THE FOOTSTEP OF DEATH.

Godliness is great riches if a man be content with what he hath.

These words invariably carry me back in the spirit to a certain avenue

of _shesham_ trees I knew in India; an avenue six miles long, leading

through barren sandy levels to the river which divided civilisation

from the frontier wilds; an avenue like the aisle of a great cathedral

with tall straight trunks for columns, and ribbed branches sweeping up

into a vaulted roof set with starry glints of sunshine among the green

fret-work of the leaves. Many a time as I walked my horse over its

chequered pavement of shade and shine I have looked out sideways

on the yellow glare of noon beyond in grateful remembrance of the man

who,--Heaven knows when!--planted this refuge for unborn generations of

travellers. Not a bad monument to leave behind one among forgetful

humanity.

The avenue itself, for all its contenting shade, had nothing to do with

the text which brings it to memory--that co-ordination being due to an

old _fakeer_ who sat at the river end, where, without even a warning

brake, the aisle ended in a dazzling glare of sand-bank. This sudden

change no doubt accounted for the fact that on emerging from the shade

I always seemed to see a faint, half-hearted mirage of the still unseen

river beyond. An elusive mirage, distinct in the first surprise of its

discovery, vanishing when the attention sought for it. Altogether a

disturbing phenomenon, refusing to be verified; for the only man who

could have spoken positively on the subject was the old _fakeer_, and

he was stone-blind. His face gave evidence of the cause in the curious

puffiness and want of expression which confluent small-pox often leaves

behind it. In this case it had played a sorrier jest with the human

face divine than usual, by placing a fat bloated mask wearing a

perpetual smirk of content on the top of a mere anatomy of a body. The

result was odd. For the rest a very ordinary _fakeer_, cleaner than

most by reason of the reed broom at his side, which proclaimed him a

member of the sweeper, or lowest, caste; in other words, one of those

who at least gain from their degradation the possibility of living

cleanly without the aid of others. There are many striking points about

our Indian Empire; none perhaps more so, and yet less considered, than

the disabilities which caste brings in its train--the impossibility,

for instance, of having your floor swept unless Providence provides a

man made on purpose. My _fakeer_, however, was of those to whom

cleanliness and not godliness is the reason of existence.

That was why his appeal for alms, while it took a religious turn as was

necessary, displayed also a truly catholic toleration. It consisted of

a single monotonous cry: "In the name of your own Saint,"--or, as it

might be translated, "In the name of your own God." It thrilled me

oddly every time I heard it by its contented acquiescence in the fact

that the scavenger's god was not a name wherewith to conjure charity.

What then? The passer-by could give in the name of his particular deity

and let the minor prophets go.

The plan seemed successful, for the wooden bowl, placed within the

clean-swept ring bordered by its edging of dust or mud, wherein he sat

winter and summer, was never empty, and his cry, if monotonous, was

cheerful. Not ten yards from his station beneath the last tree, the

road ended in a deep cutting, through which a low-level bed of water

flowed to irrigate a basin of alluvial land to the south; but a track,

made passable for carts by tiger-grass laid athwart the yielding sand,

skirted the cut to reach a ford higher up. A stiff bit for the

straining bullocks, so all save the drivers took the short cut by the

plank serving as a footbridge. It served also as a warning to the blind

_fakeer_, without which many a possible contributor to the bowl might

have passed unheard and unsolicited over the soft sand. As it was, the

first creak of the plank provoked his cry.

It was not, however, till I had passed the old man many times in my

frequent journeyings across the river that I noticed two peculiarities

in his method. He never begged of me or any other European who chanced

that way, nor of those coming from the city to the river. The latter

might be partly set down to the fact that from his position he could

not hear their footsteps on the bridge till after they had passed; but

the former seemed unaccountable; and one day when the red-funnelled

steam ferry-boat, which set its surroundings so utterly at defiance,

was late, I questioned him on the subject.

"You lose custom, surely, by seeking the shade?" I began. "If you were

at the other side of the cut you would catch those who come from the

city. They are the richest."

As he turned his closed eyes towards me with a grave obeisance which

did not match the jaunty content of his mask, he looked--sitting in the

centre of his swept circle--ludicrously like one of those penwipers

young ladies make for charity bazaars.

"The Presence mistakes," he replied. "Those who come from the town have

empty wallets. 'Tis those who come from the wilderness who give."

"But you never beg of me, whether I go or come. Why is that?"

"I take no money, _Huzoor_; it is of no use to me. The _sahibs_ carry

no food with them; not even tobacco, only cheroots."

The evident regret in the latter half of his sentence amused me. "'Tis

you who mistake, _fakeer-ji_," I replied, taking out my pouch. "I am of

those who smoke pipes. And now tell me why you refuse money; most of

your kind are not so self-denying."

"That is easy to explain. Some cannot eat what is given; with me it is

the other way. As my lord knows, we dust-like ones eat most things your

God has made. But we cannot eat money, perhaps because He did not make

it--so the _padres_ say."

"Ah! you are learned; but you can always buy."

"Begging is easier. See! my bowl is full, and the munificent offering

of the Presence is enough for two pipes. What more do I want?"

Viewed from his standpoint the question was a hard one to answer. The

sun warmed him, the leaves sheltered him, the passers-by nourished him,

all apparently to his utmost satisfaction. I felt instinctively that

the state of his mind was the only refuge for the upholders of

civilisation and a high standard of comfort. So I asked him what he

thought about all day long. His reply brought total eclipse to all my

lights.

"_Huzoor!_" he said gravely, "I meditate on the Beauty of Holiness."

It was then that the text already quoted became indissolubly mixed up

with the spreading _shesham_ branches, the glare beyond, and that

life-sized penwiper in the foreground. I whistled the refrain of a

music-hall song and pretended to light my pipe. "How long have you been

here?" I asked, after a time, during which he sat still as a graven

image with his closed eyes towards the uncertain mirage of the river.

"'Tis nigh on thirty years, my lord, since I have been waiting."

"Waiting for what?"

"For the Footstep of Death--hark!" he paused suddenly, and a tremor

came to his closed eyelids as he gave the cry: "In the name of your

God!"

The next instant a faint creak told me that the first passenger from

the newly-arrived ferry-boat had set foot on the bridge. "You have

quick ears, _fakeer-ji_," I remarked.

"I live on footsteps, my lord."

"And when the Footstep of Death comes, you will die of one, I presume!"

He turned his face towards me quickly; it gave me quite a shock to find

a pair of clear, light-brown eyes looking at, or rather beyond, me.

From his constantly closed lids I had imagined that--as is so often the

case in small-pox--the organs of sight were hopelessly diseased or

altogether destroyed; indeed I had been grateful for the concealment of

a defect out of which many beggars would have made capital. But these

eyes were apparently as perfect as my own, and extraordinarily clear

and bright--so clear that it seemed to me as if they did not even hold

a shadow of the world around them. The surprise made me forget my first

question in another.

"_Huzoor!_" he replied, "I am quite blind. The Light came from the sky

one day and removed the Light I had before. It was a bad thunder-storm,

_Huzoor_; at least, being the last this slave saw, he deems it bad. But

it is time the Great Judge took his exalted presence to yonder snorting

demon of a boat, for it is ill-mannered, waiting for none. God knows

wherefore it should hurry so. The river remains always, and sooner or

later the screeching thing sticks on a sand-bank."

"True enough," I replied, laughing. "Well, _salaam, fakeer-ji_."

"_Salaam_, Shelter of the World. May the God of gods elevate your

honour to the post of Lieutenant-Governor without delay."

After this I often stopped to say a few words to the old man and give

him a pipeful of tobacco. For the ferry-boat fulfilled his prophecy of

its future to a nicety, by acquiring intimate acquaintance with every

shallow in the river--a habit fatal to punctuality. It was an odd sight

lying out, so trim and smart, in the wastes of sand and water. Red

funnels standing up from among Beloochees and their camels, bullocks

scarred by the plough, _zenana_-women huddled in helpless white heaps,

wild frontiersmen squatted on the saddle-bags with which a sham

orientalism has filled our London drawing-rooms. Here and there a

dejected half-caste or a specimen of young India brimful of _The

Spectator_. Over all, on the bridge, Captain Ram Baksh struggling with

a double nature, represented on the one side by his nautical pea-coat,

on the other by his baggy native trousers. "Ease her! stop her! hard

astern! full speed ahead!" All the shibboleths, even to the monotonous

"_ba-la-mar-do_" (by the mark two) of the leadsman forr'ards. Then,

suddenly, overboard goes science and with it a score of lascars and

passengers, who, knee-deep in the ruddy stream, set their backs

lazily against the side, and the steam ferry-boat _Pioneer_, built at

Barrow-in-Furness with all the latest improvements, sidles off her

sand-bank in the good old legitimate way sanctioned by centuries of

river usage. To return, however, to _fakeer-ji_. I found him as full of

trite piety as a copy-book, and yet, for all that, the fragments of his

history, with which he interlarded these common-places, seemed to me

well worth consideration. Imagine a man born of a long line of those

who have swept the way for princes--who have, as it were, prepared

God's earth for over-refined footsteps. That, briefly, had been

_fakeer-ji's_ inheritance before he began to wait for the Footstep of

Death. Whatever it may do to the imagination of others, the position

appealed to mine strongly, the more so because, while speaking freely

enough about the family of decayed kings to whom he and his forebears

had belonged, and of the ruined palace they still possessed in the

oldest part of the city, he was singularly reticent as to the cause

which had turned him into a religious beggar. For the rest he waited in

godliness and contentment (or so he assured me) for the Footstep of

Death.

The phrase grew to be quite a catch-word between us. "Not come yet,

_fakeer-ji?_" I would call as I trotted past after a few days' absence.

"_Huzoor!_ I am still waiting. It will come some time."

One night in the rains word came from a contractor over the water that

a new canal-dam of mine showed signs of giving, and, anxious to be on

the spot, I set off at once to catch the midnight ferryboat. I shall

not soon forget that ride through the _shesham_ aisle. The floods were

out, and for the best part of the way a level sheet of water gleaming

in the moonlight lay close up to the embankment of the avenue, which

seemed more than ever like a dim colonnade leading to an unseen Holy of

Holies. Not a breath of wind, not a sound save the rustle of birds in

the branches overhead, and suddenly, causelessly, a snatch of song

hushed in its first notes, as if the singer found it too light for

sleep, too dark for song. The beat of my horse's feet seemed to keep

time with the stars twinkling through the leaves.

I was met at the road's end by the unwelcome news that at least two

hours must elapse ere the _Pioneer_ could be got off a newly-invented

mudbank which the river had maliciously, placed in a totally unexpected

place. Still more unwelcome was the discovery that, in my hurry, I had

left my tobacco-pouch behind me. Nothing could be done save to send my

groom back with the pony and instructions for immediate return with the

forgotten luxury. After which I strolled over towards my friend the

_fakeer_, who sat ghostlike in the moonlight with his bowl full to the

brim in front of him. "That snorting devil behaves worse every day," he

said fervently; "but if the Shelter of the Poor will tarry a twinkling

I will sweep him a spot suitable for his exalted presence."

Blind as he was, his dexterous broom had traced another circle of

cleanliness in a trice, a new reed-mat, no bigger than a handkerchief,

was placed in the centre, and I was being invited to ornament just such

another penwiper as the _fakeer_ occupied himself. "Mercy," he

continued, as I took my seat, shifting the mat so as to be able to lean

my back against the tree, "blesses both him who gives, and those who

take," (even Shakespeare, it will be observed, yields at times to

platitude). "For see," he added solemnly, producing something from a

hollow in the root, "the Presence's own tobacco returns to the

Presence's pipe."

Sure enough it was genuine Golden Cloud, and the relief overpowered me.

There I was after a space, half-lying, half-sitting in the clean warm

sand, my hands clasped at the back of my head as I looked up into the

shimmering light and shade of the leaves.

"Upon my soul I envy you, _fakeer-ji_. We who go to bed at set times

and seasons don't know the world we live in."

"Religion is its own reward," remarked the graven image beside me, for

he had gone back to his penwiper by this time. But I was talking more

to myself than to him, in the half-drowsy excitement of physical

pleasure, so I went on unheeding.

"Was there ever such a night since the one Jessica looked upon! and

what a scent there is in the air,--orange blossoms or something!"

"It is a tree farther up the water-cut, _Huzoor_, a hill tree. The

river may have brought the seed; it happens so sometimes. Or the birds

may have brought it from the city. There was a tree of the kind in a

garden there. A big tree with large white flowers; so large that you

can hear them fall."

The graven image sat so still with its face to the river, that it

seemed to me as if the voice I heard could not belong to it. A dreamy

sense of unreality added to my drowsy enjoyment of the surroundings.

"Magnolia," I murmured sleepily; "a flower to dream about--hullo!

what's that?"

A faint footfall, as of some one passing down an echoing passage, loud,

louder, loudest, making me start up, wide awake, as the _fakeer's_ cry

rose on the still air: "In the name of your God!"

Some one was passing the bridge from the river, and after adding his

mite to the bowl, went on his way.

"It is the echo, _Huzoor_" explained the old man, answering my start of

surprise. "The tree behind us is hollow and the cut is deep. Besides,

to-night the water runs deep and dark as Death because of the flood.

The step is always louder then."

"No wonder you hear so quickly," I replied, sinking back again to my

comfort. "I thought it must be the Footstep of Death at least."

He had turned towards me, and in the moonlight I could see those clear

eyes of his shining as if the light had come into them again.

"Not yet, _Huzoor!_ But it may be the next one for all we know."

What a gruesome idea! Hark! There it was again; loud, louder, loudest,

and then silence.

"That came from the city, _Huzoor_. It comes and goes often, for the

law-courts have it in grip. Perhaps that is worse than Death."

"Then you recognise footsteps?"

"Surely. No two men walk the same; a footstep is as a face. Sometimes

after long years it comes back, and then you know it has passed

before."

"Do they generally come back?"

"Those from the city go back sooner or later unless Death takes them.

Those from the wilderness do not always return. The city holds them

fast, in the palace or in the gutter."

Again the voice seemed to me not to belong to the still figure beside

me. "It makes a devilish noise, I admit," I said, half to myself;

"but--"

"Perhaps if the _Huzoor_ listened for Death as I do he might keep

awake. Or perhaps if my lord pleases I might tell him a story of

footsteps to drive the idle dreams from his brain till the hour of that

snorting demon comes in due time?"

"Go ahead," said I briefly, as I looked up at the stars.

So he began. "It's a small story, _Huzoor_. A tale of footsteps from

beginning to end, for I am blind. Yet life was not always listening.

They used to say that Cheytu had the longest sight, the longest legs,

and the longest wind of any boy of his age. I was Cheytu." He paused,

and I watched a dancing shadow of a leaf till he went on. "The little

princess said Cheytu had the longest tongue too, for I used to sit in

the far corner by the pillar beyond her carpet and tell her stories.

She used to call for Cheytu all day long. 'Cheytu, smooth the ground

for Aimna's feet'--'Cheytu, sweep the dead flowers from Aimna's

path'-'Cheytu, fan the flies from Aimna's doll,--for naturally,

_Huzoor_, Cheytu the sweeper did not fan the flies from the little

princess herself; that was not his work. I belonged to her footsteps. I

was up before dawn sweeping the arcades of the old house ready for

them, and late at night it was my work to gather the dust of them and

the dead flowers she had played with, and bury them away in the garden

out of sight."

A dim perception that this was strange talk for a sweeper made me

murmur sleepily, "That was very romantic of you, Cheytu." On the other

hand, it fitted my environment so admirably that the surprise passed

almost as it came.

"She was a real princess, the daughter of kings who had been--God knows

when! It is written doubtless somewhere. Yes! a real princess, though

she could barely walk, and the track of her little feet was often

broken by handmarks in the dust. For naturally, _Huzoor_, the dust

might help her, but not I, Cheytu, who swept it for her steps. That was

my task till the day of the thunderstorm. The house seemed dead of the

heat. Not a breath of life anywhere, so at sundown they set her to

sleep on the topmost roof under the open sky. Her nurse, full of

frailty as women are, crept down while the child slept, to work evil to

mankind as women will. _Huzoor_, it was a bad storm. The red clouds had

hung over us all day long, joining the red dust from below so that it

came unawares at last, splitting the air and sending a great ladder of

light down the roof.

"'Aimna! Aimna!' cried some one. I was up first and had her in my arms;

for see you, _Huzoor_, it was life or death, and the dead belong to us

whether they be kings or slaves. It was out on the bare steps, and she

sleeping sound as children sleep, that the light came. The light of a

thousand days in my eyes and on her face. It was the last thing I saw,

_Huzoor_--the very last thing Cheytu the sweeper ever saw.

"But I could hear. I could hear her calling, and I knew how her face

must be changing by the change in her voice. And then one day I found

myself sweeping the house against her wedding-feast; heard her crying

amongst her girl friends in the inner room. What then? Girls always cry

at their weddings. I went with her, of course, to the new life, because

I had swept the way for her ever since she could walk, and she needed

me more than ever in a strange house. It was a fine rich house, with

marble floors and a marble summer-house on the roof above her rooms.

People said she had made a good bargain with her beauty; perhaps, but

that child's face that I saw in the light was worth more than money,

_Huzoor_. She had ceased crying by this time, for she had plenty to

amuse her. Singers and players, and better story-tellers than Cheytu

the sweeper. It was but fair, for look you, her man had many more wives

to amuse him. I used to hear the rustle of her long silk garments, the

tinkle of her ornaments, and the cadence of her laughter. Girls ought

to laugh, _Huzoor_, and it was spring time; what we natives call

spring, when the rain turns dry sand to grass and the roses race the

jasmin for the first blossom. The tree your honour called magnolia grew

in the women's court, and some of the branches spread over the marble

summerhouse almost hiding it from below. Others again formed a screen

against the blank white wall of the next house. The flowers smelt so

strong that I wondered how she could bear to sleep amongst them in the

summer-house. Even in my place below on the stones of the courtyard

they kept me awake. People said I had fever, but it was not that--only

the scent of the flowers. I lay awake one dark, starless night, and

then I first heard the footstep, if it was a footstep,--loud, louder,

loudest; then a silence save for the patter of the falling flowers. I

heard it often after that, and always when it had passed the flowers

fell. They fell about the summer-house too, and in the morning I used

to sweep them into a heap and fling them over the parapet. But one day,

_Huzoor_, they fell close at hand, and my groping fingers seeking the

cause found a plank placed bridge-wise amongst the branches. _Huzoor!_

was there any wonder the flowers fell all crushed and broken? That

night I listened again, and again the footsteps came amid a shower of

blossoms. What was to be done? Her women were as women are, and the

others were jealous already. Next day when I went to sweep I strewed

the fallen flowers thick, thick as a carpet round her bed; for she had

quick wits I knew.

"'Cheytu! Cheytu!'

"The old call came as I knew it would, and thinking of that little

child's face in the light I went up to her boldly.

"'My princess,' I said in reply to her question as I bent over the

flowers, ''tis the footstep makes them fall so thick. If it is your

pleasure I will bid it cease. They may hurt your feet.'

"I knew from her silence she understood. Suddenly she laughed; such a

girl's laugh.

"'Flowers are soft to tread upon, Cheytu. Go! you need sweep for me no

more.'

"I laughed too as I went. Not sweep for her when she only knew God's

earth after I had made it ready for her feet! It was a woman's idle

word, but, woman-like, she would think and see wisdom for herself.

"That night I listened once more. The footstep must come once I

knew--just once, and after that wisdom and safety. _Huzoor!_ it came,

and the flowers fell softly. But wisdom was too late. I tried to get at

her to save her from their pitiless justice. I heard her cries, for

mercy; I heard her cry even for Cheytu the sweeper before they flung me

from the steps where the twinkling lights went up and down as if the

very stars from the sky had come to spy on her. What did they do to

her? What did they do to her while I lay crushed among the crushed

flowers? Who knows? It is often done, my lord, behind the walls. She

died; that is all I know, that is all I cared for. When I came back to

life she was dead, and the footstep had fled from revenge. It had

friends over the border where it could pause in safety till the tale

was forgotten. Such things are forgotten quickly, my lord, because the

revenge must be secret as the wrong; else it is shame, and shame must

not come nigh good families. But the blind do not forget easily;

perhaps they have less to remember. Could I forget the child's face in

the light? As I told the Presence, those who go from the city come back

to it sooner or later unless Death takes them first. So I wait for the

Footstep--hark!"

The Flower of Forgiveness · 第 29 / 39 题