XVII

On Sunday afternoon my sister came to see me and had tea with me.

"I read a great deal now," she said, showing me the books she had got

out of the town library on her way. "Thanks to your wife and Vladimir.

They awakened my self-consciousness. They saved me and have made me feel

that I am a human being. I used not to sleep at night for worrying:

'What a lot of sugar has been wasted during the week.' 'The cucumbers

must not be oversalted!' I don't sleep now, but I have quite different

thoughts. I am tormented with the thought that half my life has passed

so foolishly and half-heartedly. I despise my old life. I am ashamed of

it. And I regard my father now as an enemy. Oh, how grateful I am to

your wife! And Vladimir. He is such a wonderful man! They opened my

eyes."

"It is not good that you can't sleep," I said.

"You think I am ill? Not a bit. Vladimir sounded me and says I am

perfectly healthy. But health is not the point. That doesn't matter so

much.... Tell me, am I right?"

She needed moral support. That was obvious. Masha had gone, Doctor

Blagovo was in Petersburg, and there was no one except myself in the

town, who could tell her that she was right. She fixed her eyes on me,

trying to read my inmost thoughts, and if I were sad in her presence,

she always took it upon herself and was depressed. I had to be

continually on my guard, and when she asked me if she was right, I

hastened to assure her that she was right and that I had a profound

respect for her.

"You know, they have given me a part at the Azhoguins'," she went on. "I

wanted to act. I want to live. I want to drink deep of life; I have no

talent whatever, and my part is only ten lines, but it is immeasurably

finer and nobler than pouring out tea five times a day and watching to

see that the cook does not eat the sugar left over. And most of all I

want to let father see that I too can protest."

After tea she lay down on my bed and stayed there for some time, with

her eyes closed, and her face very pale.

"Just weakness!" she said, as she got up. "Vladimir said all town girls

and women are anæmic from lack of work. What a clever man Vladimir is!

He is right; wonderfully right! We do need work!"

Two days later she came to rehearsal at the Azhoguins' with her part in

her hand. She was in black, with a garnet necklace, and a brooch that

looked at a distance like a pasty, and she had enormous earrings, in

each of which sparkled a diamond. I felt uneasy when I saw her; I was

shocked by her lack of taste. The others noticed too that she was

unsuitably dressed and that her earrings and diamonds were out of place.

I saw their smiles and heard some one say jokingly:

"Cleopatra of Egypt!"

She was trying to be fashionable, and easy, and assured, and she seemed

affected and odd. She lost her simplicity and her charm.

"I just told father that I was going to a rehearsal," she began, coming

up to me, "and he shouted that he would take his blessing from me, and

he nearly struck me. Fancy," she added, glancing at her part, "I don't

know my part. I'm sure to make a mistake. Well, the die is cast," she

said excitedly; "the die is cast."

She felt that all the people were looking at her and were all amazed at

the important step she had taken and that they were all expecting

something remarkable from her, and it was impossible to convince her

that nobody took any notice of such small uninteresting persons as she

and I.

She had nothing to do until the third act, and her part, a guest, a

country gossip, consisted only in standing by the door, as if she were

overhearing something, and then speaking a short monologue. For at least

an hour and a half before her cue, while the others were walking,

reading, having tea, quarrelling, she never left me and kept on mumbling

her part, and dropping her written copy, imagining that everybody was

looking at her, and waiting for her to come on, and she patted her hair

with a trembling hand and said:

"I'm sure to make a mistake.... You don't know how awful I feel! I am as

terrified as if I were going to the scaffold."

At last her cue came.

"Cleopatra Alexeyevna--your cue!" said the manager.

She walked on to the middle of the stage with an expression of terror on

her face; she looked ugly and stiff, and for half a minute was

speechless, perfectly motionless, except for her large earrings which

wabbled on either side of her face.

"You can read your part, the first time," said some one.

I could see that she was trembling so that she could neither speak nor

open her part, and that she had entirely forgotten the words and I had

just made up my mind to go up and say something to her when she suddenly

dropped down on her knees in the middle of the stage and sobbed loudly.

There was a general stir and uproar. And I stood quite still by the

wings, shocked by what had happened, not understanding at all, not

knowing what to do. I saw them lift her up and lead her away. I saw

Aniuta Blagovo come up to me. I had not seen her in the hall before and

she seemed to have sprung up from the floor. She was wearing a hat and

veil, and as usual looked as if she had only dropped in for a minute.

"I told her not to try to act," she said angrily, biting out each word,

with her cheeks blushing. "It is folly! You ought to have stopped her!"

Mrs. Azhoguin came up in a short jacket with short sleeves. She had

tobacco ash on her thin, flat bosom.

"My dear, it is too awful!" she said, wringing her hands, and as usual,

staring into my face. "It is too awful!... Your sister is in a

condition.... She is going to have a baby! You must take her away at

once...."

In her agitation she breathed heavily. And behind her, stood her three

daughters, all thin and flat-chested like herself, and all huddled

together in their dismay. They were frightened, overwhelmed just as if a

convict had been caught in the house. What a shame! How awful! And this

was the family that had been fighting the prejudices and superstitions

of mankind all their lives; evidently they thought that all the

prejudices and superstitions of mankind were to be found in burning

three candles and in the number thirteen, or the unlucky day--Monday.

"I must request ... request ..." Mrs. Azhoguin kept on saying,

compressing her lips and accentuating the _quest_. "I must request you

to take her away."

The House with the Mezzanine and Other Stories · 第 53 / 60 题