him away with her left hand, while with the right she

continued to grasp her raiment convulsively. Casanova sat up, his eyes

riveted upon her. Neither was able to look away from the other. His

expression was one of rage and shame; hers was one of shame and

disgust. Casanova knew how she saw him, for he saw himself figured

in imagination, just as he had seen himself yesterday in the bedroom

mirror. A yellow, evil face, deeply lined, with thin lips and staring

eyes--a face three times worse than that of yesterday, because of

the excesses of the night, the ghastly dream of the morning, and the

terrible awakening. And what he read in Marcolina’s countenance was not

what he would a thousand times rather have read there; it was not thief,

libertine, villain. He read only something which crushed him to earth

more ignominiously than could any terms of abuse; he read the word which

to him was the most dreadful of all words, since it passed a final

judgment upon him--old man.

Had it been within his power to annihilate himself by a spell, he would

have done so, that he might be spared from having to creep out of the

bed and display himself to Marcolina in his nakedness, which must appear

to her more loathsome than the sight of some loathsome beast.

But Marcolina, as if gradually collecting herself, and manifestly in

order to give him the opportunity which was indispensable, turned her

face to the wall. He seized the moment to get out of bed, to raise the

cloak from the floor, and to wrap himself in it. He was quick, too, to

make sure of his sword. Now, when he conceived himself to have at least

escaped the worst contumely of all, that of ludicrousness, he began to

wonder whether it would not be possible to throw another light upon this

affair in which he cut so pitiful a figure. He was an adept in the use

of language. Could he not somehow or other, by a few well-chosen words,

give matters a favorable turn?

From the nature of the circumstances, it was evidently impossible for

Marcolina to doubt that Lorenzi had sold her to Casanova. Yet however

intensely she might hate her wretched lover at that moment, Casanova

felt that he himself, the cowardly thief, must seem a thousand times

more hateful.

Perhaps another course offered better promise of satisfaction. He might

degrade Marcolina by mockery and lascivious phrases, full of innuendo.

But this spiteful idea could not be sustained in face of the aspect she

had now assumed. Her expression of horror had gradually been transformed

into one of infinite sadness, as if it had been not Marcolina’s

womanhood alone which had been desecrated by Casanova, but as if during

the night that had just closed a nameless and inexpiable offence had

been committed by cunning against trust, by lust against love, by age

against youth. Beneath this gaze which, to Casanova’s extremest torment,

reawakened for a brief space all that was still good in him, he turned

away. Without looking round at Marcolina, he went to the window, drew

the curtain aside, opened casement and grating, cast a glance round the

garden which still seemed to slumber in the twilight, and swung himself

across the sill into the open.

Aware of the possibility that someone in the house might already be

awake and might spy him from a window, he avoided the greensward and

sought cover in the shaded alley. Passing through the door in the wall,

he had hardly closed it behind him, when someone blocked his path. “The

gondolier!” was his first idea. For now he suddenly realized that the

gondolier in his dream had been Lorenzi. The young officer stood before

him. His silver-braided scarlet tunic glowed in the morning light.

“What a splendid uniform,” was the thought that crossed Casanova’s

confused, weary brain. “It looks quite new. I am sure it has not been

paid for.” These trivial reflections helped him to the full recovery of

his wits; and as soon as he realized the situation, his mind was filled

with gladness. Drawing himself up proudly, and grasping the hilt of

his sword firmly beneath the cloak, he said in a tone of the utmost

amiability: “Does it not seem to you, Lieutenant Lorenzi, that this

notion of yours has come a thought too late?”

“By no means,” answered Lorenzi, looking handsomer than any man Casanova

had ever seen before. “Only one of us two shall leave the place alive.”

“What a hurry you are in, Lorenzi,” said Casanova in an almost tender

tone. “Cannot the affair rest until we reach Mantua? I shall be

delighted to give you a lift in my carriage, which is waiting at the

turn of the road. There is a great deal to be said for observing the

forms in these matters, especially in such a case as ours.”

“No forms are needed. You or I, Casanova, at this very hour.” He drew

his sword.

Casanova shrugged. “Just as you please, Lorenzi. But you might at least

remember that I shall be reluctantly compelled to appear in a very

inappropriate costume.” He threw open the cloak and stood there nude,

playing with the sword in his hand.

Hate welled up in Lorenzi’s eyes. “You shall not be at any

disadvantage,” he said, and began to strip with all possible speed.

Casanova turned away, and for the moment wrapped himself in his cloak

once more, for though the sun was already piercing the morning mists,

the air was chill. Long shadows lay across the fields, cast by the

sparse trees on the hill-top. For an instant Casanova wondered whether

someone might not come down the path. Doubtless it was used only by

Olivo and the members of his household. It occurred to Casanova that

these were perhaps the last minutes of his life, and he was amazed at

his own calmness.

“M. Voltaire is a lucky fellow,” came as a passing thought. But in truth

he had no interest in Voltaire, and he would have been glad at this

supreme moment to have been able to call up pleasanter images than that

of the old author’s vulturine physiognomy. How strange it was that no

birds were piping in the trees over the wall. A change of weather must

be imminent. But what did the weather matter to him? He would rather

think of Marcolina, of the ecstasy he had enjoyed in her arms, and for

which he was now to pay dear. Dear? Cheap enough! A few years of an old

man’s life hi penury and obscurity. What was there left for him to do in

the world? To poison Bragadino? Was it worth the trouble? Nothing was

worth the trouble. How few trees there were on the hill! He began to

count them. “Five... seven... ten.--Have I nothing better to do?”

“I am ready, Casanova.”

Casanova turned smartly. Lorenzi stood before him, splendid in his

nakedness like a young god. No trace of meanness lingered in his face.

He seemed equally ready to kill or to die.

“What if I were to throw away my sword?” thought Casanova. “What if I

were to embrace him?” He slipped the cloak from his shoulders and stood

like Lorenzi, lean and naked.

Lorenzi lowered his point in salute, in accordance with the rules of

fence. Casanova returned the salute. Next moment they crossed blades,

and the steel glittered like silver in the sun.

“How long is it,” thought Casanova, “since last I stood thus measuring

sword with sword?” But none of his serious duels now recurred to his

mind. He could think only of practice with the foils, such as ten years

earlier he used to have every morning with his valet Costa, the rascal

who afterwards bolted with a hundred and fifty thousand lire. “All the

same, he was a fine fencer; nor has my hand forgotten its cunning!

My arm is as true, my vision as keen, as ever..... Youth and age are

fables. Am I not a god? Are we not both gods? If anyone could see us

now. There are women who would pay a high price for the spectacle!”

The blades bent, the points sparkled; at each contact the rapiers sang

softly in the morning air. “A fight? No, a fencing match! Why this look

of horror, Marcolina? Are we not both worthy of your love? He is but a

youngster; I am Casanova!”

Lorenzi sank to the ground, thrust through the heart. The sword fell

from his grip. He opened his eyes wide, as if in utter astonishment.

Once he raised his head for a moment, while his lips were fixed in a wry

smile. Then the head fell back again, his nostrils dilated, there was a

slight rattling in his throat, and he was dead.

Casanova bent over him, kneeled beside the body, saw a few drops of

blood ooze from the wound, held his hand in front of Lorenzi’s

mouth--but the breath was stilled. A cold shiver passed through

Casanova’s frame. He rose and put on his cloak. Then, returning to the

body, he glanced at the fallen youth, lying stark on the turf in

incomparable beauty. The silence was broken by a soft rustling, as the

morning breeze stirred the tree-tops.

“What shall I do?” Casanova asked himself. “Shall I summon aid? Olivo?

Amalia? Marcolina? To what purpose? No one can bring him back to life.”

He pondered with the calmness invariable to him in the most dangerous

moments of his career. “It may be hours before anyone finds him; perhaps

no one will come by before evening; perchance later still. That will

give me time, and time is of the first importance.”

He was still holding his sword. Noticing that it was bloody, he wiped it

on the grass. He thought for a moment of dressing the corpse, but to do

this would have involved the loss of precious and irrecoverable minutes.

Paying the last duties, he bent once more and closed Lorenzi’s eyes.

“Lucky fellow,” he murmured; and then, dreamily, he kissed the dead

man’s forehead.

He strode along beside the wall, turned the angle, and regained the

road. The carriage was where he had left it, the coachman fast asleep

on the box. Casanova was careful to avoid waking the man at first. Not

until he had cautiously taken his seat did he call out: “Hullo, drive

on, can’t you?” and prodded him in the back. The startled coachman

looked round, greatly astonished to find that it was broad daylight.

Then he whipped up his horse and drove off.

Casanova sat far back in the carriage, wrapped in the cloak which had

once belonged to Lorenzi. In the village a few children were to be seen

in the streets, but it was plain that the elders were already at work in

the fields. When the houses had been left behind Casanova drew a long

breath. Opening the valise, he withdrew his clothes, and dressed beneath

the cover of the cloak, somewhat concerned lest the coachman should

turn and discover his fare’s strange behavior. But nothing of the sort

happened. Unmolested, Casanova was able to finish dressing, to pack away

Lorenzi’s cloak, and resume his own.

Glancing skyward, Casanova saw that the heavens were overcast. He had

no sense of fatigue, but felt tense and wakeful. He thought over his

situation, considering it from every possible point of view, and coming

to the conclusion that, though grave, it was less alarming than it might

have seemed to timid spirits. He would probably be suspected of having

killed Lorenzi, but who could doubt that it had been in an honorable

fight? Besides, Lorenzi had been lying in wait, had forced the encounter

upon him, and no one could consider him a criminal for having fought in

self-defence. But why had he left the body lying on the grass like that

of a dead dog? Well, nobody could reproach him on that account. To flee

away swiftly had been well within his right, had been almost a duty. In

his place, Lorenzi would have done the same. But perhaps Venice would

hand him over? Directly he arrived, he would claim the protection of his

patron Bragadino. Yet this might involve his accusing himself of a deed

which would after all remain undiscovered, or at any rate would perhaps

never be laid to his charge. What proof was there against him? Had he

not been summoned to Venice? Who could say that he went thither as a

fugitive from justice? The coachman maybe, who had waited for him half

the night. One or two additional gold pieces would stop the fellow’s

mouth.

Thus his thoughts ran in a circle. Suddenly he fancied he heard the

sound of horses’ hoofs from the road behind him. “Already?” was

his first thought. He leaned over the side of the carriage to look

backwards. All was clear. The carriage had driven past a farm, and the

sound he had heard had been the echo of his own horse’s hoofs. The

discovery of this momentary self-deception quieted his apprehensions for

a time, so that it seemed to him the danger was over. He could now see

the towers of Mantua. “Drive on, man, drive on,” he said under his

breath, for he did not really wish the coachman to hear. The coachman,

nearing the goal, had given the horse his head. Soon they reached the

gate through which Casanova had left the town with Olivo less than

forty-eight hours earlier. He told the coachman the name of the inn, and

in a few minutes the carriage drew up at the sign of the Golden Lion.

Casanova's Homecoming · 第 13 / 19 题