meet with in the rest of my journey will have comparatively little
interest. The seeing new things is no longer a novelty, and unless the
object be very striking it hardly makes any impression. Turin makes no
shew at a distance; it is built quite on the flat; the domes and towers
are neither numerous nor lofty, and on looking down on the city from the
neighbouring hills, the dingy red tile roofs have a disagreeable
appearance. Within, the architecture is uniformly bad, and differs only
in degree. The houses are of brick intended for stucco, and not
stuccoed. This is the fashion of the place, and yet it is a fine, and
even magnificent city. The houses are large, the parts on a large scale,
the windows and doors are always ornamented, and the houses are crowned
with a cornice. Nor are the uniformly straight streets so disagreeable
as might be imagined. The houses themselves are not all alike, though
sometimes there are rows of considerable extent. Of the streets some
open into a square, some terminate in another street, some expose a view
of the plain country, some of the more distant hills, and some of the
snowy Alps, so that hardly any two have exactly the same character.
The Duomo at Turin was built by the cardinal Domenico di Rovere, in
1491. It is said that he ordered his architect to make a beautiful
building, and to spare no expense; but that the artist, from some pique
against his employer, complied with the latter direction, but not with
the former. One may believe his treachery against his employer, but
hardly that against himself: at the same time every one acknowledges
that he has not made a beautiful building. Above the altar, an arched
opening exposes the Chapel of the Santo Sudario, _i. e._ of the linen
cloth which received the body of our Saviour when it was taken down from
the cross. We hear a long story of the manner in which this relic came
to Turin, of which the most evident part is, that it was not honestly
obtained.
The chapel is on a higher level than the church. It is circular, and
built of black, or rather dark gray marble. The cupola is formed of
arched ribs, on chords of the circle; from the summits of which other
similar ribs spring in succession, thus forming a sort of dome. It is
not handsome, but Guarini its architect is more licentious than
Borromini, without the feeling which sometimes shines through the
extravagance of the latter. The other famous Piedmontese architect,
Ivara or Juvarra, is of the same sort. Neither of these were natives of
Piedmont, but they seem to have been principally employed in this
country.
The Church of San Filippo is perhaps the finest at Turin, but it is not
very handsome. The architects of this city have been fond of dividing
the nave into large parts, and redividing each of these into a centre
and two sides, by an arch resting on two columns, and smaller openings
between these and the piers. The effect is not at all good, nor is it
possible it should be so; every thing which divides the parts into
separate compositions weakens the effect of the whole, by destroying its
unity. San Lorenzo is curious from its fantastical dome, formed on ribs,
each of which is the chord of three eighths of a circle; we readily
trace in this, the architect of the chapel of the Sudario. The Church of
Santa Maria della Consolata, that of Corpus Domini, and that of San
Martino, are all rich in marbles, many of which are beautiful, though
not equal to those of Rome. The architecture is bad in all. It seems as
if the French had made a bad copy of the early Italian, and the
Piedmontese had again copied the French very badly, with a considerable
addition of extravagance and affectation in each part of the process.
The Arsenal is a building which has a character of solidity suitable to
its purpose, but the details, particularly those of the lower part, are
very bad. The entrance is at the angle, which has some advantages both
in convenience and picturesque effect. The palace is not a handsome
building, nor is it particularly otherwise. It is large, but has not the
magnificence which is expected in a royal mansion. Within, the rooms are
too much adorned with gilding and looking-glass, yet the principal
apartments are rich and splendid, if not beautiful; and this is some
merit, for we have abundant evidence that costly materials may be
disposed so as to leave a poor and meagre appearance. The collection of
paintings is very fine, and there are among them a great many excellent
productions of the Flemish school.
The principal theatre, which is united to the palace, is 83 feet wide.
In the roof, the architect has endeavoured to unite in one system of
timbers both the king-post and queen-post truss.
[Illustration: Illustration of roof]
The style of ornament is not good, but there is hardly ever any
representation at this theatre. That of Carignano is the one in common
use.
The private palaces of Turin would strike a stranger who had just
crossed the Alps as very magnificent, but one who has been much in
Italy, will have met with too many on as grand a scale, and in a purer
taste, to bestow on them much attention. That of Prince Carignano is
spacious, but the architect, Guarini, was totally incapable of
appreciating the value of simplicity. I observed among those of a
smaller size two architectural features which particularly pleased me:
in one the entrance is at the angle of the building, and the perspective
on the diagonal has an agreeable and singular effect. That of the other
is a spacious hall; and beyond it is a magnificent staircase ascending
to the right and left. The coachman drives into the hall, and between
the lower flights of the staircase, where he may let down his charge on
either side, and then continue under the upper united flight into the
court. The inhabitants of Turin say, that there are only two palaces in
the city in which the owners are exposed to the weather in getting in
and out of their carriages, and these were built by French architects.
The climate renders such a provision useful, but the experience of Paris
and London shews that it may be dispensed with. The care with which men
provide against a disagreeable event is not in proportion to its
frequency. A Frenchman, in expressing to me his satisfaction with the
open gigs of Naples, added that they would be very unsuitable to so wet
a climate as that of Paris. The Londoners seem to be of a different
opinion. The Botanic garden at Turin is that of a royal palace, now for
the most part destroyed. The superintendent Piottaz is very zealous for
its improvement; but the want of funds, and other circumstances, have
impeded him, and we cannot at present say much in its praise. I found
there a young woman employed in making drawings of the plants it
contains; and as for a long period, fifty of these drawings have been
executed every year, (always by members of the same family,) the
collection is a large one, but as might be expected from such an
arrangement, they hardly rise above a respectable mediocrity.
On two different occasions I have walked over the hills south-east of
Turin. The second excursion was on the 15th, when professor Balbis
kindly accompanied me to the Superga. The church there is built, as you
know, on the spot whence Prince Eugene, and the Duke of Savoy in 1706,
surveyed the position of the French army then besieging Turin. The
prince there formed his plans for forcing the enemy to raise the siege;
and the edifice was begun in 1715. It is externally circular, with a
portico of eight columns, which the architect could find no better way
of arranging than the following.
[Illustration: Illustration of column arrangement]
They are very much bellied, and being built up of small pieces, the
whole effect is poor. Internally, the arrangement proceeds on a design
of eight larger columns disposed in a circle, (but at unequal distances)
and supporting a circular entablature; but filled in octagonally with
straight walls pierced with arches. This disposition has the
disagreeable effect of two buildings, one within the other, without any
harmony of parts or character. A chapel underneath forms the
burial-place of the princes of Savoy. The last deceased occupies a
station in front, and retreats to a recess behind when his successor
comes to occupy his place. The situation of this church and convent, for
the thing would have been imperfect without the latter, is uncommonly
fine. They occupy the highest summit of a range of hills completely
separated from the Alps by the Po and its immediate valley, which gives
the eye full liberty to wander over those immense masses. Unfortunately
for me, they were, at the time of my visit, enveloped in thick clouds.
The valley of the Po and numerous ranges of lower hills were spread out
before me, but the air was nowhere clear, and consequently the view was
not seen to advantage, but we had a delightful walk, and good botanical
success.
On the 18th of June I rode in a soaking rain from Turin to Susa, a city
surrounded on three sides by snow-topped mountains. I spent some time at
the Arch, which is a fine, but simple building of white marble. The
upper part is destroyed, but enough of the Attic remains to exhibit the
inscription. On the upper course, in a single line, are the following
letters, which remain very perfect: IMP. CAESARI AUGUSTO DIVI F.
PONTIFICI MAXIMO TRIBUNIC. POTESTATE XX IMP. XIII.
The second course seems to have contained three lines of inscription,
but the upper is so nearly destroyed, as to suggest the idea that the
line above it must have been restored; the part most exposed could
hardly have remained perfect while that below it suffered so much. Many
letters of the third line, (the middle line of the second course of
stones,) are distinguishable, but I could not make out the words
reported by Millin. The general proportions are not unpleasing, but it
is rather singular that the columns are set on a pedestal which raises
them considerably above the pilasters of the arch; this diminishes their
size and apparent importance. The details of the entablature are in bad
taste, and the frieze is ornamented with a bas-relief of men and
monsters rudely executed.
[Illustration:
A.B. Clayton, del. from Sketches by J. Woods.
ARCH OF AUGUSTUS AT SUSA.
_London. Published by J & A Arch. Cornhill, March 1^{st}. 1828._ ]
On the 19th, I walked up to the Madonna del Coà, which Sr. Balbis had
recommended me to visit for the botany, and was much gratified in that
respect; the rock is a decomposing mica-slate, a sort of soil which is
almost always very productive.
I left Susa on the 20th, and ascended Mount Cenis on foot. The scenes
are on a grand scale, but have not much variety, and we gain little as
we ascend but the prospect of a more extended waste of snow. I had
however a very pleasant walk, and was amused all the way, both by the
scenery and the plants. The road, nearly in its highest part, passes
over a comparative plain about six miles in length, with a lake in the
middle. Towards the Italian end of this plain there is a little village,
which has a better title than Myrrem, near Lauterbrunnen, to be
considered the highest in Europe. This plain has three outlets: one
towards Lanslebourg, one towards Briançon, and one towards Susa; but the
water is all discharged by the last.
I staid one day on Mount Cenis to botanize, walking up to the snow,
first on one side of the valley, and then on the other. I thought myself
very successful; but I was too early for some of the greatest rarities,
as the more level parts of the higher elevations were still covered with
snow. Remains of last year’s snow existed even below the level of the
inn. You see nothing of the plains of Italy from the top, and must even
descend for a considerable distance before you can catch the hills about
Turin through the long perspective of the valley of Susa. The highest
part of the pass over Mount Cenis is 2,057 feet above Lanslebourg; 6,887
above the sea. Roche Melun, which according to Millin is the highest
point in the neighbourhood, is 11,240 feet above the sea. On the 22nd, I
resumed my walk on the long descent down to Lanslebourg. The woods
abounded in plants which would delight an English botanist. Not feeling
at all fatigued, I continued my route on foot to Verney; but there is
little interest in this part of the walk, and this induced me to procure
there a sort of cart with a suspended seat, in which I rode to Modana.
The river here runs very deep among the rocks, and a little stream which
falls into it makes two magnificent cascades one after the other. It
would be better to ride from Lanslebourg to Verney, and to walk from
thence to Modana. At the latter place I slept, and setting off again at
four the following morning, walked to St. Michel, which is seated in a
beautiful little circular plain, environed by remarkably rude and craggy
mountains. A bare rock, which seems to close the valley, the spur of a
tremendously rugged mountain called La Bonne, is a particularly striking
object. Hereabouts vineyards begin to make their appearance, the country
above being too cold for them. Lanslebourg is 4,830 feet above the sea;
St. Michel, perhaps 1,600. From St. Michel, I went in a char à banc to
La Chambre; thence I walked to La Chapelle, intending to procure a horse
or carriage to convey me to Aiguebelle, but being disappointed, and the
inn having a very forlorn appearance, I proceeded on foot. At Aiguebelle
I found a vetturino, who had offered me a place at Modana the evening
before, and agreed to accompany him the next day to Chamberi. The day’s
journey had been mostly through pleasant valleys, well shaded and well
cultivated, watered by the impetuous Are, a branch of the Isere, and
confined frequently within very narrow limits by abrupt and lofty
mountains. Towards Aiguebelle the river makes extensive marshes. After
leaving Aiguebelle we enter the valley of the Isere. Towards Chamberi
the country becomes more open, and the road lies among gravelly hills
cultivated with corn, and shaded with walnut-trees; while limestone
mountains, resembling Giggleswick scars in appearance, but higher and
bolder, bound the vale at no great distance.
There is a Cathedral at Chamberi of late Gothic: the style is rich, but
the edifice being unfinished, it has little effect. It is probably of
the latter half of the fifteenth century. The Sainte Chapelle is perhaps
a little earlier, and the gateway of the prisons preceded both. This is
all I could observe of pointed architecture, and the whole is but
little. I walked to Charmettes, at one time the residence of J. J.
Rousseau. Part of my walk was over rocky hills, inhabited by spiders of
taste, for the remains of the wings shewed that they fed almost
exclusively on the _Papilio Apollo_. Finding a voiture on the point of
starting, I took a place in it for Geneva. We left Chamberi about a
quarter before five, and passed through a pleasant country of gravelly
hills, shaded by oaks and chesnut-trees, and bounded in the distance by
limestone precipices. I slept at Aix, whose antiquities were soon
despatched; a Doric triumphal arch, in a very imperfect state, is all
the _architecture_, but there are considerable remains of ancient baths
which are interesting, and would be much more so if the whole were
cleared out.
At three the next morning we resumed our journey through a similar
country as far as Frangi, but from hence till we approached Geneva, the
scenery was less pleasant.
THE END.
INDEX.
A.
Abattoirs, at Paris, i. 101
Academy at Athens, ii. 268
Academy English, at Rome, ii. 148
Academy English, Scheme for an, ii. 147
Academy Florentine, ii. 391
Academy French, at Paris, i. 104
Academy French, at Rome, i. 457
Academy at Parma, ii. 115
Academy Roman, ii. 149
Acqua acetosa, ii. 29
Acqua aurea, ii. 66
Acquapendente, ii. 317
Acropolis of Athens, ii. 261
Advertisement of the inn at Nismes, i. 150
Ætna, ii. 326, 329
Agger of Servius Tullius, ii. 5
Agioneesi, ii. 222
Agriculture, ii. 122
Agrigentum, ii. 344
Agusta, ii. 317
Albano, ii. 82
Albergo de’ poveri at Genoa, ii. 421
Albergo de’ poveri at Naples, ii. 191
Alcamo, ii. 353
Alp, i. 194
Alps as seen from Milan, i. 210
Altars at Pompei, ii. 368
Amiens, i. 3
Amphitheatre at Arles, i. 155
Amphitheatre at Catania, ii. 324
Amphitheatre at Corinth, ii. 228
Amphitheatre at Cuma, ii. 199
Amphitheatre at Lucca, ii. 409
Amphitheatre at Nismes, i. 152
Amphitheatre at Orange, i. 147
Amphitheatre at Pæstum, ii. 379
Amphitheatre at Pompei, ii. 369
Amphitheatre at Pozzuoli, ii. 197
Amphitheatre at Sutri, i. 325
Amphitheatre at Syracuse, ii. 319
Amphitheatre at Verona, i. 225
Ancona, ii. 137
Anfiteatro Castrense, ii. 25
Anniversary of return of Louis XVIII, i. 65
Antiquity, different notions of, i. 299
Antium, ii. 94
Anxur, ii. 384
Apennines, i. 294. ii. 143
Apothecary’s shop at Loreto, ii. 140
Appian way, ii. 48, 85
Aqueduct of Arcueil, i. 102
Aqueduct at Lyon, i. 132
Aqueduct at Patras, ii. 305
Aqueduct at Syracuse, ii. 321
Aqueducts (of Rome), ii. 24, 32, 48, 65, 68
Arazzi of Raphael, i. 428
Arch of Augustus at Susa, ii. 426
Arch of Constantine, i. 342
Arch of Dolabella and Silanus, ii. 6
Arch of Drusus, ii. 41
Arch of Gallienus, i. 459
Arch of the Goldsmiths, i. 347
Arch of Hadrian, ii. 265
Arch of Janus, i. 347
Arch of S. Lazzaro, ii. 10
Arch at Orange, i. 144
Arch at Pompei, ii. 369
Arch at St. Remi, i. 159
Arch at Rheims, i. 60
Arch of Septimius Severus, i. 333
Arch Titus, i. 340
Arch of Trajan at Ancona, ii. 137
Arch at Verona, i. 227
Arch at Vicenza, i. 242
Arch at Vienne, i. 138
Arches upon columns, i. 219
Architecture of Bernini, i. 454
Architecture of Borromini, i. 454
Architecture of M. A. Buonarroti, i. 304, 440
Architecture of Corfu, ii. 220
Architecture of Fontana, i. 453
Architecture of Giulio Romano, i. 448
Architecture of Malta, ii. 308
Architecture of Palladio, i. 239
Architecture of Pisa, ii. 393
Architecture of Raphael, i. 444
Architecture of Sangallo, i. 446
Architecture of Sanmicheli, i. 236
Architecture of Sansovino, i. 270
Architecture of South of Italy, ii. 218
Architecture Turkish, ii. 229, 268
Architecture of Vignola, i. 449
Arco felice at Cuma, ii. 199
Ardea, ii. 94
Areopagus, ii. 266
Arezzo, ii. 106
Argos, ii. 298
Aricia, ii. 85
Arithmetic, ii. 402
Arles, i. 154
Arona, i. 201
Arsenal at Turin, ii. 424
Assisi, ii. 389
Athens, ii. 234
Avalanches, i. 193
Aventine, ii. 9
Avignon, i. 168
B.
Baccano, i. 326
Baiæ, ii. 205
Baptistery of Constantine at Rome, i. 390
Baptistery at Florence, i. 299
Baptistery at Nocera, ii. 382
Baptistery at Padua, i. 247
Baptistery at Parma, ii. 114
Baptistery at Pisa, ii. 396
Baptistery at Pistoja, ii. 413
Baptistery at Ravenna, ii. 128
Bari, ii. 214
Bases, change in their forms, i. 31
Bases, differences between those of the Roman and Greek architecture,
i. 145
Bases, intersecting, i. 34
Basilica of Antoninus, i. 359
Basilica of S. John Lateran, i. 387
Basilica at Pæstum, ii. 379
Basilica of St. Paul f. d. mura, i. 385
Basilica of St. Peter (ancient), i. 386
Basilica at Pompei, ii. 365
Basilica of Trajan, i. 462
Basilica at Vicenza, i. 240
Basilica (the ancient Sicyon), ii. 302
Baths of Agrippa at Rome, i. 351
Baths at Aix, ii. 429
Baths at Albano, ii. 85
Baths at Arles, i. 157
Baths of Caracalla, ii. 39
Baths at Catania, ii. 324
Baths of Constantine, i. 464
Baths of Diana at Albano, ii. 84
Baths of Dioclesian, ii. 3
Baths of Hiero, ii. 296
Baths of Livia at Rome, i. 345
Baths of Loetsch, i. 197
Baths of Lucca, ii. 413
Baths at Massaciuccoli, ii. 415
Baths of Nero near Baiæ, ii. 200
Baths of Nero at Subiaco, ii. 73
Baths of Paulus Æmylius, i. 460
Baths of Pisa, ii. 398
Baths at Pompei, ii. 374
Baths of Titus at Rome, i. 342
Baths of Trajan, i. 401
Beaucaire, i. 148
Beauvais, i. 14
Belli Frati, ii. 342
Benediction, i. 425
Bern, i. 191
Bex, i. 187
Blood of St. Januarius, ii. 185
Boiling spring at Pietra Mala, ii. 112
Bollicame, i. 322
Bologna, i. 279
Bolsena, i. 318
Bones of St. Firmin, i. 3
Borromean Islands, i. 200
Boschetto at Malta, ii. 315
Botanic garden at Palermo, ii. 339
Botanic garden at Pavia, i. 223
Botanic garden at Rome, ii. 20
Botanic garden at Turin, ii. 425
Botanique rurale, i. 72
Boulevards at Paris, i. 20
Brera, i. 219
Bricks (Use of), i. 353
Bridge of S. Angelo, ii. 17
Bridge at Avignon, i. 168
Bridge of Augustus at Narni, ii. 98
Bridge of Augustus at Rimini, ii. 134
Bridge of Caligula at Pozzuoli, ii. 201
Bridge over the Ilissus, ii. 267
Bridge at Neuilly, i. 71
Bridge at Pavia, i. 223
Bridge at Pont St. Esprit, i. 143
Bridge at Sutri, i. 325
Bridge at Verona, i. 227
Bridge at Vienne, i. 137
Bridges at Paris, i. 22
Brig, i. 197
Bullfight, ii. 145
Burying-ground at Rome, ii. 10
Busambra (Forest of), ii. 342
C.
Café d’Apollon, i. 75
Café at Lyon, i. 134
Café de mille colonnes, i. 23
Café great, at Rome, ii. 146
Café in Syracuse, ii. 321
Calais, i. 1
Camaldoli at Naples, ii. 206
Camere of Raphael, i. 429
Campagna di Roma, i. 324, ii. 52
Campanian way, ii. 201
Campanile at Florence, i. 299
Campanile at Ravenna, ii. 133
Campanile (ancient) at Rome, i. 402
Campanile at Venice, i. 256, 270
Campidoglio, i. 439
Campidoglio, museum of, i. 442
Campo santo at Pisa, ii. 397
Canal from Milan to Pavia, i. 221
Canals, Venetian, i. 262
Cancellaria at Rome, i. 443
Canova, i. 150
Capital of world, ii. 169
Capitals (Sicilian), ii. 350
Capitol at Arles, i. 156
Capitol at Rome, i. 327
Capitoline hill, i. 331
Capo di Monte, ii. 191
Capraruola, i. 323
Capua, ii. 177
Capua, old, ii. 209
Capuchin sermon, ii. 386
Carnival at Rome, i. 407
Carnival Greek, ii. 280
Carrara, ii. 416
Casa Michelozzi at Florence, i. 311
Casa di Rienzi at Rome, i. 350
Cascade at Terni, ii. 98
Cascade great, at Tivoli, ii. 59
Cascatelle, ii. 66
Cascine at Florence, ii. 110
Caserta, ii. 210
Casino of Raphael, ii. 27
Casteddu, ii. 338
Castello nuovo at Naples, ii. 178
Castle at Beaucaire, ii. 150
Castle of Unspunnen, i. 195
Castle of Zisa, ii. 338
Catacombs at St. Sebastian, ii. 42
Catacombs at Syracuse, ii. 321
Catania, ii. 323
Catechising, ii. 386
Cathedral at Amiens, i. 4
Cathedral at Ancona, ii. 138
Cathedral at Arezzo, ii. 107
Cathedral at Arles, i. 164
Cathedral at Bari, ii. 215
Cathedral at Beauvais, i. 14
Cathedral at Bologna, i. 283
Cathedral at Carrara, ii. 417
Cathedral at Catania, ii. 325
Cathedral at Cefalù, ii. 356
Cathedral at Chalons sur Marne, i. 42
Cathedral at Chalons sur Saone, i. 125
Cathedral at Chamberi, ii. 428
Cathedral at Chartres, i. 47
Cathedral at Cività Castellana, ii. 97
Cathedral at Città Vecchia at Malta, ii. 314
Cathedral at Dijon, i. 120
Cathedral at Dreux, i. 78
Cathedral at Ferrara, ii. 120
Cathedral at Florence, i. 295
Cathedral at Foligno, ii. 104
Cathedral at Geneva, i. 179
Cathedral at Genoa, ii. 420
Cathedral at Girgenti, ii. 348
Cathedral at Lausanne, i. 189
Cathedral at Lucca, ii. 409
Cathedral at Lyon, i. 127
Cathedral at Mantes, i. 45
Cathedral at Mantua, ii. 116
Cathedral at Messina, ii. 333
Cathedral at Milan, i. 205
Cathedral at Modena, ii. 113
Cathedral at Monreale, ii. 354
Cathedral at Naples, ii. 179
Cathedral at Nismes, i. 165
Cathedral at Orange, i. 164
Cathedral at Orvieto, i. 319
Cathedral at Padua, i. 248
Cathedral at Palermo, ii. 339
Cathedral at Paris, i. 54
Cathedral at Parma, ii. 114
Cathedral at Pavia, i. 221
Cathedral at Perugia, ii. 105
Cathedral at Pisa, ii. 393
Cathedral at Pistoja, ii. 412
Cathedral at Prato, ii. 413
Cathedral at Ravenna, ii. 133
Cathedral at Reggio, ii. 113
Cathedral at Rheims, i. 57
Cathedral at Rimini, ii. 135
Cathedral at Salerno, ii. 381
Cathedral at Siena, i. 313
Cathedral at Soissons, i. 64
Cathedral at Spoleto, i. 202
Cathedral at Syracuse, ii. 318
Cathedral at Troyes, i. 116
Cathedral at Turin, ii. 423
Cathedral at Valence, i. 166
Cathedral at Venice, i. 256
Cathedral at Verona, i. 228
Cathedral at Vicenza, i. 245
Cathedral at Vienne, i. 138, 167
Cathedral at Viterbo, i. 323
Catholic ceremonies, i. 16, 419
Cavern-like Gothic, i. 163
Cefalù, ii. 355
Celtic antiquities in Malta, ii. 312
Cento camerelle, ii. 204
Cephisus (Athenian), ii. 231
Certosa of Bologna, i. 285
Certosa of Pavia, i. 223
Chalons sur Marne, i. 29
Chalons sur Saone, i. 125
Chamberi, ii. 426
Chamounix, i. 185
Champs Elysées at Paris, i. 20
Chapel in Cathedral of Arezzo, ii. 107
Chapel of the Corsini family, i. 388
Chapel of the Pellegrini family at Verona, i. 232
Chapel of the Sangro family, ii. 182
Chapel of St. Andrew at Rome, ii. 8
Chapel of San Gennajo at Naples, ii. 181
Chapel of the Santo Sudario at Turin, ii. 428
Chapel Sistine, i. 426
Chapels in the Church of S. M. Maggiore, i. 399
Chartres, i. 47
Chevet, i. 31
Chiaja, ii. 190