THE REAL AND THE IDEAL; OR, THE CATASTROPHE OF A VICTORIA MELO-DRAMA

_Berthelda._--Sanguino, you have killed your _mother_!!!

_Fruitwoman._--Any apples, oranges, biscuits, ginger-beer!

(_Curtain falls._)

* * * * *

[Illustration: The Music-hall.]

[Illustration: A Melodrama at the "Surrey".]

[Illustration: Screaming Farcical Comedy.]

[Illustration: A pathetic "Comedy-Drama."]

[Illustration: Another.]

[Illustration: A patriotic Drama at the "National Theatre".]

[Illustration: The Opera.]

[Illustration: And.]

[Illustration: Three acts.]

[Illustration: of Henrik Ibsen.]

[Illustration: The deplorable issue.]

* * * * *

"Bishops," said the Rev. Mr. Phillips to the Playgoers' Club, "are not

really so stiff and starchy as they are made out to be. There is a good

heart beneath the gaiters." Calf-love, we presume.

* * * * *

DIFFERENT VIEWS.--Bishops complain of a dearth of candidates for orders.

Managers of theatres think differently.

* * * * *

LEG-ITIMATE SUCCESSES.--Modern extravaganzas.

* * * * *

THEATRICAL.--The only people who never suffer in the long run--managers

of theatres.

* * * * *

"STANDING ORDERS."--Free admissions who can't get seats.

* * * * *

[Illustration: "MOST MUSICAL, MOST MELANCHOLY"

_Husband_ (_after the Adagio, to musical wife_). "My dear, are we going

to stay to the 'bitter end'?"]

* * * * *

[Illustration: MUSIC OF THE FUTURE. SENSATION OPERA.

_Manager_ (_to his Primo Tenore, triumphantly_). "My dear fellow, I've

brought you the score of the new opera. We've arranged _such_ a scena

for you in the third act! o' board of the Pirate Screw, after the

keelhauling scene, you know! Heavy rolling sea, eh?--Yes, and we can

have some real spray pumped on to you from the fire-engine! Volumes of

smoke from the funnel, close behind your head--in fact, you'll be

enveloped as you rush on to the bridge! And then you'll sing that lovely

barcarolle through the speaking-trumpet! And mind you hold tight, as the

ship blows up just as you come upon your high D in the last bar!!!"]

* * * * *

AT A PROBLEM PLAY.--_Mr. Dinkershein_ (_eminent critic_). How did you

enjoy the piece, Miss MacGuider?

_Miss MacGuider._ Well, to tell the truth, I didn't know what it was all

about.

_Mr. Dinkershein._ Excellent. The author gives us so much to think of.

* * * * *

QUESTION AND ANSWER.--"Why don't I write plays?" Why should I?

* * * * *

Mr. Punch at the Play: Humours of Music and the Drama · 第 18 / 50 题