=The Dancing Clown.= Draw on cardboard or three-ply wood and cut out

the head and body of the clown as in Fig. 403. Colour it, and cut out

another piece exactly the same to represent the back of the clown. Draw

and cut out two arms as in Fig. 404, two legs as in Fig. 405. Cut out

two small discs of lead, and glue them behind the balls in his hands;

glue little pieces of lead behind his boots. His arms and legs are

fastened together by thread, as in Fig. 406. The back part of the body

hides the strings.

This clown can be hung inside a box, and the strings passed through a

hole (directly underneath the clown) in another box upon which he can

then be made to dance, as in Fig. 407. The figure works best if properly

balanced; see that the arms and legs are equal in size and weight.

=Rocking Horses and Elephants.= The simplest way of making a rocking

horse is shown in Fig. 408. Two rockers, A B C, are cut out of cardboard

(medium thickness). Next two horses, D, are drawn on cartridge paper,

the distance between the fore and hind feet corresponding to the

distance A C in the rockers. The horses are coloured and cut out, and

their heads and tails gummed together. The four legs are then fastened

with paper-fasteners (or with gum) to the ends of the two rockers. A

wooden rocking horse is made in the following way. The two rockers, A

B and C D, are cut out of three-ply wood with a fret-saw. The arc of

a circle of 4 inches to 4-1/2 inches radius is a good size; width of

rocker, H K (Fig. 409), 3/4 inch.

Three pieces of stripwood 1/4 inch by 1/4 inch are sawn, length 3-1/4

inches, E, F and G. Pencil-marks must be made on the two rockers to show

where these strips are to go, one in the middle, the other two at the

ends. Before fastening them on, a slit is sawn in the middle of each

end-piece, as at E and G.

[Illustration: FIG. 408]

[Illustration: FIG. 409]

[Illustration: FIG. 410]

Strips E, F and G are glued and nailed to one rocker, then this rocker

can be laid on its side, and the second rocker glued to the upstanding

strips. There is no need to nail the second rocker; indeed, if the ends

of the strips are very evenly cut, there is no need for nailing at all.

The horse (Fig. 410) can be cut out of cardboard and have one front leg

and one back leg fitted into the slits. Cardboard of medium thickness

will just fit a saw-cut and no gluing is needed. If the horse is cut out

of fret-wood or three-ply wood (1/8 inch thick) the saw-cuts must be

enlarged with a file and the feet glued in.

Instead of horses, donkeys, tigers, lions, etc., can be fixed on rockers

as just described.

The rockers in Fig. 409 can also be built up of cardboard.

=A Rocking Elephant.= On a piece of cardboard draw a circle 1-1/4 inches

in radius; on this draw an elephant as in Fig. 411. Colour the ball

red and the elephant grey (both sides must be coloured) and cut out.

Cut out a piece of cartridge paper (Fig. 412), length equal to half

the circumference of the circle in Fig. 411, width, 1-1/2 inches. Fold

in half along D E, cut out D B C E, as in diagram, the shaded portions

being cut away. Gum B D C E to disc H as in Fig. 411, so that D F E G

forms a rocker; make a similar rocker for the other side. Two pieces of

lead (A in Fig. 411) are cut out and glued on each side of the disc at

the bottom, as in the figure. The lead must have paper suitably coloured

pasted over it. The elephant will swing up and down at the slightest

touch. Instead of an elephant a clown can be drawn on the ball.

Fig. 413 shows an elephant rolling on his back. This toy can be made in

the same way as the first elephant. A circle (1-1/4 inches radius) is

drawn first, and the elephant drawn in the circle. These elephants can

be cut with the fret-saw from satin walnut (1/4 inch thick). In this

case the lead on each side must almost reach the diameter, as shown in

Fig. 413. Another disc of wood (1-1/4 inch radius) must be fret-sawed

out of the satin walnut, sawn in two, and the halves glued one on each

side of the lead, to make a base wide enough for the toy to rock upon

without upsetting. No lead will then show, and it will look like a

wooden toy. If these toys are cut out of thin wood, 1/8 inch thick, they

still require at least twice as much lead as the cardboard toy.

The elephant may also be drawn balancing a ball instead of a clown.

Children will delight in making these toys from cardboard, paper and

lead for a toy circus.

Fig. 414 shows a swan drawn in a circle; the shaded part represents the

paper rocker on one side. This model requires no lead. A duck can be

made in the same way.

Fig. 415 shows a design for elephants on a see-saw. The elephants must

be the same size as far as possible.

[Illustration: FIG. 411]

[Illustration: FIG. 412]

[Illustration: FIG. 413]

[Illustration: FIG. 414]

[Illustration: FIG. 415]

CHAPTER XVII

MOVING FIGURES

Fig. 416, "The Washing Day," shows a pattern that will please little

English toy-makers. It can be cut from wood with the fret-saw, or with

scissors from cardboard of medium thickness.

[Illustration: FIG. 416]

[Illustration: FIG. 417]

_To make the Design._ First cut two lengths of three-ply wood or

cardboard, 1/2 inch by 8 inches, A B and C D.

Next draw on wood or cardboard, and cut out, the two little washer-women

(they are about 4-1/2 inches high). They look more effective if painted.

These are fastened to the strips of cardboard by means of

paper-fasteners (Size 000; one gross sixpence); the holes for the

fasteners are about 1-1/4 inches from the ends. The holes in the

little washer-women are exactly one above the other, so that when the

paper-fasteners are in and A B is exactly above C D, the figures are

upright.

A washing tub, E, is cut out of cartridge paper (top of tub, 3 inches,

bottom 1-3/4 inches); this can be painted brown or green and have a

white rim round the top to represent soap-suds. This tub is gummed to C

D, exactly between the two little washers. If the part of A B that comes

behind the tub is cut away as in diagram the figures will work better.

When the strips of cardboard are moved backward and forward the figures

put their clothes in the tub and take them out again. The toy works best

if a little space is left between A B and C D, as in Fig. 417. If it is

cut out of fret-wood the figures are fastened by rivets, as explained in

Chapter XV.

Fig. 417 shows two ducks eating out of the same bucket; strips of

cardboard, A B and C D, are the same size as those in Fig. 416. The

bucket is cut out of cardboard and gummed to C D.

The sailors in Fig. 418 are made in the same way, holes are made in

their hands, through which yarn is passed (the thicker the yarn the more

like rope it is) or oars can be cut out of cardboard and fitted in the

holes in their hands, when they will appear to row.

Fig. 419 shows a man driving a donkey. It is made of cardboard, except

the whip, A, which is thread tied into a hole in the cardboard at C. The

whip will work better if a little piece of lead or something heavy is

tied at the end of the thread. The reins, B, are of thread or yarn, and

pass through holes in the donkey's mouth and in the man's hand.

Two fishermen can be made in the same way, the whip easily becomes a

fishing-rod and a lead fish can be attached to the end of the line.

In the case of the donkey-driver and the fishermen the strips of

cardboard should be longer than shown in the figure, to leave room for

holding. The strip for the donkey-driver should be about 9 inches, the

fishermen require at least 12 inches if their lines are not to get

entangled.

[Illustration: FIG. 418]

[Illustration: FIG. 419]

Children will readily think of other designs for this simple but

interesting toy.

CHAPTER XVIII

SOME OLD-FASHIONED TOYS--A MONKEY-UP-A-STICK, A JACK-IN-THE-BOX

A Monkey-up-a-stick is a very easy toy to make. First cut out a

cardboard or wooden monkey as in Fig. 420. See that the legs and arms

turn freely on paper-fasteners, A and B. Paint the monkey grey or brown.

With a pin make holes, C and D, in the feet and hands. Next saw two

lengths of stripwood, one 1´ × 1/4" × 1/4", the other almost twice as

long. Drill a hole near one end of each of these sticks. Pass a pin or

piece of wire through the holes in the monkey's feet and the hole in

the shorter stick; bend down the pin on each side to keep the feet from

slipping off. (The point of the pin should be cut off with pliers.) In

the same way fasten the monkey's hands to the longer stick. See that the

limbs (note that they come one on each side of the stick) revolve freely

on the pins or wire. The two sticks may be kept together by pieces of

elastic; this however rather prevents the one stick from moving freely

up and down the other. It is better first to file the sticks (or one of

the sticks) round or to use dowel rods. These round rods can then be

kept together by cardboard or wooden discs. The disc must have a hole in

the middle large enough for the rod to move freely up and down in it.

The thicker the piece of wood or cardboard the better. The hole must be

made in the wood with a brace and bit (a bradawl will make the hole in

cardboard, and it can be filed to the right size with a round file).

The longer rod, A, Fig. 421, goes through the hole; the bottom of the

shorter rod, B, is glued and nailed to the disc.

By moving the disc C up and down the monkey performs its usual antics at

the top of the stick.

The monkey, or a clown if preferred, looks very effective cut out of

three-ply wood and riveted together.

For a small model wooden meat skewers may be used as sticks. Other

suggestions for C in Fig. 421 are: a reel (though rod B when glued to a

reel tends to break off); half a cork.

[Illustration: FIG. 420]

[Illustration: FIG. 421]

[Illustration: FIG. 422]

[Illustration: FIG. 423]

More interesting than the "monkey-up-a-stick" is the monkey that climbs

a rope, though this little animal has sometimes an irritating manner of

swinging about on the rope, and going no higher. If he is carefully made

according to the following directions he ought to climb. The monkey is

cut out of cardboard in the same way as the first monkey, except that

his two arms are gummed firmly on in the position shown in Fig. 422, his

legs only being free to move. Pins or pieces of wire are passed through

the holes at A, B, C, D. In the case of pins, the point is cut off with

cutting pliers and the rest doubled back to prevent its coming out on

one side, the head of the pin prevents it coming out on the other. Tie

a piece of thin elastic round the pins, A and B, so that it is only just

on the stretch when the legs are drawn up parallel with the arms, as

in the figure. A piece of wire is passed through at E and is bent over

out-wards, drawing the hands fairly tightly together. A piece of thread

is passed through the eye so formed, down and under the pin, C, then

over the pin, D By alternately slackening and tightening the line the

monkey will climb up the thread in a very life-like manner.

Care must be taken to nip the wire well together at the hands to get

enough friction to hold the thread firmly while the elastic pulls the

legs up, on the other hand the thread must be just loose enough to pass

through E.

=A Jack-in-the-box.= The simplest way of making a Jack-in-the-box is the

following. Get some ordinary wire (quite thin wire will do) about 4 feet

long or longer if a bigger jump is required. Wind this tightly round a

broom handle, keeping the rings of wire close together. Slip it off.

Take a cork, cut it so that it is about 1-1/4 inches high. File it round

in the shape of a head as in Fig. 423. Mark the eyes and nose in ink,

the mouth with red paint; or two beads can be glued in for the eyes. To

make the hair, cut several short pieces of black wool, tie them in the

middle at B, and glue or pin them to the middle of the head; tie back

the side ends with yellow or red wool as in the figure. Fasten one end

of the wire spring in the centre of bottom of cork, as at A. A piece of

muslin is then gummed round the cork to hide the spring, so that it is

loose and folds easily.

Next make a box, 2-3/4 inches high, or take the cardboard box that

contains a bottle of Le Page's liquid glue, and cut off about one-third.

Cut off the cover and glue it on to one side (C in the figure). Make

loop of wire at D, and insert a paper-fastener at E to catch the wire

loop. Fasten the end of the spring to the bottom of the box, by passing

it through the hole in one bottom flap, bending it over and gluing over

it the other flaps that form the bottom. Coloured paper or scraps may

be gummed to the sides and top of the box. This is a suitable toy to be

hung on a small Christmas tree.

A larger and stronger Jack-in-the-box can be made from a wooden box

about 5-1/2 inches square. For this a piece of No. 12 gauge wire about

10 feet long is required; it is wound around a rolling-pin. This spring

is then nailed by means of staples to a piece of wood made to fit the

inside of the box. Fasten a round piece of cardboard to the top of the

spring, and either sew on to it a small doll's head, or make a doll's

head of part of a stocking stuffed with wool and having eyes, mouth,

etc., sewn on. A cap (a fool's cap looks best) is made to fit the head,

and a loose jacket is sewn on to hide the spiral body.

CHAPTER XIX

LITTLE SWORDSMEN

Fig. 424 shows the principle on which this toy is made; the shaded

portion represents the inside of a box. A good size for a box to make

this toy is 9" × 4-1/2" × 2-1/4". Slits should be cut in the long side

of the box at _a b_, _c d_, _e f_, _g h_. These slits may be made with a

pen-knife, and a fret-saw file will make them wide enough for a piece of

cardboard to slip up and down in.

Slits are then made in the short side exactly under the long slits, as

_p n_ in Fig. 425. Widen these slits also with a file.

Next cut out the cardboard figures. Draw head, body and one leg to be

cut out in one piece; about 3 inches of cardboard should be left below

the foot (M and N in Fig. 424), the total length of figure being about 8

inches. Cut out another figure like this. Make holes just below the foot

as at D in Fig. 424.

Next draw and cut out legs, F and H. Notice that they do not project

so far inside the box, their length being about 3-1/2 inches. Fasten

these to the figures by paper-fasteners. Next cut out a long strip of

cardboard, A B, 1/2 inch by 14 inches. Pass this through the slits (_p

n_ in Fig. 425) in the short sides of the box. See that it slides easily

up and down in these slits.

The portions marked M and N turn on pivots _h k_ and _m l_. These pivots

pass through holes, D and E, in the figures and through holes made at

each side of the box exactly opposite the short slits. Steel knitting

needles make good pivots, or pieces of cane. When the top is quite

complete these pivots may be glued into the holes in the box for greater

security. Fasten pieces of lead at the bottom of M and N so that the

figures swing easily on the pivots.

When it is found that the pivots are in the right place, pass the strip

of cardboard A B through the slits, and fasten the legs, F and H, to it

by paper-fasteners, as at X and Y. See that the needles are in the right

holes and fasten up the box.

[Illustration: FIG. 424]

[Illustration: FIG. 425]

(It is a convenience in making this toy to let the cover form one side,

the cover being left off until all the inside arrangements are complete;

the pivots can then be put into their holes in the cover, and the cover

put on.)

Now if the projecting ends of A B are pushed backward and forward the

figures fight in a very realistic manner. Notice that A B has two

movements: one backward and forward, the other up and down. The lead

weights in M and N keep A B up. Generally speaking, the longer the slits

are the better the figure works. This, however, does not apply to slits

_c d_ and _g h_. The slits need not be so close together as in the

figure if it is desired that the swordsmen should fight at a greater

distance.

The arms are cut out of cardboard and fastened by paper-fasteners on

each side of the figure; the swords may be cut out with the arms,

or made separately and gummed on after-wards, pieces of cane making

effective swords. A more difficult but more satisfactory way of putting

on the arms is this: pass a very short piece of cane through the hole

in the body, where the arms are to be fastened; see that it turns very

easily in the hole; next seccotine the pieces of cane that project at

each side into holes in the arms; see that one arm is up, the other

down. To make the arms balance well, it may be necessary to fasten a

small piece of lead to one hand.

This toy is most amusing if carefully made. The following hints may be

useful:

(1) Draw and paint the little swordsmen as carefully as possible.

(2) See that the slits are perfectly straight and wide enough for the

cardboard to pass through.

(3) See that the arms, legs and feet turn easily on their pivots,

whether these pivots be paper-fasteners, cane or knitting needles.

(4) See that sufficient lead is attached.

(5) Cover the box neatly with paper, but _not_ the slits. A piece of

green paper looks well for the top.

This toy may also be cut out of wood with a fret-saw. Many other amusing

toys can be made on the same principle.

[Illustration: FIG. 426]

[Illustration: FIG. 427]

[Illustration: FIG. 428]

CHAPTER XX

SOME MORE FRET-SAW TOYS

Besides the numerous models already described that can be made with the

fret-saw, endless further toys might be made, among others the following.

1. =A Zoo or Wild-Beast Show.= The animals for this may be jointed

models like the elephant and giraffe (Part I, Chapter XX); in this case

they will stand quite well; or they may be cut in one piece and glued

to an oblong strip of wood for a stand, as the lion and other beasts

in Figs. 426 to 430. Three-ply wood or satin walnut 1/8 inch thick

is suitable for these animals, which however may also be cut out of

cardboard and glued into slits cut in a wooden stand.

[Illustration: FIG. 429]

2. =Forest, Jungle or Desert Scenes, etc.= (Figs. 431 to 437). These

trees, which have very characteristic shapes, can easily be cut out with

the fret-saw. Where the branches are slender and there is danger of

their breaking, use three-ply wood. They should be painted green, with

the markings indicated in the drawings put in with sepia or dark green.

3. =A Farmyard=, with trees, ducks, cows, etc. Figs. 438 to 443 are

patterns of farmyard animals. There is considerable educational value

in the drawing and cutting out of the simple outlines necessary in

fret-wood trees or animals. It will help children to think in lines, as

it were, and to draw boldly.

[Illustration: FIG. 430]

Teachers will find sets of fret-wood animals and trees of use in the

Nature Study and Geography lessons.

4. =Soldiers, Sailors, Boy Scouts, etc.= Figs. 444 to 447 may be cut out

and glued on stands in the same way.

The small files used for fret-wood are useful to finish and 'clean up'

these toys.

[Illustration: FIG. 431 The Walnut]

[Illustration: FIG. 432 The Palm (Cocoa-nut)]

[Illustration: FIG. 433 The Palm Oil Tree]

[Illustration: FIG. 435

The Spruce Fir]

[Illustration: FIG. 434

The Elm]

[Illustration: FIG. 436

The Lombardy Poplar]

[Illustration: FIG. 437

The Scots Pine]

[Illustration: FIG. 438]

[Illustration: FIG. 439]

[Illustration: FIG. 440]

[Illustration: FIG. 441]

[Illustration: FIG. 442]

[Illustration: FIG. 443]

[Illustration: FIG. 444]

[Illustration: FIG. 445]

[Illustration: FIG. 446]

[Illustration: FIG. 447]

CHAPTER XXI

TOYS WORKED BY SAND

For these toys a wooden box is required, A B C D (Fig. 448), about

a foot or more square and 5 inches deep. L is a wheel made like the

overshot water-wheel in Chapter VI. Another way of making the buckets is

shown in Figs. 449, 450, and 451. These are glued close together between

two circles of cardboard as shown in Fig. 451. This method is somewhat

easier if small wheels are required. The wheel should have ten or more

buckets; the greater the number of buckets, the faster the wheel works.

[Illustration: FIG. 448]

Fig. 452 shows the construction of the reservoir, J, through which the

sand runs. The size of it will depend upon the toy made.

[Illustration: FIG. 449]

[Illustration: FIG. 450]

[Illustration: FIG. 451]

[Illustration: FIG. 452]

F is the flange for fastening it together, and E, D, C, B are flanges

for fastening it to roof A B E F (Fig. 448). A round hole is filed

out at A, after the reservoir is fastened together, through which the

sand runs. The wooden side of box, A B E F, is taken off and a piece

of cardboard is nailed to the box instead. This can have a hole cut in

it, K in Fig. 448, and the reservoir glued under it. G H is a bar of

stripwood nailed across the front of the box, through which a hole,

N, is bored. The axle of the wheel passes through this and through a

corresponding hole in the back of the box. As the sand runs out of the

reservoir, it falls into the boxes and so turns the wheel; hence the

sails of a windmill, the hands of a clock, etc., fastened to axle, L M,

can be made to turn. Notice carefully that the hole at the bottom of the

reservoir should be over the centre of the boxes of the sand-wheel and a

little to one side of the wheel, as in Fig. 448. Part of the back of the

box, P Q R O, should be cut out to allow a tray to go in to receive the

sand.

[Illustration: FIG. 453]

=To make a Bicyclist= (Fig. 453). Cut two circles of cardboard, radius

1-1/4 inches. Mark on them the spokes of a bicycle.

Make two sand-wheels the same size as the bicycle wheels; their width

should be about 1/2 inch to 3/4 inch. Take a piece of stripwood 1/2 inch

by 1/4 inch and the length of the box. Make holes in it, 3 inches, 4-1/2

inches and 6 inches from one end. Nail the bar across the box 3 inches

from ground; make holes in the back of the box exactly opposite the

holes in the bar. Make wooden axles to pass right through these holes so

that they turn freely in them. The sand-wheels should be glued to two

of these axles. Now cut out a piece of cardboard to fit over the front

of the box; bore holes in it corresponding to those in the bar, G H.

Paint on it a suitable background, as in Fig. 453. Nail small pieces of

stripwood, 1/2 inch by 1/4 inch, to the corners of the box (as at A and

B in Fig. 453), to which the cardboard can be fastened by drawing-pins

or glue. Pass the axles of the sand-wheels through the first and third

holes from the end of bar G H, and let them project about 1 inch beyond

the cardboard. To these ends the bicycle wheels must be glued. In making

this toy it is better not to fasten pieces together too quickly, until

all the various parts are ready.

The figure of the cyclist should be cut out to the measurements given

for the little gymnast in Chapter XVI. The body and head could be cut

out of thin three-ply wood, and the arms and legs of cardboard. The best

method of joining limbs to the body so that there is the least possible

friction is as follows. Cut off a small piece of a pin, including the

head, pass it through the holes, and apply to the cut end a tiny drop

of sealing wax. Make holes in the cyclist's feet at G (Fig. 454). Cut a

small cardboard wheel, F, about 1/2 inch in diameter: make a hole in its

centre and one near the circumference.

[Illustration: FIG. 454]

Glue a piece of match stick into the hole near the circumference, the

other end of this match stick must turn freely in the hole in cyclist's

left foot. Pass the axle already made through this wheel, to which it

must be glued, and through the cyclist's right foot and through middle

hole in the bar.

Make two small pulley wheels (_e.g._ slices of reels with cardboard

flanges), one twice the size of the other. Fig. 455 shows how the toy is

put together and how it works. A and B are the sand-wheels; axles, F G

and F M, are glued into them and into the two bicycle wheels. K H is the

axle passing through centre of pedal wheel. N O are pulley wheels glued

to axles, F G and H K, respectively, and connected by an elastic band,

E. When sand-wheel, A, turns round, wheel, N, turns and turns pedal

wheel, F, in Fig. 456, and as O is twice as big as wheel N, the pedal

will revolve twice as slowly as the bicycle wheels.

[Illustration: FIG. 455]

Pulleys of equal size, C and D, might be added with advantage to connect

the two sand-wheels, and a handle at F to start the wheels.

Fig. 456 shows how the leg is fastened to the pedal wheel. To keep the

cyclist's body steady cut a piece of stripwood 1" × 1/4" × 1/4". Glue

one end to middle of cyclist's body and the other to the cardboard

background.

B (Fig. 454) is a thin piece of wood, passing over the projecting end

of axle of wheel, E, its other end being glued to the bottom of the

cyclist's body. A similar strip, A, is cut. This is fastened between his

hands by a little piece of pin, and passes over the axle of wheel, D. C

is a thin strip of wood or cardboard which passes over the axle of E and

can be glued to the cyclist's right leg and pass behind wheel, F.

[Illustration: FIG. 456]

Make a platform as in Fig. 453 to support the cyclist. Make two

reservoirs as already described. Cut a piece of cardboard to fit over

the top of box and make holes in it, L and M in Fig. 453. Glue the

reservoirs under these. Make a cardboard tray to fit under the wheels

for the sand to fall in. Another wheel might be added to work the sails

of the windmill in the distance. Very fine sand must be used for working

these toys, the best is silver sand and it should be kept as dry as

possible.

Fig. 457 shows another modification of this toy. B is a box turned

upside down and placed in front of that containing the sand-wheel. A is

the cardboard background, suitably coloured. The sailor's legs are cut

in one piece and glued into a slit in the box. The body is fastened to

them at F by a small paper-clip so that it moves very freely. The arm

is fastened on at G. A small match stick passes through the hole in the

hand and is glued in the hole in circumference of wheel E.

The axle, M N, to which this wheel is glued passes through the cardboard

or wooden standard, D, through a hole in the background, A, and through

the centre of the sand-wheel. D is fixed to the box. The arm of the

crane, C, made of cardboard or three-ply, is glued to D. A hole is made

at G and a corresponding hole in A opposite G. Pass a small stick of

wood or cane, K, through these holes and glue it in. The crane should be

about 1 inch from the background. K keeps the arm of the crane steady.

Tie a piece of cotton to the axle of wheel E, pass it over K or over a

small pulley wheel revolving on K G; tie to it a thin wire hook to which

a paper box or barrel can be fastened.

[Illustration: FIG. 457]

In the same way a sailor can be made to work a windlass and drag a paper

boat up a sloping beach, a man can draw water from a well or turn a

barrel organ, or a paper mouse gummed to a cardboard base can be drawn

along until it disappears into its hole.

[Illustration: FIG. 458]

CHAPTER XXII

TOYS WORKED BY WHEELS, ETC.

Fig. 458 shows how a clown can be mounted on a cart so that when the

cart is drawn along he dances and waves his arms. In toys of this kind,

the wheels should be quite half-an-inch in thickness. They are glued

on to round axles which turn freely in small screw-eyes or in holes in

wooden blocks fastened under the car or cart. If any part of the axle

projects beyond the wheel it gets in the way of the wires. The clown is

made of cardboard or three-ply, according to design given in Chapter

XVI. It is then fastened securely to rod B, and the latter glued into a

hole in the middle of the cart. Fairly strong wire is fastened to the

wheel by a nail with a broad head so that when the wire is looped round

the nail it turns freely on the nail but does not come off. The wire is

bent at right angles twice to bring it close to the figure, as shown at

A. It must fit accurately into the holes in the figure. Notice that one

leg passes on each side of the post.

The clown works best when cut out of wood. In this case the body E

and post B may be cut out in one piece, one leg and one arm are then

attached to the front of the body, and one leg and one arm behind.

Fig. 459 shows a soldier on the march. He is made of three pieces of

wood. Head, body, arms and stand A are cut out in one piece, the legs

are cut out separately and riveted loosely to the body; only two pieces

of wire are needed, one on each side, to work the legs. The gun may be

a piece of wire or wood fixed on after-ward. The wheels are 1/2 inch in

thickness.

Other similar toys worked by wheels can be made by cutting a hole in the

bottom of the cart. One axle of the cart must run exactly under this

hole, it must be made of wire and bent as B C in Fig. 460.

[Illustration: FIG. 459]

D and E are pieces of tin nailed to the cart, through holes in which

axle B C freely turns; or wooden blocks may be nailed on for the

axle to turn in, if tin cannot be obtained. The ends of the axle are

securely fastened into solid wooden wheels. As the wheels revolve

they will push up and down a piece of wire or wooden rod, F, which is

fastened to the bent part of the axle. Now F can be used to work a

number of simple toys, if its free end is fastened to the part which

it is desired to move. For example by this means an animal's mouth may

be made to open and shut as it is wheeled along, or its head to wag;

a blacksmith may be made to strike his anvil, the drummer to beat his

drum. The ingenious child will be able to adapt this simple piece of

mechanism to many a toy.

[Illustration: FIG. 460]

[Illustration: FIG. 461]

=A Lively Dog.= Cut out with a fret-saw two pieces of wood as F in Fig.

461, which represents the body and legs of a dog in one piece. Now cut

out the head H (notice length of neck behind body) and the tail K from

wood 1/4 inch thick.

Now glue the two bodies to a piece of stripwood A (1/2 inch by 1/2 inch)

placed along the tops of bodies inside (Fig. 462), and bevelled so that

the legs of the dog will be further apart than the upper portion. The

legs are joined by pieces of stripwood, M, 1/4 inch by 1/4 inch, about

1-1/2 inches long. Notice that the ends of these strips are bevelled.

Now make hole, E, in the head-piece; notice that there is the same

length of wood above E as below it. Make corresponding holes E in sides

F. Pass a piece of wire through the hole in the dog's head and see how

it hangs; the head portion will be the heavier and sink. Now take the

head off, saw out a piece of wood at B, insert a piece of lead and try

again. It is an easy matter if too much lead has been added to cut off a

little. When the head is correctly balanced, as in Fig. 461, bend over

the wire so that it cannot come off. The tail, K, is attached in the

same way.

[Illustration: FIG. 462]

[Illustration: FIG. 463]

[Illustration: FIG. 464]

Small wheels, N, cut from some convenient round rod are then nailed to

M. The dog should be suitably coloured. When drawn along he wags his

tail and bends his head.

The legs look rather better if cut out separately and glued to the sides.

=The Tumbling Clown or Monkey.= Cut out cardboard or wooden animals

similar to those in Part I, Chapter XX, but use no lead. Now, instead

of swinging them on a perch, make a hole at B where they stand; take a

piece of copper wire, about 1/8 inch thick and 6 inches long.

Bend it slightly as in Fig. 463. Pass the wire through the hole in the

animal, so that the animal fits tightly on it exactly in the middle of

wire.

The animals are best cut out of thick cardboard. Fig. 464 shows a

suitable animal, and the following from Chapter XX--Figs. 256, 257, 259,

263 and 264--can be adapted. As no lead can be used for the purpose to

which we are now going to put them, animals that balance without lead,

as in Fig. 464, are the most suitable. Therefore in designing them, one

must take care that the hole B is exactly at the centre of gravity, and

the bend of body, D (that is widest part of body), just below B.

[Illustration: FIG. 465]

=To make the Monkey tumble.= Cut a piece of wood 12 inches by 2-1/2

inches, and fix parallel bars to this as in Fig. 465. File or cut

notches in the ends at A, to keep the monkey from tumbling off in his

zeal. Now put the wire with the monkey in the middle across one end of

the rails. Push the monkey head over heels and he will go on solemnly

turning over and over, however long the rails are, until he lands in

safety in the notches at the other end. It is the bend in the wire

and carefully balanced body of the monkey that makes him behave so

delightfully.

The longer the stand is the better, for then two or three clowns,

monkeys and cockatoos can follow each other rapidly.

[Illustration: FIG. 466]

The bars must be high enough to allow the monkey to turn without

touching the ground--4-1/2 inches high will just do if length of monkey

from B to C (Fig. 464) is 4-1/2 inches.

Fig. 466 shows two clowns swinging together; a variety of funny figures

can be made to follow each other along the bars.

CHAPTER XXIII

KITES, GLIDERS, AND AEROPLANES

=Kites.= Perhaps one of the easiest kites to make is one which the

children of Annam and Tonking delight to play with. To make it, three

light bamboo canes are required--about 2 feet in length--those used for

flower-sticks will do quite well. Tie them strongly together as in Fig.

467.

[Illustration: FIG. 467]

[Illustration: FIG. 468]

The backbone E F should be quite rigid, but the cross-pieces A B and C D

are better if they are slightly curved. A sheet of light paper must now

be pasted from A B to C D underneath E F in such a way that it is quite

tight under E F, but rather loose between A C and B D.

Fig. 468 shows how the paper should be cut. G H is the exact distance

between E and F; J K and L M are wider than distances between A C and B

D in Fig. 467, so that when the flaps on the paper are pasted over the

cross-bits the paper is loose between A and C and between B and D (Fig.

467). The secret of the balance is to have the flutter at the edges

quite equal. Fig. 467 shows how the string is fastened.

[Illustration: FIG. 469]

[Illustration: FIG. 470(a)]

[Illustration: FIG. 470(b)]

[Illustration: FIG. 471]

[Illustration: FIG. 472]

[Illustration: FIG. 473]

=A Box Kite.= This is a very common form of kite and quite easy to make.

Take four laths from 27 to 30 inches in length and four pieces about 13

inches in length. The smaller pieces are fastened together with nails

and glue, as in Fig. 470 (_a_) and (_b_). To the ends of these the long

pieces are nailed and glued, as in Fig. 470 (_b_). Mark off the long

pieces into thirds and over the two end thirds sew strips of light

material. Tie on the string as shown in Fig. 469. This kite is said to

be an American invention.

A similar kite may be made triangular in form.

Fig. 471 shows another form of the box kite. Here the material covers a

little less than 1/4 of the strip A B. Cross-bars E F and C D are tied

across the middle and to the four sides, and wings are sewn on to them.

Figs. 472 and 473 are modifications of the triangular form of kite. In

both these kites the long strips of wood are from 2-1/2 to 3 feet in

length.

Notice that in Fig. 472, A B is the same length as D E, F G = D H; E H =

about 1/4 of E D.

[Illustration: FIG. 474]

In Fig. 473 A B = C D. C E = about 1/4 of C D. F G equal about 1/3 of

A B. F C = C E. A H and J K are light frames of stripwood covered with

calico. The diagrams show how these kites are put together.

=A Chinese Kite.= The kites used in China are very light and flimsy

compared to our kites, as they are made of tissue paper and bamboo.

In making one it is better to use somewhat stronger paper. The paper is

cut out as in Fig. 474, the two upper sides being slightly shorter than

the two lower. Leave two rectangular pieces A, A, at each end of the

shorter sides. A piece of split bamboo, slightly flattened, is glued

firmly to the paper from B to C. A second piece of bamboo tapering at

the ends is used as a cross-piece D. This is bent as in the figure so

that where it crosses the backbone, B C, it is only a few inches from

the apex, B. It is tied to B C at D. Its tapering ends are pasted down

to the paper by means of the two flaps, A, A. Bamboo B C should not be

more than 1/3 inch in width, piece D, 1/4 inch. To prevent the paper

getting torn in a good breeze, tie fine cotton round the border of the

kite--_i.e._ from B to A, to C, to A, and to B again. Paste a thin

margin of paper over the cotton, enclosing it, and to the kite. This

must be done so that the face of the kite is perfectly flat; it must not

bag in any way.

=To fly the Kite.= Much depends on the way in which the 'belly-band' is

tied on. Its upper string is tied to D, and the lower to the backbone, B

C, almost anywhere below a line from A to A. If the two strings are very

near together, the kite behaves in a more lively manner, darting about

in all directions.

The kite must be coaxed into the air by a series of jerks and pulls when

the apex of the kite is facing upwards. It is inclined to turn round at

first and some patience is required to learn when to pull and when to

jerk. If one pulls at the wrong time it will dart down and then unless

sufficient string is quickly let out, it will fall to the ground.

[Illustration: FIG. 475]

When once the kite is up, it does not keep stationary like an English

kite, but is always darting about; a skilful flyer can make a kite dart

down and almost touch the roof of a house at a great distance off, and

then dart up again almost overhead.

It is not an easy kite to manage, but when once the art of flying it is

mastered it is never forgotten.

=Gliders.= The earliest type of toy flying-machine consisted of a

two-bladed tin propeller spun on a frame by unwinding string, as with

a top, and suddenly let go. It is easily made, as shown in Fig. 475,

where A is a tin propeller nailed by nails C and C to a large reel

B. In making this toy the nails must be driven into the reel first,

their heads are then cut off and they are tightly fitted into holes in

propeller A. D is the axle on which the reel spins and the handle for

holding it; E is a washer. This flying-machine is worked by smartly

pulling a length of string wound around the reel.

[Illustration: FIG. 476]

Modern aeroplanes are far more difficult to make than this; they need

patience, skill and experiment, and besides a knowledge of how to twist

and bend wood by steaming it; plenty of cane and whalebone wire, tissue

paper or fine Japanese silk, and catapult elastic, which is generally

the motive power used in working model aeroplanes. (Messrs Gamage,

Holborn, W.C., stock skeins of specially prepared elastic.)

In this chapter only the simple and well-known types will be very

briefly described, the boy who is interested must get special books on

this subject from his library. In the first place the beginner must know

what the three types of machines used in designing models generally

are--viz. (1) the glider or motorless model, a glider being a winged

structure, which when released from a height does not fall directly

to the ground, but descends gracefully at a gentle slope; (2) the

monoplane, which is constructed more or less on the lines of a bird; and

(3) the biplane or double-winged aeroplane.

Gliders may be either of the monoplane or biplane type. Experiments

with gliders will enable boys to find out some of the principles on

which aeroplanes are built, and will prepare them to undertake the

construction of more difficult forms.

In making one's first glider one cannot do better than copy a bird. On a

piece of paper draw a circle, fold it in half, draw a bird on one half,

as in Fig. 476, cut it out, when the paper is opened it will appear as

in the figure. If this bird is thrown head first toward the ground,

it will probably fall. If two little bits of cardboard are gummed on

each side of his head, he will make a better flight and land on the

ground after making a gentle curve. A still better bird may be cut from

cardboard, a half cut is then made along _a b_ to bend it, and the head

is weighted with sealing-wax. How well this bird flies depends on the

weight, and to some extent on the shape of the bird. Birds of various

shapes and with different amounts of sealing-wax should be tried, until

one is made that glides to the ground in a long, graceful curve.

In making bird gliders the following points should be remembered:

(1) Draw the bird in a circle as already explained, this ensures that

the wings will be exactly balanced.

[Illustration: FIG. 477]

(2) If the head in Fig. 476 is not long enough for a graceful flight, a

longer head cut from cardboard can be pasted on.

(3) If the bird dives quickly down head first, you know that the head is

too heavy, or the neck too long.

(4) If the bird rises and then falls the head is too light and probably

not long enough.

(5) The wings can be made larger if necessary by the addition of

tissue-paper wings gummed on as A in Fig. 477.

[Illustration: FIG. 478]

[Illustration: FIG. 479]

=Another Glider.= Cut out a piece of paper 8 inches by 4 inches, A B C

D in Fig. 478. Mark B E and D F each 1 inch; make cuts along the dark

lines at E and F to the depth of 1 inch. Draw the broken lines along

the paper, dividing it into four equal strips. Bend sides A E and C F

downward along dotted lines. Bend E B and F D upward along middle dotted

lines, and press side C F toward side A E, part way along this line,

but leaving the part near the ends A C flat; to this end plane K will

be gummed (Fig. 479). K is 6 inches by 1 inch. Cut tail, G, and gum on

as in diagrams. It can be weighted at H by gumming several strips of

cardboard across or by affixing sealing-wax. Although this is not a very

graceful-looking glider it works most successfully, and will describe

quite a graceful curve toward the ground.

The child will find it interesting to make a number of these gliders

and then go one day to a window or high place and let them glide to the

ground and thus find out the bird that has the longest flight. Or a

number of children can have glider races and see who can make a glider

that alights on the ground farthest from them. Other forms of gliders

can be made, but they are all on the same principle, a somewhat long

body, wings and weight adjusted to keep them from falling.

Fig. 480 shows a glider made from a dowel rod, with slits in it at each

end through which two cardboard planes are passed and fastened. The

cardboard must be of light weight and yet stiff enough not to flap. The

size of the planes must be found by experiment, for their size will

depend naturally upon the weight of the material used. The bigger plane

should be in length about twice the smaller one. It is best to fasten

the large plane on first and then adjust the smaller one to give a long,

graceful flight.

If a split pole can be found it is an easy matter to fasten the planes

in. Canes (bamboo) split readily and can be used as centre pole.

This glider can fairly easily be made into an aeroplane and worked

with a propeller. It may be mentioned here that model aeroplanes are

generally worked with the propeller in front and not in the rear.

=To make Propellers.= These can be made of tin or wood. A tin propeller

can be cut from any old tin with a pair of shears or strong scissors

kept for the purpose. Cut two blades to the shape shown in Fig. 481.

Next cut an oblong block of wood (Fig. 482); notice that width _a b_ in

Fig. 482 must equal _a b_ in Fig. 481, therefore width of _a b_ must be

a little less than _a b_ in Fig. 481. Slit each end diagonally as in

Fig. 482 for about 1/2 inch to hold the blades. Drill a hole through

centre of block for the wire axle _d c_. Insert the blades in the slots,

bend the ends over slightly and nail them in the wood to keep them firm.

Fix the wire shaft firmly in the block as in Fig. 482. The propeller is

now ready to be attached to the glider.

Before this is done, however, we shall consider the making of a wooden

propeller. This is rather more difficult to make. Cut a piece of wood

to the shape shown in Fig. 483 with a sharp pen-knife. The propeller

must then be given the correct twist by means of the steaming kettle.

Take hold of the extreme ends of the propeller and hold it over the jet

of steam so that steam plays upon the blades at each side of the thick

central portion.

[Illustration: FIG. 480]

[Illustration: FIG. 481]

[Illustration: FIG. 482]

[Illustration: FIG. 483]

[Illustration: FIG. 484]

[Illustration: FIG. 485]

[Illustration: FIG. 486]

When the wood is supple, twist it as in Fig. 484. This sounds easier

to do than it really is, the difficulty being to get the twist on one

side exactly equal to the twist on the other. For this reason the tin

propellers are more satisfactory to make. However suppose the correct

twist has been given, the next thing to do is to sand-paper the wooden

propeller carefully and file a groove around the middle at A; now wrap

a piece of wire, A C, tightly around the propeller in this central

groove, and put on the head, B. The propeller is now ready to be

fastened to the glider shown in Fig. 480.

=To fasten Propeller to Glider.= Cut a piece of tin to the pattern shown

in Fig. 485, bend along the dotted line; make a hole at F for axle, B C,

to go through. Bend portion E round the front end of the glider, keep it

in its place by bending it with thread coated with glue; portion F with

the hole is bent down at right angles as shown in Fig. 486. Now pass

axle, A C, through hole F, bend end C into a hook. Put screw-eye D in

the rod about one-third of length of rod from the other end (see Fig.

486). Fasten strands of elastic from hook C to D. It is best really to

have a hook at D so that the elastic can be slipped over. The strands

should be just loose enough to remain taut when unwound. When the

propeller is in position the planes will probably have to be readjusted.

The tin propeller can be attached in a similar way. These propellers

will do for almost any simple design of aeroplanes.

When the motor is wound up for flight, the number of turns to give to

the propeller will depend upon the strength and number of the elastic

strands used. About a hundred turns is a usual number. Throw the motor

forward in a slightly downward direction; because it is a glider it will

tend to follow a gentle curve to the ground at first, but the whirling

propeller will tend to carry it forward and upward. The first attempts

may be failures, but these models are well worth many trials.

=The Hawk Aeroplane= (Fig. 487) is a common flying toy worked as the

above by elastic. Cut two blocks of wood, A, A´; make holes in them as

shown. Into the square holes fix and glue two square rods C. Through A´

bore a hole for the piece of cane, B B´, to pass through. F is a wire

spindle with a hook at one end for elastic; it passes through the hole

in block A´, through two beads, and through a piece of cork, F, into

which it must be fixed. K is a piece of cane bent as in diagram, passing

through a hole in cork, H. The bend is more _permanent_ if the cane is

held to the spout of a boiling kettle; the ends of K should be slightly

warped in opposite directions. Into block A another wire hook is fixed

and bands of elastic are passed over this hook and the opposite one, as

in the diagram; the more bands the better.

The cane B B´ is bent round at each end and fastened to the wooden

rods, C C, by thread. The cane, K K, is fastened by thread as in the

diagram; the thread can pass through a hole in the cork. Spaces T, T,

T, T are covered with thin tissue paper gummed to thread and cane by

means of overlapping edges. The model is wound up and set going like the

previous one. Care must be taken to have it properly balanced, and it

must be made as light as possible; the blocks A, A´ may very well be cut

from cork. Light bamboo cane can be used for posts, C C. At its best,

however, the Hawk Aeroplane is not so good a flyer as the first model

described.

[Illustration: FIG. 487]

An ambitious and clever boy who has once grasped the principles on which

flying-machines are made can think out many models for himself and copy

some of the more elaborate ones. The biplane makes a very effective toy,

but is omitted here because it is somewhat difficult to construct.

CHAPTER XXIV

MORE OLD-FASHIONED TOYS

=Jacob's Ladder.= This is a very old and ingenious puzzle and an amusing

toy. It is very simply made. A number of blocks of wood must be made, 4"

× 2-1/2" × 3/8". Any number may be used, but not less than seven; twelve

is a very good number.

[Illustration: FIG. 488]

[Illustration: FIG. 489]

Round the edges of the blocks and make them smooth with sand-paper, as

in Fig. 488. Cut strips of tape about 1/4 inch wide and long enough to

go over the rounded ends of the blocks, _a_, _b_, _b_, etc., in Fig.

488. There are three tapes to each block. Nail and glue tape _a_ to the

centre of upper end of block A; it is then brought over and downward

under the middle of the lower end of block B and fastened.

Tapes _b b_ are now fastened to the opposite end of A about 1/4 inch

from the end on either side, and are then brought round the opposite end

of B, as shown in the diagram. The centre tape _c_ is fastened to B and

then brought down underneath to centre of the opposite end of C. The

tapes must be arranged like this throughout the whole set of blocks.

[Illustration: FIG. 490]

Fig. 489 shows how the blocks are held when they are all complete. Top

block A must be turned so as to bring the second block to the same

level. The top of this block then falls, and it appears to pass rapidly

down first on one side and then on the other, until it reaches the

bottom. This is only what _seems_ to happen. What really happens is that

the second block becomes reversed and falls back again, in its former

position. This makes it come level with the third block, which at once

falls over on the fourth, and so on to the end of the ladder. A very

illusive effect is thus produced. The blocks might be coloured with some

bright enamel paint, contrasting colours on opposite sides.

=The Trellis Toy= (Fig. 490). The strips of wood for this toy should be

as thin as possible. They are fastened together at points 1, 2, 3, 4,

etc., by small pieces of wire, or by rivets bent down to prevent their

slipping off, but not too tightly, so that the toy works easily. Heads

can be cut out of cardboard painted and glued to the wood. Strips A and

B should be wider at one end and have holes made in them for handles.

=A Running Mouse.= This toy is made of fret-wood, two ordinary reels and

elastic.

Choose two reels of about 1-1/2 inches in length, diameter about 1 inch.

Cut out a piece of wood, A, to measurements given (Fig. 491). With a

fret-saw cut out the head (Fig. 492); slit B is a little wider than the

thickness of the wood, so that the head wags about very easily when

wired to the body (Fig. 494). Cut out four legs as in Fig. 493. The

reels work behind these so that the shape of the leg partly hides them.

Nail the back legs to the body as shown in Fig. 494. Make a round axle

to fit one of the reels so that it turns easily on it; cut it the exact

length of the distance between the two back legs, pass it through the

reel and glue its ends, C, to the legs so that the reel comes slightly

below the legs and can run along easily. Now make holes, D, in the front

legs, and nail them to the body so that holes D are on a level with the

axle C. Make a hole through the body A, midway between the front legs,

through which the string, E, will pass. Make holes in the other reel and

insert wire staples at each end as in Fig. 495. Fasten to and wind round

the reel about a yard of string. Pass rubber bands through each staple

(F in Fig. 495) and through the holes D in the front legs and knot on

the outside. Pass the string through the hole in A (Fig. 496).

=To fasten Head on.= Make two holes in the head exactly over each other,

G and H in Fig. 492. Slip the head on to the body and make a hole

through the body, between holes G and H, as shown in Fig. 497. Bend a

piece of wire as in Fig. 498, distance between bent ends being equal to

distance between holes G and H; slip the wire through the hole in the

body, pass the ends of the wire through holes G and H, then bend the

ends over to the position shown by the dotted lines in Fig. 498; the

mouse's head will then swing from side to side. Make a hole in end at L

(Fig. 494) and insert a tail of thick string. A piece of wood, M, shaped

as in Fig. 494, may be glued along part of the body, A, a little to one

side so as not to interfere with string, E. The whole may be suitably

coloured.

[Illustration: FIG. 491]

[Illustration: FIG. 492]

[Illustration: FIG. 493]

[Illustration: FIG. 494]

[Illustration: FIG. 495]

[Illustration: FIG. 496]

[Illustration: FIG. 497]

[Illustration: FIG. 498]

[Illustration: FIG. 499]

[Illustration: FIG. 500]

The toy works in this way. If it is placed on the floor and the string

held, the weight of the toy will make the twine unwind, thus causing the

elastic which supports the reel to twist. When the string is slackened,

the elastic will untwist again, making the reel revolve and the toy run

along the ground.

Figs. 499 and 500 show a black beetle that can be made in the same way;

the antennæ may be made of wire. Other suitable animals are a lizard and

a crocodile.

[Illustration: FIG. 501]

[Illustration: FIG. 502]

[Illustration: FIG. 503]

=A Hygroscope.= The cottage is made of thin wood about 1/8 inch to 3/8

inch in thickness, according to measurements given in Fig. 501. The

sides are about 3-1/2 inches. The platform or floor on which it stands,

6-1/2 inches by 4 inches. The sides of the roof are 4 inches by 4

inches, so that it projects slightly.

The doors in front are 1-1/4 inches wide and 3 inches high, and are

cut out with the fret-saw; about half-an-inch of the partition between

the doors is cut away to allow the disc on which the figures stand to

swing round. Cut with fret-saw a circular disc of wood 1/8 inch thick,

diameter 3 inches. Drill a hole through the centre and fit into it quite

tightly a piece of wire bent into a loop as shown in Fig. 502. Drill a

hole in the floor of the cottage, about an inch from the middle of the

partition. The wire axle should fit into this so that it turns easily,

but not too loosely, otherwise the disc on which the figures stand will

wobble. Just over this hole there must be another hole in the roof.

This can be made by filing, with round fret-saw file, a little hollow

(Fig. 503) in each of the top sides of the roof, so that when they come

together a hole is formed. The back, sides, floor and roof may now be

nailed and glued together. Next cut out from three-ply wood with the

fret-saw two little figures as in Fig. 501; they should be about 2

inches to 2-1/4 inches, and should be suitably coloured. These are glued

to the wooden disc.

The disc is hung from the roof by a piece of catgut; a knot is made at

the end to prevent it slipping through, the other end being tied to the

wire loop; the wire passes through the hole in the floor. The catgut

must be long enough to allow the disc to turn round completely on its

axis. Four pieces of wood or four small reels are glued to the corners

of the floor to prevent the wire axle from touching the ground. The

front must not be put on until the model is found to work correctly. To

do this, hang the disc so that it is parallel to the ground, and so that

both figures are looking out of their respective doors; then tie the

knot at the top and wait for a change of weather.

Supposing on a damp day the cricketer comes forward and the boy in

mackintosh and sou'wester retires indoors, this is because the catgut is

twisting the wrong way, therefore the end that is fastened to the roof

must be fastened to the wire loop, and vice versa. Now the front can

be glued on. It can be suitably painted, showing door-posts, windows,

bricks, etc.

=Why the Hygroscope works.= Catgut has the peculiar property of

absorbing moisture from the air and twisting up and becoming shorter;

when the air is dry it untwists to its original length; the damper the

air the greater is the amount of the twist. Hence in the model, as the

catgut twists and untwists according to the state of the atmosphere, the

little figures swing in and out of the cottage doors.

CHAPTER XXV

LIFT, PONT ROULANT, TOWER BRIDGE

[Illustration: FIG. 504]

=A Lift.= There are a variety of ways of making a lift. One of the

simplest is shown in this chapter. The first essential is a wooden box,

oblong if possible, so that there can be many floors. The measurements

given in this chapter are for quite a small model made from a shallow

oblong box, 9-1/2 inches by 14-3/4 inches, and about 2-1/2 inches in

depth.

Sand-paper the inside and cover it with some pretty paper. Mark off

distances A C and B D (Fig. 504) equal to 2-1/2 inches; rule lines A B

and C D along the bottom of the box; glue pieces of stripwood 1/4 inch

by 1/2 inch (A B and C D in Fig. 504) along the bottom of the box for

the lift to run up and down between.

The lift is made next. Cut two pieces of wood 2-1/2 inches by 2-1/4

inches; nail to the corners of one piece four pieces of stripwood, 1/4"

× 1/4" × 3". Fasten the other piece of wood to these four posts by means

of screw-eyes. Now leave the lift for a while.

Cut two pieces of cardboard, A B E F and C D H G, to divide the box into

three long divisions, as in Fig. 504. See that they project 1/4 inch

beyond the box. Divide these strips into three parts and draw and cut

out doors as in the diagram; the line for the floors must, of course,

be well above the top of the lift, while the height of the doors must

correspond to that of the lift. Now glue these strips of cardboard to

the pieces of stripwood A B and C D as in diagram; see that the doors

open into the rooms on each side, and not into the lift.

See that the lift runs easily up and down between the cardboard strips;

sand-paper it if it does not.

Make four holes in the top of the box, _a_, _b_, _c_, _d_ in Fig. 505.

Tie thread or black yarn to the screw-eyes, cross it and pass it through

the holes as in the figure, then pass the four cables through screw-eye

K. When the lift is on the ground, pull the strings taut and tie a knot

below the screw-eye. The lift can be raised by means of winding gear

attached to the side as described in Chapter V, on the crane; the weight

of the lift will pull it down again, or if this is not enough it can be

weighted with lead.

Fig. 505 shows another way of working the model. Screw-eyes can be

fastened to the bottom of the lift and thread tied to them as before;

these threads must pass through four holes in the bottom of the box,

through a hole in the support L M and through screw-eye Q; the bottom

strings are then knotted to the top strings at R, and the lift can be

lowered and raised by moving knot R up and down.

The supports N P and L M are made of pieces of stripwood 1/2 inch by 1/4

inch.

[Illustration: FIG. 505]

[Illustration: FIG. 506]

Cut a door out of cardboard as shown in Fig. 506 and glue it over the

front of the lift. (In Fig. 506 the dotted lines are half cuts, the

black lines are cut.)

Nail strips of wood 1/4 inch by 1/4 inch, E F and H G, in front of the

lift and glue the pieces of cardboard to them. They keep the lift from

falling forward. If the lift is moved up and down, as shown in Fig. 505,

it is best for it to fit fairly tightly so that it stays into whatever

position it is pulled.

Cardboard floors, 1, 2, 3, 4 (Fig. 504), are added, and kept in position

by pieces of stripwood.

The rooms on each side can be furnished according to taste and according

to their size. The lift itself may be finished off with advertisements,

directions to travellers, etc., according as it is intended for use in a

railway station, a hotel, a store, etc.

This toy, although so simply made, is very effective.

=Pont Roulant at Saint-Malo.= This is a pretty model to make. First

glue four pieces of stripwood, 3/8" × 1/8" × 4-1/2", together (A A A A

in Fig. 507). Nail and glue to the corners of this framework four round

rods, 10-1/4 inches long and 1/4 inch in diameter. Dowel rods such as

these are somewhat difficult to nail on; however, should the wood of the

little frame split, or the hole in the dowel rod be made too large for

the nail, and so make the structure unsteady, the discs of cork (C in

Fig. 507), which have a hole filed in the middle of them and are glued

to the rods and the framework, help to consolidate the whole. Similar

discs of cork are placed round the middle of rods, B, and at the tops of

the rods. These serve to hold the black yarn which rigs the structure.

The pieces of cork at the top have the additional advantage of making

a steadier base for the platform to rest on. If the poles are not all

cut exactly the same length, the discs of cork can be raised above the

shorter poles and the platform on top made perfectly horizontal. These

cork discs also give a larger surface to glue the platform to. Instead

of dowel rods, iron wire 1/8 inch in diameter can be used. These wire

rods must have cork discs on them like the wooden rods, but they must be

glued into holes in the lower framework and in the platform.

Having fixed the rods in position, thread is tied underneath a bottom

piece of cork (C^5 in diagram), passed over the top of rod B^3 and kept

there by the cork disc at the top, round the bottom of post B^4 and

under the bottom cork, over the next post and so on, so that the threads

cross each other as in the diagram. Thread is also tied round the middle

of the rods just above corks C^1, C^2, C^3, and C^4. Thread is also tied

from C^2 to C^3, and C^1 to C^4.

Pieces of stripwood, 3/8" × 1/8" × 4-1/2", are glued across the frame A

A A A. Next the platform has to be made; this is a piece of wood 8-1/2

inches square and 1/8 inch in thickness. Before gluing it on to the

four posts it is best to make and fasten to it the cabin, railings, etc.

[Illustration: FIG. 507]

[Illustration: FIG. 508]

The cabin, E, in the middle is 3 inches square and 2 inches high; it is

cut out of cardboard. Flanges must be left for gluing it to platform,

and for gluing the roof to it. Doors and windows are drawn round it or

cut out. The cabin is then glued in the middle of platform D.

The roof is a piece of cardboard 3-1/4 inches by 8-1/2 inches. Fig. 508

shows how it is cut out, half cuts are made along the dotted lines, and

G, K, H, M are bent up to form the ornaments G, K, H, M in Fig. 507.

The roof is glued to the top of cabin, E, and to the tops of posts, N,

which are pieces of stripwood 1/4" × 1/4" × 2".

Triangular pieces of cardboard are glued in the corners, as P in Fig.

507.

[Illustration: FIG. 509]

The railings are 1 inch high; they can either be made of strips of

cardboard 1 inch by 8-1/2 inches supported at the corners and in the

middle by pieces of stripwood 1/4" × 1/4" × 1", with criss-cross lines

drawn on them, or be made as in Fig. 509, where A B and C D are strips

of cardboard 1/4 inch wide, F is stripwood 1/4 inch by 1/4 inch, and 1,

2, 3, etc., are parts of match sticks glued to the cardboard strips.

Seats can be placed round the railings, and round the cabin where there

are no doors.

A piece of stripwood, R, 1/2" × 1/2" × 1-1/2", is cut and filed as in

Fig. 507 and glued to the middle of the roof.

The platform is then glued to the tops of the posts with their

surrounding corks. The frame, A A A A, is mounted on wheels 1-1/8 inches

in diameter and 1/4 inch in width. The axles are pieces of stripwood 1/4

inch by 1/4 inch, to which the frame A A is glued.

The rails on which it runs (_a b_ in Fig. 507) are made in a similar

manner to those described in Chapter XIII, for the transporter bridge.

It is pulled along by thread tied to screw-eyes X and Y, and wound up by

winding gear similar to that described in Chapter XIII.

[Illustration: FIG. 510]

Fig. 510 shows how high tide can be represented by means of boxes and

cardboard; D, E, F are boxes which form a quay into which the car runs.

A, B, C are pieces of cardboard resting on pieces of stripwood glued to

boxes D, E, F, and similar boxes on the other side, or the cardboard

can rest on boxes. If boxes cannot be found big enough for D, E and F,

several boxes can be built up. Slots _a b_ and _c d_ must be left wide

enough for the supports to pass freely, and the threads must be omitted

at front and back. The rails must lie exactly under slots _a b_ and _c

d_. The pieces of cardboard A, B and C should be coloured blue. The

thread from the car underneath the "water" can pass into box F and up

through a hole in the top, where the winding gear can be placed, but, of

course, it can be worked from below. Sheets of cardboard A and C can be

surrounded by boxes or fastened in a large box, or have cardboard walls

built around it.

=Tower Bridge.= A very simple and effective model of Tower Bridge can be

made, which will prove a delightful plaything.

The measurements given in this chapter need not be followed, but the

bridge can be made larger or smaller according to taste. The whole

structure can be of wood or of wood and cardboard.

Two small boxes are required, made of wood 1/4 inch thick, about 4

inches in length, breadth and height. (If such small boxes cannot be

found they must be made.)

Take off one side of box, A B C D in Fig. 511, which shows the

mechanism of the toy. Into the edges D F and C E screw two small

screw-eyes, G and H, about 1/4 inch from the top.

[Illustration: FIG. 511]

Now cut a piece of wood 8-1/4 inches long for the bridge. The width of

bridge _a b_ must be equal to width of interior of box. For the present

model it will be 3-1/2 inches.

The wood used for the bridge should be about 1/8 inch thick.

Now rule a line 5-3/4 inches from end _a b_. On this line screw in two

small screw-eyes, K and L, of the same size as screw-eyes G and H. The

axle, M N, may be either iron wire (in which case the bridge may work

rather loosely) or, what is better, a wooden rod that just fits the

screw-eyes. Whichever axle is chosen cork discs should be placed at

each end to prevent it slipping out. Before the bridge is fastened on,

screw-eyes O and P are screwed in it near the end _c d_. Screw-eye P

must be far enough from the edge _b d_ to clear screw-eye R when the

bridge is upright. The same with screw-eye O.

A piece of strong thread is tied to screw-eye P, passed through

screw-eye R, and through a hole in the drawbridge above screw-eye R, but

clear of axle, M N. A similar piece of thread is tied to screw-eye O,

passed through Q, and through a hole in the bridge.

Now cover up top, A B C D, with a piece of cardboard, but do not bring

this quite up to B C, in order not to interfere with the working of the

bridge. Make holes in the cardboard for the strings to pass through.

Then cover up the front portion, D C F E, below the bridge with

cardboard.

The tower (Fig. 512) must next be made. This is formed of one piece of

cardboard: height, _a b_, 9 inches; width, _c d_, 3-1/4 inches.

In the sides facing the bridge large openings, E, are cut about 2-1/2

inches high.

Small openings, F and G, about 1-1/2 inches high and 3/4 inch broad,

are cut for the overhead foot bridges. These are made of long pieces

of cardboard 2 inches broad, bent in three divisions to form the path

and sides. The latter are marked to represent railings. They should be

long enough to pass well inside the tower through openings F and G, and

through the corresponding openings in the opposite tower. They can be

glued into position by pieces of stripwood or left movable.

A door, A, should be made in the top of the tower and a platform put in

to make a compartment for working the bridge. The pieces of thread are

brought up through holes in this platform and fastened to rod B, which

passes through holes in sides of tower, and is kept from slipping out by

cork discs. When this rod is turned the bridge will rise or fall.

If a large model is being made a proper little windlass with a handle

can be constructed inside the upper room of the tower. The threads pass

up on each side of the tower so as not to interfere with the "traffic"

passing under the arch of the bridge. The tower is fastened up with

flanges and glued to the wooden box with the help of small blocks of

wood. A square pyramid is placed on the top of the tower, and the whole

is suitably coloured. A picture of the real Tower Bridge is a great help

when finishing off the model.

A similar bridge and tower are made for the other side.

[Illustration: FIG. 512]

To keep the wooden boxes the right distance apart (that is, so that

bridge X just touches bridge Y) nail or glue them to a long strip of

wood painted blue. There is, however, no need to fasten them permanently.

The ingenious toy-maker will find a hundred ways of improving this toy.

There are many additions that can be made if a picture of the Tower

Bridge is consulted; cardboard paths can lead to bridge X, round the

outside of the tower; railings can be added to bridges X and Y (but

see that they are not in the way when the bridge goes up!), and so on.

The method of raising and lowering the bridges is capable of a number

of modifications. It should be the pleasant business of the maker to

improve this model, and not be content with too slavishly following the

directions given.

Bridges are among the most interesting things in the world, and there

are countless happy hours in front of the little toy-maker who sets to

work to collect pictures and written accounts of bridges, and who tries

to imitate these.

CHAPTER XXVI

SOLDERING. SCREW STEAMER. TOYS WORKED BY WIND AND BY CONVECTION CURRENTS

=Soldering.= A knowledge of soldering makes many more toys possible,

besides being a useful acquirement in itself. The following are the

materials needed:

1. A soldering iron (Fig. 513). This can be bought for sixpence at

any ironmonger's. It is best to get one not too long in the stem, as

otherwise it is difficult to hold it steady.

2. A strip of soft solder, price about three-halfpence.

3. Soldering fluid or flux. This can be made at home from a pennyworth

of spirits of salt (from an oil shop). Put a little of the spirits into

a separate bottle and drop a few scraps of zinc into it. When it has

stopped "fizzing" it is ready for use.

4. A pennyworth of resin.

5. A piece of sheet tin.

Soldering is not nearly so difficult as people think. There is one

thing really essential for its success, and that is unlimited patience

in cleaning the metal surfaces to be joined together. Solder will not

adhere to dirty metal. The surfaces must be thoroughly scraped and

cleaned with an old knife, then filed, rubbed with emery-cloth and

protected by a coating of flux. The flux required for use should be kept

in a shallow dish (_e.g._ a meat-paste jar), to prevent it being upset;

it can be put on with a small brush.

The copper bit of the soldering iron must be covered with a thin film

of solder before any soldering is done; this is to ensure that it is

perfectly free from dirt or dust. This process is called "tinning the

bit." It is quite simple. Heat the iron to a dull red heat, not quite

red hot, as the solder would otherwise be destroyed. Then quickly file

the four faces of the point to remove any dirt or oxide that may have

got on it and which would prevent the solder from sticking to the bit.

Next dip the bit for a second or two in the soldering fluid and melt

off a drop of solder on to the piece of sheet tin on which is put a

little piece of resin. Turn the point of the bit round and round in the

melted solder until it is completely coated. It is very important that

the soldering iron should at no time be overheated, as this tinning

would be burnt off; nor can it be repeated too often that the surfaces

to be joined must be thoroughly cleaned; failure to do this is in most

cases the cause of unsuccessful soldering.

[Illustration: FIG. 513]

[Illustration: FIG. 514]

To solder handle A to B (Fig. 514). Thoroughly clean that part of B to

which A is to be fastened, and handle A, rubbing the edges of A with

emery-cloth. Place A on B and rub a little flux with a brush along the

join. Dip the bit into the flux and drop a spot or two of solder on the

edges by applying the heated iron to the end of the strip of solder.

Apply the bit to the solder and trail the solder with the point of the

hot iron round the join so that it is filled up.

A little practice will soon enable this to be done successfully, and the

skill thus acquired makes the following toy possible.

=A Steamer with a Screw Propeller.= Fig. 515 shows the size and shape of

the steamer. It should be about 4 inches wide amidships, 3-1/2 inches

deep, and hollowed out as thin as possible, according to directions

given in Chapter XIV. Fig. 516 shows the measurements for the stern. The

bows should be sharp.

This boat must be fairly large to take the tube which runs through it.

Fasten a strip of lead 1/8 inch thick to the bottom of the keel. Paint

the boat a suitable colour. When it is dry place it in the water and

mark on the stern-post, A B (Fig. 516), the height to which the water

comes, for the propeller must come just below this. Midway between this

point and the end of the keel bore a hole, C, in the stern-post, through

the boat in the direction of the top of the bow. This hole should be 3/8

inch wide and can be made with a red-hot wire.

A brass tube must now be bought from a gasfitter's, 3/8 inch

[Illustration: FIG. 515]

[Illustration: FIG. 516]

[Illustration: FIG. 517]

[Illustration: FIG. 518]

[Illustration: FIG. 519]

[Illustration: FIG. 520]

[Illustration: FIG. 521]

[Illustration: FIG. 522]

[Illustration: FIG. 523] outside measurement, and long enough to reach

from C to about 3-1/2 inches beyond the end of the bow. Now cut a piece

of tin 3/4 inch wide and 2 inches long. Bend the middle of it round the

tube and the ends outward (Fig. 517). Punch holes in each end. Solder

this strip round the tube about 4-1/2 inches from one end. At this end

file four teeth, about 1/8 inch deep, as in Fig. 518. Now push the end

that is not filed through the hole in the stern from the inside of the

boat, so that it is flush with the wood, and fasten the other end to the

stem of the boat by driving small nails through the holes in the strip

of tin into the boat. To prevent water entering the boat put some putty

round the tube where it passes through the wood. Before fastening the

tube in the boat, round out the end of the bow slightly so that the tube

will rest securely on it without projecting too much above the gunwale.

Make the deck and fix it as described in Chapter XIV. Bore a hole, D,

in Fig. 516, near the stern right through the deck so that it comes out

under the counter about 1 inch from the stern-post. It should be large

enough for a piece of stout wire to pass through. This is for the rudder.

=To make the Rudder.= Cut a piece of brass wire about 1/16 inch thick,

6-1/4 inches long. Cut the rudder out of tin and shape as in Fig. 519.

Solder it on to the wire so that the end of the rudder is flush with

the end of the wire. Pass the wire through the hole, D, and bend as in

Fig. 519. Cut a strip of tin about 1/3 inch in width, punch holes in it,

point the ends, bend them over and fasten them into the deck so that

the strip is under the bend, E, of the tiller. Press the tiller over

and into one of these holes; thus the rudder can be held firm in its

required position for steering.

In the middle of the deck cut a hole about 3/4 inch in diameter for the

funnel, which is a tube of tin about 4 inches long.

=The Propeller.= Cut a circle of tin 2 inches in diameter and inscribe a

hexagon; cut as in Fig. 520, the shaded portions being cut away.

Punch a hole in the centre and into this fix, by soldering, a piece of

brass wire (1/16 inch thick), 2 inches long, to form an axle. Warp the

fans of the propeller out of the plane of the circle about 1/4 inch.

Make two pieces of wood shaped as in Fig. 521. Bore a hole through each

and by filing with a small round fret-saw file enlarge it to 1/16 inch.

Put a glass bead, F (Fig. 522), on wire of propeller, and put the wire

through one of the pieces of wood, bend the end into a small hook. Take

another piece of wire, pass it through the second piece of wood and bend

it as in Fig. 523. Now take a piece of strong elastic, 1/4 inch wide

and about 3-1/2 feet long; tie the ends together. This must be passed

through the tube in the boat. To do this, tie a piece of string to the

elastic, and drop the string through the tube from the stern end, and by

means of the string pull the elastic through, first hooking one end of

it to the hook on the propeller wire, Fig. 522. Then push the piece of

wood, G, into the tube, so that the screw clears the rudder. Now hook

wire, H (Fig. 523), into the elastic, and push wood, K, into tube. The

wood must be cut away so that the handle, M, can catch in the teeth of

the tube.

To make the boat work, hold the propeller steady with one hand and wind

up the elastic by the handle, M; put the handle in one of the teeth to

keep the elastic twisted; set the rudder, put the boat into the water,

let go the propeller and the boat will go on until the elastic is

unwound. Instead of one band of elastic, several thinner bands may be

used, and more motive power can thus be obtained.

=Toys worked by the Wind.= Cut out of fret-wood (1/8 inch thick), or

three-ply wood, a man reading a paper with one foot raised and resting

on a box.

The man should be about 5-3/4 inches and his raised foot 1 inch from the

ground, as in Fig. 524. The shoeblack is cut out in three pieces. First

the kneeling portion, A (Fig. 525), is cut 2 inches high and a hole made

at _b_; then the head with part of the arm to the elbow attached, as H

in Fig. 526, about 1-3/4 inches high, and with holes at _d_ and _e_;

then the hand (with long shoe-brush) and arm to elbow, as K in Fig. 527;

make a hole at _f_. Length of K 2-1/4 inches.

Now join K to H by wire or a rivet through holes _f_ and _e_, so that it

swings loosely, then join H to A by a wire through holes _d_ and _b_.

Colour these two figures suitably.

The base on which the figures rest is a piece of wood about 12 inches

by 3 inches. The next thing to be made is the mechanism that works the

figures. First cut a piece of stripwood 1/4" × 1/4" × 7", A in Fig. 524.

The fan or propeller, B, is made by cutting a small circular piece of

wood or cork about 1 inch in diameter and securely fixing round it five

wind flaps as shown. These flaps are best made of tin.

[Illustration: FIG. 524]

[Illustration: FIG. 525]

[Illustration: FIG. 526]

[Illustration: FIG. 527]

[Illustration: FIG. 528]

Now get a piece of stout copper wire (about 1/16 inch thick), D in

Fig. 524, and bend it as in diagram. The best way to effect this bend

is first to make a sort of elongated =U=, as in Fig. 528; this can be

done with pincers. Then put part A in a vice and bend B C and D E out

at right angles. Cut it the right length so that the bend will come on

a level with the shoeblack's brush and one end will come above post, A.

The wire, D, should be pointed or well smoothed with a file at the lower

end, so that it will turn easily on a piece of glass glued to the base.

Wire D is supported by two wire hoops or screw-eyes placed in post A.

The holes through which it passes must not be too large or it will

wobble and not turn smoothly. Now all the parts are ready for putting

together. Glue the shoeblack on first, then opposite to him the man. See

that the brush passes over the shoe. If for any reason this does not

happen, a larger brush can be cut from wood or cardboard and pasted over

the shoeblack's hand. Now fasten post A behind the man so that the bend

of the wire, D, will be in the right position; pass wire, D, through the

wire loops or hooks (these are best made of copper wire); glue the top

of it into the hole in the propeller. Glue a piece of glass, E, under

the other end. Connect by a thin piece of wire the shoeblack's brush

with bend in D. The figure will now work well in the wind.

The shoeblack is the toy one most often sees worked in this way. A man

sawing wood is another favourite model, and can be made in exactly the

same way.

Two knights fighting can also be made; this involves, however, two

propellers.

=Toys worked by Convection Currents.= These are less interesting toys

because they do not admit of much variety. The toy is worked over a gas

burner, where it acts as a ceiling protector. As the power available

from convection currents is very slight, every care must be taken that

the figure will work smoothly.

As the toy is exposed to heat, the soldering must be well done. Fig. 529

shows how the toy is made.

The little sailor is cut out of sheet metal (tinned plate); his limbs

are fixed by means of rivets or eyelets (the latter are obtainable at a

boot repairer's). Take care that they move freely. They will do so if

the holes are very smooth. The wire used is steel wire about 1/16 inch;

this is fairly easy to bend.

Wire A B is bent as already described in the shoeblack. It passes

through loops in the wire at A and D. It is kept from slipping through

at A by a ring of wire soldered on the top.

[Illustration: FIG. 529]

The propeller at B is simply a tin disc with radial cuts, each sector

being twisted at an angle by a pair of pliers. The propeller is held by

a turn in the wire and by a touch of solder. Notice that the feet of

the figure are turned round the wire on which it stands. They can be

soldered for greater security. The hand is also curled round the crank

pin, but it must be free to turn on it.

The wire framework, E, is soldered to a circle of tin, C, which fits on

the top of the lamp. As the figure has to be small it should be as long

as possible.

A pair of scissors should be kept for cutting tin, or tinman's snips can

be used; cutting pliers and centre punches will also be needed. Holes,

however, can be punched in tin with strong round nails and a hammer.

Round files are needed for making holes smooth.

Empty tin canisters form a supply of tin plate.

Adjustable cycle spanners are useful for bending wire at right angles; a

hide mallet is a great convenience.

Before making a toy like one of those described it is well to practise

bending wire with vice, hammer and mallet.

In the last toy, if tinned plate and tinned steel wire are used, the

soldering is a fairly easy matter, because the tinning has already been

done.

CHAPTER XXVII

BUILDINGS AT HOME AND ABROAD

=A Farmhouse.= Young children, having cut out of cardboard or fret-wood

the animals and trees described in Chapter XX, having constructed a

bridge, a well, a dove-cot, and other small models scattered through

this volume, take considerable pleasure in arranging their toys into

pretty groups and attractive combinations. At this stage the lack is

often felt of some object of central interest, of something to 'pull the

composition together,' as an art critic would put it: the farm scene

requires a farm, the domestic scene a villa, the Eastern animals and

trees an Indian temple, or some such building, to complete the picture.

With regard to home scenes, children may be advised at this stage to

make for themselves any house or building that suits their fancy. The

basis of the toy will always be the four walls plus a roof described in

the Noah's Ark (Part I, Chapter X); more complicated cardboard work has

already been studied in the castle (Part II, Chapter X), so children who

are ambitious to achieve something more picturesque than the Noah's Ark

may be advised to go out into the suburbs or the country, and sketch

any simple building, or set of buildings, which they would like to

reproduce. Such work, once attempted, becomes extremely fascinating,

and leads to very picturesque and delightful results. To do really

good work, however, children must accustom themselves to _plan_ very

carefully what they propose to do, and to convert their sketches into

a set of drawings to scale, which, in the case of a building, should

include at least a ground plan and a couple of elevations.

Figs. 530 and 531 show how to lay down the plan and elevations of

a simple building of the 'Noah's Ark' type, to which have been

added a front and a back door, with porches, bay and storm windows,

chimney-stacks, and an outhouse at the back. Fig. 532 is the front

elevation to half scale.

[Illustration: FIG. 530]

[Illustration: FIG. 531]

[Illustration: FIG. 532]

[Illustration: FIG. 533]

The addition of another entirely detached outhouse with wide door at one

end, for a cowshed, to face the back of the main building and form the

third side of a square, will give the nucleus of quite an attractive

farm.

When once the plans have been drawn, a scale is plotted below to suit

any size to which it is intended to build; all the dimensions shown in

plan and elevation are then taken as required with dividers, read off

on the scale, taken anew on a foot-rule, and transferred to the wood or

cardboard.

The scale given on the figure is for quite a large house, the ground

plan of the main building measuring 15 inches by 10 inches, and that

of the outhouse 10 inches by 5 inches. These two buildings had best be

constructed on separate bases, and need not be permanently joined; the

roof of the outhouse can be carried rather further into that of the main

building than is indicated by the line C H E, and the main roof alone

cut carefully to the line C H E. If the main roof is made detachable,

building A B C D will form a receptacle for the outhouses and the whole

farm stock. The broken line surrounding A B C D and C E F G indicates

the dimensions.

A house of this size is best built with a base and walls of wood

obtained from some grocers' boxes.[2] If the scale be marked so that

points 0, 10, 20 read 0, 7-1/2, 15, giving a reduction to three

quarters, the main building will measure 11-1/4 inches by 7-1/2 inches,

and may be built entirely of cardboard. If the scale be marked so that

points 0, 10, 20 read 0, 5, 10, A B and A D measuring respectively 7-1/2

inches and 5 inches, we shall have a small model that can be built of

very light materials, such as stout cartridge paper on a cardboard base.

[2] An excellent and very strong material for model-building is

manufactured by Messrs James Spicer and Sons Limited, under the name of

Rough Cast Building Board. It has a most realistic white 'rough-cast'

surface. It is obtainable in the size 18-1/2 inches × 24 inches from

Messrs Richardson and Co., Stationers, 176 Charing Cross Road.

The bay window will, of course, be made separately, and gummed into

position by means of flanges. The porches may be detachable, like the

outhouse; the front-door porch is built of eight pillars of stripwood,

nailed and glued to a wood or cardboard base and to cross-beams above;

between the pillars may be fixed a couple of seats, one on each side of

the door. The back-door porch is supported by four pillars. The roofs

are of cardboard. The ground-floor windows, indicated at W, may be

either painted or cut out; in the latter case they may be made to open

or may be fitted with celluloid window-panes; these you can beg from any

amateur photographer of your acquaintance; he is sure to have plenty of

'waster' films. The doors should, of course, be made to open.

The storm windows are easily made; the sides, K L M, are cut with angle

L K M = half the angle K O P, the latter being in the present instance

72°. The shape of the window roofs can be arrived at by experimenting

with a paper template, but more accurately by plotting them out to scale.

Thus: draw Q' R' V' = Q R V, R' T' = R T, Q' S' and V' S" = Q S; join

S' T' and S" T'; then Q' V' S" T' S' (Fig. 533) is the exact shape

(leaving the flanges out of account) to which the storm-window roofs

should be cut. The roofs over the front porch and the bay window, the

chimney stacks, etc., are thought out and plotted in the same manner,

the solving of these little problems being excellent practice, which may

be turned to good account in after life.

The village church, the village inn, if it is old and picturesque,

should form good subjects for study and reproduction on the lines

indicated above. For young people who have exhausted the possibilities

of their immediate surroundings we give a few models from lands more

remote.

=The Taj Mahal, Agra.= This is one of the most famous buildings in

India, and was erected by the Emperor Shah Jehan over the body of his

favourite wife. A very pretty model which closely resembles it can be

made as follows:--

In Fig. 534 the dome, A, is a plain india-rubber ball, circumference

about 11 inches. Four india-rubber balls, circumference about 6 inches,

are needed as B B, and four, circumference about 4-1/2 inches, for the

four columns (C in Fig. 534) which surround the temple. Cut a piece of

fairly thick cardboard, 7 inches square, for the roof of the temple. Cut

off the corners as in Fig. 535. In the centre describe a circle with

radius 1-3/8 inches, and round it four smaller circles of radius 7/8

inch.

Cut a strip of thin cardboard 9 inches by 2 inches. Cut as in Fig.

536, leaving flanges of 1/2 inch. Roll round and fasten together with

seccotine and two small paper-clips, size 00. This forms the part of the

temple marked D in Fig. 534. It is glued to the roof by the flanges,

etc., and ball, A, is glued into it.

[Illustration: FIG. 534]

[Illustration: FIG. 535]

[Illustration: FIG. 540]

[Illustration: FIG. 541]

[Illustration: FIG. 542]

[Illustration: FIG. 543]

[Illustration: FIG. 544]

Before fastening it together, mark on it in ink the pattern indicated in

Fig. 536.

[Illustration: FIG. 536]

[Illustration: FIG. 537]

[Illustration: FIG. 538]

[Illustration: FIG. 539]

Cut four strips of thin cardboard 5-1/2 inches by 1-1/4 inches; mark

off 1/4 inch for flanges; cut each as in Fig. 537; bend them round and

fasten together; glue the smaller balls, B, B, into them and glue them

on the roof just over the smaller circles.

Cut four strips of cardboard 5 inches by 1 inch; cut and mark as in Fig.

537, and glue this round the smallest balls, C. Measure distances _ha_,

_ab_, _bc_, _cd_, etc. (Fig. 535), on a piece of cardboard, and mark out

as in Fig. 538. Make half cuts along the dotted lines and leave flanges

as shown. Distance _ak_ = _ah_ and _lb_ = _bc_ = _cm_ = _nd_.

Make and cut out the windows and arch.

Cut another piece of cardboard similar to this. These two bent round and

joined together form the sides of the temple.

Now cut a piece of cardboard as in Fig. 539, leaving flanges all round.

Bend it round and gum it together. This is gummed underneath the roof,

before fastening on the outer walls, and serves a double purpose; it

helps to support the roof on which the domes rest, and prevents the

temple from looking too hollow when the windows are cut out.

=To make Tower=, C E (Fig. 534). It consists of three rolls of thin

cardboard, E F G, each about 2 inches high, circumference 4-1/2 inches.

Circular pieces of cardboard, big enough to project about 1/4 inch

beyond the columns, form the platforms, H, J, K. Underneath each

platform triangular pieces of cardboard are glued, as in Fig. 540. Four

of these columns stand round the central building.

It is a great improvement if rings of cardboard, 1/4 inch wide, are made

and glued round all the smaller domes, as shown in Fig. 541.

Round the sides of the building strips of paper, L, M, N, O (Fig. 534),

are gummed, rising about 1/2 inch from the roof, with patterns drawn on

them as in Fig. 543. Little cardboard turrets (Fig. 542) are cut out and

gummed in each corner, P and Q (Fig. 534). Little cones of paper, made

by rolling together a circle cut as in Fig. 544, may be glued to the

tops of the domes.

The whole should be mounted on a platform made of a piece of stout

cardboard, X Y, about a foot square or a little larger, supported on

match-boxes placed two together. A row of these across the middle will

prevent the platform from sagging. Trees can be cut out as in Chapter

XX, Figs. 431 and 436, to stand round the temple.

=A Pagoda=, or memorial tower, in the province of Quei Chow in China

(Fig. 545). This is made of nine hexagonal prisms. The bottom one is 2

inches high, the sides being also two inches; the dimensions of the next

are 1/8 inch less, the next another 1/8 inch less, and so on. The last

prism has side 3/4 inch, height 3/4 inch. An ornament for the top can be

filed from a cork or piece of round wood. The platforms project about

1/4 inch beyond the prisms; the supports may be cardboard or pieces of

thin wood. The prisms are fastened together as described in the case of

the lighthouse (Chapter XIII). The whole should be painted to represent

stones, and doors marked on as in Fig. 545.

[Illustration: FIG. 545]

[Illustration: FIG. 546]

Fig. 546 shows a =Mosque= in an oasis in the Sahara Desert. Here the

dome, A, an india-rubber ball, is let into a circular hole in the roof.

The towers or minarets are prisms of cardboard on top of each other,

surmounted by a piece of dowel rod, one end being rounded to a point.

Trees can be cut out as in the figure to form a background.

Fig. 547 shows a =Japanese Pagoda=. This is built up in a similar

manner to the Chinese pagoda. Parts A B C D are square prisms about 1

inch high; E F G are truncated square prisms. They are made like the

reservoir described in the models worked by sand (Chapter XXI), but

the upper parts have been cut off; they are glued to the squares of

cardboard which rest upon the tops of A, B, C and D.

A piece of cardboard is glued over the top of E so that B can rest

upon it, and so on with the others; pieces of paper cut out as at H J

are gummed round the edges. There are many interesting models that can

be made in this way. Almost any good illustrated geography book will

provide plenty of material from which pretty and interesting foreign

scenes can be built up.

[Illustration: FIG. 547]

CHAPTER XXVIII

A THEATRE

This is a toy that will provide hours of happy play.

There are many effective ways of making a toy theatre, and the planning

and designing of one is a pleasant piece of work. This chapter gives a

few suggestions to future theatre builders, who must adopt those that

appeal most to them. A large stage is the most necessary part, so that

there is plenty of room to set up the scenes and room for the actors. A

small stage limits the choice of plays considerably.

A pretty and useful theatre can be made thus. Get a wooden box 8-3/4

inches wide, about 1 foot long and 2-1/4 inches deep. (The theatre

described in this chapter was made from a wooden box containing Fry's

Nut Milk Chocolate--this box is exactly the right size.) This box forms

the basis of the platform; stand it bottom upward, nail to the back of

it a piece of wood, G H C D, which is 1 foot square (see Fig. 548). The

platform, A B L M, is a piece of stiff cardboard or wood, A B is length

of box, L M is 2 feet. This makes a fine large platform for arranging

scenes.

Pieces of stripwood 1/4 inch by 1/2 inch are glued across the platform,

A L B M, each strip a little over a 1/4 inch from the other (the 1/4

inch side is glued to platform). About eleven strips can be thus glued

across; their ends should project about 1/4 inch beyond the platform.

The grooves thus formed are for running the actors up and down in.

A piece of wood, _a b c d_, is now cut 2 feet by 3-1/4 inches.

Holes are drilled along the top of it about 1/4 inch in diameter, and

red paper gummed at the back of them for the footlights. Panels or a

pretty design of some kind should be painted on it, or it may have

coloured paper pasted on it. This piece of wood is glued to K J E F so

that its ends project equally on each side.

[Illustration: FIG. 548]

Now cut two pieces of stripwood 1/2" × 1/4" × 16-1/4" (_e b_ and _f d_

in Fig. 548). Bevel the top ends to hold up cardboard roof _e f_ G H

(the measurements for which can be easily found). The roof is secured by

a flap glued behind A G H B, the roof is also glued to the tops of the

strips _eb_ and _fd_. These posts are glued to sides of _abcd_. Before

they are glued on, however, they must have holes drilled near their

upper ends for pole, N O, to pass through. The curtain must be made of

fairly thin stuff glued to pole, N O. It can be pulled up and down by

means of pulley wheels attached on each side. (For making pulley see

Part I, Chapter XIV.) Pieces of lead can be sewn in the corners to make

the curtain run down more easily.

Saw cuts are made across the strips of wood that cover the platform

along lines B M and A L. Into these slits the side scenes fit. These

side scenes are cut out of cardboard and have drawings and painting on

them according to the story that is being acted. They must have slits

cut in them (corresponding to the grooves in the platform), the number

of slits depending on the number of actors. For example in Fig. 548 side

scene H _f_ B M has an open door through which Red Riding Hood can be

pushed. She is cut out of either cardboard or wood, and glued to the end

of a piece of stripwood, 1/4 inch by 1/4 inch, by means of which she is

pushed from the side along the groove in the stage and so off through

the corresponding slit in scene G _e_ L A. (In Fig. 548 the Wolf is

looking through this slot.) The window in scene H _f_ B M can be made to

open and show the Grandmother inside. The cardboard scene, G H A B, is

kept in its place by pieces of wire (_h_, _h_, _h_, _h_) fastened at the

back and bent over.

Almost any story can be acted in this theatre. All the actors are

fastened to lengths of stripwood by means of which they are passed in

and out. Sometimes two, three or more may be fastened to one length. The

number of openings in the side scenes will, of course, depend on the

story being acted.

Trees, etc., can also be cut out as described in Chapter XX (Part II),

and stood about. [Illustration: FIGS. 549 AND 550]

[Illustration: FIG. 551]

A sea scene looks very effective. Waves can be cut out of cardboard

and placed in every groove, as in Fig. 549, and a ship drawn across.

A shipwreck forms an exciting scene. Indeed, there is no end to the

scenes--soldiers marching past, stories and scenes from history and

literature, etc., etc. The ingenious owner of the theatre will think of

many, and add many improvements. It must not be forgotten that the stage

is large enough to hold small objects--trees, etc.--to make the scenes

look more realistic. Also holes or slits can be made in the roof if it

is necessary to pull anything up or hang anything. Fig. 549 shows how a

fringe of paper, A, can be fastened to the roof and bent over to hide

the pole on which the curtain is wound.

Fig. 550 shows how the scenes are worked; as the Witch is pushed on from

one side, the weeping Cinderella is pushed off; when she has quite gone

and only the Witch remains, a radiant Cinderella comes on, followed by a

coach, etc.

Lastly, Fig. 551 shows a proscenium, which may be built up of either

cardboard or wood, and fixed to the front of the theatre. The sides

should project sufficiently to hide the working of the strips by means

of which the actors are moved on the stage.

* * * * *

Here, for the present, we take leave of the reader, having given him

or her some insight into a subject both pleasant and profitable. The

preceding pages are no more than an introduction to the art of making

toys, and of making the most of simple tools and simple materials, and

their real purpose is to encourage our young people not only to copy but

also to create, or at any rate to copy not only from our book but from

the world around them.

Dolls' houses and furniture, railways, boats and other vehicles offer

endless possibilities of original and attractive design, and mechanical

toys, whether driven by wind, water, elastic or the works of an old

clock, offer an equally wide field for invention. At a later age girls

will no doubt be ambitious to devise useful articles for the home,

while boys may become interested in engineering and electrical models,

optical toys, etc.; the deftness of hand, acquaintance with elementary

principles, and self-confidence acquired through the simple work which

we have described, should stand them in good stead.

Self-reliance and ingenuity are valuable assets with which to start

upon the more serious tasks of life, and if our hints on toy-making

contribute in any way to the development of these qualities this book

will not have been written in vain.

* * * * *

Transcriber's note:

Punctuation and spelling were made consistent when a

predominant preference was found in this book; otherwise they

were not changed.

Simple typographical and spelling errors were corrected.

P. 99 added "or" between "bridges," & "picture". Seemed to make

more sense than "and" which could also have been used.

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