Nearly every one has read of the famous Rose of Jericho (_Anastatica

hierochontina_) or Holy Rose--a low, gray-leaved annual, utterly unlike

a rose, growing abundantly in the arid wastes of Egypt, and also

throughout Palestine and Barbary, and along the sandy coasts of the Red

Sea. One of the most curious of the cruciferous plants, it exhibits, in

a rare degree, a hygrometric action in its process of reproduction.

During the hot season it blooms freely, growing close to the ground,

bearing its leaves and blossoms upon its upper surface; when these fall

off, the stems become dry and ligneous, curving upward and inward until

the plant becomes a ball of twigs, containing its closed seed-vessels in

the centre, and held to the sand by a short fibreless root. In this

condition, it is readily freed by the winds, and blown across the

desert, until it reaches an oasis or the sea; when, yielding to the

'_Open Sesame_' of water, it uncloses, leaving nature to use its

jealously guarded treasures at her will.

The dried plant, if carefully preserved, retains for a long time its

hygrometric quality. When wet, it expands to its original form,

displaying florets (?) not unlike those of the elder, but larger,

closing again as soon as the moisture evaporates. Hence it is

reverenced in Syria as a holy emblem. The people call it _Kaf Maryam_,

or Mary's Flower, and many superstitions are held regarding it, one of

which is, that it first blossomed on the night on which our Saviour was

born. Growing everywhere, upon heaps of rubbish and roofs of old houses,

by the wayside, and almost under the very door-stones, it creeps into

the surroundings of the people, weaving its chains of white, yellow, or

purple flowers while sunshine lasts, and, when apparent decay overtakes

it, teaching its beautiful lesson of Life in Death. Who can cavil at the

thought which raises it to a symbol of that Eternal Love forever weaving

endless chains from heart to heart, no spot too lowly for its tendrils

to penetrate, or too dreary for its bloom.

Some specimens of the Anastatica have been carried to this country by

travellers. One, in the cabinet of Fisher Howe, Esq., of Brooklyn, and

brought by him from Jericho fourteen years ago, still retains its

remarkable habit; and another, older still, is in the possession of Dr.

Eames.

Among the plants which exhibit curious phases of hygrometric action

might be cited some of the Fig Marigolds (_Mesembryanthemum_); also the

Scaly Club Moss (_Lycopodium_). The latter, after being thoroughly

withered, will, if laid in water, gradually expand, turn green, and

assume the appearance of a thriving plant. When again dried, it becomes

a brown, shrunken mass, capable, however, of being revived _ad libitum_.

Some species of Fungi also exhibit a similar property--and all have

observed with what promptitude the various pine and larch cones cover

their seed in a storm, or even when it 'looks like rain.' I remember

being once not a little puzzled in trying to open a drawer that some

weeks before had been filled with damp pine cones. Upon becoming dry,

each individual had attempted a humble imitation of the genii in the

'Arabian Nights,' expanding to its fullest extent, only to be subjugated

by being cast again into the water.

Some of the Algæ exhibit properties similar to that of the Club Moss;

and a marine plant known as the Californian Rock-rose is still more

curious. Clinging closely to the rocks, and feeding upon some invisible

debris, or, like certain orchids, drawing its sustenance from the air

(for the rocks upon which it grows, sometimes are lifted far above the

water), it attains an enormous size, being in some instances as large as

a bushel basket. It is not without a certain jagged beauty of contour,

resembling, more than anything else, clusters of Arbor Vitæ branches cut

out of wet leather, and meeting in the centre. Once torn from its stony

bed, the Rock-rose curls up into an apparently tangled mass of network,

having the general outline of a rose, but it will at any time, upon

being immersed in water, assume its original appearance. I have seen a

fine specimen of this plant open and close, for the hundredth time,

years after it had been taken from the rock.

The Hygrometric Ground Star (_Geastrum hygrometricum_), found in many

portions of Europe, is well known; nearer home, we have a variety

(_Geastrum Saratogensis_) differing in some respects from its

transatlantic relative, which is of a warm brown color, and flourishes

in gravelly soil.

The American variety grows abundantly in the drifting sands of Saratoga

County, N. Y. It has no stem or root, excepting here and there a fine

capillary fibre by which it clings to the ground. When dry, it contracts

to a perfect sphere, is rolled by the wind across the sand, and

(according to the account given by Dr. Asa Fitch, who has had a specimen

in his possession for twenty years) shakes a few seeds from the orifice

at its summit at each revolution. This seed ball also possesses the

power of opening when moistened, changing its spherical form to that of

an open flower about two inches in diameter. When opened, it displays

eight elliptical divisions, resembling petals. These are white as snow

on the inside, and traversed by a network of small irregular cracks,

while their outer surface resembles kid leather, both in color and

texture.

The Ground Star differs in habit from the 'Resurrection Flower,' which

never yields its seed unless expanded by moisture (if Dr. Deck's theory

be correct), and is not nearly as intricate or beautiful in construction

as the oriental relic. Indeed, to this day, the 'Resurrection Flower,'

as one must call it for want of a better name, remains without a known

rival in the botanical world. From time to time, brief notices

concerning it have been published; and where writers, sometimes without

having seen the original, have claimed the knowledge or possession of

similar specimens, they have become convinced of their mistake on

personal inspection. Even the plants alluded to in a short account,

given eight years ago, in a leading New York periodical, as being the

same as the 'Resurrection Flower,' proved, on comparison by Dr. Eames,

to be entirely different.

Although it is by no means certain that the plant in Baron Humboldt's

collection, and that owned by Dr Eames, are the only individuals of

their kind in existence, the fact of their great rarity is well

established. As far as I have been able to ascertain, there is but one

'Resurrection Flower' in America.

That new plants might be obtained from this lonely representative of its

race few can doubt; but to this day the germs exposed so temptingly at

each awakening, have never been removed. Old as it is, it has never done

its work, the only seeds it has sown being those of inquiry and

adoration in the minds of all who have witnessed its marvellous powers.

Whether the pretty oriental tale of its origin be true or not--and it

requires an oriental faith to believe it in the face of contradictory

evidence--none can gaze upon that little emblem of 'Life in Death'--so

homely and frail, and yet so beautiful and so eternal--without peculiar

emotion.

What drooping, weary soul, parched with the dust of earth, but sometimes

longs to be forever steeped in that great Love in which it may expand

and bloom--casting its treasures upon Heavenly soil,--and glowing

evermore with the radiance of the Awakening.

RECOGNITION.

Now in the chambers of my heart is day,

And form and order. A most sacred guest

Is come therein, and at his high behest

Beauty and Light, who his calm glance obey,

Flew to prepare them for his regal sway.

Now solitude I seek, which once, possessed,

I fled; now, solitude to me is blessed,

Wherein I hearken Love's mysterious lay,

And hold with thee communion in my heart.

That thou art beautiful, thou who art mine--

That with thy beauty, Beauty's soul divine

Has filled my soul, I muse upon apart.

In the blue dome of Heaven's eternity,

Rising I seem upborne by thoughts of thee.

THE SEVEN-HUNDREDTH BIRTHDAY OF A GERMAN CAPITAL.

Most of our countrymen look upon Germany as all one. The varieties of

outlandish customs, costumes, and dialects observed among our emigrant

population from that land are little noticed, and never regarded as

marking districts of the fatherland from which they severally sprung.

One of the most fruitful themes of pleasant humor and biting sarcasm in

our periodical literature and in the popular mouth, is the ignorance

betrayed by enlightened foreigners, and especially foreign journalists,

in regard to the geography of our country; as though America were, _par

excellence_, THE land, and on whatever other subject the world might,

without meriting our contempt, fail to inform itself, our country, not

only in its glorious history and more glorious destiny, but in the

minuter details of the picture, must be understood and acknowledged.

This charge of ignorance is not unfounded. Often have I been not a

little amused when an intelligent German has inquired of me as a New

Yorker, with the sure hope of news from his friend in Panama, or another

to learn how he might collect a debt from a merchant at Valparaiso, or a

third to be informed why he received no answers to letters addressed to

friends in Cuba, and so on. But if the tables were turned upon us, there

is no point on which we should be found open to a more fearful

retribution than on this. I know an American gentleman of education--and

he told me the story himself--who applied at Washington for letters to

our diplomatic representatives in Europe, and who had sufficiently

informed himself to be on the point of sailing for several years'

residence abroad, and still, when letters were handed him for our

consul-general at Frankfort and our minister in Prussia, asked, with no

little concern, whether a letter to our minister in _Germany_ could not

be given him. I knew a correspondent of a New York journal fearfully to

scourge a distinguished German for his ignorance of American geography.

The same person, after months of residence in Munich, having about

exhausted the resources which it offered him for his correspondence,

gave a somewhat detailed account of the affairs of Greece, in which he

referred to King Otho as _brother_ of King Lewis of Bavaria, although

almost any peasant could have told him that the latter was _father_ to

the former.

Indeed, there is nothing strange about this, unless it be that any one

should deem himself quite above the class of blunders which he

satirizes. It is less to be wondered at that one should continue to hurl

his satiric javelins at those who commit the same class of errors with

himself, since he seldom becomes aware of his own ridiculous mistakes.

In regard to Germany, our people know but its grand divisions and its

large cities; and of its people among us but their exterior

distinctions, and mainly those offered to the eye, arrest attention. We

meet them as servants or employés in kitchens, shops, and gardens, and

on farms, or as neighbors, competitors, or associates in business. At

evening we separate, and they go to their own domestic or social

circles, where alone the native character speaks itself freely forth in

the native language and dialect. There only the homebred wit and humor

freely flow and flash. There the half-forgotten legends and

superstitions, the utterance of which to other ears than those of their

own people is forbidden--perhaps by a slight sense of shame, perhaps by

the utter failure of language,--together with the pastimes and

adventures of their native villages or districts, are arrested in their

rapid progress to oblivion, as they are occasionally called forth to

amuse the dull hours or lighten the heavy ones of a home-sick life in a

foreign land. Could we but half enter into the hearts of the peasant

Germans who move among us, and are by some regarded as scarcely raised

in refinement and sensibility above the rank of the more polished

domestic animals of our own great and enlightened land, we should often

find them replete with the choicest elements of the truly epic, the

comic, and the tragic.

How seldom do the people of different lands and languages learn to

understand each other--become so well acquainted as to appreciate each

other's most engaging traits? The German emigrant seeks a home among us,

and desires to identify himself with us. The costume of his native

district is thrown off as soon as he needs a new garment, often much

sooner. His language is laid aside except for domestic use and certain

social and business purposes, as soon as he has a few words of ours.

These words serve the ends of business, and rarely does he ever learn

enough for any other purpose. The other parts of the man remain

concealed from our view. He is to us a pure utilitarian of the grossest

school. His pipe suspended from his mouth, his whole time given to his

shop, his farm, or his garden, and to certain amusements unknown to us,

he is deemed to vegetate much like the plants he grows, or to live a

life on the same level with that of the animal he feeds, incapable of

appreciating those higher and more refined pleasures to which we have

risen--in other words, the true type of dulness and coarseness. An

intelligent Welshman once told me that he could not talk religion in

English nor politics in Welsh. So with the Germans among us. Their

business and politics learn to put themselves into English, their

religious, domestic, and social being remains forever shut up in the

enclosure of their mother tongue, and from this we rashly judge that

what they express is all there is of them. We have never considered the

difficulty of transferring all the utterances of humanity from their

first and native mediums to foreign ones. It is easy to learn the daily

wants of life or the formal details of business in a new language. Here

words have a uniform sense. But the nice shades and turns of thought

which appear in the happiest and most delicate jets of wit and humor,

and which form the great staples of pleasant social intercourse, depend

upon those subtile discriminations in the sense of words which are

rarely acquired by foreigners. One may have all the words of a language

and not be able to understand them in sallies of wit. How nicely

adjusted then must be the scales which weigh out the innumerable and

delicate bits of pleasantry which give the charm to social life! The

words to relate the legends connected with the knights and castles of

chivalry, saints, witches, elves, spooks, and gypsies, the foreigners

among us never acquire, or at least never so as to have the ready and

delicate use of them in social life, until their foreign character has

become quite absorbed in the fully developed American, and the taste, if

not the material for picturing the customs and legends of the fatherland

are forever gone.

It is mainly North Germany with whose institutions we have become more

or less familiar through our newspaper literature, and the numbers of

students who have from time to time gone thither for educational

purposes. Some acquaintance has also been made with Baden and

Wirtemberg, in South Germany, as these principalities have a population

mainly Protestant; and Heidelberg, at least, has been a favorite resort

for American students. But the same is not true of Catholic South

Germany. Munich's collections and institutions of art--mainly the work

of the late and still living King Lewis I.--have, indeed, become

generally known. Mary Howitt, in her 'Art Student in Munich,' has given

us some graphic delineations of life there. The talented and witty

Baroness Tautphoens has done us still better service in her 'Initials'

and 'Quits,' in relation both to life in the capital and in the

mountains; yet the character, institutions, and customs of the people

remain an almost unexplored field to the American reader.

In the middle of the twelfth century Munich was still an insignificant

village on the Isar, and had not even been erected into a separate

parish. About this time Henry the Lion added to his duchy of Saxony,

that of Bavaria, and having destroyed the old town of Foehring, which

lay a little below the site of Munich on the other side of the river,

transferred to the latter place the market and the collection of the

customs, which had till then been held by the bishops of Freising with

the imperial consent. The emperor Frederic I., in the year 1158,

confirmed, against the remonstrances of Bishop Otho I., the doings of

Henry. The duke hastened to surround the village with a wall and moat to

afford protection to those who might choose to settle there, and in

twenty years it had become a city. But the duke fell into disgrace with

the emperor, and the latter revoked the rights he had granted; but this

was like taking back a slander which had already been circulated. The

effect had been produced. Munich was to become a capital.

Bishop Otho's successor would gladly have destroyed the infant city and

the bridge which had been the making of it. In consequence, however, of

his early death, this beneficent purpose toward his see of Freising

remained unexecuted. The next successor continued the same policy. He

built a castle with the design of seizing the trading trains which

should take the road to Munich, perhaps deeming this the best way of

magnifying his office as a leader in the church militant. But before he

could achieve his purpose of cutting off all supplies from the rival

town, and turning trade and tribute all to his own place, a new defender

of the rising city had sprung up in the house of Wittelsbocher--the same

which still reigns over the kingdom of Bavaria,--and the matter of the

feud was finally adjusted by the quiet surrender of the bridge and the

tolls to the city.

The imperial decree, therefore, of 1158, must be regarded as having laid

the foundation of Munich as a city, and accordingly the seven hundredth

anniversary of its founding was celebrated in the year 1858. I shall

place a notice of this _fête_ at the head of the list of those which

occurred during my residence in that capital.

It was a part of the plan that the ceremony of laying the foundation of

a new bridge over the Isar should be performed by the king. This was

deemed specially appropriate, because the springing up of the city had

depended upon a bridge over the river to draw thither the trade which

had gone to the old Freising. This occurred on Sunday, and I did not see

it. I never heard, however, but that his majesty acquitted himself as

well in this stone mason's work as he does in the affairs of court or

state--just as well, perhaps, as one of our more democratic Chief

Magistrates, accustomed to splitting rails or other kinds of manual

labor, would have done. I took a walk with my children at evening, and

met the long line of court carriages returning, followed by a procession

on foot, the archbishop, with some church dignitaries, walking under a

canopy and distributing, by a wave of the hand at each step of his

progress, his blessing to the crowds which thronged both sides of the

broad street. Some, perhaps, prized this more than we did, but I do not

suppose that there was anything in the nature of the blessing or in the

will of the benevolent prelate to turn it from our heretical heads.

The other parts of this celebration consisted in dinners, plays in the

theatres, a meeting at the _Rathhaus_, at which were read papers on the

development of Munich for the seven hundred years of its existence, and

a procession, the whole occupying about a week. I shall only notice

specially the procession, and in connection with it the art exhibition

for all Germany, which closed at the same time, having been in progress

for three months; for the two greatly contributed to each other.

The illustrated weekly, published at Stuttgart by the well-known

novelist Hacklaender, under the title of _Ueber Land und Meer_, refers

to these festivities in the following terms:

'Munich, the South German metropolis of art, was, during the

closing days of September, transformed into a festive city. The

German artists had assembled from all parts of the country, that

they might, within those walls, charmed by the genius of the muses,

wander through the halls in which the academy had collected the

best works of German art, and take counsel upon the common

interests, as they had formerly done at Bingen and Stuttgart. The

artists and the magistracy vied with each other in preparing happy

days for the visitors--an emulation which was crowned with the most

delightful results. The artists' festival, however, was but the

harbinger to the the city of the great seventh centennial birthday

festival of the Bavarian capital, which had been so long in

preparation, and was waited for with such impatience. Concerts and

theatres opened the festal series. Services in all the churches of

both confessions consecrated the coming days, and the laying of the

foundation of the new bridge over the Isar, leading to the

Maximilianeum, formed, historically, a monumental memorial for the

occasion. Favored by the fairest of weather, the city celebrated

the main festival on the 27th of September. It was a historical

procession, moved through all the principal streets of the city,

and caused departed centuries to pass in full life before the eyes

of the citizens and the vast assemblage of strangers there present.

It was no masquerade, but a true picture of the civilization of the

city, from its first appearance in history to the present day--'a

mirrored image,' says a chronicler of the festival, 'of times long

since gone by.

'The twelfth century opened the procession--representations of the

present time in science, art, and industry, as developed under the

reigns of Lewis and Maximilian, which have been so promotive of all

that is great, closed it up. But one voice was heard in regard to

the success of this festival.'

The plan was to let representatives of the people for this whole period

of seven hundred years pass before the eyes of the spectators in the

fashions and costumes of their respective ages, bearing the implements

or badges of their several guilds or professions. The preparation had

been begun months beforehand. Artists had been employed to sketch

designs. The best had been selected. The costumes were historical. We

see sometimes in every part of our country, costumes extemporized from

garrets for old folks' concerts and other like occasions, but generally

they do not correspond with each other, or with the performances. The

result is committed to accident. The actors wear what their meagre

wardrobes of the antique furnish. The wider the divergence from present

fashions the better. Chance may bring together the styles of a dozen

successive periods, and render the whole without coherence. In such an

exhibition our interest is felt simply in the grotesque. It shows us how

a countenance familiar to us is set off by a strange and outlandish

costume. It represents no history. Such was not this procession. Its

front had twelfth century costumes of peasants, burghers, and even the

ducal family. So down to the very day of the festival; for statues of

the present royal family on open cars closed up the long line. It did

not seem indeed quite right that the successive ages of the dead should

pass before us living, and the living age alone lifeless. In one part of

the procession was an imperial carriage of state drawn by six horses, a

man in livery leading each horse, with all the necessary footmen,

outriders, and outrunners. The whole was antiquity and novelty happily

combined. The costumes and insignia of all classes, with the tools and

implements of all handicrafts, from the day when Duke Henry and Bishop

Otho, seven hundred years before, had had their petty bickerings about

the tolls of a paltry village, down to the present day, the whole

transformed into a living panorama, and made to pass in about four hours

before the eye.

Continental Monthly , Vol. 6, No. 1, July, 1864 Devoted to Literature and National Policy. · 第 13 / 18 段