This conversation was interrupted by a tumult caused by the arrival of

Wakhs El Fellat and Sudun, who came to pay their respects to the King.

The King invited them to sit down, but Sudun remained standing, and when

he asked him again, he replied, “You craven, was the world too narrow

for you that you desired my head as your daughter’s dowry?” “Sit down,”

said the King, “for I know that you are angry.” “How can I sit down,”

returned Sudun, “when you have ordered my death?” “God forbid that I

should act so unjustly,” said the King; “it was Sikar Diun.” “What,”

said he, “do you accuse me of such an action in my presence?” “Did you

not make this condition with Wakhs El Fellat,” said the King, “and send

him on his errand?” Sikar Diun then turned to Sudun, and said, “Sit

down, brave warrior, for we only did so from love to you, that we might

be able to make a treaty with you, and that you might join our company.”

After this answer, Sudun concealed his anger, and sat down. Refreshments

were now brought in, and after partaking of them, Wakhs El Fellat and

Sudun returned to their tents. Several days passed in this manner, and

at length Sudun said to Wakhs El Fellat, “O my master, it is time for

you to demand Shama in marriage, now you have won her with the edge of

the sword. You have fulfilled their conditions long since by bringing

them my head, but you have made no further progress at present. Ask for

her once more, and if they will not give her up, I will fall upon them

with the sword, and we will carry Shama off, and then lay waste the

city.” “I will demand her as my wife again to-morrow,” replied the

other. When he went to the palace next day, he found the King and all

the court assembled. When they saw him, they all rose from their seats,

and when they sat down again, he alone remained standing. “Why do you

not sit down,” said the King, “for all your wishes are now fulfilled?”

“I have still to ask for Shama,” he replied. “You know,” returned the

King, “that ever since her birth I have allowed Sikar Diun to make all

arrangements for her.” He now turned to Sikar Diun, who replied in a

friendly tone, “She is yours, for you have fulfilled the conditions, and

you have only now to give her ornaments.” “What kind of ornaments?”

asked he. “Instead of ornaments,” replied the traitor, “we desire to

receive a book containing the history of the Nile. If you bring it us,

she is wholly yours, but if not, there is no marriage to be thought of.”

“Where is it to be found?” “I cannot tell you myself.” “Well then,”

returned Wakhs El Fellat, “if I do not bring you the book, Shama is lost

to me; all present are witnesses to this.” He went out with these words,

pushing his way through the crowded assembly, and Sudun behind him, till

they reached their tents. “Why did you promise that,” said Sudun, “let

us rather overcome them with the sword, and take Shama from them.” “Not

so,” replied Wakhs El Fellat, “I will only possess her honourably.” “And

yet you do not even know how to find the book,” said Sudun; “rather

listen to my advice, retire to my fortress, and leave me in their

power.” “I would never act thus,” said Wakhs El Fellat, “though I should

suffer death.” After these and similar speeches, supper was brought in,

and each retired to his sleeping apartment. But Wakhs El Fellat had

scarcely entered his room when Shama came in. “What have you done,” said

she, “and what engagement have you undertaken? How can you fulfil this

condition? Do you not see that their only object is to destroy you, or

at least to get rid of you? I have come to warn you again, and I say to

you once more, take me with you to Sudun’s castle, where we can live at

peace, and do not act as they tell you.” “I will carry out my

engagement,” he replied; “I will not possess you like a coward, even

though I should be cut to pieces with swords.” Upon this, Shama was

angry and left him, while he lay down to rest, but could not sleep. He

therefore rose up, saddled and mounted his horse and rode away, without

knowing where, abandoning himself wholly to the will of God. He wandered

about thus for several days, until he reached a lonely tower. He knocked

at the door, and a voice answered, “Welcome O thou who hast separated

thyself from thy companions; enter without fear, O brave Saif, son of

Zul Yezn.” When he pushed the door it opened, and his eyes beheld a

noble and venerable old man, from whose appearance it was at once

obvious that he busied himself with the strictest life and fear of God.

“Welcome,” cried he again; “if you had travelled from east to west you

would have found no one who could show you how to obtain the book you

seek as well as I can, for I have dwelt here awaiting your arrival for

sixty years.” “But that was before I was born,” said Wakhs El Fellat to

himself. He then asked aloud, “By what name did you address me just

now?” “O Saif,” answered the old man, “that is your true name, for you

are a sword (Saíf) to the Abyssinians: but whom do you worship?” “O my

master,” was the reply, “the Abyssinians worship Saturn (Sukhal) but I

am in perplexity, and know not whom to worship.” “My son,” replied the

old man, “worship Him who has reared the heavens over us without

pillars, and who has rested the earth on water; the only and eternal

God, the Lord who is only and alone to be reverenced. I worship Him and

none other beside him, for I follow the religion of Abraham.” “What is

your name?” asked Wakhs El Fellat. “I am called Shaikh Gyat.” “What

declaration must I make,” he asked the old man, “to embrace your

religion?” “Say ‘There is no God but God, and Abraham is the Friend of

God.’ If you make this profession, you will be numbered among the

believers.” He at once repeated the formula, and Shaikh Gyat was much

pleased, and devoted the night to teaching him the history of Abraham

and his religion, and the forms of worship. Towards morning he said, “O

my son, whenever you advance to battle, say, ’God is great, grant me

victory, O God, and destroy the infidels,’ and help will be near you.

Now pursue your journey, but leave your horse here until your return.

Enter the valley before you, under the protection of God, and after

three days you will meet some one who will aid you.” Wakhs El Fellat set

out on that road, and after three days he met a horseman who saluted

him, and exclaimed, “Welcome, Saif Zul Yezn, for you bring happiness to

this neighbourhood.” Saif returned his salutation, and asked, “How do

you know me, and how do you know my name?” “I am not a brave or renowned

warrior,” was the answer, “but one of the maidens of this country and my

mother taught me your name.” “What is your name and that of your

mother?” “My mother’s name is Alka,” answered she, “and I am called

Taka.” When he heard this he was greatly rejoiced, for he remembered

that Shaikh Gyat had said to him, “O thou, whose destiny will be decided

by Alka and Taka.” “O noble virgin,” said he, “where is your mother,

Alka?” “Look round,” she replied; and he saw a very large and lofty city

at some distance. “Know,” said she, “that 360 experienced philosophers

dwell in that city. My mother Alka is their superior, and directs all

their affairs and actions. She knew that you would come to this

neighbourhood in search of a book concerning the Nile, which was written

by Japhet, the son of Noah, and she wishes you to attain your end by her

means. She also informed me of your coming, and promised me to you,

saying, ‘You shall have no other husband but him.’ We expected you

to-day, and she sent me to meet you, adding, ‘Warn him not to enter the

town by daylight, or it will be his destruction.’ Wait here, therefore,

till nightfall, and only approach the city after dark. Turn to the right

along the wall, and stand still when you reach the third tower, where we

will await you. As soon as we see you we will throw you a rope; bind it

round your waist, and we will draw you up. The rest will be easy.” “But

why need you give yourselves all this trouble?” said Saif Zul Yezn.

“Know,” replied she, “that the inhabitants of this city have been

informed of your approaching arrival by their books, and are aware that

you are about to carry away their book, which they hold in superstitious

reverence. On the first day of each month they repair to the building

where it is preserved; and they adore it and seek counsel from it

respecting their affairs. They have also a king whose name is Kamrun.

When they knew that you were coming for the book they constructed a

talisman against you. They have made a copper statue, and fixed a brazen

horn in its hand, and have stationed it at the gate of the city. If you

enter, the statue will sound the horn, and it will only do so upon your

arrival. They would then seize you and put you to death. On this account

we desire to baffle their wisdom, by drawing you up to the walls of the

city at another place.” “May God reward you a thousandfold,” replied he;

“but go now, and announce my arrival to your mother.” She went away, and

he approached the city in the darkness of night, and turned towards the

third tower on the right, where he found Alka and Taka. When they

recognised him, they immediately threw him the rope, which he fastened

about him. When he was drawn up, they descended from the wall, and were

about to proceed to Alka’s house, when the talisman suddenly acted, and

the statue blew the horn loudly. “Hasten to our house,” cried Alka; and

they succeeded in reaching it safely and barred the doors, when the

noise increased. The whole population of the city rose up, and the

streets were filled. “What is this disturbance about?” asked Saif. “This

is all due,” replied Alka, “to the alarm sounded by the statue, because

you have entered the town. There will be a great meeting held to-morrow,

where all the wise men will assemble, to attempt to discover the

whereabouts of the intruder; but by God’s help, I will guide them wrong,

and confuse their counsels. Go to our neighbour the fisherman,” added

she to her daughter, “and see what he has caught.” She went, and brought

news that he had taken a large fish, of the size of a man. “Take this

piece of gold,” said her mother, “and bring us the fish” and when she

did so, she told her to clean it, which was done. Food was then brought

in, and they ate and talked. The night passed quietly, but on the

following morning Alka ordered Saif Zul Yezn to undress, and to hide in

the skin of the fish. She put her mouth to the mouth of the fish, and

took a long rope, which she fastened under Saif’s armpits. She then let

him down into a deep well, and fastened him there, saying, “Remain here,

till I come back.” She then left him, and went to the great hall of the

King, where the divan was already assembled, and the King had taken his

seat on the throne. All rose up when she entered, and when she had

seated herself, the King said to her, “O mother, did you not hear the

blast of the horn yesterday, and why did you not come out with us?” “I

did hear it,” she replied, “but I did not heed it.” “But you know,” said

he, “that the sound can only be heard upon the arrival of the stranger

who desires to take the book.” “I know it, O King; but permit me to

choose forty men from among those assembled here.” She did so, and

selected ten from among the forty again. She then said to them, “Take a

Trakhtramml (sandboard) on which the Arabs practise geomancy and

notation, and look and search.” They did so, but had scarcely finished

when they looked at each other in amazement. They destroyed their

calculation, and began a second, and confused this too, and began a

third, upon which they became quite confounded. “What are you doing

there?” asked the King at last. “You go on working and obliterating your

work; what have you discovered?” “O King,” replied they, “we find that

the stranger has entered the town, but not by any gate. He appears to

have passed in between Heaven and earth, like a bird. After this, a fish

swallowed him, and carried him down into some dark water.” “Are you

fools?” asked the King angrily; and turning to Alka, continued, “Have

you ever seen a man flying between Heaven and earth, and afterwards

swallowed by a fish, which descends with him into dark water?” “O King,”

replied she, “I always forbid the wise men to eat heavy food, for it

disturbs their understanding and weakens their penetration; but they

will not heed me.” At this the King was angry, and immediately drove

them from the hall. But Alka said, “It will be plain to-morrow what has

happened.” She left the hall, and when she reached home, she drew Saif

Zul Yezn out of the well, and he dressed himself again. They sat down,

and Alka said, “I have succeeded in confounding their deliberations

to-day! and there will be a great assembly to-morrow, when I must hide

you in a still more out-of-the-way place.” After this they supped, and

went to rest. Next morning Alka called her daughter, and said, “Bring me

the gazelle.” When it was brought her, she said, “Bring me the wings of

an eagle.” Taka gave them to her, and she bound them on the back of the

gazelle. She then took a pair of compasses, which she fixed in the

ceiling of the room. She next took two other pairs of compasses, and

tied one between the fore feet, and the other between the hind feet of

the gazelle. She then tied a rope to the compasses in the roof, and the

two ends to the other pairs. But she made Saif Zul Yezn lie down in such

a position that his head was between the feet of the gazelle. She then

said to him, “Remain here till I come back”; and went to the King; with

whom she found a very numerous assemblage of the wise men. As soon as

she entered, the King made her sit beside him on the throne. “O my

mother Alka,” he said, “I could not close an eye last night from anxiety

concerning yesterday’s events.” “Have you no wise men,” returned she,

“who eat the bread of the divan?” She then turned to them, saying,

“Select the wisest among you!” and they chose the wisest among them. She

ordered them to take the sandboard again, but they became so confused

that they were obliged to begin again three times from the beginning.

“What do you discover?” said the King angrily. “O our master,” replied

they, “he whom we seek has been carried away by a beast of the desert,

which is flying with him between Heaven and earth.” “How is this?” said

the King to Alka; “have you ever seen anything like it?” He seized his

sword in a rage, and three fled, and he killed four of the others. When

Alka went home, she released Saif, and told him what had happened. Next

morning Alka took the gazelle, and slaughtered it in a copper kettle.

She then took a golden mortar, and reversed it over it, and said to Saif

Zul Yezn, “Sit on this mortar till I come back.” She then went to the

divan, and chose out six wise men, who again took the sandboard, and

began again three times over in confusion. “Alas,” said the King, in

anger, “What misfortune do you perceive?” “O our master,” they exclaimed

in consternation, “our understanding is confused, for we see him sitting

on a golden mountain, which is in the midst of a sea of blood,

surrounded by a copper wall.” The King was enraged, and broke up the

assembly, saying, “O Alka, I will now depend on you alone.” “To-morrow I

will attempt to show you the stranger,” she replied. When she came home,

she related to Saif what had happened and said, “I shall know by

to-morrow what to tell the King to engage his attention, and prevent him

from pursuing you.” Next morning she found Taka speaking to Saif Zul

Yezn alone; and she asked her, “What does he wish?” “Mother,” replied

Taka, “he wishes to go to the King’s palace, to see him and the divan.”

“What you wish shall be done,” said she to Saif, “but you must not

speak.” He assented to the condition, and she dressed him as her

attendant, gave him a sandboard, and went with him to the King, who said

to her, “I could not sleep at all last night, for thinking of the

stranger for whom we are seeking.” “Now that the affair is in my hands,”

returned she, “you will find me a sufficient protection against him.”

She immediately ordered Saif to give her the sandboard. She took it, and

when she had made her calculations, she said joyfully to the King, “O my

lord, I can give you the welcome news of the flight of the stranger,

owing to his dread of you and your revenge.” When the King heard this,

he rent his clothes, slapped his face, and said, “He would not have

departed, without having taken the book.” “I cannot see if he has taken

anything,” replied she. “This is the first of the month,” said the King,

“come and let us see if it is missing.” He then went with a large

company to the building where the book was kept. Alka turned away from

the King for a moment to say to Saif, “Do not enter with us, for if you

enter, the case will open of itself, and the book will fall into your

hands. This would at once betray you, and you would be seized and put to

death, and all my labour would have been in vain.” She then left him,

and rejoined the King. When they reached the building, the doors were

opened, and when the King entered, they found the book. They immediately

paid it the customary honours, and protracted this species of worship,

while Saif stood at the door, debating with himself whether to enter or

not. At last his impatience overcame him, and he entered, and at the

same instant the casket was broken to pieces, and the book fell out. The

King then ordered all to stand up, and the book rolled to Saif Zul Yezn.

Upon this all drew their swords, and rushed upon him. Saif drew his

sword also, and cried “God is great!” as Shaikh Gyat had taught him. He

continued to fight and defend himself, and struggled to reach the door.

The entire town arose in tumult to pursue him, when he stumbled over a

dead body, and was seized. “Let me not see his face,” cried the King,

“but throw him into the mine.” This mine was eighty yards deep, and had

not been opened for sixty years. It was closed by a heavy leaden cover,

which they replaced, after they had loaded him with chains, and thrown

him in. Saif sat there in the darkness, greatly troubled, and lamenting

his condition to Him who never sleeps. Suddenly, a side wall of the mine

opened, and a figure came forth which approached and called him by his

name. “Who are you?” asked Saif. “I am a woman named Akissa, and inhabit

the mountain where the Nile rises. We are a nation who hold the faith of

Abraham. A very pious man lives below us in a beautiful palace. But an

evil Jinni named Mukhtatif lived near us also, who loved me, and

demanded me in marriage of my father. He consented from fear, but I was

unwilling to marry an evil being who was a worshipper of fire. ‘How can

you promise me in marriage to an infidel?’ said I to my father. ‘I shall

thereby escape his malice myself,’ replied he. I went out and wept, and

complained to the pious man about the affair. ‘Do you know who will kill

him?’ said he to me, and I answered, ‘No.’ ‘I will direct you to him who

has cut off his hand,’ said he. ‘His name is Saif Zul Yezn, and he is

now in the city of King Kamrun, in the mine.’ Thereupon he brought me to

you, and I come as you see me, to guide you to my country, that you may

kill Mukhtatif, and free the earth from his wickedness.” She then moved

him, and shook him, and all his chains fell off. She lifted him on her

shoulders, and carried him to the palace of the Shaikh, who was named

Abbas Salam. Here he heard a voice crying, “Enter, Saif Zul Yezn.” He

did so, and found a grave and venerable old man, who gave him a very

friendly reception; saying, “Wait till to-morrow, when Akissa will come

to guide you to the castle of Mukhtatif.” He remained with him for the

night, and when Akissa arrived next morning, the old man told her to

hasten, that the world might be soon rid of the monster. They then left

this venerable man, and when they had walked awhile, Akissa said to

Saif, “Look before you.” He did so, and perceived a black mass at some

distance. “This is the castle of the evil-doer,” said she, “but I cannot

advance a step further than this.” Saif therefore pursued his way alone,

and when he came near the castle, he walked round it to look for the

entrance. As he was noticing the extraordinary height of the castle,

which was founded on the earth, but appeared to overtop the clouds, he

saw a window open, and several people looked out, who pointed at him

with their fingers, exclaiming, “That is he, that is he!” They threw him

a rope, which they directed him to bind round him. They drew him up by

it, when he found himself in the presence of three hundred and sixty

damsels, who saluted him by his name.

* * * * *

(Here Habicht’s fragment ends.)

_SCOTT’S MSS. AND TRANSLATIONS._

In 1800, Jonathan Scott, LL.D., published a volume of “Tales, Anecdotes,

and Letters, translated from the Arabic and Persian,” based upon a

fragmentary MS., procured by J. Anderson in Bengal, which included the

commencement of the work (Nos. 1–3) in 29 Nights; two tales not divided

into Nights (Nos. 264 and 135) and No. 21.

Scott’s work includes these two new tales (since republished by Kirby

and Clouston), with the addition of various anecdotes, &c. derived from

other sources. The “Story of the Labourer and the Chair” has points of

resemblance to that of “Malek and the Princess Chirine” (Shirin?) in the

Thousand and One Days; and also to that of “Tuhfet El Culoub” (No. 183a)

in the Breslau Edition. The additional tales in this MS. and vol. of

translations are marked “A” under Scott in our Tables. Scott published

the following specimens (text and translation) in Ouseley’s Oriental

Collections (1797 and following years) No. 135m (i. pp. 245–257) and

Introduction (ii. pp. 160–172; 228–257). The contents are fully given in

Ouseley, vol. ii. pp. 34, 35.

Scott afterwards acquired an approximately complete MS. in 7 vols.,

written in 1764, which was brought from Turkey by E. Wortley Montague.

Scott published a table of contents (Ouseley, ii. pp. 25–34), in which,

however, the titles of some few of the shorter tales, which he

afterwards translated from it, are omitted, while the titles of others

are differently translated. Thus “Greece” of the Table becomes “Yemen”

in the translation; and “labourer” becomes “sharper.” As a specimen, he

subsequently printed the text and translation of No. 145 (Ouseley, ii.

pp. 349–367).

This MS., which differs very much from all others known, is now in the

Bodleian Library at Oxford.

In 1811, Scott published an edition of the Arabian Nights’

Entertainments, in 6 vols., vol. 1 containing a long introduction, and

vol. 6, including a series of new tales from the Oxford MS. (There is a

small paper edition; and also a large paper edition, the latter with

frontispieces). It had originally been Scott’s intention to retranslate

the MS.; but he appears to have found it beyond his powers. He therefore

contented himself with re-editing Galland, altering little except the

spelling of the names, and saying that Galland’s version is in the main

so correct that it would be useless repetition to go over the work

afresh. Although he says that he found many of the tales both immoral

and puerile, he translated most of those near the beginning, and omitted

much more (including several harmless and interesting tales, such as No.

152) towards the end of his MS. than near the beginning. The greater

part of Scott’s additional tales, published in vol. 6, are included in

the composite French and German editions of Gauttier and Habicht; but,

except Nos. 208, 209, and 215, republished in my “New Arabian Nights,”

they have not been reprinted in England, being omitted in all the many

popular versions which are professedly based upon Scott, even in the

edition in 4 vols., published in 1882, which reprints Scott’s Preface.

The edition of 1882 was published about the same time as one of the

latest re-issues of Lane’s Thousand and One Nights; and the _Saturday

Review_ of Nov. 4, 1882 (p. 609) published an article on the Arabian

Nights, containing the following amusing passage: “Then Jonathan Scott,

LL.D. Oxon, assures the world that he intended to retranslate the tales

given by Galland; but he found Galland so adequate on the whole that he

gave up the idea, and now reprints Galland, with etchings by M. Lalauze,

giving a French view of Arab life. Why Jonathan Scott, LL.D., should

have thought to better Galland, while Mr. Lane’s version is in

existence, and has just been reprinted, it is impossible to say.”

The most interesting of Scott’s additional tales, with reference to

ordinary editions of The Nights, are as follows:—

No. 204b is a variant of No. 37.

No. 204c is a variant of 3c, in which the wife, instead of the husband,

acts the part of a jealous tyrant. (Compare Cazotte’s story of

Halechalbe).

No. 204e. Here we have a reference to the Nesnás, which only appears

once in the ordinary versions of The Nights (No. 132b; Burton, v., p.

333).

No. 206b is a variant of No. 156.

No. 207c. This relates to a bird similar to that in the Jealous Sisters

(No. 198), and includes a variant of 3ba.

No. 207h. Another story of enchanted birds. The prince who seeks them

encounters an “Oone” under similar circumstances to those under which

Princess Parizade (No. 198) encounters the old durwesh. The description

is hardly that of a Marid, with which I imagine the Ons are wrongly

identified.

No. 208 contains the nucleus of the famous story of Aladdin (No. 193.)

No. 209 is similar to No. 162; but we have again the well incident of

No. 3ba, and the exposure of the children as in No. 198.

No. 215. Very similar to Hasan of Bassorah (No. 155). As Sir R. F.

Burton (vol. viii. p. 60, note), has called in question my

identification of the Islands of Wák-Wák, with the Aru Islands near New

Guinea, I will quote here the passages from Mr. A. R. Wallace’s Malay

Archipelago (chap. 31) on which I based it:—“The trees frequented by the

birds are very lofty.... One day I got under a tree where a number of

the Great Paradise birds were assembled, but they were high up in the

thickest of the foliage, and flying and jumping about so continually

that I could get no good view of them.... Their voice is most

extraordinary. At early morn, before the sun has risen, we hear a loud

cry of ‘Wawk—wawk—wawk, wŏk—wŏk—wŏk,’ which resounds through the forest,

changing its direction continually. This is the Great Bird of Paradise

going to seek his breakfast.... The birds had now commenced what the

people here call their ‘sacaleli,’ or dancing-parties, in certain trees

in the forest, which are not fruit-trees as I at first imagined, but

which have an immense head of spreading branches and large but scattered

leaves, giving a clear space for the birds to play and exhibit their

plumes. On one of these trees a dozen or twenty full-plumaged male birds

assemble together, raise up their wings, stretch out their necks, and

elevate their exquisite plumes, keeping them in a continual vibration.

Between whiles they fly across from branch to branch in great

excitement, so that the whole tree is filled with waving plumes in every

variety of attitude and motion.”

No. 216bc appears to be nearly the same as No. 42.

No. 225 is a variant of No. 135q.

_WEIL’S TRANSLATION._

The only approximately complete original German translation is “Tausend

und eine Nacht. Arabische Erzählungen. Zum Erstenmale aus dem Urtexte

vollständig und treu übersetzt von Dr. Gustav Weil,” four vols.,

Stuttgart. The first edition was in roy. 8vo, and was published at

Stuttgart and Pforzheim in 1839–1842; the last volume I have not seen;

it is wanting in the copy in the British Museum. This edition is divided

into Nights, and includes No. 25b. In the later editions, which are in

small square 8vo, but profusely illustrated, like the larger one, this

story is omitted (except No. 135m, which the French editors include with

it), though Galland’s doubtful stories are retained; and there is no

division into Nights. The work has been reprinted several times, and the

edition quoted in our Table is described as “Zweiter Abdruck der dritten

vollstandig umgearbeiteten, mit Anmerkungen und mit einer Einleitung

versehenen Auflage” (1872).

Weil has not stated from what sources he drew his work, except that No.

201 is taken from a MS. in the Ducal Library at Gotha. This is

unfortunate, as his version of the great transformation scene in No. 3b

(Burton, vol. i. pp. 134, 135), agrees more closely with Galland than

with any other original version. In other passages, as when speaking of

the punishment of Aziz (No. 9a, aa), Weil seems to have borrowed an

expression from Lane, who writes “a cruel wound;” Weil saying “a severe

(schwere) wound.”

Whereas Weil gives the only German version known to me of No. 9 (though

considerably abridged) he omits many tales contained in Zinserling and

Habicht, but whether because his own work was already too bulky, or

because his original MSS. did not contain them, I do not know; probably

the first supposition is correct, for in any case it was open to him to

have translated them from the printed texts, to which he refers in his

Preface.

Two important stories (Nos. 200 and 201) are not found in any other

version; but as they are translated in my “New Arabian Nights,” I need

not discuss them here. I will, however, quote a passage from the story

of Judar and Mahmood, which I omitted because it is not required by the

context, and because I thought it a little out of place in a book

published in a juvenile series. It is interesting from its analogy to

the story of Semele.

When King Kashuk (a jinni) is about to marry the daughter of King

Shamkoor, we read (New Arabian Nights, p. 182), “Shamkoor immediately

summoned my father, and said, ‘Take my daughter, for you have won her

heart.’ He immediately provided an outfit for his daughter, and when it

was completed, my father and his bride rode away on horseback, while the

trousseau of the Princess followed on three hundred camels.” The passage

proceeds (the narrator being Daruma, the offspring of the marriage),

“When my father had returned home, and was desirous of celebrating his

marriage (his Wazir) Kandarin said to him, ‘Your wife will be destroyed

if you touch her, for you are created of fire, and she is created of

earth, which the fire devours. You will then bewail her death when it is

too late. To-morrow,’ continued he, ‘I will bring you an ointment with

which you must rub both her and yourself; and you may then live long and

happily together.’ On the following day he brought him a white ointment,

and my father anointed himself and his bride with it, and consummated

his marriage without danger.”

I may add that this is the only omission of the smallest consequence in

my rendering of either story.

I have heard from more than one source that a complete German

translation of The Nights was published, and suppressed; but I have not

been able to discover the name of the author, the date, or any other

particulars relating to the subject.

_VON HAMMER’S MS., AND THE TRANSLATIONS DERIVED FROM IT._

Several complete copies of The Nights were obtained by Europeans about

the close of the last or the beginning of the present century; and one

of these (in 4 vols.) fell into the hands of the great German

Orientalist, Joseph von Hammer. This MS. agrees closely with the printed

Bul. and Mac. texts, as well as with Dr. Clarke’s MS., though the names

of the tales sometimes vary a little. One story, “The two Wazirs,” given

in Von Hammer’s list as inedited, no doubt by an oversight, is evidently

No. 7, which bears a similar title in Torrens. One title, “Al Kavi,” a

story which Von Hammer says was published in “Mag. Encycl.,” and in

English (probably by Scott in Ouseley’s Oriental Collections, vide anteà

p. 491) puzzled me for some time; but from its position, and the title I

think I have identified it as No. 145, and have entered it as such. No.

9a in this as well as in several other MSS., bears the title of the Two

Lovers, or of the Lover and the Beloved.

Von Hammer made a French translation of the unpublished tales, which he

lent to Caussin de Perceval, who extracted from it four tales only (Nos.

21a, 22, 32 and 37), and only acknowledged his obligations in a general

way to a distinguished Orientalist, whose name he pointedly suppressed.

Von Hammer, naturally indignant, reclaimed his MS., and had it

translated into German by Zinserling. He then sent the French MS. to De

Sacy, in whose hands it remained for some time, although he does not

appear to have made any use of it, when it was despatched to England for

publication; but the courier lost it on the journey, and it was never

recovered.

Zinserling’s translation was published under the title, “Der Tausend und

einen Nacht noch nicht übersetzte Mährchen, Erzählungen und Anekdoten,

zum erstenmale aus dem Arabischen in’s Französische übersetzt von Joseph

von Hammer, und aus dem Französischen in’s Deutsche von Aug. E.

Zinserling, Professor.” (3 vols., Stuttgart and Tübingen, 1823.) The

introductory matter is of considerable importance, and includes notices

of 12 different MSS., and a list of contents of Von Hammer’s MS. The

tales begin with No. 23, Nos. 9–19 being omitted, because Von Hammer was

informed that they were about to be published in France. (This possibly

refers to Asselan Riche’s “Scharkan,” published in 1829.) The tales and

anecdotes in this edition follow the order of The Nights. No. 163 is

incomplete, Zinserling giving only the commencement; and two other tales

(Nos. 132b and 168) are related in such a confused manner as to be

unintelligible, the former from transposition (perhaps in the sheets of

the original MS.) and the latter from errors and omissions. On the other

hand, some of the tales (No. 137 for instance) are comparatively full

and accurate.

A selection from the longer tales was published in English in 3 vols. in

1826, under the title of “New Arabian Nights Entertainments, selected

from the original Oriental MS. by Jos. von Hammer, and now first

translated into English by the Rev. George Lamb.” I have only to remark

that No. 132b is here detached from its connection with No. 132, and is

given an independent existence.

A complete French re-translation of Zinserling’s work, also in 3 vols.,

by G. S. Trébutien (Contes inédits des Mille et une Nuits) was published

in Paris in 1828; but in this edition the long tales are placed first,

and all the anecdotes are placed together last.

The various MSS. mentioned by Von Hammer are as follows:—

I. Galland’s MS. in Paris.

II. Another Paris MS., containing 870 Nights. (No. 9 is specially

noticed as occurring in it.) This seems to be the same as a MS.

subsequently mentioned by Von Hammer as consulted by Habicht.

III. Scott’s MS. (Wortley Montague).

IV. Scott’s MS. (Anderson).

V. Dr. Russell’s MS. from Aleppo (224 Nights).

VI. Sir W. Jones’ MS., from which Richardson extracted No. 6ee for

his grammar.

VII. A MS. at Vienna (200 Nights).

VIII. MS. in Italinski’s collection.

IX. Clarke’s MS.

X. An Egyptian MS. at Marseilles.

XI. Von Hammer’s MS.

XII. Habicht’s MS. (= Bres. text).

XIII. Caussin’s MS.

XIV. De Sacy’s MS.

XV. One or more MSS. in the Vatican.

_TRANSLATIONS OF THE PRINTED TEXTS._

These are noticed by Sir R. F. Burton in his “Foreword” (vol. 1, pp.

xi.-xiii.) and consequently can be passed over with a brief mention

here.

Torrens’ edition (vol. 1) extends to the end of Night 50 (Burton, in p.

118).

Lane’s translation originally appeared in monthly half-crown parts, from

1839 to 1841. It is obvious that he felt himself terribly restricted in

space; for the third volume, although much thicker than the others, is

not only almost destitute of notes towards the end, but the author is

compelled to grasp at every excuse to omit tales, even excluding No.

168, which he himself considered “one of the most entertaining tales in

the work,” (chap. xxix., note 12) on account of its resemblance to Nos.

1b and 3d. Part of the matter in Lane’s own earlier notes is apparently

derived from No. 132a, which he probably did not at first intend to

omit. Sir R. F. Burton has taken 5 vols. to cover the same ground which

Lane has squeezed into his vol. 3. But it is only fair to Lane to remark

that in such cases the publisher is usually far more to blame than the

author.

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