IONITCH

If newcomers to the little provincial city of S. complained that life

there was monotonous and dull, its inhabitants would answer that, on the

contrary, S. was a very amusing place, indeed, that it had a library and

a club, that balls were given there, and finally, that very pleasant

families lived there with whom one might become acquainted. And they

always pointed to the Turkins as the most accomplished and most

enlightened family of all.

These Turkins lived in a house of their own, on Main Street, next door

to the governor. Ivan Turkin, the father, was a stout, handsome, dark

man with side-whiskers. He often organized amateur theatricals for

charity, playing the parts of the old generals in them and coughing most

amusingly. He knew a lot of funny stories, riddles, and proverbs, and

loved to joke and pun with, all the while, such a quaint expression on

his face that no one ever knew whether he was serious or jesting. His

wife Vera was a thin, rather pretty woman who wore glasses and wrote

stories and novels which she liked to read aloud to her guests.

Katherine, the daughter, played the piano. In short, each member of the

family had his or her special talent. The Turkins always welcomed their

guests cordially and showed off their accomplishments to them with

cheerful and genial simplicity. The interior of their large stone house

was spacious, and, in summer, delightfully cool. Half of its windows

looked out upon a shady old garden where, on spring evenings, the

nightingales sang. Whenever there were guests in the house a mighty

chopping would always begin in the kitchen, and a smell of fried onions

would pervade the courtyard. These signs always foretold a sumptuous and

appetising supper.

So it came to pass that when Dimitri Ionitch Startseff received his

appointment as government doctor, and went to live in Dialij, six miles

from S., he too, as an intelligent man, was told that he must not fail

to make the Turkins’ acquaintance. Turkin was presented to him on the

street one winter’s day; they talked of the weather and the theatre and

the cholera, and an invitation from Turkin followed. Next spring, on

Ascension Day, after he had received his patients, Startseff went into

town for a little holiday, and to make some purchases. He strolled along

at a leisurely pace (he had no horse of his own yet), and as he walked

he sang to himself:

“Before I had drunk those tears from Life’s cup——”

After dining in town he sauntered through the public gardens, and the

memory of Turkin’s invitation somehow came into his mind. He decided to

go to their house and see for himself what sort of people they were.

“Be welcome, if you please!” cried Turkin, meeting him on the front

steps. “I am delighted, delighted to see such a welcome guest! Come, let

me introduce you to the missus. I told him, Vera,” he continued,

presenting the doctor to his wife, “I told him that no law of the Medes

and Persians allows him to shut himself up in his hospital as he does.

He ought to give society the benefit of his leisure hours, oughtn’t he,

dearest?”

“Sit down here,” said Madame Turkin, beckoning him to a seat at her

side. “You may flirt with me, if you like. My husband is jealous, a

regular Othello, but we’ll try to behave so that he shan’t notice

anything.”

“Oh, you little wretch, you!” murmured Turkin, tenderly kissing her

forehead. “You have come at a very opportune moment,” he went on,

addressing his guest. “My missus has just written a splendiferous novel

and is going to read it aloud to-day.”

“Jean,” said Madame Turkin to her husband. “Dites que l’on nous donne du

thé.”

Startseff next made the acquaintance of Miss Katherine, an eighteen-year

old girl who much resembled her mother. Like her, she was pretty and

slender; her expression was childlike still, and her figure delicate and

supple, but her full, girlish chest spoke of spring and of the

loveliness of spring. They drank tea with jam, honey, and sweetmeats and

ate delicious cakes that melted in the mouth. When evening came other

guests began to arrive, and Turkin turned his laughing eyes on each one

in turn exclaiming:

“Be welcome, if you please!”

When all had assembled, they took their seats in the drawing-room, and

Madame Turkin read her novel aloud. The story began with the words: “The

frost was tightening its grasp.” The windows were open wide, and sounds

of chopping could be heard in the kitchen, while the smell of fried

onions came floating through the air. Every one felt very peaceful

sitting there in those deep, soft armchairs, while the friendly

lamplight played tenderly among the shadows of the drawing-room. On that

evening of summer, with the sound of voices and laughter floating up

from the street, and the scent of lilacs blowing in through the open

windows, it was hard to imagine the frost tightening its grasp, and the

setting sun illuminating with its bleak rays a snowy plain and a

solitary wayfarer journeying across it. Madame Turkin read of how a

beautiful princess had built a school, and hospital, and library in the

village where she lived, and had fallen in love with a strolling artist.

She read of things that had never happened in this world, and yet it was

delightfully comfortable to sit there and listen to her, while such

pleasant and peaceful dreams floated through one’s fancy that one wished

never to move again.

“Not baddish!” said Turkin softly. And one of the guests, who had

allowed his thoughts to roam far, far afield, said almost inaudibly:

“Yes—it is indeed!”

One hour passed, two hours passed. The town band began playing in the

public gardens, and a chorus of singers struck up “The Little Torch.”

After Madame Turkin had folded her manuscript, every one sat silent for

five minutes, listening to the old folk-song telling of things that

happen in life and not in story-books.

“Do you have your stories published in the magazines?” asked Startseff.

“No,” she answered. “I have never had anything published. I put all my

manuscripts away in a closet. Why should I publish them?” she added by

way of explanation. “We don’t need the money.”

And for some reason every one sighed.

“And now, Kitty, play us something,” said Turkin to his daughter.

Some one raised the top of the piano, and opened the music which was

already lying at hand. Katherine struck the keys with both hands. Then

she struck them again with all her might, and then again and again. Her

chest and shoulders quivered, and she obstinately hammered the same

place, so that it seemed as if she were determined not to stop playing

until she had beaten the keyboard into the piano. The drawing-room was

filled with thunder; the floor, the ceiling, the furniture, everything

rumbled. Katherine played a long, monotonous piece, interesting only for

its intricacy, and as Startseff listened, he imagined he saw endless

rocks rolling down a high mountainside. He wanted them to stop rolling

as quickly as possible, and at the same time Katherine pleased him

immensely, she looked so energetic and strong, all rosy from her

exertions, with a lock of hair hanging down over her forehead. After his

winter spent among sick people and peasants in Dialij, it was a new and

agreeable sensation to be sitting in a drawing-room watching that

graceful, pure young girl and listening to those noisy, monotonous but

cultured sounds.

“Well, Kitty, you played better than ever to-day!” exclaimed Turkin,

with tears in his eyes when his daughter had finished and risen from the

piano-stool. “Last the best, you know!”

The guests all surrounded her exclaiming, congratulating, and declaring

that they had not heard such music for ages. Kitty listened in silence,

smiling a little, and triumph was written all over her face.

“Wonderful! Beautiful!”

“Beautiful!” exclaimed Startseff, abandoning himself to the general

enthusiasm. “Where did you study music? At the conservatory?” he asked

Katherine.

“No, I haven’t been to the conservatory, but I am going there very soon.

So far I have only had lessons here from Madame Zakivska.”

“Did you go to the high-school?”

“Oh, dear no!” the mother answered for her daughter. “We had teachers

come to the house for her. She might have come under bad influences at

school, you know. While a girl is growing up she should be under her

mother’s influence only.”

“I’m going to the conservatory all the same!” declared Katherine.

“No, Kitty loves her mamma too much for that; Kitty would not grieve her

mamma and papa!”

“Yes, I am going!” Katherine insisted, playfully and wilfully stamping

her little foot.

At supper it was Turkin who showed off his accomplishments. With

laughing eyes, but with a serious face he told funny stories, and made

jokes, and asked ridiculous riddles which he answered himself. He spoke

a language all his own, full of laboured, acrobatic feats of wit, in the

shape of such words as “splendiferous,” “not baddish,” “I thank you

blindly,” which had clearly long since become a habit with him.

But this was not the end of the entertainment. When the well-fed,

well-satisfied guests had trooped into the front hall to sort out their

hats and canes they found Pava the footman, a shaven-headed boy of

fourteen, bustling about among them.

“Come now, Pava! Do your act!” cried Turkin to the lad.

Pava struck an attitude, raised one hand, and said in a tragic voice:

“Die, unhappy woman!”

At which every one laughed.

“Quite amusing!” thought Startseff, as he stepped out into the street.

He went to a restaurant and had a glass of beer, and then started off on

foot for his home in Dialij. As he walked he sang to himself:

“Your voice so languorous and soft——”

He felt no trace of fatigue after his six-mile walk, and as he went to

bed he thought that, on the contrary, he would gladly have walked

another fifteen miles.

“Not baddish!” he remembered as he fell asleep, and laughed aloud at the

recollection.

Russian Silhouettes: More Stories of Russian Life · 第 57 / 121 题