Coincidently in point of time with these indisposing pranks, came in,
and has remained in, a companion-fad of the artists who illustrate
newspapers, magazines and books. These probably well-meaning but most
undesirable persons, who could be spared by even the most unsparing
critic, are affected with a weakness for borders to pictures. By means
of borders—borders rectangular, borders triangular, borders circular,
borders omniform and nulliform they can put pictures into pictures,
like cards in a loose pack, stick pictures through pictures, and so
confuse, distract and bewilder the attention that it turns its back
upon the display, occupying itself with the noble simplicity and
naturalness of the wish that all artists were at the devil. Nor are
they satisfied with all that: they must make pictures of pictures by
showing an irrelevant background outside their insupportable borders;
by representing their pictures as depending from hooks; nailed upon the
walls; spitted on pins, and variously served right. And still they are
not happy: the picture must, upon occasion, transgress its border—a
mast, a steeple, or a tree thrust through and rejoicing in its escape;
an ocean spilling over and taking to its heels as hard as ever it can
hook it. The taste that accepts this fantastic nonsense is creature
to the taste that supplies it; in an age and country having any sense
of the seriousness of art the taste could not exist long enough to
outlast its victim’s examination on a charge of lunacy.
No picture should have a border; that has no use, no meaning, and
whatever beauty is given to it the picture pays for through the nose.
It is what may be called a contemporary survival: it stands for the
frame of a detached picture—a picture on a wall. The frame is necessary
for support and protection; but an illustration, like the female of the
period, needs neither protection nor support, and the border would give
none if it were needed. It is an impertinence without a mandate; its
existence is due to unceasing suggestions flowing from the frames into
heads where there is plenty of room.