II

But, among those of March, April, May, June, July, remember the glad and

festive names, the springtime syllables, the vocables of azure and dawn,

of moonlight and sunshine! Here is the Snowdrop, or Amaryllis, who

proclaims the thaw; the Stitchwort, or Lady's Collar, who greets the

first-communicants along the hedges, whose leaves are as yet

indeterminate and uncertain, like a diaphanous green lye. Here are the

sad Columbine and the Field Sage, the Jasione, the Angelica, the Field

Fennel, the Wallflower, dressed like a servant of a village-priest; the

Osmond, who is a king fern; the Luzula, the Parmelia, the Venus'

Looking-glass; the Esula or Wood Spurge, mysterious and full of sombre

fire; the Physalidis, whose fruit ripens in a lantern; the Henbane, the

Belladonna, the Digitalis, poisonous queens, veiled Cleopatras of the

untilled places and the cool woods. And then, again, the Camomile, the

good-capped Sister with a thousand smiles, bringing the health-giving

brew in an earthenware bowl; the Pimpernel and the Coronilla, the pale

Mint and the pink Thyme, the Sainfoin and the Euphrasy, the Ox-eye

Daisy, the mauve Gentian and the blue Verbena, the Anthemis, the

lance-shaped Horse-Thistle, the Cinquefoil or Potentilla, the Dyer's

Weed ... to tell their names is to recite a poem of grace and light. We

have reserved for them the most charming, the purest, the clearest

sounds and all the musical gladness of the language. One would think

that they were the persons of a play, dancers and choristers of an

immense fairy-scene, more beautiful, more startling and more

supernatural than the scenes that unfold themselves on Prospero's

Island, at the Court of Theseus, or in the Forest of Arden. And the

comely actresses of this silent, never-ending comedy--goddesses, angels,

she-devils, princesses and witches, virgins and courtezans, queens and

shepherd-girls--carry in the folds of their names the magic sheens of

innumerous dawns, of innumerous springtimes contemplated by forgotten

men, even as they also carry the memory of thousands of deep or fleeting

emotions which were felt before them by generations that have

disappeared, leaving no other trace.

The Double Garden · 第 76 / 114 题