During the next three days we were beset by a series of minor

difficulties. Two of the trucks broke down on the way up to the mine to

be loaded. It took half a day to get replacements, so the convoy was

delayed. One night the guard on duty at the mine entrance developed an

unwarranted interest in art and poked around among the pictures which

Lamont and I had carefully stacked according to size for loading the next

morning. No harm was done, but it caused a delay. He was under strict

orders to let no one into the temporary storage room and was not to go

in there himself. It was partly our fault; we shouldn’t have trusted

him with the key. The captain of the guard was notified and appropriate

disciplinary action taken. The gnomes developed a tendency to prolong

their regular rest periods beyond a point Steve considered reasonable,

and we had to come to an understanding about that. On the whole, however,

the work went fairly well.

Even the great chambers of the Kammergrafen were beginning to thin out.

They were far from empty, but we had cleared them of a substantial part

of the external loot, that is, the loot which had come from countries

outside Germany. There were still quantities of things taken from

Austrian collections, but they had not been our primary concern. The time

had come to make a final check, to make sure that we had not overlooked

anything important in the category of external loot.

Together with Sieber, we started this last inspection. We checked off the

pictures first. Our work there had been pretty thorough. After that the

sculpture. This also seemed to be well weeded out. And the furniture too.

Sieber was ahead of us with his flashlight. The light fell on two cartons

standing in a dark corner behind a group of Renaissance bronzes. I

asked what was in them. Sieber shrugged his shoulders. They had never

been opened. He had forgotten that they were there. We dragged them out

and looked for an identifying label. Sieber recalled that one of the

former custodians at the mine had said the things inside were “_sehr

wertvoll_”—very valuable, but he knew nothing more.

We carried the boxes to a table where there was better light. They were

the same size, square, and about two feet high. They were not heavy. We

pried open the lid of one of them with great care. It might be Roman

glass, and that stuff breaks almost when you look at it. But it wasn’t

Roman glass. Inside was a row of small cardboard boxes. I lifted the lid

and removed a layer of cotton. On the cotton beneath lay a magnificent

golden pendant studded with rubies, emeralds and pearls. The central

motif, a mermaid exquisitely modeled and wrought in iridescent enamel,

proclaimed the piece the work of an Italian goldsmith of the Renaissance.

The surrounding framework of intricate scrolls, shells and columns blazed

with jewels.

There were forty boxes filled with jewels—necklaces, pendants and

brooches—all of equal splendor. The collection was worth a fortune. Each

piece bore a minute tag on which appeared an identifying letter and a

number. These were Rothschild jewels. And we had stumbled on them quite

by accident.

Lamont and I agreed that they should be taken to Munich without delay.

There they could be stored in a vault. Furthermore we decided to deliver

them ourselves. It wouldn’t do to risk such precious objects with the

regular convoy. We admonished Sieber to say nothing about our find. In

the meantime we would keep the two boxes under lock and key in our room.

That night we told Steve we had a special surprise for him. After barring

the door against unexpected visitors, we emptied the boxes onto one

of the beds. We told him not to look until we were ready. We arranged

each piece with the greatest care, straightening out the links of the

necklaces, adjusting the great baroque pearls of the pendants, balancing

one piece with another, until the whole glittering collection was spread

out on the white counterpane. Then we signaled to Steve to turn around.

“God Almighty, where did you find those?” he asked.

While we were telling him how we had happened onto the two cartons that

afternoon, he kept shaking his head, and when we had finished, said

solemnly, “They’re beyond my apprehension.” The expression stuck and from

that time on we invoked it whenever we were confronted with an unexpected

problem.

Early the following morning we stowed the jewels in the back seat of our

command car and set out for Munich. Halfway to Salzburg we encountered

Captain Posey, headed in the opposite direction. He was surprised to

see us, and still more surprised when we told him what we had in the

car. He was on his way to the mine. There were some things he wanted to

tell us about our next job—at Berchtesgaden—but if we would come to his

office the next day that would be time enough. He wasn’t going to stay

at the mine more than a couple of hours. He should be back in Munich

before midnight. He said there was one thing we could do when we reached

Salzburg—call on the Property Control Officer and arrange for clearance

on the removal of the Vienna Museum pictures to the Munich depot. This

was an important part of the plan which George had outlined, so we said

that we’d see what we could do.

We had some difficulty finding the right office. There were two Military

Government Detachments in Salzburg—one for the city, and the other

for the region. They were on opposite sides of the river. We caught

Lieutenant Colonel Homer K. Heller, the Property Control Officer, as

he was leaving for lunch. I explained that it was our intention to

call for the paintings and tapestries on our way to Berchtesgaden the

following week. He said he could not authorize the removal; that we would

have to see Colonel W. B. Featherstone at the headquarters across the

river. If the colonel gave his O.K., it would be all right with him. He

didn’t think that the colonel would take kindly to the idea. This was a

surprise. Who would have the temerity to question the authority of Third

Army? Lamont was amused. He told me I could have the pleasure of tackling

Colonel Featherstone alone.

It was after two o’clock before the colonel was free. Nothing doing on

the Vienna pictures. That would require an O.K. from Verona. Why Verona,

I asked? “General Clark’s headquarters,” was the answer. Didn’t I know

that the Fifth Army was taking over the area very shortly? Then the

colonel, in accents tinged with sarcasm, expressed his satisfaction at

finally meeting one of the Monuments officers of the Third Army. He had

heard such a lot about them and the wide territory they had covered. He

had been told that a group of them was working at the Alt Aussee mine,

but I was the first one he had laid eyes on.

I gathered that he was mildly nettled by Third Army in general and by

me in particular. As a matter of fact, the colonel’s attitude about

the Vienna pictures was logical: why move them out of Austria? If, as

he supposed, they were to be returned to Vienna eventually, why take

them all the way to Munich? I had no answer to that and took refuge in

the old “I only work here” excuse. He found it rather droll that the

Navy should be mixed up in this high-class van and storage business. I

had too, once, but the novelty had worn off. I rejoined Lamont and the

jewels. I wondered what Captain Posey would have to say to all this.

We reached Munich too late that afternoon to see Craig at the depot, so

we took the jewels with us to his quarters. I had not seen him since my

departure for Alt Aussee some weeks before. In the interim, there had

been a tightening up on billeting facilities. As a result he and Ham

Coulter were now sharing a single apartment. I was the only one adversely

affected by this arrangement. Craig no longer had a spare couch for

chance guests.

When Lamont and I walked in, we found them talking with a newly arrived

naval lieutenant. He was Lane Faison, who had been around Harvard in

my day. In recent years he had been teaching at Williams and was at

present in OSS. After we had been there a little while, Lamont asked very

casually, “Would you boys care to see the Rothschild jewels?”

Ham wanted to know what the hell he was talking about. “Well, we have two

boxes filled with them here in the hall,” Lamont said.

For the second time we displayed the treasures. Craig’s enthusiasm was

tempered with concern for their safety. He was relieved when we said we

had come purposely to put them in one of the steel vaults at the depot.

We went with him to the Königsplatz forthwith and stowed them safely for

the night.

Lamont and I continued on our way to Third Army Headquarters. Lincoln was

working late. When we walked in he looked up from his typewriter and said

“Hello” in a flat voice. Lincoln was in one of his uncommunicative moods.

We left him alone and busied ourselves with letters from home which

we found on Posey’s desk. Lincoln went on with his typing. Presently

he stopped and said, “George’s orders came through. He’s gone to the

Pacific.”

“It ought to be interesting work,” said Lamont.

“Oh, you knew about his orders?” asked Lincoln.

“No,” said Lamont.

That broke the mood. We had a lively session for the next hour. Lincoln

was always a reservoir of information, a lot of it in the realm of rumor,

but all of it fascinating. That evening he was unusually full of news. He

had a perfect audience in Lamont and me because we had been completely

out of touch with things while at the mine.

After exhausting his stock of fact and fiction, he produced his latest

box of food from home. There were brandied peaches, tins of lobster and

caviar, several kinds of cheese, dried fruits and crackers. It was a

combination you’d never risk at home, if you were in your right mind.

“You do very well for yourself,” I said when he had the refreshments

spread out on his desk.

“My wife knows the enlisted men’s motto: ‘Nothing is too good for our

boys, and nothing is what they get.’”

We finished the box and Lincoln showed us an article he had written on

Nazi sculpture. We were reading it when Captain Posey came in. He asked

if we had stopped in Salzburg to see Colonel Heller. I told him what had

happened there. If he was annoyed, he gave no sign of it. He rummaged

in his desk and brought out a list of instructions for us in connection

with the operation at Berchtesgaden. He suggested that we stop there on

the way back to Alt Aussee; it wouldn’t be very much out of our way. He

gave us the names of the officers we should see about billeting, and

so on. It would be well to have all these things settled in advance.

Then he gave us some special orders for Lieutenant Shrady, who was to be

transferred to Heidelberg, now that the evacuation of the mine was ending.

Captain Posey said that I was to take over the Mercedes-Benz. It had been

obtained originally for the evacuation team. We were to take it with

us to Berchtesgaden. I could make good use of the car, transportation

facilities being what they were, but I didn’t relish the prospect of

taking it from Shrady. He had spent money of his own fixing it up and

looked on it as his personal property. I told Captain Posey how I felt.

He said he had a letter for me which would take care of the matter. It

was a letter directing me to deliver Lieutenant Shrady’s orders and to

appropriate the car.

When we saw Faison at the depot the next morning, he asked if he might

drive back with us. He was joining Plaut and Rousseau at House 71 to

work with them on the investigation of Nazi art looting. I said we’d be

glad to have him. The three of us started off after early lunch. We were

looking forward to the Berchtesgaden detour. None of us had been there

during the Nazi regime and I, for one, was curious to see what changes

had taken place in the picturesque resort town since I had last seen it

fifteen years before.

We took the Salzburg Autobahn past Chiemsee almost to Traunstein, and

then turned off to the southwest. This was the finest secondary road I

ever traveled. It led into the mountains and the scenery was worthy of

Switzerland. Thanks to perfectly banked turns, we made the ninety-mile

run in two hours.

The little town was as peaceful and quiet as I remembered it. In fact it

was so quiet that Lamont and I had difficulty locating an Army outfit to

give us directions. We learned that the 44th AAA Brigade had just moved

in and that the last remnants of the famous 101st Airborne Division were

pulling out. There was no love lost between the two, as we found out

later. Consequently, when I asked an officer of the AAA Brigade where I

would find Major Anderson of the 101st Airborne, he informed me curtly

that that outfit was no longer at Berchtesgaden. Then I asked if he

knew where the Göring collection was. He didn’t seem to know what I was

talking about, so I rephrased my question, inquiring about the captured

pictures which had been on exhibition a short time ago. Yes, he knew

vaguely that there had been some kind of a show. He thought it had been

over in Unterstein, not in Berchtesgaden. Well, where was Unterstein?

He said it was about four kilometers to the south, on the road to the

Königssee.

His directions weren’t too explicit, but eventually we found the little

back road which landed us in Unterstein ten minutes later. In a clearing

on the left side of the road stood the building we were looking for.

It was a low rambling structure of whitewashed stucco in the familiar

Bavarian farmhouse style. It had been a rest house for the Luftwaffe.

The center section, three stories high, had a gabled roof with widely

overhanging eaves. On either side were long wings two stories high,

similarly roofed. The casement windows were shuttered throughout.

We found Major Harry Anderson on the entrance steps. He was a husky

fellow with red hair and a shy, boyish manner. He was not altogether

surprised to see us because George had stopped by on his last trip to

Munich and told him we’d be arriving before long. How soon could we start

to work on the collection? In four or five days’ time, we thought. Could

he make some preliminary arrangements for us? We would need billets for

three officers, that is, the two of us—and Lieutenant Kovalyak. No, there

would be four, we had forgotten to include the Negro lieutenant in

charge of the truck drivers. Then there would be twenty drivers. Could

we say definitely what day we’d arrive? Lamont and I made some rapid

calculations. It was a Tuesday. How about Friday evening? That was fine.

The sooner the better as far as the major was concerned. He was slated to

pull out the minute the job was done, so we couldn’t start too soon to

suit him.

He asked if we’d care to take a preliminary look around but we declined.

It was getting late and we still had a hard three-hour drive ahead of us.

As we turned to go, Jim Plaut and Ted Rousseau came out of the building.

They had been expecting Faison but were surprised to find him with us.

Wouldn’t we all have dinner with them that night at House 71? They had

come over from Bad Aussee that afternoon, bringing Hofer with them. They

had been quizzing him about certain pictures in the collection and he had

wanted to refresh his memory by having a look at them. They pointed to

a stocky German dressed in gray tweeds who stood a little distance away

talking with a tall, angular woman. We recognized him as the man we had

seen pacing the garden at House 71 weeks before—the evening Lamont and I

first reported to George at the mine. That was his wife, they said. Would

we mind taking Hofer back with us? If we could manage that, they’d take

Faison with them. There were some urgent matters they’d like to talk over

with him in connection with their work. We agreed and Ted brought Hofer

to the car.

As we left he called out, “Wiederschauen, liebe Mutti,” and kept waving

and throwing kisses to his tall wife. I was struck by the stoical

expression on her face. She watched us go but made no effort to return

his salutations. I wondered if she gave a damn.

Hofer was a loquacious passenger. All the way to Bad Aussee he kept up a

line of incessant chatter, half in English, half in German, on all sorts

of subjects. He gesticulated constantly with both hands, notwithstanding

the fact that one of them was heavily bandaged. He explained that he had

scalded it. The bandage had been smeared with evil-smelling ointment

which had soaked through. As he gestured the air was filled with a

disagreeable odor of medication. Did we know Salzburg? Ah, such a lovely

city, so musical! Did we know Stokowski? He knew him well. “Then you’ll

probably be interested to know that he has just married one of the

Vanderbilt heiresses, a girl of nineteen,” I said. But I must be joking.

Was it really so?

I was getting bored with this chatterbox when he suddenly began to talk

about Göring and his pictures. We asked him the obvious question: What

did Göring really like when it came to paintings? Well, he was fond of

Cranach. Yes, we knew that. And Rubens; he had greatly admired Rubens.

And many of the Dutch masters of the seventeenth century. But according

to Hofer it was he who had directed the Reichsmarschall’s taste. Then,

to my surprise, he mentioned Vermeer. Did we know about the Vermeer

which Göring had bought? After that he went into a lengthy account of

the purchase, leading up to it with an involved story of the secrecy

surrounding the transaction, which had many confusing details. When we

pulled up before House 71, Hofer was still going strong. Lamont and I

were worn out.

Shrady departed the following morning in compliance with the orders I had

brought him. He left the Mercedes-Benz behind. If I could have foreseen

the trouble that car was going to cause us, nothing could have tempted me

to add it to our equipment. Even then Lamont eyed it with suspicion, but

we were both talked out of our misgivings by Steve, who rubbed his hands

with satisfaction at the prospect of the éclat it would lend our future

operations.

With Shrady’s going, we fell heir to his duties. During our last three

days at the mine they complicated our lives considerably. There were

records to be put in order, reports to be finished, pay accounts to be

adjusted, ration books to be extended for the skeleton crew which would

remain at the mine. In addition, I had to see Colonel Davitt about

the reduction and reorganization of the guard, and make provision for

different billeting and messing facilities.

In the midst of these preparations, Ted Rousseau telephoned from House

71. Were we planning to take Kress, the photographer, with us to

Berchtesgaden? We certainly were. Steve would sooner have parted with

his right eye. Well, they wanted to interrogate him before we left. How

long would they need him? A few days. I suggested they start right away.

We’d be needing him too. Steve was wild when he heard about it. I agreed

that it was a nuisance but that we’d have to oblige. The OSS boys came

for Kress that afternoon. Steve watched them, balefully, as they drove

off down the mountain. Then he resumed the work he had been doing on his

big Steyr truck. This was a cumbersome vehicle which he and Kress had

been putting in order. It had belonged originally to the _Einsatzstab

Rosenberg_ and was part of Kress’ photographic unit. He and Steve were

refitting it to serve our purposes in a similar capacity. It was a fine

idea, but so far they hadn’t been able to get it in running order. Steve

had had it painted. When he had nothing better to do, he tinkered with

the dead motor. Next to Kress, the truck was his most prized possession.

I returned to Shrady’s old office where I found Lamont in conversation

with Dr. Hermann Michel. Michel was a shadowy figure who had been working

at the mine with Sieber and Eder throughout our stay. When Posey and

Lincoln Kirstein had arrived at Alt Aussee in May, he had identified

himself as one of the ringleaders of the Austrian resistance movement and

vociferously claimed the credit of saving the mine. Since then he had

been working in the mine office. Captain Posey had given him permission

to make a routine check of the books and archives stored there. He was

such a talkative fellow that we kept out of his way as much as possible.

And we didn’t like his habit of praising himself at the expense of

others. He was forever running to Plaut and Rousseau at House 71 with

written and oral reports, warning them to beware of this or that man in

the mine organization.

Lamont looked decidedly harassed when I walked in. Michel was protesting

our demands for a complete set of the records. We were to leave them

in Colonel Davitt’s care when we closed the mine. Michel had taken the

opportunity to say a few unpleasant things about Sieber. We finally made

it clear to him that there would be no nonsense about the records, and

also that what we did about Sieber was our business. We finally packed

him off still protesting and shaking his head.

The afternoon before our departure Lamont and I had to go over to St.

Agatha. The little village lay in the valley on the other side of the

Pötschen Pass. We were to verify the report that a small but important

group of paintings was stored in an old inn there. A fine Hubert Robert

_Landscape_, given to Hitler by Mussolini, was said to be among them.

We went first to the Bürgermeister who had the key. He drove with us to

the inn. It was an attractive Gasthaus, built in the early eighteenth

century. The walls were frescoed and a wrought-iron sign hung over the

doorway. When we arrived the proprietress was washing clothes in the

arched passageway through the center of the building.

She took us to a large corner room on the second floor. There were some

fifty pictures, all of them enormous and unframed. The Bürgermeister

helped us shift the unwieldy canvases about, so that we could

properly examine them. They were, for the most part, of indifferent

quality—sentimental landscapes by obscure German painters of the

nineteenth century.

But we did find five that were fine: the mammoth landscape with classical

ruins by Hubert Robert, the eighteenth century French master—this was

the one Mussolini had given the Führer; an excellent panel by Pannini—it

too a landscape; a Van Dyck portrait; a large figure composition by Jan

Siberechts, the seventeenth century Flemish painter; and a painting by

Ribera, the seventeenth century Spanish artist. We set them aside and

said we’d return for them in a few days.

We had hoped to leave for Berchtesgaden by midmorning the next day, but

we didn’t get off until three in the afternoon. At the last minute I

received word from Colonel Davitt’s office that the Mercedes-Benz was to

be left at the mine. I said that since we had no escort vehicle, it was

an indispensable part of our convoy. That being the case, the colonel’s

adjutant said we could take the car, but on condition that we return it

within twenty-four hours. I said I’d see what I could do about that.

Steve fumed while I talked. When I hung up the receiver he said, “Don’t

be a damn fool. Once the car’s out of his area, the colonel hasn’t got a

thing to say about it. Let’s get going.”

Sieber and Eder, together with a dozen of the gnomes, were waiting in

front of the mine building when we came down the stairs. Lamont was

already in the car. I gave final instructions to the captain of the

guard, said good-bys all around, and got in the car myself. Everybody

smiled and waved as we drove off.

The evacuation had been a success. Ninety truckloads of paintings,

sculpture and furniture had been removed from the mine during the past

five weeks. Although it was by no means empty, the most important

treasures had been taken out. Third Army was withdrawing from the area.

From now on the mine would be the responsibility of General Clark’s

forces.

We were a lengthy cavalcade. Lamont and I took the lead. Steve followed

in the Steyr truck, in running order at last. Behind him trailed five

trucks. We were to pick up eight more at Alt Aussee. It wasn’t going

to be easy to keep such a long convoy in line. If we could only stay

together until we got over the pass, the rest of the trip wouldn’t be too

difficult.

Salt mines and castles: The discovery and restitution of looted European art · 第 12 / 24 段