Italian Comedy. _See_ Comedy, Italian.
Italian Literature, ii. 91.
Lami, Signor, ii. 117.
Laveleye, Emil de, ii. 99 _note_ 1.
Lazari, V., ii. 347 _note_ 1, 353 _note_ 1.
_Lazzi_--or humorous sallies--in the _Commedia dell'Arte_, i. 63.
Lee, Vernon, i. 23, 182.
Lombard ingredients in the _Commedia dell'Arte_, i. 40.
Longhi, Alessandro, son of Pietro, ii. 346, 357.
Longhi, Pietro, ii. 338-361.
the interest of his works, ii. 338 _note_ 1, 341, 347.
his parentage, ii. 342.
his early training, ii. 342.
his _Fall of the Giants_, ii. 343.
finds his true vocation as a painter in studies of contemporary
Venetian life, ii. 344.
the difference in his handiwork, ii. 346.
his similarity in art with Goldoni the dramatist, ii. 350.
the strong contrast between him and Hogarth, ii. 350.
his portrait, ii. 351.
filled the Chair of Painting in the Pisani Academy, ii. 353.
a picture representing the Pisani family attributed to him, ii. 354.
frescoes in the Palazzo Sina attributed to him, ii. 356.
his sketch-book, a collection of 140 drawings, ii. 357.
its great value, ii. 357.
description of its contents, ii. 358.
its merits and its limitations, ii. 358, 359.
summary of his work, ii. 360.
Loredano, Cavaliere Antonio, i. 212.
Machiavelli, Niccolo, i. 29.
Maffei, Carlo--
account of his character, ii. 276.
his intervention on Gratarol's behalf in the dispute regarding
the "Droghe d'Amore," ii. 277-285.
his sudden death, ii. 326, 327.
Manzoni, Caterina, actress, ii. 170.
her excellent qualities, ii. 192.
Marchiori, Cavaliere, Lieutenant-Colonel of Engineers, i. 225.
Gozzi studies Fortification under, i. 225.
his death, i. 228.
Marsili, Professor Giovanni, ii. 308.
Martelli, Pier Jacopo, i. 97 _note_ 1.
Martellian verses, i. 97 _note_ 1.
Masi, Ernesto, i. 99 _note_ 1.
Masks, the, as employed by Gozzi, i. 149.
Massimo, Innocenzio, i. 226, 227, 278, 326; ii. 28, 162, 310.
his friendship with Gozzi, i. 223, 283.
his character, i. 224.
a foolish adventure, i. 254-260.
his generous kindness to Gozzi, i. 312.
his sudden death, ii. 327.
Medebac (master of a company of comedians), engages Goldoni to
write for his company, i. 95.
Messer Grande, the Chief Constable of Venice, ii. 89 _note_ 1.
Micheli, Maggiore della Provincia, i. 218.
Montenegrins, the women of the, i. 241.
Morlacchi, a tribe of Dalmatians, i. 237 _note_ 1.
their barbarism, i. 237, 239.
Musset, Paul de, his travesty of Gozzi's real character, i. 23,
24 _note_ 1, 181, ii. 89 _note_ 2.
Neapolitan ingredients in the _Commedia dell'Arte_, i. 40.
Pallone, the game of, i. 251 _note_ 1.
Pantalone, i. 34; description of, in the _Commedia dell'Arte_, i. 43.
as employed by Gozzi, i. 152.
Paruta, the Patrician, Gozzi mistaken for, ii. 74.
Perrucci, Andrea, his description of the rehearsal of an
impromptu comedy, i. 58.
Pisani family, their Academy for the Study of the Art of Design, ii. 353.
Pozzobon, Giovanni, i. 100 _note_ 2.
Prata, Count Michele di, i. 282.
Prejudice, Gozzi's dissertation on, ii. 99.
Provveditore Generale di Dalmazia, the office of, i. 212 _note_ 1.
Provveditore Generale di Mare, the head of the Venetian
forces in the Levant, i. 212 _note_ 1.
Pulcinella, i. 35;
description of, i. 49.
Punch (Pulcinella), i. 50.
Quirini, Girolamo, Provveditore di Dalmazia, i. 213, 216, 247, 277, 278.
the town of Zara gives a grand public display in his honour, i. 230.
Gozzi presents a volume of his poems to him, i. 276.
Regina, the actress engaged by Sacchi to fill Ricci's place, ii. 254.
Renier, Paolo, ii. 301, 305.
his brilliant abilities, and his career, ii. 301 _note_ 1, 306 _note_ 1.
Reniero, Senator Daniele, i. 341.
Ricci, Marianna, sister of Teodora, ii. 242.
Ricci, Teodora, ii. 174, 324.
engaged as leading actress by Sacchi, ii. 174.
her personal appearance, ii. 175.
her connection with Gozzi, i. 9.
her connection with Gratarol, i. 10.
Gozzi's tuition of, ii. 177
the opposition to her, ii. 179.
her _debut_ at Venice not very successful, ii. 182.
her success in "Gustavus Vasa," ii. 184.
her triumph in Gozzi's "Principessa Filosofa," ii. 185.
her gratitude to Gozzi, ii. 186.
her merits and defects, ii. 188-192.
Gozzi becomes her Cicisbeo, ii. 193.
Gozzi is godfather to her child, ii. 198.
her separation from her husband, ii. 199.
her _liaison_ with Sacchi, ii. 202-210.
her foolish conduct, ii. 216.
her rapacity, ii. 221.
her agreement for five years with Sacchi, ii. 221.
her friendship with P. A. Gratarol, ii. 227, 241, 245.
its consequences, ii. 242.
Gozzi's final rupture with her, ii. 246.
her annoyance of him, ii. 249, 255.
she leaves Sacchi's company and goes to Paris, ii. 254.
her strange manners when she returns, ii. 256.
her failure as an actress when she began to ape the French, ii. 257.
her conduct at the reading of "Le Droghe d'Amore," ii. 260.
her foolish conduct in connection with the play, ii. 269, 275.
pretends illness in order to stop the play, ii. 275.
is ordered to play by the authorities, ii. 276.
her tactics which led to the withdrawal of "Le Droghe d'Amore," ii. 306.
her death in a madhouse, ii. 195 _note_ 1.
Riccoboni, Luigi, i. 63.
"Riflessioni d'un Imparziale," a pamphlet in answer to Gratarol's
"Narrazione," i. 13 _note_ 2, 15 _note_ 1.
Rossi, Pietro, actor, ii. 189.
Royer, Paul, i. 182.
Ruskin, John, ii. 340.
Sacchi, Antonia, actress, i. 112 _note_ 1.
Sacchi, Antonio, i. 53, 100, 101, 112 _note_ 1, 150; ii. 201,
262, 272, 282 _note_ 1, 286, 297, 306, 318.
list of his company, i. 112 _note_ 1.
allusion to his company in Gozzi's first "Fable," i. 127.
the inventor of Truffaldino as a form of Arlecchino, ii. 131 _note_ 1.
his famous company, ii. 142.
ruined by the opposition of Chiari and Goldoni, ii. 132.
their visit to Lisbon, ii. 132.
their return to Venice, ii. 132.
their success with Gozzi's pieces, i. 176; ii. 132.
their gratitude to Gozzi, ii. 137.
Gozzi temporarily withdraws his aid from his company, ii. 166.
obtains a lease of the theatre S. Salvadore, ii. 167, 168.
his passion for the Ricci, ii. 202, 214.
his ill-treatment of her, ii. 207.
its result, ii. 208-210.
his theatre pronounced unsafe, ii. 219.
his five years' agreement with Ricci, ii. 221.
his difficulties with Gratarol, ii. 233.
Ricci leaves his company and he engages Regina in her place, ii. 254.
consents to withdraw the "Droghe d'Amore," ii. 263.
produces it, ii. 271.
the dissolution of his company, ii. 322.
his excesses and tempers, ii. 322.
his last interview with Gozzi, ii. 324.
his death, ii. 325 _note_ 1.
Sacchi-Zannoni, Adriana, actress, i. 112 _note_ 1; ii. 131.
Sacchi's company--
its respectability, ii. 143.
Gozzi's relations with the actors and actresses, ii. 137-155.
dissensions in, ii. 164.
the details of its dissolution, ii. 322-325.
Santorini, Count Francesco, i. 324, 327, 329.
Schlegel, A. W., his praise of Gozzi's "Fiabe," i. 180.
Sciugliaga, Stefano, Secretary of the University of Milan, ii. 198.
Sechellari, Giuseppe, Prince of the Accademia Granellesca, ii. 93.
the tricks played on him, ii. 95.
Seghezzi, Antonio Federigo, i. 199.
Servetta, the, a character in the _Commedia dell'Arte_, i. 48, 154.
Sibiliato, Giovanni, a wonderful _improvisatore_ and a true poet, i. 204.
Smeraldina (Servetta), as employed by Gozzi, i. 154.
Somascan Order of Monks, i. 350 _note_ 1.
Stampa, Gaspara, poetess, i. 206.
Stock speeches in the _Commedia dell'Arte_, i. 62.
Tartaglia, a mask in the _Commedia dell'Arte_, i. 35, 50.
as employed by Gozzi, i. 152.
Terzi, Marchese, of Bergamo, i. 368, 369, 370.
Gozzi's lawsuit against, ii. 160.
its successful issue, ii. 164.
Testa, Antonio, a famous lawyer, i. 335; ii. 163.
his kindness to Gozzi, i. 336.
Theatres, private, in the houses of the Venetian nobility, i. 201 _note_ 1.
Tiepolo family, i. 189 _note_ 1.
Tiepolo, Almoro Cesare, i. 213, 291, 342.
his just and excellent character, i. 344-347.
Tiepolo, G. B., painter, ii. 338.
a genius of the first order, ii. 339.
Tiepolo, Nicolo Maria, his condemnation of comedians, i. 71.
Tiepolo Gozzi, Angela, mother of Carlo Gozzi--_See_ Gozzi, Angela Tiepolo.
Toaldo, Professor, ii. 75.
Todeschini, Raffaelle, ii. 295, 326.
Tommassei, his contempt for Gozzi, i. 179.
Tonina, a courtesan of Zara, i. 262.
Gozzi's impromptu attack on, in the theatre, i. 269.
Tron, Andrea, Procuratore di San Marco, i. 9, 14; ii. 264 _note_ 1.
Tron, Caterina Dolfin, see Dolfin-Tron, Caterina.
Truffaldino, the mask, a modification of Arlecchino, i.
46, 150; ii. 131 _note_ 1.
as used by Gozzi, i. 153.
Vendramini, Antonio, proprietor of the theatre of S. Salvadore,
ii. 167, 173, 276, 286.
Venice--
its decadence, i. 7 _note_ 1.
its political and social state about the middle of the 18th century, i. 82.
conflict of liberalism and conservatism in literature and
the theatre, i. 86.
success of the _Comedie Larmoyante_, i. 87.
foundation of the Academy de' Granelleschi, i. 89.
the granting of citizenship in, i. 186 _note_ 1.
the position of the _Cittadini Originari_, i. 186 _note_ 1.
posts open to the _Cittadini_, i. 187 _note_ 3.
Gozzi's remarks on the degeneration of the Venetian youth, i. 194.
robes of the Dignitaries, i. 217 _note_ 1.
the office of Grand Chancellor, i. 230 _note_ 1.
the values of the sequin and lira, i. 274 _note_ 1.
_Decime_ (taxes), i. 280 _note_ 1.
its theatres, i. 332 _note_ 1; ii. 167.
its law of entail, i. 336 _note_ 1.
the _Avogadori del Comun_, i. 341 _note_ 1.
decay of literary taste in, ii. 108-110.
the length of the theatrical year, ii. 146 _note_ 1.
its decrepitude, as shown in State interference in Gratarol's
quarrel with Gozzi, ii. 303 _note_ 1.
the influence of the French Revolution on, ii. 328.
partial revival of art in, in the 18th century, ii. 338.
Longhi's paintings of contemporary life in, ii. 338 _note_ 1;
ii. 341, 347, 358.
Verdani, Abbe Giovan Antonio, i. 196.
Vilio, Count, of Desenzano, ii. 24.
Vinacesi, Elisabetta, actress, ii. 213.
Vincentini, Tommaso, his excellence as Harlequin, i. 67.
Vitalba, Giovanni, actor, ii. 269.
the actor who caricatured Gratarol in the "Droghe d'Amore," ii. 272.
assaulted by a ruffian in Milan, ii. 318.
Wagner, Richard, his "Fairies," a setting of Gozzi's "Donna Serpente,"
i. 160 _note_ 1, 181.
Werthes, Franz A. C., translator of Gozzi's "Fiabe" into German, i. 180.
Widiman, Count Ludovico, a patron of Goldoni, ii. 124.
Zanche, Daniele, advocate, ii. 161.
Zanerini, Petronio, the best actor of Italy, ii. 323.
Zanoni, Atanagio, comedian, i. 112 _note_ 1; ii. 131, 323.
Zannuzzi, Francesco, of the Comedie Italienne at Paris, ii. 211, 212
_note_ 1.
Zeno, Apostolo, encourages Gozzi in his poetical attempts, i. 207.
his influence in the drama, i. 207 _note_ 1.
Zini, Francesco, a cloth merchant, wishes to buy the Gozzis' house, i. 299.
Carlo Gozzi tries to prevent the purchase, i. 300.
Zon, Signer, Secretary to the Inquisitors of State, ii. 303 _note_ 1.
Zucchi, Padre, an _improvisatore_, i. 203.
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