A NATIONAL THEATRE

What could not be done for the people of this land, were we to have a

great and recognised theatre! Consider our speech, and our manner of

speech! Consider our voices, and the production of our voices!

Consider the pronunciation of words, and the curious use of vowels!

Let us say we have an established theatre, to which you come not only

for your pleasure, but for your education. Of what immense advantage

this would be if behind its presiding officer there stood a board of

literary directors, composed of such men as William Winter, Howells,

Edward Everett Hale, and Aldrich, and others equally fine, and the

presidents of the great universities. These men might well decide how

the American language should be spoken in the great American theatre,

and we should then have an authority in this country at last for the

pronunciation of certain words. It would finally be decided whether

to say fancy or fahncy--dance or dahnce--advertisement or

advertysement, and so with many other words; whether to call the

object of our admiration "real elegant"--whether we should say "I

admire" to do this or that, and whether we should say "I guess"

instead of "I think." And the voice! The education of the American

speaking voice is, I am sure all will agree, of immense importance.

It is difficult to love, or to continue to endure, a woman who shrieks

at you; a high-pitched, nasal, stringy voice is not calculated to

charm. This established theatre of which we dream should teach men

and women how to talk; and how splendid it would be for future

generations if it should become characteristic of American men and

women to speak in soft and beautifully modulated tones!

These men of whom I have spoken could meet once a year in the great

green-room of this theatre of my imagination, and decide upon the

works to be produced--the great classics, the tragedies and comedies;

and living authors should be invited and encouraged. Here, again, we

should have at last what we so badly need, an encouragement for men

and women to write poetry for the stage. Nothing by way of the

beautiful seems to be written for us to-day, but perhaps the

acknowledgment and the hall-mark of a great theatre might prove an

incentive.

Little Masterpieces of Autobiography: Actors · 第 81 / 104 题