Next to this is a monument to the memory of the late Duchess of

NORTHUMBERLAND. The figures on each side are Faith and Hope; and those

above are two weeping Genii over her urn, mourning for her loss. The

inscription, after reciting her Grace's illustrious descent and titles,

concludes with her character, who, "having lived long an ornament of

courts, an honour to her country, a pattern to the great, a protectress to

the poor, ever distinguished for the most tender affection for her family

and friends, she died December 5, 1776, aged sixty, universally beloved,

revered, and lamented. The Duke of Northumberland, inconsolable for the

loss of the best of wives, hath erected this monument to her beloved

memory."--_Read, sculptor._

Against the screen is a Gothic monument with the effigy of a lady in

robes, very antique. The lady, by the inscription, appears to be PHILIPPA,

second daughter and co-heiress of John, Lord Mohun, of Dunstar; married

first to Sir Walter Fitzwalter, Knt., secondly to Sir John Galofre, Knt.,

and lastly to Edward Plantagenet, Duke of York, who was slain in the

battle of Agincourt, 25th of October, 1415. She died in 1431, without

issue.

In the middle of the Chapel is a fine monument to the memory of Sir GEORGE

VILLIERS, who died Jan. 4, 1605, and his lady, MARY BEAUMONT, created

Countess of Buckingham in 1618. She died on April 19, 1632, aged

sixty-two, whose son, by the favour of James I., was advanced to the

dignity of the Duke of Buckingham.--_Stone, sculptor._

KATHARINE VALOIS, Queen of Henry V., who died at Bermondsey Abbey,

Southwark, in January, 1437, was buried in the Chapel of our Lady at the

east end of the Abbey, where she remained till her grandson, Henry VII.,

built his chapel, when her remains were placed near to her husband in a

chest, and finally deposited under Sir George Villiers' tomb in 1776.

In this Chapel lies interred, THOMAS SPRAT, Bishop of Rochester, and Dean

of Westminster, who died May 20, 1713. Also his son, THOMAS SPRAT,

Archdeacon of Rochester, who died May 10, 1720, aged forty-one. Also many

other persons of distinction, of the Percy, Seymour, and Burleigh

families, which we have not space to insert.

At the door of this Chapel was buried that great and learned antiquary,

Sir HENRY SPELMAN, who died in 1641.

On leaving this Chapel, opposite to you, there is affixed to the corner of

Henry V.'s Chantry, a bust with Latin inscription, to the memory of Sir

ROBERT AITON, Knt., who, in the reign of James I., was in great reputation

for his writings, especially in poetry. He died in 1638.

On the right, against the screen of the Chapel of St. Nicholas, is a

monument erected to the memory of Sir THOMAS INGRAM, Knt., Chancellor of

the Duchy of Lancaster, and Privy Councillor to Charles II. He died

February 13, 1671.

[Illustration: CENTRE, HENRY VII'S CHAPEL.]

IV.--Chapel of Henry the Seventh.

[Illustration: The Gates are Brass.]

1. Villiers, Duke of Buckingham, 1628.

2. Sheffield, Duke of Buckingham, 1720.

3. The Duke de Montpensier, 1807.

4. An Urn containing the heart of Esme Stuart, son of the Duke of

Richmond, 1661.

5. Lodowick Stuart, Duke of Richmond, 1623.

6. Henry VII. and Queen, 1503 and 1509.

7. The Royal Vault of George II., 1760.

8. Augusta Elizabeth Frederica, 5th daughter of Thomas Bruce, 7th Earl

of Elgin and Kincardine. The beloved wife of Arthur Penrhyn Stanley,

Dean of this Collegiate Church. For thirty years the devoted servant

of Queen Victoria and the Queen's mother and children; for twelve

years the unwearied friend of the people of Westminster and the

inseparable partner of her husband's toils and hopes, uniting many

hearts from many lands, and drawing all to things above. Born April 3,

1822. Died March 1, 1876.

"We know that we have passed from death unto life because we love the

brethren."

The ascent to this Chapel is from the east end of the Abbey, by steps of

grey marble, under a stately portico, which leads to the gates opening to

the body, or nave of the Chapel. Before you enter you may observe a door

on each hand, opening into the side aisles, for it is composed of a nave

and side aisles, every way answering to the plan of a cathedral. The gates

by which you enter the nave are all well worth your observation; they are

of brass, most curiously wrought, in the manner of frame work, and the

panels being filled with the portcullis and crown; three fleur-de-lis;

falcon and fetterlock; the union of the roses of York and Lancaster

entwined in a crown; the thistle and crown; the initial R. H. and a crown,

and the three lions of England. Being entered, your eye will naturally be

directed to the lofty ceiling, which is in stone, wrought with such

astonishing variety of figures, as no description can reach. The stalls

are of brown wainscot, with Gothic canopies, most beautifully carved, as

are the seats, with strange devices, which nothing on wood is now equal

to. The pavement is of black and white marble, done at the charge of Dr.

Killigrew, once Prebendary of this Abbey, as appears by two inscriptions,

one on a plate of brass, infixed in the rise towards the founder's tomb,

the other cut in the pavement. The east view from the entrance presents

you with the brass chapel and tomb of the founder; and round it, where the

east end forms a semicircle, are the Chapels of the Dukes of Buckingham

and Richmond. The walls of the nave and aisles are wrought in the most

curious figures imaginable, and contain one hundred and twenty large

statues of Patriarchs, Saints, Martyrs, and Confessors, placed in niches,

under which are angels, supporting imperial crowns, all of them esteemed

so curious, that the best masters have travelled from abroad to copy them.

The windows, which are fourteen in the upper, and nineteen in the lower

range, including the side aisles and portico, were formerly of painted or

diapered glass, having in every pane a white rose, the badge of Lancaster,

or an H, the initial letter of the founder's name, and portcullises, the

badge of the Beauforts crowned, of which a few only are now remaining. In

the upper window, east end, Henry VII. is represented in stained glass.

The ceiling is of stone, and persons can walk between the roof and

ceiling, where there is a spacious room, lighted by Gothic openings

through the wall.

_General Admeasurement of the Interior._

Ft. In.

Length of the Nave 103 9

Breadth of ditto 35 9

Height of the Nave to vortex of the Vaulting 60 7

Length of the Aisles 62 5

Breadth of ditto 17 2

Entire Breadth of the Chapel 70 1

Height of West Window 45 0

Breadth of ditto 31 0

_Entrance Porch or Vestibule._

Extent from North to South 28 4

Breadth 24 9

SOUTH AISLE.

[Illustration]

1. Lady Margaret Douglas, 1577.

2. Mary, Queen of Scots, 1587.

3. Margaret, Countess of Richmond, 1509.

4. Lady Walpole, 1737.

5. General Monck, Duke of Albemarle, 1670.

In front of this Monument is the Old Royal Vault, containing Charles

II., 1685, King William III., 1702, Prince George of Denmark, 1708,

and Queen Anne, 1714.

Here is a handsome monument, on which lies a lady finely robed, to Lady

MARGARET DOUGLAS, daughter of Margaret, Queen of Scots, by the Earl of

Angus. This lady, as the English inscription says, had to her

great-grandfather, Edward IV.; to her grandfather, Henry VII.; to her

uncle, Henry VIII.; to her cousin-german, Edward VI.; to her brother,

James V. of Scotland; to her son, Henry I. of Scotland; to her grandson,

James VI.; having to her great-grandmother and grandmother, two Queens,

both named Elizabeth; to her mother, Margaret, Queen of Scots; to her

aunt, Mary, the French Queen; to her cousins-german, Mary and Elizabeth,

Queens of England; to her niece and daughter-in-law, Mary, Queen of Scots.

This lady, who was very beautiful, was privately married in 1537, to

Thomas Howard, son of the Duke of Norfolk, upon which account both of them

were committed to the Tower by Henry VIII., her uncle, for affiancing

without his consent, and he died in prison; but this Margaret being

released, was soon after married to Matthew, Earl of Lennox, by whom she

had the handsome Lord Darnley, father of James I., whose effigy is

foremost on the tomb, in a kneeling posture. There are seven children

besides round the tomb of Margaret, of whom only three are mentioned in

history, the rest dying young. This great lady died March 10, 1577.

Next is the magnificent monument to MARY STUART, Queen of Scots, erected

by her son, James I., soon after his accession to the English throne. This

princess was born Dec. 7, 1542. She was daughter and heiress of James V.

of Scotland, who, dying when she was only a week old, succeeded to the

crown. Married first, April 28, 1558, at fifteen years of age, Francis,

Dauphin of France; secondly, Henry, Lord Darnley, July 29, 1565; and

thirdly, Bothwell. Her subjects becoming offended, she was compelled to

resign her crown to her infant son, James, by Lord Darnley; she eventually

sought refuge in England, but Queen Elizabeth committed her as prisoner to

the Earl of Shrewsbury at his houses of Hardwicke and Chatsworth, in

Derbyshire, where she remained seventeen years a captive. She was thence

transferred to the custody of Sir Amias Paulet, and shortly afterwards

tried and condemned for engaging in a treasonable correspondence with the

Queen's enemies. She was beheaded in the hall of Fotheringay Castle, in

Northamptonshire, February 8, 1587. Her remains were first buried in

Peterborough Cathedral; but James had her body privately removed to this

Church, in Oct., 1612, under the superintendence of Neile, then Dean of

Westminster, and buried in a vault beneath this monument.--_Stone,

sculptor._

HENRY, Prince of Wales, eldest son of James I., born Feb. 19, 1593, and

after giving great promise of a blessing to his country, died of a fever

at St. James's palace, Nov. 6, 1612, in the 19th year of his age, and was

buried by the side of his grandmother.

In the same tomb are the remains of ARABELLA STEWART, four children of

Charles I.: ELIZABETH of Bohemia, daughter of James I.; Prince RUPERT her

son; ANN HYDE, first wife of James II., and ten of his infant children;

WILLIAM, Duke of Gloucester, son of Ann, and seventeen of her infant

children.

The next is the monument of MARGARET, Countess of Richmond, mother of

Henry VII., by Edmund Tudor, son of Owen ap Tudor, who married the widow

of Henry V. of England, and daughter of Charles VI. of France. This lady

was afterwards married to Humphrey Stafford, a younger son of Humphrey,

Duke of Buckingham, and lastly, to Thomas Lord Stanley, Earl of Derby; but

by the two last had no children. The inscription mentions the charities of

this excellent Princess; such as giving a salary to two monks of

Westminster; founding a grammar-school at Wimbourne, and two colleges, one

to Christ, the other to St. John his disciple, at Cambridge. Of this

lady's bounty, forty poor women partake every Saturday afternoon, in the

College Hall; each of them has twopence, one pound and a half of beef, and

a fourpenny loaf of bread. She died in July, 1509, in the reign of her

grandson, Henry VIII.--_Torrigiano, sculptor._

Opposite is a figure to the memory of Lady WALPOLE, with the following

inscription:--"To the memory of Catherine, Lady Walpole, eldest daughter

of John Shorter, Esq., of Bybrook, in Kent, and first wife of Sir Robert

Walpole, afterwards Earl of Orford, Horace, her youngest son, consecrated

this monument. She had beauty and wit, without vice or vanity, and

cultivated the arts without affectation: she was devout, though without

bigotry to any sect; and was without prejudice to any party, though the

wife of a minister, whose power she esteemed but when she could employ it

to benefit the miserable, or to reward the meritorious; she loved a

private life, though born to shine in public: and was an ornament to

Courts, untainted by them. She died August the 20th, 1737."--_Valory,

sculptor._

At the end, a monument to the memories of GEORGE MONCK, and CHRISTOPHER,

his son, both Dukes of Albemarle; also, ELIZABETH, Duchess Dowager of

Albemarle and Montague, relict of Christopher. George Monck, Duke of

Albemarle, was younger son of Sir Thomas Monck, born at Potheridge, Devon,

December 6, 1608. He entered the army as a volunteer in 1625, under Sir

Richard Grenville. At the death of Cromwell he took an active part in the

restoration of Charles II., for which he was loaded with honours, and died

in the esteem of his sovereign, in 1670, in the sixty-second year of his

age.--_Scheemakers, sculptor._

At this end is the Royal Vault, as it is called, in which are deposited

the remains of CHARLES II., who died February 2, 1685; WILLIAM III., who

died March 8, 1702, and Queen MARY, his consort, who died December 28,

1694; Queen ANNE, died August 1, 1714; and Prince GEORGE, who died Oct.

28, 1708.

THE NAVE.

From this aisle you enter the nave of the Chapel, the stone ceiling of

which is curious, and the gates are brass. Here were installed, with great

ceremony, the Knights of the most Honourable Order of the Bath, which

order was revived in the reign of George I., in 1725. In their stalls are

placed brass plates of their arms, &c., and over them hang their banners,

swords, and helmets. Under the stalls are seats for the esquires; each

Knight has three, whose arms are engraven on brass plates. The small

shelving stool which the seats of the stalls form when turned up is called

a _miserere_. On these the monks and canons of ancient times, with the

assistance of their elbows on the upper part of the stalls, half supported

themselves during certain parts of their long offices, not to be obliged

always to stand or kneel. It is so contrived, that if the body became

supine by sleep, it naturally fell down, and the person who rested upon it

was thrown forward on the middle of the choir.

In the centre, between the Knights' stalls, is the Royal Vault, where

their Majesties GEORGE II. and Queen CAROLINE are buried; the Prince and

Princess of WALES, two Dukes of CUMBERLAND, the Duke of YORK, Prince

FREDERICK WILLIAM, the Princesses AMELIA, CAROLINE, ELIZABETH, LOUISA,

ANNE; and the two infant Princes, ALFRED and OCTAVIUS, children of George

III., were removed in January, 1820, to the new royal vault at Windsor.

What is chiefly to be admired here, as well for antiquity as fine

workmanship, is the magnificent tomb of HENRY VII. and ELIZABETH his

Queen, the last of the house of York who wore the English crown. This tomb

stands in the body of the Chapel, enclosed in a curious chantry of cast

brass, most admirably designed and executed, and ornamented with statues,

of which those only of St. George, St. James, St. Bartholomew, and St.

Edward, are now remaining. Within it are the effigies of the Royal pair,

in their robes of state, lying close to each other, on a tomb of black

marble, the head whereof is supported by a red dragon, the ensign of

Cadwallader, the last King of the Britons, from whom Henry VII. was fond

of tracing his descent, and the foot by an angel. There are likewise other

devices alluding to his family and alliances; such as portcullises,

signifying his relation to the Beauforts by his mother's side; roses

twisted and crowned, in memory of the union of the two Royal Houses of

York and Lancaster. There are six compartments, three on the north, and as

many on the south side of its base. The first compartment on the south

side contains the figures of the Virgin Mary with our Lord in her arms,

and that of the Archangel St. Michael. The figures in the scales, though

now mutilated, were meant for personal representations of moral good and

evil; the Saint is weighing them in his balance; the good preponderates;

but the Devil, who is represented by the figure under his feet, is

reaching with one of his clawed feet at the scale which contains the

figure of Evil, in order, by the addition of his own force, to render that

the heaviest. The first figure in the second compartment is doubtless

intended for St. John the Baptist, he having a book in his left hand, with

an _Agnus Dei_ impressed upon it. The other is a figure of St. John the

Evangelist, and the figure of the eagle. The first figure of the third

compartment is intended for St. George; the other figure, from the pig's

head visible near him, the frequent symbol by which he is denoted, is

intended for St. Anthony of Vienna. The first figure in the fourth

compartment, north side, is meant for Mary Magdalen, supposing her to hold

the box of ointment. The other figure represents St. Barbara, who was the

daughter of a Pagan, and dwelt with her father in a certain tower. To this

tower adjoined a garden, in which the father determined to build a bath,

with the necessary accommodation of rooms, and therein to make windows to

the number of two only. Being about to undertake a journey, he left his

instructions with the artificers, which his daughter presumed to vary, by

directing them instead of two to make three. Upon her father's return, he

inquired into the reason of this deviation from his orders; and being told

that in allusion to three persons of the Holy Trinity his daughter had

directed it, he found that she was become a convert to Christianity; and

being exasperated thereat, stimulated the Emperor to a persecution of the

Christians, in which she became a martyr to the faith. The first figure in

the fifth compartment is intended for St. Christopher, bearing our Saviour

upon his shoulder. The other figure is thought to be St. Anne. In the

sixth and last compartment, the first figure is intended for King Edward

the Confessor; the other figure is a Benedictine Monk. Henry VII. died

April 21st, 1509, and his Queen, February 11th, 1502.--_The work of

Torrigiano._

EDWARD VI., grandson of Henry VII., who died July 6th, 1553, in the

sixteenth year of his age, and seventh of his reign. On the holy table is

the following inscription in Latin:--"In place of the ancient altar,

destroyed in the civil wars, to the honour of God and in pious memory of

Edward VI., who is buried beneath, this holy table, in a gentler age, was

placed by Arthur Penrhyn Stanley, D.D., Dean of Westminster. 1870."

On the south side of the tomb of Henry VII., in a small chapel, is a

monument to LEWIS STUART, Duke of Richmond, and FRANCES, his wife. The

brass effigies are represented as lying on a marble table, under a canopy

of brass, curiously wrought, and supported by the figures of Faith, Hope,

Charity, and Prudence. On the top is a fine figure of Fame, taking her

flight, and resting only on her toe. This illustrious nobleman was son to

Esme Stuart, Duke of Lennox, and grandson of James, nephew of James I., to

whom he was First Gentleman of the Bedchamber and Privy Councillor, a

Knight of the Garter, and Ambassador to France on behalf of Scotland. He

died Feb. 16, 1623. His lady was daughter of Thomas, Lord Howard of

Bindon, son of the Duke of Norfolk, by Elizabeth, daughter of the Duke of

Buckingham. She died Oct. 8, 1639.--You will likewise see here a pyramid,

supporting a small urn, in which is contained the heart of ESME STUART,

son of the Duke of Richmond and Lennox, by Lady Mary, daughter of the Duke

of Buckingham. He died in France, August 15, 1661, aged eleven years, and

was succeeded in all his titles by Charles, Earl of Lichfield, his

cousin-german, who died December 12, 1672, and is here interred.

This monument was originally of great splendour, hardly surpassed by any

in the Abbey, being wholly composed of jet black marble and bronze gilt.

The combined effects of neglect, corrosion, and spoliation had at last

rendered it an unsightly wreck, when, in 1874, its almost complete

restoration was undertaken by the direction and at the sole cost of the

Earl of Darnley, who is a lineal descendant in the female line of the

ancient Stuart family.

A monument to the DUKE DE MONTPENSIER, who is represented with ducal

coronet and robes, and his remains are beneath. On the front of this tomb

is the following inscription:--"The most illustrious and Serene Prince,

ANTHONY PHILIP, Duke of Montpensier, descended from the Kings of France,

second son of the Duke of Orleans, from his earliest youth bred to arms,

and even in chains unsubdued; of an erect mind in adversity, and in

prosperity not elated; a constant patron of the liberal arts, polite,

pleasant, and courteous to all, nor ever wanting in the duties of brother,

neighbour, friend, or in the love of his country. After experiencing the

vicissitudes of fortune, he was received with great hospitality by the

English nation, and at length rests in this asylum for kings. Born July 3,

1775. Died May 18, 1807, aged thirty-one. Louis Philip, Duke of Orleans,

erects this monument in memory of the best of brothers."--_Sir Richard

Westmacott, sculptor._

The next is an excellent monument to the memory of JOHN SHEFFIELD, Duke of

Buckingham, where, on an altar, lies his Grace's effigy, in a Roman habit,

with his Duchess, Catherine, natural daughter of the Duke of York,

afterwards James II., sitting at his feet weeping. In the reign of Charles

II. as the inscription sets forth, he was General of the Dutch troop of

horse, Governor of Kingston Castle upon Hull, and First Gentleman of the

Bedchamber; in that of James II., Lord Chamberlain; and in that of Queen

Anne, Lord Privy Seal, and President of the Council. He was in his youth

an excellent poet, and, in his more advanced years, a fine writer. His

love of poetry is conspicuous, by the esteem and regard he had for the two

great masters of it, who flourished in his own time, Dryden and Pope, to

the first of whom he extended his friendship, even after death, by

erecting a monument to his memory. To the latter he did honour, by writing

a poem in his praise. Over his Grace's effigy are inscribed in Latin,

sentences to the following import:--"I lived doubtful, not dissolute--I

die unresolved, not unresigned. Ignorance and error are incident to human

nature. I trust in an almighty and all good God. O! thou Being of Beings,

have compassion on me;" and underneath it.--"for my King often, for my

Country ever." His Grace died in the seventy-fourth year of his age, Feb.

24, 1720, leaving the publication of his works to the care of Mr.

Pope.--_Scheemakers, sculptor._

The remains of JAMES I. are in the tomb of Henry VII. This Prince reigned

over Scotland 59 years, and over England 22 years. He was son to Lord

Darnley, by Mary Queen of Scots. He died March 16, 1625, aged 61, after a

long and peaceable reign. The remains of his Queen, ANN of Denmark, are in

the tomb in front of the monument of Sheffield, Duke of Buckingham. She

died March 2, 1619.

On the north side of Henry the Seventh's Chantry, in a chapel, is a very

antique monument, decorated with several emblematical figures in brass,

gilt, the principal of which is Neptune, in a pensive posture, with his

trident reversed, and Mars with his head crouched. These support the tomb

on which lie the effigies of GEORGE VILLIERS, Duke of Buckingham, and his

Duchess, the great favourite of James I. and Charles I., who fell a

sacrifice to national resentment, and perished by the hands of Felton,

August 23, 1628, who had no other motive of action but the clamours of the

people. CATHERINE, his Duchess, was interred in the same vault, April 8,

1643.

CROMWELL, four of his family, and six officers were buried in the vault at

the end of this chapel. Their remains were removed at the Restoration.

The following are also interred in this portion of the Chapel:--JOHN

CAMPBELL, Duke of Argyle and Greenwich, 1743. EDWARD VI., ELIZABETH

CLAYPOLE, second daughter of Oliver Cromwell, 1658.

NORTH AISLE.

[Illustration]

1. Monument to Queen Elizabeth, 1602, and her Sister Queen Mary, 1558.

2. Mary, Daughter of James the First, 1607.

3. Edward the Fifth and Duke of York, 1483.

4. Sophia, Daughter of James the First, 1606.

5. Marquis of Halifax, 1695.

6. Earl of Halifax, 1715.

From hence you pass to the North Aisle, by a door on the right hand, where

is a monument to the memory of CHARLES MOUNTAGUE, the first of this family

that bore the title of Lord Halifax, son of George Mountague, of Horton.

In the reigns of William III. and George I. he was placed at the head of

the Treasury, where, undertaking the reformation of the coin, which in

those days was most infamously clipped, to the great loss of the public,

he restored it to its proper value. For these and other public services,

he was first created Baron, and then Earl of Halifax, and died May 19,

1715.

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