Take this as an example of its style:--

'Shouts are heard afar off in the woods.

'"Ah, my poor child!" says my aunt, weeping, "what a hideous

thing is war!"

'She looks very feeble, very worn, my poor great-aunt Moreau.

The sight of her thin face, her skeleton-like hands, moves me

painfully. She sees this.

'"At my age," she murmurs, "these events, my dear, are hard to

bear."

'However, she assures me the Germans are not very cruel. The

Captain in command of those billeted on her, despite his rude

exterior, is not uncivil.

'At that moment, indeed, this officer returns with his men; his

heels ring on the bricks of the ante-chamber. He opens the door

of the little room where we are sitting.

'"Do not be disturbed, Madame," he says, addressing my aunt,

"on account of the firing you may have heard. There is nothing

of any consequence. A wood-cutter, in whose hut we found arms,

and whom we have shot: nothing more."

'He salutes and retires. My aunt shudders. She turns white, her

eyes close, her head falls back against the chair. She is

faint. I call her maid, who runs to my summons, with the cook

and the servant just come to fetch me. The three women try and

revive her. She remains so weak when again conscious, that they

carry her to her chamber. She is grieved to have fainted.

'"When my dear little Jean came to see me," she murmurs! "It

was the thought of that poor wood-cutter--"

'She trembles like a leaf as I leave her.

'Germaine, who has come from my grandfather's to fetch me, asks

me to wait a moment; she has a message for the Prussian Captain

from my grandfather. The officer is walking up and down,

smoking, under the lime-trees. I hear his guttural voice as he

answers, "Tell your master that I shall expect him here." What

can this mean? When I reach my grandfather's house I rush to

the dining-room to question the old man, but Germaine catches

hold of my arm.

'"You must not disturb Monsieur. He is engaged with someone."

'Through the door, which I hold half-opened, I have seen that

someone. He is a person dressed like a peasant, who looks not

like a peasant, nevertheless. His large hat is worn too

gracefully; his ragged blue blouse is too old to accord with

his proud and delicate features. Is he an officer of

franc-tireurs? A French spy, perhaps? Is my grandfather giving

or receiving information? Is he not, as I hope, planning to

surprise the Prussians? I question Germaine. She is astonished

at my anxiety.

'"That man? He wanted to see the Mayor, and as the Germans have

put the Mayor in prison, he was brought here. Do not trouble

yourself about him, Monsieur Jean."

'I hear a sound of closing doors. It is, of course, the

stranger going away.

'My grandfather joins me.

'"Well, how is your aunt?"

'I tell him what happened, the story of the wood-cutter and its

effect upon her.

'"Ah! what a pity!--humph, humph!--I will go and see her.

Germaine, my cloak."

'"Shall I come with you, grandpapa?"

'"No, no; not worth while. I shall be back in half an hour."

'In twenty minutes' time he returns.

'"You see I am as good as my word. I made haste, eh?"

'"Is my aunt better?"

'"Your aunt? Yes--no--that is, yes, much better."

'"Jean," he says to me after dinner, "you were to go back the

day after to-morrow, but as I must go on business to Versailles

in the morning early, I will take you with me. Does it

disappoint you, eh?"

'"A little, yes."

'"Bah! you shall make up for it another time. You shall come

again soon for several days, and send your lessons to the

deuce."

'I laugh. I think I must have been mistaken. The man whom I saw

must have been really a peasant. My grandsire could not be so

gay if there were to be fighting at Maussy this evening.

However, before going to bed I look out over the country, and

when I lie down I strain my ear to catch a sound. All night

long I cannot sleep; I can only listen. All at once a hand

touches my elbow. I start up, screaming. Germaine laughs.

'"What is the matter, Monsieur Jean? Were you dreaming?"

'I stare round me in amaze. It is broad day.

'"Make haste and get up; the chocolate is ready; master is

waiting."

'Half an hour later we leave the house. We are at the end of

the street which opens on to the Versailles road, when a

platoon of Prussian soldiers, with bayonets fixed, appears upon

that road. My grandfather seizes me brutally and throws me down

under a fence behind a hedge. I look through the branches. The

Prussians pass at quick march. Amidst them marches a man, with

his hands tied behind his back. I see a broad-leafed hat, a

pale proud face, an old blue blouse. It is the man of

yesterday. I know him at a glance.

'"Grandfather, who is that?"

'"Eh! Who? who? Some vagabond a Prussian patrol has picked up

out of some ditch. The Prussians are very severe for--for--for

wayfarers. It is better not to be seen in these affairs--it is

better not to be mixed up--I mean--"

'My grandfather is lying, I am certain; I feel it. Why should

he lie? Where are they taking this fettered man? Why force me

to lie hidden under a hedge? From behind the village a loud

volley thunders through the air.

'"Grandpapa, grandpapa, did you hear that?"

'The old man is livid.

'"It is the Prussians who practise--who practise at firing--in

the morning. It is their custom--their custom--every morning--"

'His teeth chatter.'

Critical Studies · 第 25 / 57 题