While the larger periods of time are kept with accuracy, so that the

time of beginning the ceremonies varies but little from year to year,

the Hopi have poor memories for dates. No one knows his age, and many

of these villages seem to live within the shifting horizons of

yesterday and tomorrow. The priests, however, keep a record of the

ceremonies by adding to their _tiponi_, or palladium of their society,

a feather for each celebration. At Zuñi a record of the death of

priests of the war society is kept by making scratches on the face of

a large rock near a shrine, and by this method a Hopi woman keeps

count of the days from the child's birth to the natal ceremony. Ask a

Hopi when some event happened, and he will say, "_Pai he sat o_,"

meaning "some time ago, when my father was a boy"; stress on the word

means a longer time, and if the event was long beyond the memory of

man, the Indian will almost shake his head off with emphasis.

The only notched time-stick is that jealously guarded by the sun

priest, and no one knows just how he makes his calculations from it.

As for dinner time, the great sun and "the clock inside" attend to

that; _dawa yamu_, _dawa nashab_, and _dawa poki_ stand for "sunrise,"

"noonday," and "sunset." If the Hopi makes an appointment for a

special hour, he points to where the sun will be at that time. The

seasons are known to him in a general way as the time of the cold or

snow, the coming back of the sun (winter solstice), the time of bean

or corn planting, the time of green corn, the time of harvest, etc.,

but there is a calendar marked by the ceremonies held during each

month.

Perhaps these children of the sun are happier in not being slaves of

the second as we have become. Our watches, which they call _dawa_,

"the sun," have not bound them to the wheel by whose turning we seem

to advance. They are satisfied with the grander procession of the

heavenly bodies, and their days fade into happy forgetfulness.

An experience of several years ago may here be related in order to

show how the clan name of a Hopi is a veritable part of himself and

also links him to his clan and the most intimate religious and secular

life of the pueblo.

There was a jolly crowd of Hopi under the dense shade of a cottonwood

on the Little Colorado River one hot day in July. The mound of earth,

strewn with chips of flint and potsherds like a buried city on the

Euphrates, had yielded its secrets, and the house walls of the ancient

town of Homolobi resembled a huge honeycomb on the bluff.

The Hopi, who had worked like Trojans in laying bare the habitations

of their presumptive ancestors, were now assembled to receive their

wages in silver dollars, which they expressively call "little white

cakes." Around were scattered the various belongings of an Indian

camp, among which tin cans were prominent; a wind-break had been

constructed of cottonwood boughs; from the tree hung the shells of

turtles caught in the river; a quantity of wild tobacco was spread out

to dry in the sun, and several crop-eared burros hobbling about on

three legs were enjoying an unusually luxuriant pasture of sage-brush.

"Paying off" is surrounded with attractions for all sorts and

conditions of men. The Hopi seemed like a lot of children anticipating

a holiday, as they sat in a circle around Dr. Fewkes, who was

paymaster. This was their first experience, perhaps, with Government

"red tape," of whose intricacies they must have had but the faintest

idea. There are times when blissful ignorance is to be envied.

The "sub-vouchers" were filled out with the time of service and the

amount to be paid, and as the doctor's clerk called out the names, the

boys came forward to sign. An Indian sign his name! Curiously enough,

every Hopi from the least to the greatest can sign his name, and he

does not have to resort to the "X-mark" of our boasted civilization.

Perhaps it would be better to say "draws his name," for when the first

Indian grasped the pen in the most unfamiliar way imaginable, he drew

the picture of a rabbit, the next drew a tobacco plant, the third a

lizard, and so on, until the strangest collection of signatures that

ever graced a Government voucher-book was completed.

It must be explained that each Hopi has an everyday name which his

fond relatives devised for him during infancy, and a clan name, which

shows his blood relationship or family. Nowhere, even in these days of

ancestor hunting, is more importance given to family than in Hopiland.

If you ask, "Who is this man?" the answer may be, for instance,

"Kopeli," his individual name. "But what is he in Walpi?" "He is a

_chua_," that is, he belongs to the important Snake clan and his totem

signature is a crawling reptile.

It affords great amusement to the Hopi when a person, not acquainted

with their customs, asks a man his name; it is also very embarrassing

to the man asked, unless there is a third party at hand to volunteer

the service, because no Hopi can be prevailed on to speak his own name

for fear of the bad consequences following "giving himself away."

III

FOOD AND REARING

Indian legend tells of a time when all was water; then land was made;

for a long time the earth was too wet for human beings and at last the

earth was dried out by a mighty fire. All these are pretty stories for

those who are looking for deluge legends and the effects of blazing

comets, but if the Indian account is true, the drying process was

carried entirely too far in the Southwest. Water! water! water! The

word gains a new significance in this arid region. There is a

rippling, cooling, refreshing note in it, a soothing of parched lips

and a guaranty against death from thirst. So, all conversation among

the people is replete with references to this mainstay of life, and

one comes, like them, to discuss the water question with an earnest

regard for its problems.

Wherever there is water, almost always will there be found ancient

ruins. In modern times the windmill of the settler often stands by the

spring which quenched the thirst of the ancient inhabitants of a now

crumbling pueblo. The blessings which were invoked in Biblical times

upon the man who "digged a well" apply also in this semi-desert, for

Syria and Arizona do not differ greatly in climate. The Bedouin with

his horses and camels would not be out of place on the sand wastes of

our Sahara; nor were the Spanish conquerors on unfamiliar ground when

they exchanged the dusty plains and naked sierras of their native land

for those of the New World.

The traveler in Spain, northern Africa, or Asia Minor is impressed

with the similarity between these countries and our Southwest, so that

the name of New Spain, early applied by the Spaniards to all of

Mexico, seems very appropriate. Like these countries, too, our

Southwest is a land of thirst; the dry air and fervent sun parch the

skin and devour every trace of moisture. (One feels as though he were

placed under a bell glass exhausted of air undergoing the shriveling

process of the apple in the experiment.)

So, before taking a journey, one inquires not so much of the roads and

distances, but whether water may be found, for it is often necessary

to submit to that most unpleasant of contingencies, a "dry camp." Many

parts of Arizona and New Mexico cannot easily be visited except in

favorable seasons, because one is told, "it's a hundred miles to

water." The Hopi often provide for the long journeys across waterless

country by hiding water at points along the route. This wise

precaution, which was noticed by the Spanish explorers of the

sixteenth century, consists of burying sealed water-jars in the sand,

their situation being indicated by "signs." Far from the ancient or

modern habitation these jars, uncovered by the wind, are often

discovered by riders on the cattle ranges.

Not only must the dusty explorer "haul water," for even the railroads

across the semi-desert are provided with tank trains for water

service, and the water tanks of the huge locomotive tenders of all

trains are of unusual capacity.

Far out on the sandy, sage-brush plains are frequently seen small

cairns of stones, called by the knowing ones "Indian water signs,"

pointing out the direction of water, but the more common signs are the

trails made by cattle on which a myriad of tracks in the dust point to

water, miles away perhaps, and oftentimes, when the tracks are not

fresh, leading to a dried-up pool, surrounded by carcasses or

bleaching bones.

The Navaho herdsman or herdswoman is a person with great

responsibility, for the sheep and ponies must have water at least

every three or four days. When a well-defined thunder-storm passes

within twenty or thirty miles of his camp he starts for the path of

its influence, knowing that there will be pools of water and

quick-springing herbs and grass. This chasing a thunder-storm is

novel--and much more satisfactory than chasing a rainbow. Even the

wild cattle scent the water and make for it, running like race-horses.

As a matter of fact, the animals of the desert have of necessity

become used to doing without water. So far as one can determine, the

rats, mice, squirrels, badgers, coyotes, prairie-dogs, skunks, and

other denizens of the sand-wastes so rarely get a good drink of water

that they seem to have outgrown the need of it. Cattle and horses have

also developed such powers of abstinence as might put a camel to

shame. There is a belief in the Western country that at least one of

the burrows of a prairie-dog town penetrates to water, but whether

this be true or not, judging from some of the locations of these queer

animal villages the tribe of gophers must contain adepts in abysmal

engineering.

One does not live long in the wilds of Arizona without becoming

weatherwise and, perhaps, skilled in signs and trails like a

frontiersman. The country is so open that the weather for a hundred

miles or more can be taken in at a glance and the march of several

storms observed at once, even though the sound of wind and thunder be

far out of hearing. At Flagstaff, for instance, it is easy to tell

when the Hopi are rejoicing in a rain, although it is more than a

hundred miles away.

In a country with so little rainfall as Tusayan and in which the soil

consists largely of sand with underlying porous rocks, springs are few

and their flow scanty. The rivers, also, during most of the year, flow

far beneath their sandy beds, which only once in a while are torn by

raging torrents. This is one of the many novelties of a country that

probably offers more attractions than any land on earth.

Around the springs the life of the Hopi comes to a focus, for here, at

all hours of the day, women and girls may be seen filling their

canteens, getting them well adjusted in the blankets on their backs

for the toilsome climb up the trail. A feeling of admiration tinged

with pity arises for these sturdy little women who in the blanket tied

across the forehead literally by the sweat of their brows carry half a

hundredweight of water up a height of nearly half a thousand feet.

_Mang i uh_, "tired?" one asks them. _Okiowa mang i uh_, "Yes, alas,

very tired!" they answer, these slaves of the spring.

At the edge of the water in the spring, where nothing can disturb

them, are green-painted sticks with dangling feathers. These are

offerings to the gods who rule the water element. At none of the

frequent ceremonies of the Hopi are the springs forgotten, for a

messenger carries prayer-sticks to them and places them in the water.

In former times offerings of pottery and other objects were thrown

into springs by devout worshippers.

Around the springs are gardens in which onions and other "garden

sauce" are grown. When it is possible, a little rill is led from the

spring into the gardens. The growing greens lend much to the drear

surroundings of the springs, but the plants must be enclosed by a

stone wall to keep away marauding burros and goats.

At least one spring at each pueblo is dug out and enlarged, forming a

pool at the bottom of an excavation ten feet deep and thirty in

diameter, with a graded way leading down to the water. These springs

are convenient for watering the thirsty stock, but they are especially

used in the ceremonies. During the Flute Dance, for example, they form

the theater of an elaborate ceremony in which the priests wade in the

spring and blow their flutes in the water.

All the springs have been given descriptive names. At Walpi, there are

Dawapa, "sun spring"; Ishba, "wolf spring"; Canelba, "sheep spring";

Kokiungba, "spider spring"; Wipoba, "rush spring"; Kachinapa, "kachina

spring," and a number of others, around which cluster many

associations dear to the good people of the East Mesa. Like the Hopi,

every other human being who fares in the dry Southwest unconsciously

becomes a devotee of water worship and eventually finds himself in the

grip of the powers of Nature whom the Indians beseech for the

fertilizing rain.

Springs are often uncertain quantities in this region. Earthquakes

have been known to swallow up springs in one place and to cause them

to burst out at another far away. One can readily imagine what a

terrible calamity such a phenomenon can be in so dry a country, for

the only thing the people can do under such circumstances is to move

and to move quickly. It seems probable that some of the many ancient

Indian settlements that make the Southwest a ruin-strewn region have

been caused by just such fickleness in the water supply.

When modern engineering comes to the aid of the Hopi in storing the

occasional vast rushes of water for use throughout the year, a new era

will dawn for the Peaceful People. They may then become prosperous

farmers and gradually forget the days when they invoked the powers of

nature with strange charms and ceremonies.

If the Hopi know well the springs, they are not less perfect in

knowledge of plants that are useful to them. One day Kopeli, the

former Snake chief, undertook to teach his pupil, Kuktaimu, the lore

of the plants growing near the East Mesa. They set out for a flooded

cornfield near the wash, and long before they reached it, they could

hear the watchers emitting blood-curdling yells to scare away the

hated _angwishey_, crows, that from time to time made a dash for the

toothsome ears.

It goes without saying that the day was beautiful, for in August

thunder-cloud masses often fill the sky with graceful forms, tinted

beneath by a rosy glow reflected from the surface of the red plains.

The rain had started the vegetation anew and the deep green cornfields

showed its benign influences.

Kopeli was communicative, but Kuktaimu, although having been blessed

by Saalako with a Hopi name, was weak in the subtleties of Hopi speech

and missed many points to which, out of politeness, he responded

_Owi_, "yes." Still, the queer-sounding names of the plants and their

uses given by Kopeli were duly put down on paper, for which the Hopi

have a word which literally means _corn-husk_. On their journey around

the cornfields they met various groups of watchers, some reclining

beneath the sloping farm shelters of cottonwood boughs, some chatting

together or gnawing ears of corn roasted in a little fire. Everyone

requested matches and willingly assisted in conferences over plants of

which Kopeli might be doubtful. Boys with their bows and arrows tried

for shots at crows, and little girls minded the babies. Life in the

fields is full of enjoyment to the Hopi, and the children especially

delight to spend a day picnicking amidst the rustling corn-leaves.

The plants having been hunted out in the cornfields, Kopeli and

Kuktaimu sought higher ground among the rocks below the mesa, where

different species of plants grow. At the foot of the gray rocks are

found many plants of great medicinal and ceremonial value to the Hopi,

according to the Snake priest, who grew enthusiastic over a small

silvery specimen with pungent odor. "Very good medicine," he said. At

this juncture, when the plant had been carefully placed in the

collecting papers, Kopeli made a characteristic gesture by rapidly

sliding one of his palms over the other and said _pasha_, "all." The

nearness of the evening meal must have been the influence that caused

Kopeli to say that the flora of Tusayan had been exhausted in a

single day's search, for subsequent journeys about the mesas brought

to light many other plants that have place in Hopi botany.

It is surprising to find such a general knowledge of the plants of

their country as is met with among the Hopi. No doubt this wonder

arises among those who live the artificial life of the cities. The

Hopi is a true child of the desert and near to the desert's heart. His

surroundings do not furnish clear streams, grassy meadows, and massy

trees; there is much that is stern and barren at first glance, and

there is a meagerness except in vast outlooks and brilliant coloring.

Here Nature is stripped and all her outlines are revealed; the rocks,

plains and mountains stand out boldly in the clear air. Still, in all

this barrenness there is abundance of animal and vegetal life which

has adapted itself to the semi-desert, and if one becomes for the time

a Hopi, he may find in odd nooks and corners many things delightful

both to the eyes and the understanding.

There are few Hopi who do not know the herbs and simples, and some are

familiar with the plants that grow, in the mountains and canyons,

hundreds of miles from their villages. Even the children know many of

the herbs, and more than once I have successfully asked them for their

Indian names. This is not strange, because such things are a part of

their education and in this way they are in advance of the majority of

their civilized brothers. After a while the idea impresses one that

the Hopi depend on the crops of Nature's sowing as much as on the

products of their well-tilled fields. Many a time, as the legends

tell, the people were kept from famine by the plants of the desert,

which, good or bad seasons alike, thrust their gray-green shoots

through the dry sands, a reminder of the basis of all flesh.

Perhaps all the Hopi believe that the wild plants are most valuable

for healing and religious purposes, for the plants they use in

medicine would stock a primitive drug store. Bunches of dried herbs,

roots, etc., hang from the ceiling beams of every house, reminding one

of the mysterious bundles of "yarbs" in a negro cabin, and, as

occasion requires, are made into teas and powders for all sorts of

ills.

Hopi doctors have a theory and practice of medicine, just as have

their more learned white brethren. Without the remotest acquaintance

with the schools dividing the opinions of our medicine-afflicted race,

they unconsciously follow a number of the famous teachings. So, if a

patient has a prickling sensation in the throat a tea made from the

thistle will perform a cure, as "like cures like." The hairy seeds of

the clematis will make the hair grow, and the fruit of a prolific

creeping plant should be placed in the watermelon hills to insure many

melons. The leaves of a plant named for the bat are placed on the head

of a restless child to induce it to sleep in the daytime, because that

is the time the slothful bat sleeps. It is not often that Hopi

children require an application of bat-plant medicine, but even the

best of children get fractious sometimes.

Many are the strange uses of plants by the Hopi, and much curious lore

has gathered about them. Some of the plants are named for the animals

and insects which live upon them, such as "the caterpillar, his corn,"

"the mole, his corn"; while some, from fancied resemblances, are

called "rat's ear," "bat plant," "rattle plant," etc. Two plants

growing in company are believed to be related and one is spoken of as

the child of the other. Plants are also known as male and female, and

each belongs to its special point of the compass. Many are used in the

religious ceremonies; those beloved by the gods appear on the

prayer-sticks offered to beseech the kind offices of the nature

deities.

Strange as it may seem, the Hopi have medicine women as well as

medicine men. The best known of these is Saalako, the mother of the

Snake priest. She brews the dark medicine for the Snake dance and

guards the secret of the antidote for snake bites. The writer once met

at the place called "Broad House" a Navaho medicine man. He was a

wrinkled, grizzled specimen of humanity mounted on a burro and was

hunting for herbs, as was seen by a glance into the pouch which he

wore by his side. A little tobacco induced him to dismount and spread

out his store of herbs. When shown the writer's collection of plants,

he became much interested, no doubt believing that he had found a

fellow practitioner. He requested samples of several of the plants,

and when they were given him, stored them away in his pouch with every

evidence of satisfaction.

The Hopi priests are also very glad to receive any herb coming from

far off, especially from the sea-coast, "the land of the far water,"

as they call it. They treasure such carefully and mix it with sacred

smoking tobacco or introduce it into the "charm liquid" which is used

in every ceremony to mix the paint for the prayer-sticks and to

sprinkle during their strange rites.

An American farmer might be at a loss to recognize a Hopi cornfield

when he saw one. In the usually dry stream beds or "washes" he would

see low clumps of vegetation, arranged with some regularity over the

sand. This is the Hopi cornfield, so planted in order to get the

benefit of rains which, falling higher up, may fill the washes, for

the summer thunder-storms are very erratic in their favors.

The Hopi farmer sets out to plant, armed only with a dibble which

serves as plow, hoe, and cultivator combined. Arriving at the waste of

sand which is his unpromising seed-field, he sits down on the ground,

digs a hole, and puts in perhaps twenty grains, covering them with the

hands. Whether he has any rule like

One for the cutworm,

One for the crow,

One for luck,

is doubtful, but in the years when cutworms are likely to be

plentiful he plants more corn to the hill.

One hill finished, he gets up, moves away about ten feet, sits down,

and goes through the same process. He never thins the corn, but leaves

the numerous stalks close together for shade and protection from the

winds. His care of the field consists merely in hoeing the weeds and

keeping a watch on the crows, which he frightens away by demoniac

shouts. His scarecrows are also wonders of ingenuity, and many a time

one takes them for watchful Indians.

When the corn is fit for roasting ears the Hopi get fat and there is

feasting from morn till night. Tall columns of smoke arise from the

roasting pits in the fields. These large pits are dug in the sand,

heated with burning brush, filled with roasting ears, and closed up

tightly for a day. The opening of a pit is usually the occasion of

frolicking and feasting, where laughter and song prevail. Some of the

corn is consumed at once in making puddings and other dishes of which

the Hopi prepare many, and what remains is dried on the cob and hung

in bunches in the houses for the winter.

The ears of the Indian corn are close to the ground and are hidden by

the blades, which touch the sand. The blades are usually tattered and

blown away by the wind, so that by the time the corn is ripe, the

fodder is not of much value. The ripe corn is gathered and laboriously

carried by back-loads up the steep mesa to the houses, where it is

stored away in the corn chamber. Here the ears are piled up in

symmetrical walls, separate from the last year's crop, which may now

be used, as the Hopi, taught by famine, keep one year's harvest in

reserve. Once in a while, the women bring out the old corn, spread it

on the roof to sun, and carefully brush off each ear before returning

it to the granary, for in this dry country, though corn never molds,

insect pests are numerous.

Among the superstitions connected with corn the Hopi believe that the

cobs of the seed corn must not be burned until rain has fallen on the

crop for fear of keeping away or "drying up" the rains.

No cereal in the world is so beautiful as Hopi corn. The grains,

though small, are full and highly polished; the ears are white,

yellow, red of several shades, a lovely rose madder, blue, a very dark

blue or purple which the Hopi call black, and mottled. A tray of

shelled corn of various colors looks like a mosaic.

The Hopi Indians · 第 2 / 15 段