TRAINING THE ACTOR

The training of the actor! To-day there is practically none. Actors

and actresses are not to be taught by patting them on the shoulders

and saying, "Fine! Splendid!" It is a hard, hard school, on the

contrary, of unmerciful criticism. And he is a poor master who seeks

cheap popularity amongst his associates by glossing over and praising

what he knows to be condemnable. No good result is to be obtained by

this method, but it is this method which has caused a great many

actors to be beloved, and the public to be very much distressed.

As for the practical side of an established theatre, I am absolutely

convinced that the national theatre could be established in this

country on a practical and paying basis; and not only on a paying

basis, but upon a profitable basis. It would, however, necessitate

the investment of a large amount of capital. In short, the prime cost

would be large, but if the public generally is interested, there is no

reason why an able financier could not float a company for this

purpose. But under no circumstances must or can a national theatre,

in the proper use of the term, be made an object of personal or

commercial profit. Nor can it be a scheme devised by a few

individuals for the exploitation of a social or literary fad. The

national theatre must be given by the people to the people, and be

governed by the people. The members of the national theatre should be

elected by the board of directors, and should be chosen from the

American and British stage alike, or from any country where English is

the language of the people. Every inducement should be offered to

secure the services of the best actors; by actors, I mean actors of

both sexes; and those who have served for a certain number of years

should be entitled to a pension upon retirement.

It is not necessary to bother with further details; I only mention

this to impress the reader with the fact that the national theatre is

a practical possibility. From my personal experience I am convinced

that serious effort upon the American stage meets with a hearty

endorsement.

Little Masterpieces of Autobiography: Actors · 第 82 / 104 题