How well the tradition created by Mondino continued at the university

will be best understood from what we know of Guy de Chauliac's visit to

the medical school here about the middle of the century. The great

French surgeon tells us that he came to Bologna to study anatomy under

the direction of Mondino's successor, Bertruccius. When he wrote his

preface to his great surgery he recalled this teaching of anatomy at

Bologna and said, "It is necessary and useful to every physician to

know, first of all, anatomy. For this purpose the study of books is

indeed useful, but it is not sufficient to explain those things which

can only be appreciated by the senses and which need to be seen in the

dead body itself." He advises his students to consult Mundinus' treatise

but to demonstrate its details for themselves on the dead body. He

relates that he himself had often, _multitoties_, done this, especially

under the direction of Bertruccius at Bologna. Curiously enough, as

pointed out by Professor Pilcher, Mondino had used this same word

_multitotiens_ (the variant spelling makes no difference in the meaning)

in speaking about his own work. In describing the hypogastric lesion he

mentions that he had demonstrated certain veins in it many times,

_multitotiens_.

Mondino was just past fifty when he finished his little book and

permitted copies of it to be made. Though the book occurs so early in

the history of modern book-making the author offers his excuses to the

public for writing it, and quotes the authority of Galen, to whom he

turns in other difficult situations, for justification. As prefaces go,

Mondino's is so like that of many an author of more recent date that his

words have a bibliographic, as well as a personal, interest. He said:

"A work upon any science or art--as saith Galen--is issued for

three reasons: first, that one may satisfy his friends.

Second, that he may exercise his best mental powers. Third,

that he may be saved from the oblivion incident to old age.

Therefore, moved by these three causes, I have proposed to my

pupils to compose a certain work on medicine.

"And because a knowledge of the parts to be subjected to

medicine (which is the human body, and the names of its

various divisions) is a part of medical science, as saith

Averrhoes in his first chapter, in the section on the

definition of medicine, for this reason among others, I have

set out to lay before you the knowledge of the parts of the

human body which is derived from anatomy, not attempting to

use a lofty style, but the rather that which is suitable to a

manual of procedure."

Some of the early editions of Mondinus' book are said, according to old

writers, to have contained illustrations. None of these copies have come

down to us, but the assertion is made so definitely that it seems likely

to have been the case. The editions that we have contain wood engravings

of the method of making a dissection as frontispiece, so that it would

not be difficult to think of further such illustrations having been

employed in the book itself. As we note in the chapter on "Great

Surgeons of the Medieval Universities," Mondeville, according to Guy de

Chauliac, had pictures of anatomical preparations which he used for

teaching purposes. It is easy to understand that the value of such aids

would be recognized at a time when the difficulty of preserving bodies

made it necessary to do dissections hurriedly so as to get the rapidly

decomposing material out of the way.

Beyond his book and certain circumstances connected with it we know very

little about Mondino. What we know, however, enables us to conclude

that, like many another great teacher, he must have had the special

faculty of inspiring his students with an ardent enthusiasm for the work

that they were taking under him. Hence the body-snatching and other

stories. Mondino continued to be held in high estimation by the

Bolognese for centuries after his death. Dr. Pilcher calls attention to

the fact that his sepulchral tablet, which is in the portico of the

Church of San Vitari in Bologna, and a replica of which he was allowed

to have made in order to bring it to America, is the only one of the

sepulchral tablets in the great churches of Florence, San Domenico, San

Martino, the Cathedral and the Cloister of San Giacomo degli Ermitani,

which has not been removed from its original location and placed in the

halls of the Civic Museum. Their removal he considers "a kind of

desecration which does violence to one's sense of sanctity and

propriety." "Fortunately, thus far, the Mondino Tablet has escaped the

spoiler." Very probably Dr. Pilcher's replica of the tablet which he

was required to deposit in the Civic Museum at the time when the copy

was made to be brought to America may save the tablet to be seen in its

original position for many generations.

Mondino's career is of special interest because it foreshadows the life

and accomplishment of many another maker of medicine of the after time.

He did a great new thing in medicine in organizing regular public

dissections, and then in making a manual that would facilitate the work.

He waited patiently for years before completing his book in order that

it might be the fruit of long experience, and so be more helpful to

others. He was so modest as to require urging to secure the publication.

He had the reward of his patience in the popularity of his little work

for centuries after his time. The glimpse that we get of his relations

to his young assistants, Agenius and Alessandra, seems to show us a

teacher of distinct personal magnetism. Undoubtedly the reputation of

his book did much for not only the medical school of the University of

Bologna, but also for the medical schools of other north Italian

universities, and helped to bring to them the crowds of students that

flocked there during the fourteenth and fifteenth centuries.

Taddeo and Mondino turned the attention of the medical students of their

generations Bolognawards. Before that time they had mainly gone to

Salerno. After their time most of the ardent students of medicine felt

that they must study for a time at least at Bologna. Other important

medical schools of Italian universities at Padua, at Vicenza, at

Piacenza, arose and prospered. During the time when the political

troubles of Italy reached a climax about the middle of the fourteenth

century, while the Popes were at Avignon, there was a remission in the

attendance at all the Italian universities, but with the Popes' return

to Rome and the coming of even comparative peace to Italy, Bologna once

more became the term of medical pilgrimages for students from all over

the world. In the meantime Mondino's book went forth to be the most used

text-book of its kind until Vesalius' great work came to replace it. To

have ruled in the world of anatomy for two centuries as the best known

of teachers is of itself a distinction that shows us at once the

teaching power and the scientific ability of this professor of anatomy

of Bologna in the early fourteenth century.

X

GREAT SURGEONS OF THE MEDIEVAL UNIVERSITIES

Strange as it may appear to those who have not watched the development

of our knowledge of the Middle Ages in recent years the most interesting

feature in the medical departments and, indeed, of the post-graduate

work generally of the medieval universities, is that in surgery. There

is a very general impression that this department of medicine did not

develop until quite recent years, and that particularly it failed to

develop to any extent in the Middle Ages. A good many of the historians

of this period, indeed, though never the special historians of medicine,

have even gone far afield in order to find some reason why surgery did

not develop at this time. They have insisted that the Church by its

prohibition of the shedding of blood, first to monks and friars, and

then to the secular clergy, prevented the normal development of surgery.

Besides they add that Church opposition to anatomy completely precluded

all possibility of any genuine natural evolution of surgery as a

science.

There is probably no more amusing feature of quite a number of

supposedly respectable and presumably authoritative historical works

written in English than this assumption with regard to the absence of

surgery during the later Middle Ages. Only the most complete ignorance

of the actual history of medicine and surgery can account for it. The

writers who make such assertions must never have opened an authoritative

medical history. Nothing illustrates so well the expression of the

editors of the "Cambridge Modern History" referred to more than once in

these pages that "in view of changes and of gains such as these [the

jointing of original documents] it has become impossible for historical

writers of the present day to trust without reserve even to the most

respected secondary authority. The honest student finds himself

continually deserted, retarded, misled by the classics of historical

literature." Fortunately for us this sweeping condemnation does not hold

to any great extent for the medical historical classics. All of the

classic historians of medicine tell us much of the surgery of the

thirteenth and fourteenth centuries, and in recent years the

republication of old texts and the further study of manuscript documents

of various kinds have made it very clear that there is almost no period

in the history of the world when surgery was so thoroughly and

successfully cultivated as during the rise and development of the

universities and their medical schools in the thirteenth and fourteenth

centuries.

It is interesting to trace the succession of great contributors to

surgery during these two centuries. We know their teaching not from

tradition, but from their text-books so faithfully preserved for us by

their devoted students, who must have begrudged no time and spared no

labor in copying, for many of the books are large, yet exist in many

manuscript copies.

Modern surgery may be said to owe its origin to a school of surgeons,

the leaders of whom were educated at Salerno in the early part of the

thirteenth century, and who, teaching at various north Italian

universities, wrote out their surgical principles and experiences in a

series of important contributions to that department of medical science.

The fact that the origin of the school was at Salerno, where, as is well

known, Arabian influence counted for much and for which Constantine's

translations of Arabian works proved such a stimulus a century before,

makes most students conclude that this later medieval surgical

development is simply a continuation of the Arabian surgery that, as we

have seen, developed very interestingly during the earlier Middle Ages.

Any such idea, however, is not founded on the realities of the

situation, but on an assumption with regard to the extent of Arabian

influence. Gurlt in his "History of Surgery" (Vol. I, page 701)

completely contradicts this idea, and says with regard to the first of

the great Italian writers on surgery, Rogero, that "though Arabian works

on surgery had been brought over to Italy by Constantine Africanus a

hundred years before Roger's time, these exercised no influence over

Italian surgery in the next century, and there is scarcely a trace of

the surgical knowledge of the Arabs to be found in Roger's works."

It is in the history of medicine particularly that it is possible to

trace the true influence of the Arabs on European thought in the later

Middle Ages. We have already seen in the chapter on Salerno that Arabian

influence did harm to Salernitan medical teaching. The school of Salerno

itself had developed simple, dietetic, hygienic, and general remedial

measures that included the use of only a comparatively small amount of

drugs. Its teachers emphasized nature's curative powers. With Arabian

influence came polypharmacy, distrust of nature, and attempts to cure

disease rather than help nature. In surgery, which developed very

wonderfully in the thirteenth and fourteenth centuries, Salerno must be

credited with the incentive that led up to the marvellous development

that came. With this, however, Arabian influence has nothing to do.

Gurlt, besides calling attention to the fact that the author of the

first great text-book on the subject not only did not draw his

inspiration from Arab sources, insisted that "instead of any Arabisms

being found in his [Roger's] writings many Graecisms occur." The

Salernitan school of surgery drank at the fountain-head of Greek

surgery. Apart from Greek sources Roger's book rests entirely upon his

own experiences, those of his teachers and his colleagues, and the

tradition in surgery that had developed at Salerno. This tradition was

entirely from the Greek. Roger himself says in one place, "We have

resolved to write out deliberately our methods of operation such as they

have been derived from our own experience and that of our colleagues and

illustrious men."

ROGER, ROLAND, AND THE FOUR MASTERS

Ruggero, or Rogero, who is also known as Rogerio and Rogerus with the

adjective Parmensis, or Salernitanus, of Parma or of Salerno, and often

in German and English history simply as Roger, lived at the end of the

twelfth or the beginning of the thirteenth century and probably wrote

his text-book about 1180. This text-book was, according to tradition,

originally drafted for his lessons in surgery at Salerno. It attracted

much attention and after being commented on by his pupil Rolando, the

work of both of them being subsequently annotated by the Four Masters,

this combined work became the basis of modern surgery. Roger was

probably born either in Palermo or Parma. There are traditions of his

having taught for a while at Paris and at the University of Montpellier,

though these are not substantiated. His book was printed at Venice in

1546, and has been lately reprinted by De Renzi in his "Collectio

Salernitana."

Roland was a pupil of Roger's, and the two names that often occur in

medieval romance became associated in a great historic reality as a

consequence of Roland's commentary on his master's work, which was a

favorite text-book in surgery for a good while in the thirteenth century

at Salerno. Some space will be given to the consideration of their

surgical teaching after a few words with regard to some disciples who

made a second commentary, adding to the value of the original work.

This is the well-known commentary of the Four Masters, a text-book of

surgery written somewhat in the way that we now make text-books in

various departments of medicine, that is, by asking men who have made

specialties of certain subjects to write on that subject and then bind

them all together in a single volume. It represents but another striking

reminder that most of our methods are old, not new as we are likely to

imagine them. The Four Masters took the works of Roger and Rolando,

acknowledged their indebtedness much more completely than do our modern

writers on all occasions, I fear, and added their commentaries.

Gurlt says ("Geschichte der Chirurgie," Vol. I, p. 703) that "in spite

of the fact that there is some doubt about the names of the authors,

this volume constitutes one of the most important sources for the

history of surgery of the later Middle Ages and makes it very clear that

these writers drew their opinions from a rich experience." It is rather

easy to illustrate from the quotations given in Gurlt or from the

accounts of their teaching in Daremberg or De Renzi some features of

this experience that can scarcely fail to be surprising to modern

surgeons. For instance, what is to be found in this old text-book of

surgery with regard to fractures of the skull is likely to be very

interesting to surgeons at all times. One might be tempted to say that

fewer men would die every year in prison cells who ought to be in

hospitals, if the old-time teaching was taken to heart. For there are

rather emphatic directions not to conclude because the scalp is

unwounded that there can be no fracture of the skull. Where nothing can

be felt care must be exercised in getting the history of the case. For

instance, if a man is hit by a metal instrument shaped like the clapper

of a bell or by a heavy key, or by a rounded instrument made of

lead--this would remind one very much of the lead pipe of the modern

time, so fruitful of mistakes of diagnosis in head injuries--special

care must be taken to look for symptoms in spite of the lack of an

external penetrating wound. Where there is good reason to suspect a

fracture because of the severity of the injury, the scalp should be

incised and a fracture of the cranium looked for carefully. That is

carrying the exploratory incision pretty far. If a fracture is found the

surgeon should trephine so as to relieve the brain of any pressure of

blood that might be affecting it.

There are many warnings, however, of the danger of opening the skull and

of the necessity for definitely deciding beforehand that there is good

reason for so doing. How carefully their observations had been made and

how well they had taken advantage of their opportunities, which were, of

course, very frequent in those warlike times when firearms were unknown,

hand-to-hand conflict common, and blunt weapons were often used, can be

appreciated very well from some of the directions. For instance, they

knew of the possibility of fracture by _contrecoup_. They say that

"quite frequently though the percussion comes in the anterior part of

the cranium, the cranium is fractured on the opposite part."[18] They

even seem to have known of accidents such as we now discuss in

connection with the laceration of the middle meningeal artery. They warn

surgeons of the possibilities of these cases. They tell the story of "a

youth who had a very small wound made by a thrown stone and there seemed

no serious results or bad signs. He died the next day, however. His

cranium was opened and a large amount of black blood was found

coagulated about his dura mater."

There are many interesting things said with regard to depressed

fractures and the necessity for elevating the bone. If the depressed

portion is wedged then an opening should be made with the trephine and

an elevating instrument called a spatumen used to relieve the pressure.

Great care should be taken, however, in carrying out this procedure lest

the bone of the cranium itself, in being lifted, should injure the soft

structures within. The dura mater should be carefully protected from

injury as well as the pin. Care should especially be exercised at the

brow and the rear of the head and at the commissures (_proram et pupim

et commissuras_), since at these points the dura mater is likely to be

adherent. Perhaps the most striking expression, the word _infect_ being

italicized by Gurlt, is: "In elevating the cranium be solicitous lest

you should infect or injure the dura mater."

For wounds of the scalp sutures of silk are recommended because this

resists putrefaction and holds the wound edges together. Interrupted

sutures about a finger-breadth apart are recommended. "The lower part of

the wound should be left open so that the cure may proceed properly."

Red powder was strewed over the wound and the leaf of a plant set above

it. In the lower angle of the wound a pledget of lint for drainage

purposes was inlaid. Hemorrhage was prevented by pressure, by the

binding on of _burnt_ wool firmly, and by the ligature of veins and by

the cautery.

There are rather interesting discussions of the prognosis of wounds of

the head, especially such as may be determined from general symptoms in

this commentary of the Four Masters on Roger's and Rolando's treatises.

If an acute febrile condition develops, the wound is mortal. If the

patient loses the use of the hands and feet or if he loses his power of

direction, or his sensation, the wound is mortal. If a universal

paralysis comes on, the wound is mortal. For the treatment of all these

wounds careful precautions are suggested. Cold was supposed to be

particularly noxious to them. Operations on the head were not to be done

in cold weather and, above all, not in cold places. The air where such

operations were done must be warmed artificially. Hot plates should

surround the patient's head while the operation was being performed. If

this were not possible they were to be done by candlelight, the candle

being held as close as possible in a warm room. These precautions are

interesting as foreshadowing many ideas of much more modern time and

especially indicating how old is the idea that cold may be taken in

wounds. In popular medicine this still has its place. Whenever a wound

does badly in the winter time patients are sure that they have taken

cold. Such popular medical ideas are always derived from supposedly

scientific medicine, and until we learned about microbes physicians used

the same expressions. We have not got entirely away from them yet.

These old surgeons must have had many experiences with fractures at the

base of the skull. Hemorrhages from the mouth and nose, for instance,

and from the ears were considered bad signs. They were inclined to

suggest that openings into the skull should be discovered by efforts to

demonstrate a connection between the mouth and nares and the brain

cavity. For instance, in their commentary the Four Masters said: "Let

the patient hold his mouth and nostrils tight shut and blow strongly."

If there was any lessening of the pressure or any appearance of air in

the wound in the scalp, then a connection between the mouth and nose was

diagnosticated. This is ingenious but eminently dangerous because of the

infectious material contained in the nasal and oral cavities, so likely

to be forced by such pressure into the skull. They were particularly

anxious to detect linear fractures. One of their methods of negative

diagnosis for fractures of the skull was that if the patient were able

to bring his teeth together strongly, or to crack a nut without pain,

then there was no fracture present. One of the commentators, however,

adds to this "_sed hoc aliquando fallit_--but this sign sometimes

fails." Split or crack fractures were also diagnosticated by the method

suggested by Hippocrates of pouring some colored fluid over the skull

after the bone was exposed, when the linear fracture would show by

coloration. The Four Masters suggest a sort of red ink for this purpose.

While they have so much to say about fractures of the skull and insist,

over and over again, that though all depressed fractures need treatment

and many fissure fractures require trepanation, still great care must be

exercised in the selection of cases. They say, for instance, that

surgeons who in every serious wound of the head have recourse to the

trephine must be looked upon as "fools and idiots" (_idioti et

stolidi_). In the light of what we now know about the necessity for

absolute cleanliness,--asepsis as we have come to call it,--it is rather

startling to note the directions that are given to a surgeon to be

observed on the day when he is to do a trepanation. For obvious reasons

I prefer to quote it in the Latin: "_Et nota quod die ilia cavendum est

medico a coitu et malis cibis aera corrumpentibus, ut sunt allia, cepe,

et hujusmodi, et colloquio mulieris menstruosae, et manus ejus debent

esse mundae, etc._" My quotation is from Gurlt, Vol. I, p. 707. The

directions are most interesting. The surgeon's hands must be clean, he

must avoid the taking of food that may corrupt the air, such as onions,

leeks, and the like; must avoid menstruating and other women, and in

general must keep himself in a state of absolute cleanliness.

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