Next morning I had a crisis of affairs. In Alatri, if one has anything

whatever that must be done, it, like the grasshopper, becomes a burden.

But I had several things that must be done, and I was nearly crushed by

the prospect. In the first place breakfast was ready before I was out of

bed and I therefore had to postpone shaving till afterwards. This alone

would have made a troublesome morning, but this was far from all. On

coming down I found two letters that had to be answered, one (and I was

sorry for my sins) containing an uncorrected proof, and while I was

still prostrate from the blow Francesco came in with household accounts.

These, for the sake of morality, I make it a rule to check (Francesco’s

addition is always right, mine always wrong), and thus it stood to

reason that I should not be able to start down to the sea to bathe till

nearly eleven. However, “no Briton’s to be baulked,” and I marched

manfully across the thirsty desert of affairs.

An hour in the sea and the consciousness of duty done restored

equanimity, and when after lunch Francesco brought me coffee on to the

veranda and seemed disposed to linger, I remembered the half-heard story

of San Giovanni.

“Tell it me again,” I said, and Francesco told it.

“The signor must know,” he said, “that in Italy there are many

unbaptized children, and if San Giovanni came to earth like the other

saints on his name-day, he would be furious at such neglect, and burn up

the earth with fire. God knows this, and, being unwilling that we should

all suffer, he sends San Giovanni to sleep the day before his name-day,

so that he sleeps for eight days. Then when he wakes up he says to God,

‘Is not my name-day yet?’ And God replies, ‘O San Giovanni, you have

been to sleep and your name-day is over while you slept. It will not

come again for another year.’ Thus it is that we do not go to mass on

the day of San Giovanni, for where is the use if he be asleep? But the

priests say--Ah! has not the Signor heard the news?” he broke off

suddenly and excitedly.

“News! I have heard no news.”

“How can I have forgotten? The Signora Mackellar has danced on her

beefsteak, and Seraphina is dismissed. So when will she marry Antonio?”

Now the two things a Southern Italian loves best are telling a story and

causing a sensation. And it was with the most exquisite enjoyment that

Francesco continued, for both were here combined.

“The market boat came in from Naples this morning,” he said, “and on it

was a fine beefsteak for the Signora. Salvatore, the carrier, took it

up, and it so was that both the Signora and Seraphina were on the

house-roof when he came, and the Signora was ordering dinner. And it

seems she was angry, so said Salvatore, at the cost of the ice cream

yesterday. So he was ordered to bring up the beefsteak, and the Signora

smelt it, and said it was not food for dogs. And Salvatore--you know he

is a sharp fellow--he replied ‘Indeed it is not food for dogs,’ meaning

thereby----”

“Yes, I understand,” I interrupted.

Francesco was getting gesticulative, and he went on with the fire of a

prophet.

“Then gave the Signora the beefsteak to Seraphina,” he cried, “and said

‘Smell it thou also.’ And Seraphina, having smelt it, said, ‘Signora, it

seems to me very good.’ At that the Signora turned on her like one

goaded and cried--‘Thou too art in the plot to cheat me! To-day thou art

no more my cook’; and as for the beefsteak--_ecco_! And she threw it

down, and danced upon it with both feet together, so that the roof

trembled. Also she said many strange words in her own tongue.”

And Francesco, like a true artist, did not linger after making his

point, but turned on his heel, resisting even the temptation to talk it

all over, and went into the house.

Here was a bolt from the blue! The summer had begun, there would be no

fresh visitors to Alatri till the winter, and Seraphina would be out of

place all these months. Antonio’s wages would not keep them both, if

Seraphina was out of place, and had to pay for her board and lodging

with some friend, and who knew whether Mrs. Mackellar’s wrath would not

spread like a devouring flood, and overwhelm Antonio also? Nothing was

more likely, for I remembered how on the dismissal of Mrs. Mackellar’s

last cook, her washing had been withdrawn from its customary

manipulator, simply because she was the cook’s cousin by marriage. How

then should Seraphina’s _promesso_ escape? Already the smell of the

marriage bake-meats was in the air: they were like to eat them with a

sauce of sorrow. To attempt to interfere or to reason with Mrs.

Mackellar was out of the question. Her nose would go in the air, and she

would say “Hoots!” Those who had heard Mrs. Mackellar say “Hoots”

seriously, knew what fear was.

Two days have passed after that terrible dance of death on the

house-roof, two days of paralysed inaction. There was of course no other

subject in the mouth of the folk, and grave groups formed and reformed

in the piazza and at Morgano’s, and looked at the question this way and

that like impotent conspirators wanting a plan of action. I happened to

be sitting at that café before dinner on the second evening, and we were

shaking our heads over it all when Mrs. Mackellar herself came snorting

and stamping round the corner. Like children detected in some forbidden

ecstasy, we all sank into silence. She did not even sit down to enjoy

her vermouth, but sipped it standing, with loud, angry sucking noises,

as if it was the life-blood of Seraphina.

We all froze under the contempt of her blue tremendous eye, and then,

most unfairly, she singled me out, and pointing the finger of scorn,

hissed at me:

“I ken fine what the hale clamjanfry of ye has been talkin’ about,” she

said, or words to that effect, and, without deigning to translate, this

tempestuous lady swept on her course. She stepped so high in her

indignation that the Duchess of Alatri, lying for coolness’ sake on the

pavement outside, thought that Mrs. Mackellar was dancing for her, and

rising to her feet, Her Grace trod a circular Saracenic measure. Hardly

pausing to swing a string-bag containing such comestibles as would be

easily rendered palatable without the aid of a cook, Mrs. Mackellar

turned to me again, and spoke in English in order that I might

understand.

“If I were you,” she said, “I should be ashamed to keep a dog that eats

as much as six Christians, I’ll be bound, be they Presbyterians or Roman

Catholics.”... Even as she spoke, who should come by but Seraphina

herself? Though she had been hounded out of the Casa Mackellar only

yesterday, with every circumstance of ignominy and Highland expressions,

Seraphina, sunny and incapable of rudeness, gave her late employer a

little smile, and a little obeisance, and said, “Buona sera, Signora!”

Without the smallest doubt, Mrs. Mackellar returned that smile.

Now in Alatri, I must have you know, we are all great psychologists and

students of character, and often talk about each other’s actions and the

gloomy traits of character exhibited therein, so that if you didn’t know

the seriousness of our aims, you might think we were gossips. But the

true character of Mrs. Mackellar, who she is inside herself, had always

puzzled everybody. No one could pull her together into any sort of

personage who would pass muster in the wildest work of fiction as being

conceivable. Why, for instance, did she who averted her chaste eye from

the naked foot of a fisher-boy herself wear a tight silk bathing dress

that reached not quite to her knees, and nowhere near her elbows? Was

it, as Mrs. Leonards said, to display the atrocity of her own figure

and thereby strengthen the rickety morality of the world in general?

That could hardly be the case, since on other occasions she laced

herself so tight, and wore such a killing hat, and so many Cairngorms

and garnets, that she could not be found guiltless of making a public

temptation of herself. Why, again, by what possible psychological

consistency, did she revel in a game of poker and reserve the hostility

of her finest colloquialisms for those who took tickets at a lottery?

Why, again--but there is no use in multiplying her contradictions, for

she entirely consists of them.

But the salient point on which every psychologist’s eye was pensive

to-day was why she had dismissed Seraphina after a year’s harmonious

co-operation for agreeing with Salvatore that a particular beefsteak did

not stink. Never had she had such a servant as Seraphina, nor ever

would, and well she knew it. Someone suggested that Mrs. Mackellar had

determined to be an eater of uncooked foods, and others who remembered

her welter of appreciation over an ordinary mutton cutlet, hardly

troubled to reply to so inadmissible a conjecture. As we whittled away

at her, the point of the discussion grew ever sharper, for why had she

so clearly smiled in answer to Seraphina’s greeting just now? The idea

that the smile was purely sardonic had most supporters: one or two who

kindly upheld the view that she was meaning to make it up with Seraphina

were hissed down. The most obdurate alone stuck to it, and had the

hardihood to bet five liras that this was the true explanation of the

smile, and the readiness with which he found takers for that bet, caused

him to experience an access of prudence, and to explain that he only

meant to bet five liras all told, and not fifty. Alas!

No one was walking in my direction, and some half an hour later I went

slowly home. Already I was beginning to regret that I had not taken more

of those bets, for the shrewdest analyst of motive and psychology in

Alatri had been bound to confess that Mrs. Mackellar’s motives, like the

path of the comets that should, according to all calculations,

periodically destroy the earth, were, when all was said and done,

completely unconjecturable. No application of logic, or reason, of the

movements of heavy bodies seemed to apply to them, and for that very

reason I had rejected the sardonic nature of that smile for Seraphina,

and in the spirit of “Credo, quia impossible” had taken it for a smile

of reconciliation. But I stood to win five liras, and who would quarrel

with so enviable a conclusion, especially since it implied the

re-installation of Seraphina? That was not a wholly altruistic

consideration, for Leonard had said in so many words that Mrs. Mackellar

would probably attempt to seduce Francesco away from my service with the

lure of higher wages. That was a horrible thought, and I quickened my

steps as I came near to my villa.

I heard bounding footsteps coming down the outside stairs from the front

door into the garden, which could only be Francesco’s, and I wondered

whether he was prancing towards me in order to communicate his wonderful

good luck in going as cook to Mrs. Mackellar, at twice the wages he at

present received. I believed Mrs. Mackellar, like the prophet Habakkuk,

to be “_capable de tout_,” but I didn’t really believe this infamy of

Francesco. The garden door flew open, and he met me with a face of

mourning.

“The Signora Mackellar,” he cried, “walked up with Seraphina to her

house. Through your telescope, signor, I saw them kissing and kissing on

the roof. _Dio!_ Why does a woman want to kiss a woman? There are many

strange things in the world, signor. St. Peter, he had a wife, and also

his wife had a mother, and one day----”

“Tell me about it after dinner,” I said. “And bring up the bottle of

English wine, the port wine, which I brought from Rome, I have won five

liras, Francesco.”

“_Sissignor_,” said Francesco. “But the dinner is not yet quite ready,

for I was watching with your telescope. Five liras!... There was once a

man who backed five numbers at the _Lotto_, and behold they all came out

even as he had backed them. He won a hundred thousand liras, and an

estate in Calabria, and----”

“Dinner,” said I, and Francesco ran to the kitchen.

I walked on air. Alone that evening I had had the courage of my opinion,

and for once had divined Mrs. Mackellar’s mind to the extent of backing

my divination for five liras. That is a lot of money here--for a stall

at the cinema (front row) only costs one.

THE ORIOLISTS

In spite of the unaccountable absence of a Cabinet Minister who should

have sat between our hostess, Mrs. Withers and Miss Agnes Lockett, I

felt that this luncheon-party must be considered as perhaps the most

epoch-making that had, up to the present date, been enticed beneath that

insatiably hospitable roof. Never had the comet-like orbit of our

entertainer ascended quite so high towards the zenith.

With the negligible exception of myself, for whose presence there I

shall soon amply account, there was not one among us, man, woman or

child (for that prodigy on the fiddle, Dickie Sebastian, in his tight

colossal sailor-suit, was of the company) whose name was not thrillingly

familiar to the great percentage of the readers of those columns in the

daily Press which inform us who was in the park on Sunday chatting with

friends, or at the first night of the new play looking lovely.

Briefly to tell the number and brightness of these stars, there was a

much be-ribanded general from Salonica, a girl just engaged to the heir

of one of our most respectable dukedoms, a repatriated prisoner from

Ruhleben, a medium possessed of devastating insight, a prominent actress

from a révue, a lion hunter (not our amiable hostess, but a swarthy

taciturnity from East Africa), and the adorable Agnes Lockett, lately

created a Dame in the Order of the British Empire in connexion with

Secret Service. She had just been demobilized, and, as she freely

admitted, four years of conundrums and traps had undermined the

frankness of her disposition. Schemes, plans, intrigues had become--for

the moment--a second nature to her, and she was not happy unless she was

laying a trap for somebody else, or suspecting (quite erroneously) that

somebody was laying a trap for her. She had also become a smooth

conversational liar. These things had not, it may be mentioned, affected

her charm and her beauty.

Finally, there was myself, who had no claim to distinction of any kind

beyond such as is inherent in living next door to Mrs. Withers and being

honoured with the friendship of Agnes Lockett.

I had been asked by telephone just at luncheon-time, as I was in the act

of sitting down to a tough and mournful omelette alone, and I naturally

felt quite certain that I had been bidden to take the place of some

guest (not the Cabinet Minister whom she still expected) who had

disappointed Mrs. Withers at the last moment. This was confirmed by the

fact that she told me in her clearest telephone voice that I had

promised to come to-day (which I knew was not the case) and that she was

merely reminding me.

Obviously, then, she was in urgent need of somebody, for it was not her

custom to “remind” all her expected guests at the very moment when they

were due at her house, and my inclusion in this resplendent galaxy was

certainly due to the convenient fact that, as I lived next door, I

should not keep the rest of her party waiting.... It is, I hope,

unnecessary to add that, with the unfortunate exception of myself,

everyone present appeared in the informing pages of “Who’s Who,” so that

his work and recreations were known to the reading public and would

afford a good start to the medium in case we had a _séance_ afterwards.

As the currents of conversation set this way and that, I was

occasionally marooned in a backwater, and could hear what Mrs. Withers

was saying to Agnes Lockett. The latter had been to the new play last

night, and an allusion to it produced from our hostess a flood of

typical monologue delivered in the judicial voice for which she was

famous. She was a big lean woman who radiated a stinging vitality that

paralysed the timid, and as she spoke, her eyes patrolled the

distinguished table with the utmost satisfaction and controlled the

service.

“Yes, Roland Somerville is marvellous in the part,” she said, “and I

told him he had never done a finer piece of work. But I thought Margaret

had not quite grasped his conception of it. I went round, of course, to

see her afterwards, and as she asked me what I thought I told her just

that.”

At this moment the telephone bell rang in the room adjoining, and Mrs.

Withers, though continuing to analyse the play with her accustomed

acumen (it had produced precisely the same effect on her as on the

author of the critique in the _Daily Herald_) was a little _distraite_

in manner till her parlour-maid communicated the message.

“Ah, that accounts for Hugh Chapel’s absence, who was to have sat

between us,” she said to Agnes. “He was sent for to the Palace at a

quarter-past one and is lunching there. And I ordered golden plovers

especially for him. Hugh was at Priscilla’s last night, looking very

tired, I thought. You know him, of course, Miss Lockett?”

Agnes was looking a little dazed.

“Not yet,” she said. “You asked me here to meet him.”

Mrs. Withers made a gesture of impatience at herself. As a matter of

fact she had, in asking Agnes Lockett, told her that Mr. Chapel was

coming, and in asking him, had told him that Miss Lockett was coming,

thus hoping to kill two lions with one lunch.

“Of course! How stupid of me,” she said. “Let us instantly arrange

another day when you can both be here. Ah! do come to a little party I

have on Thursday night. You will find Lord Marrible here too; he only

got back from America ten days ago. Poor Jack! he had a terrible voyage,

and he is such a bad sailor.”

A look of slight astonishment came over Agnes’s face, and remembering

that she and Lord Marrible were old and intimate friends, I wondered

whether she was surprised at this odd allusion to “poor Jack,” for he

was known to his intimate circle as John. Personally, I had had the

felicity of making him and my hostess known to each other only a few

days ago, and I too wondered a little at the speedy ripening of the

acquaintanceship. I did not wonder much, for I knew Mrs. Withers’s

friendly disposition, and her tendency to allude to everybody by his

Christian name. But at the moment a too rash act of swallowing on the

part of Dickie Sebastian, who sat next me, made it my duty towards my

neighbour to thump him on his fat back for fear that we should never

hear his violin again, and my attention was distracted. When the

fish-bone in question had been safely deposited on the edge of his

plate, the telephone had again been ringing, and Mrs. Withers was

retailing the reason for the absence of somebody called Humphrey, whose

place I conjectured that I was now occupying.

During the discussion of the golden plovers provided for the absent Mr.

Chapel, I became aware that Agnes Lockett was being drenched and

bewildered with the flood of celebrated names that was playing on her as

if from some fire-hose. Actors, authors, politicians, social stars,

soldiers and sailors were deluging her, and, without exception, they had

all been here, by their Christian names, last week, or at any rate were

coming next week. Without exception, too, each of them had told Mrs.

Withers in confidence what she repeated now to Agnes, knowing that it

would go no farther. George had assured her of this, Arthur had hinted

that, Jenny had thought this probable, Maudie had scouted the idea

altogether, but however much they had disagreed, it was certain that

they would all be here on Thursday evening, and Agnes could talk to them

herself.

As I listened and looked, I saw that a species of desperation was

seizing Agnes; she was finding the recital absolutely intolerable. Then

an idea seemed to strike her, and looking round to catch a friendly eye,

she caught mine, and spoke to me across the table.

“Have you seen Robert Oriole lately?” she asked in her delicious husky

voice, that was so unlike the canary-tone of Mrs. Withers. But as she

asked me this, she gave me a peremptory affirmative nod of which I could

not miss the significance. I had never heard of Robert Oriole before,

but I was certain that Agnes for some reason of her own insisted that I

did know him, and accordingly I answered in that sense.

“We went to a play together last night,” I said. At that precise moment,

without a pang or a cry, Robert Oriole was born.

* * * * *

The new name, of course, instantly challenged Mrs. Withers’s whole

attention, as Agnes had designed that it should. Devoted as she was to

old and celebrated names, new names that she had never heard of demanded

the keenest of inquiries.

“Robert Oriole?” she said. “Who can it have been who was speaking of

Robert Oriole the other day?”

Agnes’s brilliant smile shot out and sheathed itself again.

“Ah! who isn’t talking about Robert Oriole?” she said.

Much as Mrs. Withers liked appearing to know, she liked really knowing

better, and surrendered.

“Was it Maudie?” she said. “I can’t remember.”

Once against a fresh current of conversation claimed my hearing, but

rather uneasily, I could catch little enthusiastic phrases in what Agnes

was saying to our hostess, and wondered if I should be called upon to

invent anything more about this unknown personage. I could not, a moment

ago, have done otherwise than I had done, for Agnes unmistakably

commanded me to say that I either had or had not seen Robert Oriole

lately. I was bound, at any rate, to convey in my answer that I knew

him, and so it made no particular difference as to whether I had seen

him lately or not, and I had said that we had been to the play together

because I had to say something, and it was clearly much more suitable at

Mrs. Withers’s table to have done that sort of thing.

For all that I knew for certain there might be such a person; but I

strongly suspected that there was something “back of” Robert Oriole, as

our American friends say. What that was I could not conjecture, but I

felt that I was acting under Agnes’s direction in some Secret Service.

My apprehensions increased as I heard his name figuring largely in her

conversation, and were confirmed when, as she passed me on her way out,

she said in a Secret Service undertone, not looking my way as she spoke:

“I shall come back with you almost immediately to your house, where we

must have a serious conversation. For the present just keep your head,

and remember that you know Robert intimately.”

Half an hour later, accordingly, we were seated together in my house.

The wall between mine and Mrs. Withers’s drawing-room was not very

thick, and the bountiful roulades of Dickie Sebastian’s violin were

plainly audible. Agnes, with a flushed face, like a child who had been

triumphiantly mischievous, was sipping barley-water, for she felt

feverish with imagination.

“So that’s that,” she said decisively, after a lurid sketch of what had

happened, “and it’s no use regretting it. We must save all our nervous

force to go through with it.”

“But what made you invent Robert Oriole at all?” I asked. “And then why

have brought me in?”

“I couldn’t help inventing him; it may have been demoniacal possession,

or more likely it was a defensive measure against my going mad, which I

undoubtedly should have done if Mrs. Withers had told me any more at all

of what the great ones of the earth said to her in confidence. I should

either have gone mad, or taken up a handful of those soft chocolates and

rubbed her face with them. So I was obliged to know some glorious

creature whom she didn’t know. Obliged! She knew all the real ones, so I

had to invent one. And does she really call them by their Christian

names?”

“At a distance,” said I.

“Then she ought to do it right. She called John Marrible, Jack, when

nobody else had ever called him anything but John; and she spoke of you

as Frank, whereas nobody had ever called you anything but Francis. In a

week from now she will be calling my darling Robert Oriole, Bob. But he

really is Robbie.”

She put down her empty glass.

“That has calmed me,” she said, “and so now we will get to business. I

must repeat all that I told Mrs. Withers about Robbie. He is thirty-one,

and is the most marvellous airman. He has yellow hair and blue eyes, and

is like the Hermes at Olympia (she thought I meant Earl’s Court). It is

perfectly clear to Mrs. Withers’s ferreting instincts that I am in love

with him; about that you had better say, if she asks you, that we are

merely great friends. He flew over to France about a week ago, piloting

three Cabinet Ministers. They won’t fly with any other pilot----”

“That won’t do,” said I. “I went to the play with him last night.”

“I am not so stupid as to have forgotten that. He came back yesterday,

and left for Paris again this morning, carrying a new cypher to the

Embassy. He writes the most wonderful poems, which he composes as he is

flying.”

“She will ask for them at Bickers,” said I.

Agnes thought intently for a moment.

“She may ask for them at Bickers,” she said, “but she won’t get them

because they are not published. They are type-written on vellum, and he

lets his friends see them. Perhaps we had better write one or two. What

is vellum?”

My head whirled.

The Countess of Lowndes Square, and Other Stories · 第 4 / 16 段