INTRODUCTION.

Any one who has ever paid a flying visit to New Orleans probably knows

something about those various culinary preparations whose generic name

is “Gombo”--compounded of many odds and ends, with the okra-plant, or

true gombo for a basis, but also comprising occasionally “losé,

zepinard, laitie,” and the other vegetables sold in bunches in the

French market. At all events any person who has remained in the city for

a season must have become familiar with the nature of “gombo filé,”

“gombo févi,” and “gombo aux herbes,” or as our colored cook calls it,

“gombo zhèbes”--for she belongs to the older generation of Creole

_cuisinières_, and speaks the patois in its primitive purity, without

using a single “r.” Her daughter, who has been to school, would

pronounce it _gombo zhairbes_:--the modern patois is becoming more and

more Frenchified, and will soon be altogether forgotten, not only

throughout Louisiana, but even in the Antilles. It still, however,

retains originality enough to be understood with difficulty by persons

thoroughly familiar with French; and even those who know nothing of any

language but English, readily recognize it by the peculiarly rapid

syllabification and musical intonation. Such English-speaking residents

of New Orleans seldom speak of it as “Creole”: they call it _gombo_, for

some mysterious reason which I have never been able to explain

satisfactorily. The colored Creoles of the city have themselves begun to

use the term to characterize the patois spoken by the survivors of

slavery days. Turiault tells us that in the towns of Martinique, where

the Creole is gradually changing into French, the _Bitacos_, or country

negroes who still speak the patois nearly pure, are much ridiculed by

their municipal brethren:--_Ça ou ka palé là, chè, c’est nèg:--Ça pas

Créole!_ (“_What you talk is ‘nigger,’ my dear:--that isn’t Creole!_”)

In like manner a young Creole negro or negress of New Orleans might tell

an aged member of his race: “_Ça qui to parlé ça pas Créole: ça c’est

gombo!_” I have sometimes heard the pure and primitive Creole also

called “Congo” by colored folks of the new generation.

The literature of “gombo” has perhaps even more varieties than there are

preparations of the esculents above referred to;--the patois has

certainly its gombo févi, its gombo filé, its “gombo zhèbes”--both

written and unwritten. A work like Marbot’s “Bambous” would deserve to

be classed with the pure “févi”;--the treatises of Turiault, Baissac,

St. Quentin, Thomas, rather resemble that fully prepared dish, in which

crabs seem to struggle with fragments of many well-stewed meats, all

strongly seasoned with pepper. The present essay at Creole folklore, can

only be classed as “gombo zhèbes”--(_Zhèbes çé feuil-chou, cresson,

laitie, bettrav, losé, zepinard_);--the true okra is not the basis of

our preparation;--it is a Creole dish, if you please, but a salmagundi

of inferior quality.

* * * * *

For the collection of Louisiana proverbs in this work I am almost wholly

indebted to my friend Professor William Henry, Principal of the

Jefferson Academy in New Orleans; not a few of the notes, Creole

quotations, and examples of the local patois were also contributed by

him. The sources of the other proverbs will be found under the head of

Creole Bibliography. The translations of the proverbs into French will

greatly aid in exhibiting the curious process of transformation to which

the negro slave subjected the language of his masters, and will also

serve to show the peculiar simplicity of Creole grammar. My French is

not always elegant, or even strictly correct;--for with the above object

in view it has been necessary to make the translation as literal as is

possible without adopting the inter-linear system. Out of nearly five

hundred proverbs I selected about three hundred and fifty only for

publication--some being rejected because of their naïve indecency,

others because they offered mere variations of one and the same maxim.

Even after the sifting process, I was partly disappointed with the

results; the proportion of true Creole proverbs--proverbs of indubitably

negro invention--proved to be much smaller than I had expected.

Nevertheless all which I have utilized exhibit the peculiarities of the

vernacular sufficiently to justify their presence.

* * * * *

While some of these proverbs are witty enough to call a smile to the

most serious lips, many others must, no doubt, seem vapid, enigmatic, or

even meaningless. But a large majority of negro sayings depend

altogether upon application for their color or their effectiveness; they

possess a chameleon power of changing hue according to the manner in

which they are placed. (See for examples: Prov. 161, 251, or 308.) Every

saying of this kind is susceptible of numerous applications; and the art

of applying one proverb to many different situations is one in which the

negro has no rival--not even among the Arabs themselves, whose use of

such folklore has been so admirably illustrated by Carlo Landberg.

* * * * *

No two authors spell the Creole in the same way; and three writers whom

I have borrowed largely from--Thomas, Baissac, and Turiault--actually

vary the orthography of the same word in quite an arbitrary manner. At

first I thought of remodeling all my proverbs according to the phonetic

system of spelling; but I soon found that this would not only disguise

the Creole etymology almost beyond recognition, but would further

interfere with my plan of arrangement. Finally I concluded to publish

the Creole text almost precisely as I had found it, with the various

spellings and peculiarities of accentuation. The reader will find

_cabrit_, for example, written in four or five different ways. Where the

final _t_--never pronounced in our own patois--is fully sounded, the

several authorities upon Creole grammar have indicated the fact in

various fashions: one spelling it _cabritt_; another _cabrite_, etc.

* * * * *

The grammatical peculiarities and the pronounciation of the several

Creole dialects are matters which could not be satisfactorily treated

within the compass of a small pamphlet. Some few general rules might,

indeed, be mentioned as applying to most Creole dialects. It is

tolerably safe to say that in no one of the West Indian dialects was the

French “_r_” pronounced in former days; it was either totally

suppressed, as in the word “fòce” (_force_), or exchanged for a vowel

sound, as in _bouanche_ (for _branche_). The delicate and difficult

French sound of _u_ was changed into _ou_; the sound _en_ was simplified

into _é_; the clear European _o_ became a nasal _au_; and into many

French words containing the sound of _am_, such as _amour_, the negro

wedged the true African _n_, making the singular Creole pronounciation

_lanmou_, _canmarade_, _janmain_. But the black slaves from the Ivory

and Gold Coasts, from Congo or Angola, pronounced differently. The Eboes

and Mandingoes spoke the patois with varying accentuations;--it were

therefore very difficult to define rules of pronounciation applicable to

the patois spoken in all parts of one island like Guadaloupe, or one

colonial province like Guyana. Not so in regard to grammar. In all forms

of the patois (whether the musical and peculiarly picturesque Creole of

Martinique, or the more fantastic Creole of Mauritius, adulterated with

Malgache and Chinese words)--the true article is either suppressed or

transformed into a prefix or affix of the noun, as in _femme-la_ “the

woman,” or _yon lagrimace_, a grimace;--there is no true gender, no true

singular and plural; verbs have rarely more than six tenses--sometimes

less--and the tense is not indicated by the termination of the verb;

there is a remarkable paucity of auxiliaries, and in some dialects none

whatever; participles are unknown, and prepositions few. A very fair

knowledge of comparative Creole grammar and pronunciation may be

acquired, by any one familiar with French, from the authors cited at the

beginning of this volume. I would also recommend those interested in

such folklore to peruse the Creole novel of Dr. Alfred Mercier--_Les

Saint-Ybars_, which contains excellent examples of the Louisiana

dialect; and Baissac’s beautiful little stories, “Recits Créoles,” rich

in pictures of the old French colonial life. The foreign philological

reviews and periodicals, especially those of Paris, have published quite

a variety of animal fables, proverbs, stories in various Creole

dialects; and among the recent contributions of French ethnologists to

science will be also discovered some remarkable observations upon the

actual formation of various patois--strongly resembling our own

Creole--in the French African colonies.

* * * * *

Needless to say this collection is far from perfect;--the most I can

hope for is that it may constitute the nucleus of a more exhaustive

publication to appear in course of time. No one person could hope to

make a really complete collection of Creole proverbs--even with all the

advantages of linguistic knowledge, leisure, wealth, and travel. Only a

society of folklorists might bring such an undertaking to a successful

issue; but as no systematic effort is being made in this direction, I

have had no hesitation in attempting--not indeed to fill a want--but to

set an example. _Gouïe passé, difil sivré_:--let the needle but pass,

the thread will follow.

"Gombo Zhèbes." Little Dictionary of Creole Proverbs · 第 2 / 95 题