S. L. CLEMENS.”

A writer in the San Francisco Chronicle wrote, not many years since, as

follows: “There have been moments in the lives of various kind hearted

and respectable citizens of California and Nevada, when, if Mark Twain

were up before them as members of a vigilance committee for any mild

crime, such as mule stealing or arson, it is to be feared his shrift

would have been short. What a dramatic picture the idea conjures up,

to be sure! Mark, before those honest men, infuriated by his practical

jokes, trying to show them what an innocent creature he was when it

came to mules, or how the only policy of fire insurance he held had

lapsed, and how void of guile he was in any direction, and all with

that inimitable drawl, that perplexed countenance, and the peculiar

scraping back of the left foot, like a boy speaking his first piece at

school. It is but fair to say that the fun Mark mixed up for citizens

in those days, was not altogether appreciated in the midst of it, for

some one, touched too sharply, _surge bat amari aliquid_, and Mark

had another denouncer joined to the wounded throng.... He is keenly

sensitive to sympathy or criticism, and relates, as one of the most

harrowing experiences of his life, a six hours’ ride across England,

his fellow traveler an Englishman, who, shortly after they started,

drew forth the first volume of the English edition of Innocents Abroad

from his pocket, and calmly perused it from beginning to end without

a smile. Then he drew forth the second volume and read it as solemnly

as the first. Mark says he thought he should die, yet John Bull was

probably enjoying it after his own undemonstrative style.”

In another instance the same writer says of Mark Twain: “This literary

wag has performed some services which entitle him to the gratitude

of his generation. He has run the traditional Sunday-school book boy

through his literary mangle and turned him out washed and ironed

into a proper state of flatness and collapse. That whining, canting,

early-dying anæmic creature was the nauseating model held up to

the full-blooded mischievous lads of by-gone years as worthy their

imitation. He poured his religious hypocrisy over every honest pleasure

a boy had. He whined his lachrymose warnings on every playground. He

vexed their lives. So, when Mark grew old enough he went gunning for

him, and lo, wherever his soul may be, the skin of the strumous young

pietist is now neatly tacked up to view on the Sunday-school door of

to-day as a warning, and the lads of to-day see no particular charm in

a priggish, hydropathical existence.”

Samuel Langhorne Clemens is in the high tide of his success. He is

yet a young man, as far as the literary life goes. Outside of his book

making, he has given the fun-loving public some admirable things in the

way of wit and humor through the pages of the leading magazines. The

originality of his writings in the past is retained in his work of the

present, and he gives promise of many original things in the future.

He has a liking for the monotonous labor of literary work, his health

is as yet unimpaired, he has been fortunate in love and in financial

affairs, is consequently happy, and will yet give to the world of

letters many quaint, bright, and original ideas. Artemus Ward and Mark

Twain are without a doubt the two leading humorists of the present

century. While we have the Artemus that was, we possess the Mark that

is. He leads the van of humorists who eke out an existence in the

present. He is the prince of funny men. Long live the prince.

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